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Paul JARACH - Henri de REGNIER
Les petits messieurs de Nèvres
Paris: Editions A. & P. Jarach 1944. Fine. Editions A. & P. Jarach Paris 1944 16.50 x 24 cm relié Edition illustrated with original designs by Paul Jarach engraved on wood by G. Poilliot one of 425 numbered copies on Rives laid paper the only copies after 5 Japan and 25 hors commerce. Half brown shagreen binding with corners spine sunned with five raised bands set with gilt fillets decorated with triple gilt compartments gilt date at foot frame of gilt fillets on mauve paper boards mauve paper endpapers and pastedowns covers and spine preserved top edge gilt Editions A. & P. Jarach hardcover
Référence libraire : 46105
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Paul Jokelson
Antique French Paperweights and Related Objects
New York: Colyer-roux Printing Co. 1955. First Edition . Hardcover. Good -/No Jacket. 8vo - over 7¾" - 9¾" tall. 254pp. Original boards. Special deluxe limited edition #474 limited to 2000 copies. Personally signed by author "To Mr. Jack Galton who loves birds as much as I love paperweights! With warm regards. Paul Jokelson." Pages are clean unmarked but age-toned. Binding is creased and text block is pulling away from boards but pages are still secure. Boards are slightly scuffed with denting to head/heel of spinerubbing to corners. Increasingly scarce. Nice reading copy. <br/> <br/> Colyer-roux Printing Co. hardcover
Référence libraire : 048241
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Paul Joseph Marie HUNTZIGER
De la disposition congénitale au calcul mental
Paris: Librairie de la faculté de médeine 1913. Fine. Librairie de la faculté de médeine Paris 1913 16 x 24 cm broché First edition. This is a thesis submitted for obtaining a doctorate in medicine. Worming to covers handsome interior condition. Librairie de la faculté de médeine unknown
Référence libraire : 4785
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Paul JOUVE
"Le jugement de Paris"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1897 35 x 26 cm une feuille Rare original lithograph executed by Paul Jouve for L'Estampe Moderne series number 6 published in October 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso pale marginal foxing. ""It is with a pencil already sure of itself a very powerful firmness of drawing and also a very thorough knowledge that Jouve the animal artist has rendered for us this imaginatively picturesque page of monkey life"". Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other reviews such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania"". The poster originally popular and posted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy of a work of witty humor by this famous animal painter. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Référence libraire : 73982
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Paul JOUVE - (A MALFILATRE)
"Le jugement de Paris"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Octobre 1897 35 x 26 cm une feuille et une serpente Rare original lithograph executed by Paul Jouve for L'Estampe Moderne series number 6 published in October 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on the verso; engraving preceded by a tissue guard captioned with the artist's name the title an extract from a work by A. Malfilatre and a presentation text; blank tissue guard. ""It is with a pencil already sure of itself a very powerful firmness of drawing and also a very thorough knowledge that Jouve the animal artist has rendered for us this imaginatively picturesque page of monkey life"". Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other reviews such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a complete work in itself. Its ink absorption quality and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania"". The poster originally popular and posted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy of a work of witty humor by this famous animal painter. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Référence libraire : 73981
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Paul JOUVE - Andre DEMAISON
La comédie des animaux qu'on dit sauvages
Paris: Editions Rombaldi 1950. Fine. Editions Rombaldi Paris 1950 15.50 x 20 cm broché Edition printed on cream-colored Rives vellum and illustrated with five original drawings engraved on copper by Paul Jouve hand-colored with pochoir by Edmond Vairel. Handsome copy despite small foxing spots on the boards endpapers and edges. Editions Rombaldi hardcover
Référence libraire : 85298
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Paul JOVET
Flore descriptive et illustrée de la France par l'abbé H. Coste. Second supplément
Paris: Lib. scientifiquetechnique Albert Blanchard 1974. Fine. Lib. scientifique technique Albert Blanchard Paris 1974 16.50 x 25 cm broché First edition. Illustrated at the end. A good copy. Lib. scientifiquetechnique Albert Blanchard unknown
Référence libraire : 41638
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Paul KLEE
Journal
Paris: Grasset 1959. Fine. Grasset Paris 1959 13.50 x 20.50 cm broché First edition of the French translation established by Pierre Klossowski one of 26 numbered copies on alfa paper the only deluxe copies. Handsome copy despite slight loss of blue on the first cover. Grasset unknown
Référence libraire : 69213
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Paul LABBE
Oeuvres choisies de Paul Labbé poète et conteur normand 1855-1923 précédées d'une intoduction de Jacques-Noir et suivies d'opinion et d'hommages
Paris: Alphonse Lemerre 1929. Fine. Alphonse Lemerre Paris 1929 - broché Edition with some parts in first edition one of 30 copies numbered in Roman numerals on Holland paper deluxe copy. Fine full-page inscription by Jacques-Noir. Work decorated with headpieces initial letters tailpieces 5 illustrations including two in color and two facsimiles. Spine lightly sunned otherwise handsome full-margined copy. Alphonse Lemerre unknown
Référence libraire : 31887
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Paul LACROIX
Catalogue de la bibliothèque dramatique de M. de Soleinne rédigé par le bibliophile Jacob
Paris 1843. Fine. Paris 1843-1845 14.50 x 23 cm 6 volumes reliés First edition. Half caramel calf bindings spines with four raised bands set with gilt fillets and decorated with double gilt fillets red morocco title and volume labels some minor scratches to spines without significance two upper headcaps showing traces of rubbing one joint of the fifth volume fragile marbled paper boards marbled endpapers and pastedowns elegant contemporary bindings signed by Simier relieur du Roi. Scattered foxing auction price notations inscribed in red ink in margins of descriptions. Handsome copy in charming uniform contemporary binding signed by one of the most talented binders of the 19th century. hardcover
Référence libraire : 50689
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Paul LACROIX
Les deux fous. Histoire du temps de François Ier 1524
Paris: Eugène Renduel 1830. Fine. Eugène Renduel Paris 1830 12.50 x 20 cm relié First edition published under the pseudonym of bibliophile Jacob. Black paper boards smooth spine tan sheep title-label with two small angular lacks one joint slightly cracked then reglued at head red edges modest contemporary binding. Handsome interior condition. Eugène Renduel hardcover
Référence libraire : 42969
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Paul LACROIX
Sciences et lettres au Moyen-âge et à l'époque de la Renaissance
Paris: Librairie de Firmin Didot 1877. Fine. Librairie de Firmin Didot Paris 1877 20 x 29.70 cm relié First edition magnificently illustrated with 13 chromolithographs and 400 wood engravings in-text. Publisher's binding in its most luxurious version by Lenègre in half red shagreen richly decorated with a Souze plate a plate also found on the red shagreen-textured percaline boards; binding evoking the rich Renaissance bindings of Grolier type. Gilt edges. Minor rubbing at foot. Very handsome copy with some scattered foxing in the margins. The interest of the work manifests itself both through its erudition and its accessibility and readability historical anecdotes. We owe it to Paul Jacob who was a great bibliophile writer and scholar and keeper of the Arsenal library. If the entire series has become a great classic in the field it is because it successfully combines the work of publisher printer bookbinder historian illustrators and documentation and few books have ultimately achieved this amalgamation that we owe to Firmin-Didot at a time when books had become quite mediocre. One will note the presence in the sciences of the study of alchemy and occult sciences and a chapter on heraldry. Librairie de Firmin Didot hardcover
Référence libraire : 39473
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Paul LACROIX
XVIIeme siècle. Institutions usages et costumes. France 1590 - 1700
Paris: Librairie de Firmin Didot 1880. Fine. Librairie de Firmin Didot Paris 1880 20 x 29.50 cm relié Second edition statement. Illustrated with 16 chromolithographs and 300 wood engravings including 30 full-page plates after monuments of the art of the period. Title page in red and black. Fine production by Didot carefully executed in all aspects typography illustration paper. Publisher's red half-shagreen with corners spine very richly decorated by Souze and bound by Engel. Fillets on the boards. Corners rubbed 2 small paper lacks to the boards edges. Very pale halo from an old dampstain in the right margin of certain pages but overall very fresh. Handsome copy with decorative appeal. The interest of the work is manifest both in its erudition and its accessibility and readability historical anecdotes. We owe it to Paul Jacob who was a great bibliophile writer and scholar and curator of the Arsenal library. If the entire series has become a great classic in the field it is because it successfully combines the work of publisher printer binder historian illustrators and documentation and few books have ultimately achieved this amalgamation that we owe to Firmin-Didot at a time when books had become quite mediocre. Librairie de Firmin Didot hardcover
Référence libraire : 33021
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Paul LACROIX
XVIIeme siècle lettres sciences et arts. France 1590 - 1700
Paris: Librairie de Firmin Didot 1882. Fine. Librairie de Firmin Didot Paris 1882 20 x 29.50 cm cadeaux Second edition statement. Work illustrated with 17 chromolithographs and 300 wood engravings in the text including 16 full-page. Title page in red and black. Fine luxurious production by Didot carefully executed in all aspects typography illustration paper. Publisher's red half-shagreen binding with corners spine very richly decorated by Souze and bound by Engel. Fillets on boards. Corners rubbed 2 small paper lacks on boards edges. Very pale stain from old dampstain in right margin of some pages but overall very fresh. Handsome copy with decorative appearance. The work's interest manifests itself as much through its erudition as through its ease of approach and reading historical anecdotes. We owe it to Paul Jacob who was a great bibliophile writer and scholar and curator of the Arsenal library. If the entire series has become a great classic in the field it is because it happily combines the work of editor printer bookbinder historian illustrators and documentation and few books have ultimately achieved this amalgamation that we owe to Firmin-Didot at a time when books had become quite mediocre. Librairie de Firmin Didot hardcover
Référence libraire : 33022
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Paul LAFARGUE
La méthode historique de Karl Marx
Paris: Lib. du Parti socialiste S.F.I.O. 1909. Fine. Lib. du Parti socialiste S.F.I.O. Paris s. d. 1909 13 x 18.50 cm agrafé First edition. Front cover detached back cover missing. Rare. Lib. du Parti socialiste (S.F.I.O.) unknown
Référence libraire : 15335
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Paul LAFARGUE - Yves GUYOT
La propriété origine et évolution thèse communiste par Paul Lafargue réfutation par Yves Guyot
Paris: Delagrave 1875. Fine. Delagrave Paris 1875 12 x 19 cm broché First edition. Small corner lack to rear cover a small tear without loss to front cover. Rare. Delagrave unknown
Référence libraire : 16980
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Paul LAYMANN
Theologia moralis
Antverpiae Antwerp Anvers Antwerp: Apud Ioannem Meursieum 1634. Fine. Apud Ioannem Meursieum Antverpiae Antwerp Anvers Antwerp 1634 23 x 39 cm relié New edition after the original published in 1625. Text in two columns in small characters. Contemporary full pigskin binding stamped on bevelled wooden boards. Jansenist spine with raised bands. Paper title label with faded ink. Large blind-stamped panel on covers series of floral frames including one with a frieze of haloed saints bearing names. Central roundel. Brass clasps without the straps of which only the stub remains on the lower cover. 4 small brass plates positioned on the edges near the headcaps. Worming. Some yellow stains on the lower cover. Numerous leaves browned. Worming to endpapers. First endpaper lacking. Fine specimen of a stamped pigskin binding. The author's most famous work which enjoyed considerable success. This moral theology encompasses all theological aspects of morality and ethics faith justice sin conscience excommunications etc. It should be noted that Laymann criticized the persecution of witches. Originally from Innsbruck Laymann a learned Jesuit taught theology philosophy and grammar at Ingolstadt Munich and Dillingen. 2 stamps: Bibl. Trever; bibliothek Geisthingen Apud Ioannem Meursieum hardcover
Référence libraire : 43848
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Paul LEAUTAUD - (to Guillaume APOLLINAIRE)
"J'ai beaucoup de paresse à lire ayant perdu presque toute curiosité."" Autograph letter addressed to Guillaume Apollinaire
Paris 1910. Fine. Paris 13 novembre 1910 14.50 x 19 cm une feuille Autograph letter from Paul Léautaud addressed to Guillaume Apollinaire. One page written in black ink with some crossed-out words. unknown
Référence libraire : 83024
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Paul LEAUTAUD
"vous venez à Paris prochainement "" Autograph letter signed Maurice Boissard pseudonym of Paul Léautaud addressed to Marcel Lebarbier
Paris 1925. Fine. Paris 23 décembre 1925 13.80 x 21.70 cm une feuille Autograph letter by Paul Léautaud signed with his pen name Maurice Boissard his pseudonym at the Mercure de France 15 lines in black ink written on a double sheet with letterhead and vignette of the Mercure de France where he worked for more than thirty years. Léautaud writes to Marcel Lebarbier his publisher at Editions de la Belle Page who had published earlier that year his volume of chronicles entitled Villégiature. He asks for his author's royalties: « Je n'ai votre lettre que ce matin mercredi. On peut très bien faire un mandat carte au nom de Maurice Boissard au Mercure. Le facteur me l'apportera fort bien car on me l'enverra dans mon bureau aussitôt. Même s'il fallait toucher à la poste qui ne manque pas d'enveloppes à mon nom. Mais une chose plus simple : vous venez à Paris prochainement Vous pourrez m'apporter mes droits vous-même et je vous donnerai un reçu. Mais le mandat carte est très possible si cela va mieux dans vos arrangements. Je n'ai pas écrit à Madame Lebarbier cette affaire n'étant pas à un jour près.» ""I only received your letter this morning Wednesday. One can very well make a money order card in the name of Maurice Boissard at the Mercure. The postman will bring it to me quite well as they will send it to my office immediately. Even if one had to collect it at the post office which does not lack envelopes in my name. But something simpler: are you coming to Paris soon You could bring me my royalties yourself and I will give you a receipt. But the money order card is very possible if that works better with your arrangements. I did not write to Madame Lebarbier this matter not being urgent."" unknown
Référence libraire : 73730
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Paul LEAUTAUD
Bestiaire
Paris: Grasset 1959. Fine. Grasset Paris 1959 12 x 19 cm broché First edition one of 162 numbered copies on pur fil paper deluxe copies after 52 on Montval. Light foxing affecting mainly the edges handsome copy. Grasset unknown
Référence libraire : 63441
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Paul LEAUTAUD - Andre BILLY
Correspondance 1912-1955
Paris: Le Bélier 1968. Fine. Le Bélier Paris 1968 14.50 x 19.50 cm broché First edition one of 54 numbered copies on Japon nacré paper deluxe copy. Spine lightly sunned a small crease at foot of front cover otherwise handsome copy. Le Bélier unknown
Référence libraire : 66944
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Paul LEAUTAUD - Andre BILLY
Correspondance 1912-1955
Paris: Le Bélier 1968. Fine. Le Bélier Paris 1968 14 x 19 cm broché First edition one of 1550 numbered copies on vellum the only deluxe copies along with 54 on Japan paper. Spine very lightly sunned without consequence minimal worming without consequence at foot of first cover otherwise handsome copy. Le Bélier hardcover
Référence libraire : 36826
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Paul LEAUTAUD - Manuel ORAZI
Henri de Régnier
Paris: Sansot & Cie 1904. Fine. Sansot & Cie Paris 1904 12.50 x 18.50 cm broché First edition on ordinary paper. Spine warped one tear reglued on a joint some minor foxing paper yellowed as usual. Work illustrated with a photographic portrait of Henri de Régnier as frontispiece a manuscript facsimile as well as typographical ornaments by Manuel Orazi. Signed autograph inscription by Paul Léautaud: ""A Henri Chatelain cet exercice."" ""To Henri Chatelain this exercise."" Sansot & Cie unknown
Référence libraire : 79474
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Paul LEAUTAUD
Le petit ami
Paris: Mercure de France 1903. Fine. Mercure de France Paris 1903 11.50 x 18 cm relié Rare first edition on ordinary paper of the author's first book with only 6 Holland deluxe copies printed. Bradel binding in half sand-colored cloth smooth spine decorated with gilt typographical motif double fillet and gilt date at foot olive shagreen title-label partially faded and marginally rubbed marbled paper boards one upper corner slightly bumped without gravity contemporary binding. Copy slightly trimmed. Mercure de France hardcover
Référence libraire : 46546
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Paul LEAUTAUD
Le petit ouvrage inachevé
Paris: Arléa 1987. Fine. Arléa Paris 1987 14.50 x 22 cm broché New edition one of 69 numbered copies on Ingres laid paper deluxe issue. Introduction by Edith Silve. Handsome copy. Autograph inscription dated and signed by Edith Silve: ""A monsieur Baguenier Désormeaux ce livre où l'on voit bien comment Léautaud sut être protecteur de toutes. les bêtes !"" ""To Monsieur Baguenier Désormeaux this book where one can clearly see how Léautaud knew how to be protector of all. the animals!"" Arléa unknown
Référence libraire : 71301
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Paul LEAUTAUD
Le petit ouvrage inachevé
Paris: Le Bélier 1964. Fine. Le Bélier Paris 1964 14.50 x 19.50 cm broché First edition one of 52 numbered copies on Japan deluxe copies ""tirage de tête"". Introduction by Marie Dormoy. Nice copy. Le Bélier unknown
Référence libraire : 66943
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Paul LEAUTAUD
Le petit ouvrage inachevé
Paris: Le Bélier 1964. Fine. Le Bélier Paris 1964 14.50 x 19 cm broché First edition one of 1300 numbered copies the only deluxe copies along with 52 on Japan paper. Introduction by Marie Dormoy. Fine copy. Le Bélier unknown
Référence libraire : 36816
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Paul LEAUTAUD
Le théâtre de Maurice Boissard 1907-1923
Paris: Nrf 1926. Fine. Nrf Paris 1926 12 x 18.50 cm broché First edition one of 944 numbered copies on pur fil paper ours one of the 30 hors commerce copies. Our hors commerce copy bearing the letter ""b"" was traditionally reserved for Jean Schlumberger one of the 6 founders of the Nrf. Spine lightly sunned otherwise a handsome copy complete with its publisher's slip. Autograph inscription signed by Paul Léautaud to Jean Schlumberger. Below the autograph inscription Jean Schlumberger has written this note as a gift to his friend Joseph Breitbach: ""Et pour l'amusement de J.B. JS."" Provenance: from the libraries of Jean Schlumberger then Joseph Breitbach. In 1929 the German writer and francophile Joseph Breitbach came to France and settled in Paris two years later. His books banned in Germany from 1933 he then applied for French nationality in 1937 while returning his German passport making him stateless. Arrested in 1939 as a German native Jean Schlumberger would have him released which sealed the beginning of a long friendship. Nrf unknown
Référence libraire : 87189
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Paul LEAUTAUD
Le théâtre de Maurice Boissard 1907-1923. Tome II
Paris: Gallimard 1943. Fine. Gallimard Paris 1943 12 x 19 cm broché First edition one of the review copies service. Small non-serious spots on the first board. Autograph dedication signed by Paul Leautaud. Gallimard unknown
Référence libraire : 64677
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Paul LEAUTAUD
Le théâtre de Maurice Boissard 1907-1923
Paris: Nrf 1926. Fine. Nrf Paris 1926 12 x 19 cm broché First edition one of 944 numbered copies on wove paper the only deluxe copies with 109 reimposed. Nrf unknown
Référence libraire : 21476
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Paul LEAUTAUD
Lettres 1902-1918
Paris: Editions Mornay 1929. Fine. Editions Mornay Paris 1929 10.50 x 18 cm broché First edition one of 427 numbered copies on Rives laid paper the only deluxe copies after 41 Japan. A very slight and harmless tear to the head of the spine handsome copy. Editions Mornay unknown
Référence libraire : 54409
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Paul LEAUTAUD
Lettres à Marie Dormoy
Paris: Albin Michel 1966. Fine. Albin Michel Paris 1966 15 x 21.50 cm broché First edition one of 35 numbered copies on pure Madagascar thread head print. Bookplate pasted on the back of the first cover. Tiny foxinges on the head without consequence preserved witnesses beautiful copy. Albin Michel unknown
Référence libraire : 70839
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Paul LEAUTAUD
Lettres à Marie Dormoy
Paris: Albin Michel 1966. Fine. Albin Michel Paris 1966 15 x 21.50 cm broché First edition one of 35 numbered copies on pur fil de Madagascar tirage de tête. Tiny foxings to the head insignificant edges preserved a very good copy. Albin Michel unknown
Référence libraire : 937
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Paul LEAUTAUD
Mélange
Paris: Editions de La Belle page 1928. Fine. Editions de La Belle page Paris 1928 12 x 19 cm broché First edition one of 305 numbered copies on Arches paper the only printing with 15 Japan and 20 Holland copies. Work illustrated with a lithograph by Berthold Mann as frontispiece. Small worming on the lightly and partially shaded endpapers. Editions de La Belle page unknown
Référence libraire : 33135
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Paul LEAUTAUD
Notes retrouvées
Paris: Jacques Haumont 1942. Fine. Jacques Haumont Paris 1942 13 x 20.50 cm broché First edition one of 900 numbered copies on vélin blanc paper. A good copy. Jacques Haumont unknown
Référence libraire : 28156
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Paul LEAUTAUD
Pages de journal fragments
Souillac & Mulhouse: Le Point 1953. Fine. Le Point Souillac & Mulhouse 1953 19.50 x 26 cm broché First edition of which there were no deluxe copies. Illustrated. Handsome copy. Le Point unknown
Référence libraire : 24988
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Paul LEAUTAUD
Passe-temps
Paris: Mercure de France 1929. Fine. Mercure de France Paris 1929 11.50 x 18.50 cm relié First edition on ordinary paper. Half red sheep binding spine lightly faded with four raised bands showing minor rubbing of no consequence marbled paper boards endpapers and pastedowns front wrapper preserved modest binding. Brief but fine autograph inscription signed by Paul Leautaud: ""A Louis Mandin""drial esclave"" son camarade d'esclavage. P. Léautaud."" Mercure de France hardcover
Référence libraire : 85501
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Paul LEAUTAUD
Passe-temps
Paris: Mercure de France 1929. Fine. Mercure de France Paris 1929 12 x 19 cm broché First edition on ordinary paper. Autograph inscription signed by Paul Leautaud to Madame Fiévée. Mercure de France unknown
Référence libraire : 86315
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Paul LEAUTAUD - Adolphe VAN BEVER
Poètes d'aujourd'hui morceaux choisis
Paris: Mercure de France 1929. Fine. Mercure de France Paris 1929 12 x 19 cm broché First edition of this selection established by Paul Léautaud and Adolphe van Bever a Service de Presse advance copy. Worming to boards two lacks to head and foot of spine. Precious and handsome signed autograph inscription from Paul Léautaud to Henri Béraud: "". ces fleurs de lyrisme."" "".these flowers of lyricism."" Provenance: from the library of Henri Béraud from Ré. Mercure de France hardcover
Référence libraire : 51500
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Paul LECLERCQ
Ibis
Paris: Editions de La revue blanche 1893. Fine. Editions de La revue blanche Paris 1893 11.50 x 17 cm broché First edition one of 350 copies on handmade paper the only printing with 10 van Gelder. Work illustrated with a frontispiece by Auguste Donnay. Rare and handsome copy. Editions de La revue blanche unknown
Référence libraire : 28250
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Paul LECLERCQ
La boutique d'Arlequin
Paris: Fontemoing & Cie 1913. Fine. Fontemoing & Cie Paris 1913 19 x 19 cm relié First edition one of 20 copies on Holland paper the only deluxe copies. Bradel binding in full moiré-effect paper smooth spine bottle green morocco title-label covers and spine preserved binding signed by Thomas Boichot. Handsome full-margined copy. Fontemoing & Cie unknown
Référence libraire : 65276
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Paul LEONNEC - ANONYME
Patara et Bredindin aventures & mésaventures de deux gabiers en bordée
Paris: Léon Vanier 1884. Fine. Léon Vanier Paris 1884 13.50 x 20 cm relié First edition printed on ordinary paper illustrated with 150 pen drawings by Paul Léonnec. Half-shagreen binding in black spine with four raised bands decorated with gilt fleurons spine with some rubbing marbled paper boards marbled endpapers and pastedowns speckled edges some small tears to leading edges. Preface by Léon Vanier. Léon Vanier hardcover
Référence libraire : 85677
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Paul LEROY - (Rifat OKTAY)
"Joueuses d'osselets"" - Lithographie originale sur Japon - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Août 1898 35 x 24 cm une feuille et une serpente Rare original color lithograph executed by Paul Leroy for L'Estampe Moderne series number 16 published in August 1898. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem traces of folds. Lithograph inspired by an extract from Contes persans by Rifat Oktay reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Orientalist style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Référence libraire : 74574
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Paul LEROY - (Rifat OKTAY)
"Joueuses d'osselets"" - Lithographie originale sur Chine - L'Estampe Moderne
Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Août 1898 35 x 24 cm une feuille Rare original lithograph executed by Paul Leroy for L'Estampe Moderne series number 16 published in August 1898. One of 50 deluxe proofs printed on wide-margined China artist's signature in the plate publisher's dry stamp representing a child's profile in lower margin mounted on a sheet of laid paper with on the verso the numbered stamp of the deluxe printing pale marginal foxing. Lithograph inspired by an extract from the Contes persans by Rifat Oktay. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe Moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on wide-margined Japan and 50 in black on China at the considerable price of 30F. This print of fine format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and displayed in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Fine copy in the Orientalist style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
Référence libraire : 74575
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Paul LEROY-BEAULIEU
La dette publique de la France. Les origines le développement de la dette et les moyens de l'atténuer. Extrait de la Revue des Deux Mondes
Paris: Extrait de La Revue des deux mondes 1874. Fine. Extrait de La Revue des deux mondes Paris 1874 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Référence libraire : 20634
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Paul LEROY-BEAULIEU
La propriété foncière à l'étranger et en France. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1886. Fine. Extrait de La Revue des deux mondes s. l. Paris 1886 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Référence libraire : 18666
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Paul LEROY-BEAULIEU
La province pendant le siège de Paris. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1871. Fine. Extrait de La Revue des deux mondes s. l. Paris 1871 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Référence libraire : 18783
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Paul LEROY-BEAULIEU
La situation économique et financière de la France et le budget de 1883
Paris: La Revue des deux mondes 1882. Fine. La Revue des deux mondes Paris 1882 15.50 x 25 cm agrafé Extract from the Revue des deux mondes. First edition. In plain wrappers. Rare. La Revue des deux mondes unknown
Référence libraire : 20040
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Paul LEROY-BEAULIEU
Le budget de 1884 et la situation financière de la France. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1883. Fine. Extrait de La Revue des deux mondes s. l. Paris 1883 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Référence libraire : 19817
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Paul LEROY-BEAULIEU
Le travail des femmes dans la petite industrie. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1872. Fine. Extrait de La Revue des deux mondes s. l. Paris 1872 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Référence libraire : 16487
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