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Besler, Basilius
I. Chamaeiris latifolia viii Clusii II. Chamaeiris latifolia X. Clusij III. Chamaeiris latifolia minima. IV. Chamaeiris latifolia biflora
Eichstätt & Nürnberg: Published in Hortus Eystettensis 1713. No binding. In excellent condition. 500 by 400mm 19¾ by 15¾ inches. A fine copper engraving published in the famous large flower bookHortus Eystettensis' in Altdorf and Nürnberg first around 1613. TheHortus Eystettensis' was the largest flowerbook ever published in that period. It contained 367 different engraved plates each of them depicting often with several flowers or herbs. Platenumber: 117 This fine engraving is published in the so-calledjubilee edition 1713 in Eichstätt and Nürnberg. 117 not on stock! Published in Hortus Eystettensis unknown
Referenz des Buchhändlers : 30558
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Weinmann, Johann Wilhelm
Plate: 108 Bohnenbaum Bohnenbaum - Anagyris major non faetida. Ebenier. Anagyris vera foetida. Bos puant.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 108 Lenz unknown
Referenz des Buchhändlers : 16226
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Besler, Basilius
I. Mandragora foemina II. Chelidonium minus
Eichstätt & Nürnberg: Published in Hortus Eystettensis 1613. No binding. In excellent condition. 480 by 400mm 19 by 15¾ inches. Original copper engraving. A fine copper engraving published in the famous large flower bookHortus Eystettensis' in Altdorf and Nürnberg around 1613. TheHortus Eystettensis' was the largest flowerbook ever published in that period. It contained 367 different engraved plates each of them depicting often with several flowers or herbs. 126 not on stock! Published in Hortus Eystettensis unknown
Referenz des Buchhändlers : 31190
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Besler, Basilius
Iris bulbosa Anglicana flore coeruleo
Eichstätt & Nürnberg: Published in Hortus Eystettensis 1613. No binding. In excellent condition. 575 by 435mm 22¾ by 17¼ inches. Original copper engraving hand colored. A fine copper engraving published in the famous large flower bookHortus Eystettensis' in Altdorf and Nürnberg around 1613. TheHortus Eystettensis' was the largest flowerbook ever published in that period. It contained 367 different engraved plates each of them depicting often with several flowers or herbs. 200 Published in Hortus Eystettensis unknown
Referenz des Buchhändlers : 15195
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Besler, Basilius
Narcissus nobilis Orientalis polyanthos mixtus
Eichstätt & Nürnberg: Published in Hortus Eystettensis 1713. No binding. 500 by 400mm 19¾ by 15¾ inches. Original copper engraving hand colored. A fine copper engraving published in the famous large flower bookHortus Eystettensis' in Altdorf and Nürnberg first around 1613. TheHortus Eystettensis' was the largest flowerbook ever published in that period. It contained 367 different engraved plates each of them depicting often with several flowers or herbs. Platenumber: 122 This fine engraving is published in the so-calledjubilee edition' 1713 in Eichstätt and Nürnberg. 63 not on stock! Published in Hortus Eystettensis unknown
Referenz des Buchhändlers : 30643
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Weinmann, Johann Wilhelm
Plate: 87 Amarant Amaranthus baccifer circeae folioAmarant
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 87 Lenz unknown
Referenz des Buchhändlers : 16134
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Merian, Maria Sibylla
Plate No: 3 Zuurzak Hop - Hopfen
Amsterdam: J. F. Bernard 1704-30. No binding. In very good to excellent condition. 300 by 243mm 11¾ by 9½ inches. Copper engraving finely hand colored published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 3 J. F. Bernard unknown
Referenz des Buchhändlers : 21981
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Weinmann, Johann Wilhelm
Plate: 710 Weißer Andorn Weißer Andorn - Marrubium album vulgare Marrobe blanc. Marrubium folio orbiculari crassissimo. Marrubium Hispanicum Supinum. Marrubium nigrum Hispanicum.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Lenz unknown
Referenz des Buchhändlers : 24889
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Weinmann, Johann Wilhelm
Plate: 29 Gewöhnlicher Leberbalsam Ageratum ferulaceum. Agrimonia flore albo. Agermenning.Agrimonia officinarum. Agrimoine. Obermenning.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 29 Lenz unknown
Referenz des Buchhändlers : 16107
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Weinmann, Johann Wilhelm
Plate: 359 Wachsblum Wachsblum - Cerinthe maculata sylevestris. Cerinthe major flore purpurascente. Cerinthe minor flore flavo Melinet.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 359 Lenz unknown
Referenz des Buchhändlers : 16057
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Weinmann, Johann Wilhelm
Plate: 360 Milchkraut Milchkraut - Cerinthe humilior flore luteo laciniato. Cerinthe maculata flore purpura scente. Cerinthe flore flavo asperior. Ceterach sive Asplenium
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 360 Lenz unknown
Referenz des Buchhändlers : 16159
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Weinmann, Johann Wilhelm
Plate 358 Kaktus Cereus scandens minor spinulis donatus robustioribus. Sereus scandens medius. Cereus triangularis Peruvianus amplexi caulis articulatus.
Regensburg: Lenz 1734-45. No binding. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 358 Lenz unknown
Referenz des Buchhändlers : 15814
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Merian, Maria Sibylla
Plate No: 58 Zoete Boonen Boom
Amsterdam: J. F. Bernard 1704-30. No binding. In very good to excellent condition. 300 by 243mm 11¾ by 9½ inches. Copper engraving finely hand colored published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 58 J. F. Bernard unknown
Referenz des Buchhändlers : 21979
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Merian, Maria Sibylla
Plate No: 27 Pomme d Sodome Pommum Sodomae-
Amsterdam: J. F. Bernard 1704-30. No binding. In excellent condition. 357 by 245mm 14 by 9¾ inches. Copper engraving finely hand colored published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 27 J. F. Bernard unknown
Referenz des Buchhändlers : 29523
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Merian, Maria Sibylla
De Europische Insecten - Plate LIII
Amsterdam: J.F. Bernard 1730. No binding. In excellent condition. 150 by 110mm 6 by 4¼ inches. Original copper engraving finely hand colored by a later hand. Published in Maria Sibylla Merian's famous series De Europische Insecten a compilation of the Raupenbuch and the Neuen Blumenbuch. In total 184 different engravings were published which are showing different carefully hand coloured illustrations of insects in combination with plants. Each of these engravings shows mostly a scene of a decorative flower and various counterpillars with their matching butterflies. The plates were engraved after Maria Sibylla Merian's own observations and were originally published first in her Raupenbuch between 1679 and 1717. Plate: 53 J.F. Bernard unknown
Referenz des Buchhändlers : 31592
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Weinmann, Johann Wilhelm
Plate 416 Winde Winde - Convolvulus arvensis minor folio variegato. Convolvulus folium pictum. Convolvulus erectus latifolius flore albo. Convolvulus erecrus flore carneo folio hirsuta. Convolvulus erectus minor flore albo.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper-engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 416 Lenz unknown
Referenz des Buchhändlers : 15779
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Weinmann, Johann Wilhelm
Plate: 470 Türkische Kresse Türkische Kresse - Draba alba magno flore Drave Grande. Draba siliquosa major. Draba larifolia flore purpurea. Draba siliquosa minima arvensis. Dracodephalon affinis Americana trifoliatat Terebinthini odore.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 470 Lenz unknown
Referenz des Buchhändlers : 16264
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Weinmann, Johann Wilhelm
Plate: 312 Carduus morina Carduus morina
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 312 Lenz unknown
Referenz des Buchhändlers : 16019
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Weinmann, Johann Wilhelm
Plate: 390 Cistus annuus supinus Cistus annuus supinus. Cistus foemina foliis savia. Cistus folio salvia. Cistus folio salicis flore macula nigra donato. Cistus humilis flore albo. Cistus humilis helianthemum dictum.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 390 Lenz unknown
Referenz des Buchhändlers : 16254
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Merian, M & Valentini
Rüben Handcolored copper engraving by the Merian family published by Bernhard Valentini.
Frankfurt: Anton Heinscheidt 1719. No binding. In excellent condition. 126 by 113mm 5 by 4½ inches. Original copper engraving finely hand colored. This finely hand colored emblemata engraving was published 1719 in Bernhard Valentinis herbalDes vollständigen und Reformirten Kräuter=Buchs at Anton Heinscheidt in Frankfurt am Main. It depicts a combination of a plant with a typical German landscape between 1650 to 1719. These allegorical emblemata engravings were composed and engraved in a very similar style as the famous allegorical illustrations which were published by Matthaeus Merian for Ludwig Prince of Anhalts Der Fruchtbringende Gesellschafft Nahmen Vorhaben Gemälde und Wörter in 1646. In this series for every of the 400 members of theFruchtbringende Gesellschaft a unique allegoric engraving was created. It seems that Bernhard Valentini either aquired from the Merian heirs inventory or from an unknown source copper plates with these allegories and used those then in his own herbal or he arranged on his own them to be created. He did this already prior with the copper plates of the flower book by de Bry which he used in his flowerbook and which he extended then in the same style. All of these allegories are showing a combination of baroque garden scenes landscapes city views or castles. Each of these decorative allegories is depicting a plant specimen in front of a topographical background. This engraving is printed into a page with descriptive German text for this plant specimen. Anton Heinscheidt unknown
Referenz des Buchhändlers : 29944
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Rabel, Daniel
Amaranthus tricolor.
Paris 1620-32. No binding. In excellent condition. 321 by 214mm 12¾ by 8½ inches. 321 by 214mm 12¾ by 8½ inches. Copper engraving later hand colored. Hand colored copper engraving published in Paris ca. 1623-27 in the famous flower book 'Theatrum Florae'. Daniel Rabel's flower book is one of the most beautiful sets of engravings of flowers ever published. Some of these fine engraved flower prints are additional ornated with various butterflies and insects. The style of the engraving is very similar to the 'de Bry' flower plates although Rabel's works is occasionally found to be bound to the works by Maria Sybilla Merian. The flower prints by Daniel Rabel can be regarded as one of the most beautiful and decorative sets of large engravings of flowers ever produced in that period. Plate 63 unknown
Referenz des Buchhändlers : 25024
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Merian, Maria Sibylla
Plate No: 14 Zuursak
Amsterdam: J. F. Bernard 1704-30. No binding. In very good to excellent condition. 390 by 290mm 15¼ by 11½ inches. Copper engraving finely hand colored published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 14 J. F. Bernard unknown
Referenz des Buchhändlers : 26302
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Merian, Maria Sibylla
De Europische Insecten - Plate LXXIX
Amsterdam: J.F. Bernard 1730. No binding. In excellent condition. 150 by 110mm 6 by 4¼ inches. Original copper engraving finely hand colored by a later hand. Published in Maria Sibylla Merian's famous series De Europische Insecten a compilation of the Raupenbuch and the Neuen Blumenbuch. In total 184 different engravings were published which are showing different carefully hand coloured illustrations of insects in combination with plants. Each of these engravings shows mostly a scene of a decorative flower and various counterpillars with their matching butterflies. The plates were engraved after Maria Sibylla Merian's own observations and were originally published first in her Raupenbuch between 1679 and 1717. Plate: 79 J.F. Bernard unknown
Referenz des Buchhändlers : 32769
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Weinmann, Johann Wilhelm
Plate: 33 Weisse Fellris. Alcea flore albo. Alcea pentabphylles alba. Alcea pentaphylles flore
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 33 Lenz unknown
Referenz des Buchhändlers : 16239
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Merian, Maria Sibylla
De Europische Insecten - Plate XLII
Amsterdam: J.F. Bernard 1730. No binding. In excellent condition. 144 by 112mm 5¾ by 4½ inches. Original copper engraving finely hand colored by a later hand. Published in Maria Sibylla Merian's famous series De Europische Insecten a compilation of the Raupenbuch and the Neuen Blumenbuch. In total 184 different engravings were published which are showing different carefully hand coloured illustrations of insects in combination with plants. Each of these engravings shows mostly a scene of a decorative flower and various counterpillars with their matching butterflies. The plates were engraved after Maria Sibylla Merian's own observations and were originally published first in her Raupenbuch between 1679 and 1717. Plate: 42 J.F. Bernard unknown
Referenz des Buchhändlers : 31221
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Merian, Matthaeus & de Bry, Johannes
Plate 26 Tab. XXVI
Frankfurt A. Heinscheidt 1719. No binding. In excellent condition. 270 by 170mm 10¾ by 6¾ inches. 270 by 170mm 10¾ by 6¾ inches. Copper engraving hand colored. Handcolored copper engraving by M. Merian / de Bry published 1719 in Michael B. Valentini's 'Viridarium reformatum'. unknown
Referenz des Buchhändlers : 24976
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Merian, Maria Sibylla
Plate No. 43 Swallow-tailed Butterfly & Passion Fruit
Amsterdam: J. F. Bernard 1730. No binding. In very good to excellent condition. 330 by 262mm 13 by 10¼ inches. Copper engraving finely hand colored published in the famous series 'Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten' by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merian's classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merian's elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 43 J. F. Bernard unknown
Referenz des Buchhändlers : 27715
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Weinmann, Johann Wilhelm
Plate: 251 Schmerbel
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 251 Lenz unknown
Referenz des Buchhändlers : 16165
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Wirsing, A L
Narcissus II - Baselmann minor. 62.
Nürnberg: A.L.Wirsing 1768. No binding. In excellent condition. 350 by 225mm 13¾ by 8¾ inches. 350 by 225mm 13¾ by 8¾ inches. Copper engraving hand colored when published. A.L.Wirsing unknown
Referenz des Buchhändlers : 24884
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Rabel, Daniel
Ornithogalum montanum flore luteo
Paris 1623-27. No binding. In excellent condition. 337 by 218mm 13¼ by 8½ inches. 337 by 218mm 13¼ by 8½ inches. Copper engraving later hand colored. Hand colored copper engraving published in Paris ca. 1623-27 in the famous flower book 'Theatrum Florae'. Daniel Rabel's flower book is one of the most beautiful sets of engravings of flowers ever published. Some of these fine engraved flower prints are additional ornated with various butterflies and insects. The style of the engraving is very similar to the 'de Bry' flower plates although Rabel's works is occasionally found to be bound to the works by Maria Sybilla Merian. The flower prints by Daniel Rabel can be regarded as one of the most beautiful and decorative sets of large engravings of flowers ever produced in that period. Plate 29 unknown
Referenz des Buchhändlers : 25009
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Weinmann, Johann Wilhelm
Tulipa lutea Sanguineis striis et punctis variegata Tulpen
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 340 by 230mm 13½ by 9 inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful on the continent in a botanical series. Originally this technique was founded by Taylor in England. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 988 Lenz unknown
Referenz des Buchhändlers : 29541
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Weinmann, Johann Wilhelm
Plate: 204 Weiße Molken rote Molken Weiße Molken rote Molken - Atriplex hotensis alba pru des femmes. Atriplex hortensis rubra.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Lenz unknown
Referenz des Buchhändlers : 24895
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Merian, Maria Sibylla
Plate No: 15 Melon d´Eau
Amsterdam: J. F. Bernard 1705-30. No binding. In very good to excellent condition. 370 by 268mm 14½ by 10½ inches. Copper engraving finely hand colored. Finely hand colored copper engraving published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten. A fine engraving from M.S. Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. This plate was engraved by P. Sluyter. Plate 15 J. F. Bernard unknown
Referenz des Buchhändlers : 22169
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Besler, Basilius
Bulbus sylvestris seu Ornithogalum luteum
Eichstätt & Nürnberg: Published in Hortus Eystettensis 1713. No binding. 500 by 400mm 19¾ by 15¾ inches. Original copper engraving hand colored. A fine copper engraving published in the famous large flower bookHortus Eystettensis' in Altdorf and Nürnberg first around 1613. TheHortus Eystettensis' was the largest flowerbook ever published in that period. It contained 367 different engraved plates each of them depicting often with several flowers or herbs. Platenumber: 122 This fine engraving is published in the so-calledjubilee edition' 1713 in Eichstätt and Nürnberg. 39 not on stock! Published in Hortus Eystettensis unknown
Referenz des Buchhändlers : 30642
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Weinmann, Johann Wilhelm
Tulipifera virginiana tripartito Aceris folio anthera filamentosa Tulpen
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 340 by 230mm 13½ by 9 inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful on the continent in a botanical series. Originally this technique was founded by Taylor in England. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 998 Lenz unknown
Referenz des Buchhändlers : 29544
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Weinmann, Johann Wilhelm
Plate: 969 Griechischer Bathengel.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 211 Lenz unknown
Referenz des Buchhändlers : 24525
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Merian, Maria Sibylla
Plate No. 61 Guajava alba dulcis
Amsterdam: J. F. Bernard 1704-30. No binding. Small carefully restaurations in the paper overall still in good condition. 375 by 287mm 14¾ by 11¼ inches. Copper engraving finely hand colored published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 61 J. F. Bernard unknown
Referenz des Buchhändlers : 31115
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Weinmann, Johann Wilhelm
Tubularia purpureo Orgue de Mer Tulpen
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 340 by 230mm 13½ by 9 inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful on the continent in a botanical series. Originally this technique was founded by Taylor in England. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 982 Lenz unknown
Referenz des Buchhändlers : 29539
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Rabel, Daniel
Hyacin. Orientalis flore multiplici violaceus
Paris 1620-32. No binding. In excellent condition. 330 by 220mm 13 by 8¾ inches. Copper engraving later hand colored. Hand colored copper engraving published in Paris ca. 1623-27 in the famous flower book 'Theatrum Florae'. Daniel Rabel's flower book is one of the most beautiful sets of engravings of flowers ever published. Some of these fine engraved flower prints are additional ornated with various butterflies and insects. The style of the engraving is very similar to the 'de Bry' flower plates although Rabel's works is occasionally found to be bound to the works by Maria Sybilla Merian. The flower prints by Daniel Rabel can be regarded as one of the most beautiful and decorative sets of large engravings of flowers ever produced in that period. Plate 27 unknown
Referenz des Buchhändlers : 25005
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Besler, Basilius
Narcissus Orientalis maior polyanthos totus albus
Eichstätt & Nürnberg: Published in Hortus Eystettensis 1713. No binding. In excellent condition. 500 by 400mm 19¾ by 15¾ inches. Original copper engraving. A fine copper engraving published in the famous large flower bookHortus Eystettensis' in Altdorf and Nürnberg first around 1613. TheHortus Eystettensis' was the largest flowerbook ever published in that period. Platenumber: 60 TheHortus Eystettensis was the largest flowerbook ever published in that period. It contained 367 different engraved plates each of them depicting often with several flowers or herbs. This fine engraving is published in the so-calledjubilee edition 1713 in Eichstätt and Nürnberg. 60 Published in Hortus Eystettensis unknown
Referenz des Buchhändlers : 30646
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Merian, Matthaeus & de Bry, Johannes
Plate 138 Tab. CXXXVIII Muscari flore obsoleto Nigro
Frankfurt: A. Heinscheidt 1719. No binding. In excellent condition. 270 by 170mm 10¾ by 6¾ inches. 270 by 170mm 10¾ by 6¾ inches. Copper engraving hand colored. Handcolored copper engraving by M. Merian / de Bry published 1719 in Michael B. Valentini's 'Viridarium reformatum'. A. Heinscheidt unknown
Referenz des Buchhändlers : 24979
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Merian, Maria Sibylla
Plate No: 41 Sweet Potato
Amsterdam: J. F. Bernard 1704-30. No binding. In very good to excellent condition. 350 by 283mm 13¾ by 11¼ inches. Copper engraving finely hand colored published in the famous series Over de Voortteeling en Wonderbaerlyke veranderingen der Surinaemsche Insecten by Maria Sibylla Merian. A fine engraving from Maria Sibylla Merians classic work. Maria Sibylla Merian daughter of the German engraver and publisher Matthäus Merian devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company she decided to visit the Dutch colony of Surinam herself to study and paint the insect life there. She sailed with her daughter Dorothea in June 1699 from Amsterdam and remained in Surinam until 1701. Also Maria Sibylla Merians elder daughter Johanna went to Surinam to complete her mothers work. Most of the plates were engraved by P. Sluyter and J. Mulder some by P. Stoopendal. Plate 41 J. F. Bernard unknown
Referenz des Buchhändlers : 31113
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Merian, Matthaeus & de Bry, Johannes
Plate 241 Tab. CCXLI
Frankfurt A. Heinscheidt 1719. No binding. In excellent condition. 270 by 170mm 10¾ by 6¾ inches. 270 by 170mm 10¾ by 6¾ inches. Copper engraving hand colored. Handcolored copper engraving by M. Merian / de Bry published 1719 in Michael B. Valentini's 'Viridarium reformatum'. unknown
Referenz des Buchhändlers : 24972
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Weinmann, Johann Wilhelm
Plate: 14 Ahorn. Acarna TheophrastiAcer Campestre minus. Erable.Ahorn
Regensburg: Lenz 1734-45. No binding. Minor marginal stains outside the image. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 14 Lenz unknown
Referenz des Buchhändlers : 16028
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Weinmann, Johann Wilhelm
Plate: 484 Erven. Manns-Treu. Erven. Manns-Treu. - Ervum semine anguloso Ers. Eryngium vulgare Panicault.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 211 Lenz unknown
Referenz des Buchhändlers : 24524
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Merian, Matthaeus & de Bry, Johannes
Plate 218 Tab. CCXVIII
Frankfurt A. Heinscheidt 1719. No binding. In excellent condition. 270 by 170mm 10¾ by 6¾ inches. 270 by 170mm 10¾ by 6¾ inches. Copper engraving hand colored. Handcolored copper engraving by M. Merian / de Bry published 1719 in Michael B. Valentini's 'Viridarium reformatum'. unknown
Referenz des Buchhändlers : 24969
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Merian, Matthaeus & de Bry, Johannes
Plate 108 Tab. CVIII
Frankfurt A. Heinscheidt 1719. No binding. In excellent condition. 270 by 170mm 10¾ by 6¾ inches. 270 by 170mm 10¾ by 6¾ inches. Copper engraving hand colored. Handcolored copper engraving by M. Merian / de Bry published 1719 in Michael B. Valentini's 'Viridarium reformatum'. unknown
Referenz des Buchhändlers : 24962
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Weinmann, Johann Wilhelm
Plate: 147 Klebkraut Klebkraut - Aparine aspera. Grateron. Aparine quadrifolia minor. Aparine levis stellata.
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 147 Lenz unknown
Referenz des Buchhändlers : 16033
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Weinmann, Johann Wilhelm
Plate: 432 Costen Wurtz - Delb Presilien-Holz. Costen Wurtz - Delb Presilien-Holz - Costus Arabicus Costus Arabique. Cotinus seu Ciccigria Fustel
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 320 by 210mm 12½ by 8¼ inches. 320 by 210mm 12½ by 8¼ inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 432 Lenz unknown
Referenz des Buchhändlers : 15769
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Weinmann, Johann Wilhelm
Tulipa serotina parte media viridibus signaturis Tulpen
Regensburg: Lenz 1734-45. No binding. In very good to excellent condition. 340 by 230mm 13½ by 9 inches. Original copper engraving printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work Phytanthoza Iconographia. This was for the first time that this technique of colour-printing was used highly sucessful on the continent in a botanical series. Originally this technique was founded by Taylor in England. Among the artists in this enormous botanical series were Ehret Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. Platenumber: 987 Lenz unknown
Referenz des Buchhändlers : 29530
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