‎Collectibles‎

‎FRAZEE Steve‎

‎The Best Western Stories of Steve Frazee‎

‎Carbondale: Southern Illinois University Press 1984. Edited by Bill Pronzini and Martin H. Greenberg; intro by Pronzini; eleven stories and a bibliography of Western Publications by Frazee; 276pp. ISBN: 0809311757. First Edition. Hard Cover. Near Fine/Near Fine. Fiction. Catalogs: Firsts Bibliography Western Fiction Short Stories. Southern Illinois University Press hardcover‎

ISBN : 0809311755 9780809311750

‎Frazer Dr. A.C. Editor‎

‎British Nutrition Foundation: Information Bulletin No.1 March 1968‎

‎London: British Nutrition Foundation 1968. First Edition. Spiral Bound. Very Good. 8vo - over 7¾" - 9¾" tall. Ex-Library. British Nutrition Foundation Hardcover‎

‎Frazer Lady‎

‎Scenes of a Child Life Bebe in Coloquial French‎

‎London: Macmillan & Co Ltd 1920. xiv 159pp inc grammatical exercises and vocabulary as well as frontis and many other bw illustrations by H M Brock - Lady Frazer the French wife of Sir James Frazer editor of <B><U>Golden Bough</b></u> wrote these 24 scenes. They were "taken from the llife of a small French child with the aim of amusing English children as well as educating them" she says in the Preface. <P>Covers blue cloth with black titles to front board and spine are lightly edgeworn and soiled with bumped corners. Textblock has inked owner's name and school details and some inked notes to page 35 a couple of creased pages otherwise clean and tight. Reprint. Cloth. Very Good/No Jacket. Illus. by Brock H. M. Macmillan & Co Ltd hardcover‎

‎Frazier Charles‎

‎Cold Mountain‎

‎New York: Atlantic Mounthly Press. Fine in Near Fine dust jacket. 1997. First Edition. Twentieth Printing. Hard Cover. Quarter bound in black cloth over blue boards copper lettering on spine maps on endpapers . The volume is in excellent condition unmarked tight square and clean. The unclipped dust jacket shows very light shelf wear else fine. FINE/NEAR FINE. . Large 8vo 9" - 10" tall. iv 356 2 pp . Atlantic Mounthly Press hardcover‎

‎Fred Charles L‎

‎Breakaway : Using Speed and Expertise to Deliver to Customers {SPECIAL EDITION}‎

‎Boulder Colorado: Grand River Publishing LLC 2000. "BREAKAWAY is a practical jargon-free toolkit for fast change. Our current business learning systems are relics from the earlier industrial era of the last century incapable of the speed needed today. BREAKAWAY offers a new learning technology to dramatically speed up the learning process and save your business time and money." This book has 160 pages and is illustrated. The book is a SIGNED PRESENTATION copy from the author Charles L. Fred. ISBN: 0-929290-07-0. Signed by Author. Special Edition. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Customer Service Customer Appreciation Business Management Sales. Catalogs: Glued To The Tube Books Journalism Film and Cinema Electricity Chemistry & Physics CIA Spying Handwriting History Magic Computers Comic Strip Magazines Electronics Dance Health and Nutrition Cookbook Gardening Crafts and Hobbies Education Management Law Economics Business Finance Interior Design Clothing and Beauty Investment and Stocks and Bonds Family Culture Homes & Houses Fiction Engineering Children Earth and Agriculture Furniture Sociology Female Anatomy Foreign Language Folklore & Mythology Geneology Holiday Leisure. Grand River Publishing LLC hardcover‎

ISBN : 0929290070 9780929290072

‎Fred Allen‎

‎Treadmill To Oblivion 1954 Signed‎

‎Boston: Little Brown & Company 1954. Book. Illus. by Al Hirschfeld. Good. Hardcover. Signed by Authors. First Edition. 8vo - over 7" - 9" tall. Hard cover black cloth boards with slightly faded gilt lettering on spine displaying some broken letters Good . First/First. SIGNED BY AUTHOR FRED ALLEN on free front page in blue ink "For - Ed & Betty - If you have abandoned your radio set - this may bring back some pleasant memories - Fred Allen". Includes drawings by Al Hirschfeld. No dust jacket.Few small stains on front and back some bumping on top and bottom of spine. Binding tight but has very little give. Pages clean and surprisingly nearly white considering age. 240 pages. Wonderful Signed First Edition. Little Brown & Company hardcover‎

‎FRED ENGLISH‎

‎1927 ORIGINAL MANUSCRIPT TRAVEL DIARY OF ONE BOSTON COUPLE'S CRUISE ABOARD AN ILL FATED SHIP THAT WOULD ONE DAY SADLY BOAST THE COSTLIEST BRITISH LOSS AT SEA IN NAVAL HISTORY‎

‎ABOARD THE S.S. LANCASTRIA TO EUROPE 1927. On offer is a delightful original manuscript travel diary dated 1927 wherein Fred English with his wife Cora writes of his adventures and observations while aboard the S.S. Lancastria as well as his travels and adventures in England France Ireland etc. He writes of going to Blarney Castle and other castles seeing Lord Barrymore's estate and going to Killarney Dublin Brussels and many many other places! He begins: "S.S. Lancastria at Sea" - These notes are written for my own use. I am mailing them home that others may perhaps enjoy some of our pleasures. Please read them and then mail them immediately to the next on the list he then lists a lot of peoples names Don't forget that I want to use them when I return. Please see that none are lost". Here are some snippets: "Saturday August 27 1927 - Embarked at East Boston at 4:50 p.m. 10th Calvary Band playing. Bon Voyage by official representative of city. Escorted down harbor by Fire Boat playing four streams hose. Many vessels saluted with whistles. Three women and a boy failed to get off and were taken off down a ladder to a tug. It has rained all day. Have dropped pilot and are proceeding to sea. Found we were both booked together in J4 so far no sign of sea sickness. Am now waiting for dinner second sitting at 7 p.m. in to dinner at Table 3. Mr & Mrs Cain of N.Y. table companions. Enjoyed dinner five courses excellent service. Back on deck sea not rough but fog has shut down fog horn blows every minute. Watched sea and talked until 9:30 p.m. then seven times around deck equal one mile. Cora has taken a dose of Mothersill's pills as a prevention against sea sickness. Really doesn't need if no rougher than now. This day has been a big experience . It is as hot as it ever gets in Aroostook. The dining room is really too hot to eat in. We have a table stewart who tries hard to please but has a difficult time he is always in his own way . We had an impressive Memorial Service for sailors lost at sea 8 gold star mothers strewed flowers on water. We lost our table companions Mr & Mrs Cain. They moved to C deck - We had a good sing last night and a symphony concert by the ships orchestra. This morning wireless reports that Brock and Schlee had crossed the Atlantic in 23 hr. and 19 min. Had a wonderful day on deck. In the afternoon we played shuffleboard and ball on top deck. In the evening we danced a little . Now sailing directly towards Queenstown - Tonight the water has a larger swell and the ship is beginning to roll and pitch. So far the sensation is not bad. Some are beginning to feel sick again - There is to be dancing if the roll does not prevent. Saw a large school of flying fish seemed to be either white or silver color. Sometimes they take a flight of perhaps a hundred yards. There is a very jolly crowd on board who are bent on enjoying themselves - We saw schools of porpoises yesterday wish we might see a whale . We have enjoyed life on the boat. Time passes rapidly - There are two or three real characters on board. One Greenly from Boston a very fat good natural cuss from Boston. He brought aboard about 50 bottles of drink and a couple cases of oranges. He nearly missed the boat but arrived in time a dress coat over his arm part of which had been dropped in the mud. Neverless he was feeling glorious and has been ever since - Last night we sighted a passenger ship about five or six miles north sailing towards America. We have seen a number of freighters. They make the sea less lonely. - There are a small number aboard who are trying to drink the bar dry with fair success. We are in touch with land by wireless. We could radiogram home but would cost about four dollars. When we realize the expanse of ocean we feel that Lindberg had colossal nerve to attempt its passage all alone . It is fun to dance aboard except when the ship gives an extra roll the dancers go crashing into the wall or into the rail . We have the run of the ship which is worth a good deal. Our room is fairly good though small. I believe I would rather have the cheapest room aboard with run of ship than a better room say second class without run of the ship . Clancy our table steward is having a wonderful time telling us English customs. One of the cleverest jokes of last evening was a passenger who dressed as a steward. He had an English face even to that dumb look they have when they do not understand. He went into the smoking room and about the deck taking orders from many people who were not wise to the joke much to the amusement of those who were . Memorial for Lusitania in fore lounge over or nearly over spot where she sank . We arrived in Paris about 10 a.m. - After breakfast we took a train or street car to Trocadeors Convention Hedges. The parade was to start at 1:30 so we found the place were Mainse was to form. It was near Place D'lena which contains Geo Washingtons equestrian statue. While admiring the statue we noticed Hotel D'lena facing it. Then it occurred to Cora that the Mac Manuses were stopping at that hotel. We proceeded to find them. Crossing the square we heard our names called. Sure enough there they were on an iron balcony watching the parade form. We went up watched the parade form and pass until the ___ section came along then we joined and paraded. Talk about thrills. Flying could not compare. Up Rue D'Iena to the Arc dr Triomphe where we threw flowers on the unknown soldiers tomb - It was a National French Holiday declared for the occasion. The Stars and Stripes flew from the Eiffel Tower for the first time in history. It seemed millions of people lined the streets all cheering - No not all for it was reported that a few hissed. Both sides of the street were lined with soldiers with drawn bayonets. Every square had a troop of Calvalry or mounted guards. Every corner a squad of gendarmes ready to turn in any direction. It was expected that some demonstration would be made against Massachusetts but none came. There was a thrill to this parade that words cannot describe. It made me shiver and quiver. The Soldiers of a Nation parading the streets of the capital city of another cheered by its populace. One of the objects of this convention was to cement the two people together. I believe that it went a long way towards accomplishing its purpose." HISTORICAL NOTES: Originally named Tyrrhenia the S.S. Lancastria was the sister of Cameronia II of the Anchor Line which Cunard owned from 1911 until 1935. Built by Wm. Beardmore & Co. of Glasgow the Tyrrhenia was launched in 1920 and made her maiden voyage Glasgow-Quebec-Montreal on June 13 1922. She then ran from Liverpool to Canada Boston or New York until placed on the Hamburg-New York route in 1923. Refitted and renamed Lancastria during the winter of 1923-34 she then served New York from Liverpool Southampton or London until 1932 after which Lancastria was used mostly for cruising. Requisitioned for use as a troopship in 1940 Lancastria was bombed and sunk at St. Nazaire on 17 June 1940 during the evacuation of France. As many as 9000 people mostly British troops were on board. At least 3000 and perhaps as many as 5000 died in the costliest British merchant ship loss of the war. Winston Churchill felt the country's morale could not bear the burden of such terrible news and newspapers were ordered not to print the story. Survivors were forbidden under the King's Regulations to mention the disaster and people killed were listed as "missing in action". This led to the assumption by most bereaved relatives that they probably died during the bloody retreat through France. However the story of the sinking finally broke in New York newspapers on July 26 1940 and was soon afterwards taken up by the British press. The official report is still sealed until the year 2040 under the Official Secrets Act. If it could be proved that Sharpe was ordered by Ministry of Defense Officials to ignore his maximum load restriction there could be considerable grounds for compensation claims against the British Government. Currently the evidence for this remains under lock and key for another 31 years. The diary has 50 pages filled with handwritten entries plus there are an additional 12 pages with notations on his purchases cost of the trip etc. 4 1/2" x 7 1/4" and it is VG. Good. 24mo - over 5" - 5¾" tall. unknown‎

‎Fred H. Moffitt Alfred H. Brooks D.C. Witherspoon & C.E. Hill‎

‎Historical Alaskan Geological Maps‎

‎Washington D.C: U.S. Department of the Interior 1904. USGS Bulletin B247 Plates. Ephemera. Very Good. Maps. 2 Maps - folded & in brown envelope: Geologic Reconnaisance Map of Fairhaven Placer Field Northeastern Postions of Seward Peninsula Alaska 7 color map 34" x 32" scale 1:250000 Reconnaisance Map of Northeastern Portion of Seward Peninsula Alaska 3 color map 34" x 32" scale 1:250000 U.S. Department of the Interior unknown‎

‎Fred O'Leary‎

‎Corkscrews 1000 Patented Ways to Open a Bottle‎

‎hard cover. 9" x 12. The evolution of corkscrew design is clearly presented in extensive text and displayed in over 500 photographs - over 450 in beautiful color - and 1000 U.S. patent drawings dating from 1851 to 1994. Brother Timothy Diener the former winemaker at the Christian Brothers celler in Napa California has written the Foreword. The book is arranged chronologically to show the development of designs. Here is a progression of corkscrews from common to unique in materials from metals to plastics and in value from inexpensive to priceless. The diversity is amazing. This book is a unique blend of primary research visual excitement and friendly dialogue which enriches our appreciation of corkscrews. 500 photos hardcover‎

ISBN : 0764300180 9780764300189

‎Fred Reinfeld‎

‎Catalogue of the World's Most Popular Coins‎

‎Hard Cover. No dust jacket. Cover has mild shelfwear rubbed corners. Binding is tight. Pages are clean and unmarked. Pristine condition. Anco hardcover‎

ISBN : 0806960620 9780806960623

‎Fred W. Dobe‎

‎1914 Successful Draftsmanship A Short but Practical Treatise on How to Become a Successful Draftsman‎

‎Chicago: Fred W. Dobe 1914. First edition thus. Pamphlet. Near Fine/`. Size: 6 by 9 inches Pages : 32 Condition : A near fine copy of this original vintage pamphlet with light edge wear and minor dust soiling. See photos Comments : This vintagfe pamphlet is more a advertising brochure for Mr. Dobe's School on Draftsmanship whose contects include chapters such as 1 We Need More Practical Education My Personal Individual Instruction Who can become a Draftsman Qualification Required to Start and Study My System The Diploma Hoax No Employer cares a Snap for all the diplomas printed Amount of Instruction Recieved Method of Instruction The Survival of the fittest the back portion shows very drawings done by Mr. Dobe. Frederick W. Dobe was the founder and operator of the School of Industrial Design a world-wide correspondence school and a well know figure from Chicago. A interesting and very collectible piece of Chicago ephemera and business history. Fred W. Dobe unknown‎

‎Frederic Cuvier‎

‎Wapiti‎

‎<p>A detailed hand colored lithograph by Frederic Cuvier 1769-1832 &Geoffroy Saint-Hilaire 1772-1844 from their sweeping book "Histoire Naturelle des Mammiferes avec les figures originales." that was published inParis in 1824-42. Overall this print measures 12 x 18. This rare publication of mammals was originally published in 72 parts to be bound in seven volumes under the auspices of the Museum d'Histoire Naturelle of Paris. The animals were drawn from life mainly at the zooJardin des Plantes in Paris. The majority of the descriptions were by Cuvier with Geoffroy Saint-Hilaire editing the work and providing occasional articles indicating by his initials at the end of each article. The two final parts were edited and seen through the press by Cuviers son. A quarto edit was started in 1826 but ceased publication with the 13th part in July 1833. These are among some of the most exquisitely rendered images of animals ever published. Cuvier has successfully brought each animal to life by his exceptional talent for detail without forgetting the characteristics that give them personality. We will not be knowingly undersold on this work of art. Overall this print is in very good condition with some light foxing/staining in margins.</p>‎

‎Frederic De Garis‎

‎WE JAPANESE‎

‎Japan: H.S.K. Yamaguchi 1934 Book. Illus. by Unknowen. Fine. Cloth. 1st Edition. 8vo - over 7¾" - 9¾" tall. 1st. ed. Dec.1934 Hand Stiched cloth wraps with tipped on paper title to the front cover 200 page book with 355 black & white illustrations. We Japanese : being descriptions of many of the customs manners ceremonies festivals arts and crafts of the Japanese besides numerous other subjects. Condition : Fine . see our web site for the image of this book . H.S.K. Yamaguchi hardcover‎

‎Frederic Isham‎

‎Under the Rose‎

‎Bobbs-Merrill 1903. Hardcover. Good. Vintage Light Blue HC with picture pasted to cover as sold has moderate wear and soil. Corners and edges are bumped and rubbed. Prev owners names inside on front cover one in pencil and one a "sticker" and again with the sticker on page one. Front hinge cracked but intact back hinge unbroken. Pages are clean and tight with little visible foxing. SUMMARY: Rare and collectible vintage fiction novel about the French aristocracy by the author of "The Strollers". Picture available upon request. Bobbs Merrill hardcover‎

‎Frederic Lawrence‎

‎Musicians of Sorrow and Romance‎

‎London United Kingdom: Charles Kelly 1913. 1st Edition. Hardcover. Very Good/No Jacket as Issued. COLOR FRONTIS BY AUTHOR. A very good copy with light edge wear Light foxing to some pages the front hinge is Starting at the half title but hold well. Great binding on this 5 by 8 inch 144 page antiquarian volume. See Photos This vintage book's contents include chapters on Edvard Grieg Frederic Chopin Peter Ilich Tchaikovsky Robert Schumann Richard Wagner in a nice decorative binding. Charles Kelly hardcover‎

‎Frederic Remington‎

‎A Citadel of the Plains‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 17.5"x11.5" and is in very good condition on bright white paper. <br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p> unknown‎

‎Frederic Remington‎

‎A Mountain Lion Hunting‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 17.5"x11.5" and is in very good condition on bright white paper. Some very light foxing and a few small tears on previously bound edge<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p>‎

‎Frederic Remington‎

‎A Wind Jammer‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 17.5"x11.5" and is in very good condition on bright white paper. <br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p>‎

‎Frederic Remington‎

‎Heros‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 21.5"x16". Some light foxing staining and creasing. Small tears throughout margins<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on the internet while maintaining the highest levels of quality in the business for every offering.</p> unknown‎

‎Frederic Remington‎

‎Mexico Monte‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 21.5"x16". Some light foxing staining and creasing. <br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on the internet while maintaining the highest levels of quality in the business for every offering.</p> unknown‎

‎Frederic Remington‎

‎Overland Station: Indians Coming in with the Stage‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 17.5"x11.5".<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on the internet while maintaining the highest levels of quality in the business for every offering. </p> unknown‎

‎Frederic Remington‎

‎Sketchbook Notes #2‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 17.5"x11.5" and is in very good condition on bright white paper. Some very light foxing and a few small tears on previously bound edge<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p>‎

‎Frederic Remington‎

‎The Missionary and the Medicine Man‎

‎<p>A wonderfully detailed black and white chromolithograph depicting enigmatic scenes from the American West by the celebrated artist Frederic Remington. Over this print measures 17.5"x11.5" and is in very good condition on bright white paper. Some very light foxing and a few small tears on previously bound edge<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p>‎

‎Frederic Remington‎

‎The Squaw Pony‎

‎<p>A wonderfully detailed chromolithograph depicting enigmatic scenes from the American West by Frederic Remington. Over this print measures 17.5"x11.5" and is in very good condition with some light foxing staining and creasing.<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p>‎

‎Frederic Remington‎

‎Untitled Indians on horseback with running wolf‎

‎<p>A wonderfully detailed chromolithograph depicting enigmatic scenes from the American West by Frederic Remington. Over this print measures 12.5"x17.5" and is in good condition with some light foxing staining and creasing.<br /> <br /> Few artists of the American West can equal the breadth of experience of Frederic Sackrider Remington 1861-1909. From the Santa Fe Trail to the Oregon Trail he came to possess firsthand knowledge as a rancher a military scout a hunter and trapper and as a reporter. Few of his contemporaries were as devoted to capturing the three brief decades that saw the taming of the expansive and dangerous western frontier. Looking back at his career in 1905 Remington wrote: "I knew the wild riders and the vacant land were about to vanish forever.and the more I considered the subject the bigger the forever loomed. Without knowing how to do it I began to record some facts around me and the more I looked the more the panorama unfolded."<br /> <br /> His evolving clarity of purpose and the naturally vivid subject matter inspired Remington to compulsively record details producing thousands of illustrations in the course of his twenty-three year career. Remington's ability to capture narrative made his work ideally suited to the field of illustration. His father Seth had been a journalist and Remington relished the opportunity to provide visual manifestation to a story. This coupled with his sense of adventure made him an exceptionally successful illustrator most notably for the celebrated journal Harper's Weekly. The accuracy immediacy and drama of his drawings fused his functions as artist and historian and in 1907 Theodore Roosevelt offered this blunt praise: "He has portrayed a most characteristic and yet vanishing type of American life." <br /> <br /> Remington was born in Canton New York and related by blood to the painter George Catlin and sculptor Earl W. Bascom. Following his graduation from Yale's new art school in 1880 Remington roamed the country west of the Mississippi for five years. His drawings began appearing regularly in Harper's Weekly in 1886 answering the popular need to know about America's wilderness the Indian wars wagon trains and cattle drives. He would return to the West for three months annually for many years. In 1890 Remington moved to New Rochelle New York in order to have both living space and extensive studio facilities although he later moved to Ridgefield Connecticut. In 1898 he served as a war correspendent and illustrator for the Spanish-American War sent to provide illustrations for William Randolph Hearst. Although he soon became bored with his task he was present to witness the assault on San Juan Hill by American forces including those lead by Theodore Roosevelt.<br /> <br /> Frederic Remington's life was cut short after an emergency appendectomy led to peritonitis. However his contribution to American painting and to the illustration of the American wilderness is immeasureable.<br /> <br /> "Arader Galleries intends to have the lowest prices on ABE Alibris Biblio AE and Artnet while maintaining the highest levels of quality in the business for every offering. To inquire or view the complete offering please contact our curators at aradersf@sbcglobal.net or call our San Francisco gallery at 415 788-5115."</p>‎