‎Collectibles‎

‎Jacques CHESSEX‎

‎Les yeux jaunes‎

‎Paris: Grasset 1979. Fine. Grasset Paris 1979 12.50 x 20.50 cm broché First edition on ordinary paper. Minor light stains of no consequence to margin of front cover handsome copy. Signed autograph inscription from Jacques Chessex to Christian Giudicelli: "". cette histoire errante."" ""this wandering story."" Grasset unknown‎

Referenz des Buchhändlers : 81253

‎Pierre FEDIDA‎

‎Corps du vide et espace de séance‎

‎Paris: Editions Universitaires Jean-Pierre Delarge 2003. Fine. Editions Universitaires Jean-Pierre Delarge Paris 2003 16 x 23.50 cm broché First edition of which there were no deluxe copies. Handsome copy with press cuttings included. Autograph inscription signed by psychoanalyst Pierre Fédida to Nadine Nimier: ""Pour toi Nadine avec beaucoup de tendresse. Pierre."" ""For you Nadine with much tenderness. Pierre."" Editions Universitaires Jean-Pierre Delarge unknown‎

Referenz des Buchhändlers : 81209

‎COLLECTIF‎

‎L'amateur d'autographes - Revue historique et biographique bi-mensuelle - Années 1868 1869 1870 et 1871 complètes : des N°145 & 146 des 1er et 16 Janvier 1868 aux N° 204 & 205 des 1er et 16 Novembre1871‎

‎Paris: Librairie J. Charavay ainé 1868. Fine. Librairie J. Charavay ainé Paris 1868-1871 14.50 x 23 cm relié First edition. Bradel binding in half sienna cloth smooth spine decorated with a gilt floral motif double gilt fillet at foot brown shagreen title-label with light rubbing marbled paper boards corners slightly bumped. Pencil annotations on the last blank endpaper occasional light foxing. Handsome copy. Librairie J. Charavay ainé hardcover‎

Referenz des Buchhändlers : 81225

‎COLLECTIF‎

‎L'amateur d'autographes - Revue historique et biographique bi-mensuelle - Années 1872 1873 1873 et 1875 complètes : des N°208 & 209 de la dixième année du 1er & 16 Janvier 1872 aux N° 266 & 267 de Novembre-Décembre 1875‎

‎Paris: Charavay frères 1872. Fine. Charavay frères Paris 1872-1875 14.50 x 23 cm relié First edition. Bradel binding in half sienna cloth smooth spine decorated with gilt floral motif double gilt fillet at tail brown shagreen title-label with slight rubbing marbled paper boards first cover stained at upper left corner corners slightly bumped. Pencil annotations on the last blank endpaper. Handsome copy. Charavay frères hardcover‎

Referenz des Buchhändlers : 81212

‎Jean-Baptiste CARRIER‎

‎Suite du rapport de Carrier représentant du peuple français sur sa mission dans la Vendée‎

‎Senlis: Imprimerie Nationale 1794. Fine. Imprimerie Nationale Senlis Brumaire An III 1794 14 x 21 cm broché First edition. A small stain on the first page some marginal creases and tears worming to the heads of some leaves. Rare fascicle presented in its original wrappers. Imprimerie Nationale unknown‎

Referenz des Buchhändlers : 81143

‎[Francois BERNOUARD as] FRANCOIS LE FRANCOIS‎

‎Rose de B‎

‎Paris: Cie des libraires 1938. Fine. Cie des libraires Paris 1938 12.50 x 19.50 cm broché The first edition of which there were no deluxe copies. Rare and handsome copy. Cie des libraires unknown‎

Referenz des Buchhändlers : 81246

‎Constant MARTIN - Louise MICHEL‎

‎Inquisition et antisémitisme - Résumé de l'histoire juive suivi de Le Rêve par Louise Michel‎

‎Paris: Imprimerie G. Marichal & Cie 1898. Fine. Imprimerie G. Marichal & Cie Paris s. d. 1898 12 x 15 cm agrafé Inquisition et antisémitisme - Résumé de l'histoire juive suivi de Le Rêve par Louise Michel Imprimerie GMarichal & Cie Paris s.d1898 12 x 15 cm stapled Rare first edition of this “Résumé de l'histoire juive” bound for the working population: “Il m'a paru utile en ce moment où la campagne antisémite entreprise depuis dix ans pas Drumont et ses complices devient de plus en plus aiguë passionne tout le corps social et peut d'un moment à l'autre - ou dans un temps donné - sous la protection d'un gouvernement clérico-militaire - se traduire en actes terribles de persécution en France et en Algérie de publier quelques notes historiques sur le peuple juif. Les camarades qui n'ont guère le temps de s'instruire aux bibliothèques pourront ainsi confronter leur jugement des choses vécues avec les enseignements de l'histoire sur les griefs reprochés aux juifs par les antisémites qui prêchent leur extermination.” “It seemed useful to me at a time when the anti-Semitic campaign undertaken for ten years by Drumont and his accomplices which is becoming more and more acute exciting the whole social body and which may from one moment to another - or in any given time - under the protection of a clerical-military government - translate into terrible acts of persecution in France and Algeria to publish some historical notes on the Jewish people. The comrades who have little time to learn in libraries will thus be able to confront their judgement of things experienced with the lessons of history on the grievances reproached to the Jews by the anti-Semites who preach their extermination.” Some marginal folding and tears as well as small corner pieces missing. “Après la chute de l'Empire Constant Martin fut en tant que délégué des vingt arrondissements un des signataires de l'Affiche rouge du 6 janvier 1871 proclamation au peuple de Paris pour dénoncer «a trahison» du gouvernement du 4 septembre et pour mettre en avant trois mots d'ordre : Réquisition générale rationnement gratuit attaque en masse.” “After the fall of the Empire Constant Martin was as delegate of the twenty arrondissments one of the signatories of the Affiche Rouge of 6 January 1871 a proclamation to the people of Paris to denounce a “betrayal” of the government on 4 September and to put forward three slogans: General requisition free rationing mass attack.” Maintron It is therefore not surprising to find at the end of this brochure an unpublished poem by Louise Michel mentioning the anti-Semitic riot in Algeria. Imprimerie G. Marichal & Cie unknown‎

Referenz des Buchhändlers : 81346

‎PERSE‎

‎Satires suivies d'un fragment de Turnus et de la Satire de Sulpicia‎

‎Paris: C. L. F. Panckoucke 1840. Fine. C. L. F. Panckoucke Paris 1840 12.50 x 21.50 cm relié New edition of the French translation established by A. Perreau. Half tan sheep binding spine with five raised bands set with gilt dots decorated with double gilt compartments embellished with gilt floral motifs one joint cracked at foot with lack gilt fillet on marbled paper boards marbled endpapers and pastedowns armorial bookplate pasted to verso of front board binding signed by Bernon. Handsome copy despite some light foxing. C. L. F. Panckoucke hardcover‎

Referenz des Buchhändlers : 81201

‎Mohammed KHAIR-EDDINE‎

‎Le déterreur‎

‎Paris: Seuil 1973. Fine. Seuil Paris 1973 13.50 x 19 cm broché The first edition of which there were no deluxe copies. Spine very slightly sunned without consequence. Fine and political signed autograph inscription by Mohammed Khaïr-Eddine: ""A Christian Giudicelli ce déterreur marocain qui finira bien par écraser la tête assassine de son Roi. Bien amicalement. Mohammed K.E. 1973."" ""To Christian Giudicelli this Moroccan digger-up who will eventually crush the murderous head of his King. With friendship. Mohammed K.E. 1973."" Seuil unknown‎

Referenz des Buchhändlers : 81349

‎Henri THOMAS‎

‎Joueur surpris‎

‎Paris: Gallimard 1982. Fine. Gallimard Paris 1982 14 x 20.50 cm broché First edition on ordinary paper. A handsome copy. Autograph inscription dated and signed by Henri Thomas to Christian Giudicelli: "". amicale pensée souvenir souvenir que me veux-tu "" "".friendly thoughts memory memory what do you want from me"" Gallimard unknown‎

Referenz des Buchhändlers : 81303

‎Mathias MALZIEU‎

‎38 mini westerns avec des fantômes‎

‎Urrugne: Pimientos 2003. Fine. Pimientos Urrugne 2003 12.50 x 21 cm broché First edition of which no deluxe copies were printed. Handsome copy despite two small marginal tears of no consequence. Signed and inscribed by Mathias Malzieu to a man named Rémi accompanied by a drawing of a smiling figure. Pimientos unknown‎

Referenz des Buchhändlers : 81204

‎Gaston DERYS - G LAMI‎

‎Les amantes‎

‎Paris: H. Simonis Empis 1899. Fine. H. Simonis Empis Paris 1899 11.50 x 18.50 cm relié First edition one of 6 numbered copies on Japan paper ours bearing No. 1 the only deluxe copies after 2 on China paper. Half blue morocco binding with corners faded spine with five raised bands set with dots and decorated with double gilt fillets some minor rubbing to spine double gilt fillet frame on marbled paper boards endpapers and pastedowns of combed paper covers and spine preserved top edge gilt binding signed Ach. Pollet. Work illustrated by G. Lami. Moving signed autograph inscription from Gaston Derys: ""A ma chère Minnie à ma chère femme je dédie ce livre d'amour où chante l'écho de nos baisers."" ""To my dear Minnie to my dear wife I dedicate this book of love where echoes the song of our kisses."" H. Simonis Empis hardcover‎

Referenz des Buchhändlers : 81159

‎Aime NANCY - Auguste PIFFOND‎

‎Avénement de Bonaparte au trône impérial prix extraordinaire proposé au lycée de Dijon ; par son excellence du Sénat-Conservateur titulaire de la sénatorerie de la Côte d'Or François de Neufchâteau remporté par Aimé Nancy de Dijon pensonniaire du gouvernement - L'avènement de Bonaparte à la couronne ; composition qui a mérité l'accessit au lycée de Dijon par Auguste Piffond de la même ville âgé de quinze ans‎

‎Paris: Bossange Masson et Besson 1804. Fine. Bossange Masson et Besson Paris 1804 14 x 22 cm broché First edition of these odes to the Emperor. Some light foxing. Rare work in temporary covers and original stitching. Bossange, Masson et Besson unknown‎

Referenz des Buchhändlers : 81148

‎John FOWLES‎

‎Daniel Martin‎

‎Paris: Albin Michel 1981. Fine. Albin Michel Paris 1981 14.50 x 22.50 cm broché First edition of the French translation of which there were no deluxe copies a Service de Presse advance copy. Spine and covers marginally and lightly yellowed complete with publisher's slip. Rare autograph inscription dated and signed by John Fowles to Christian Giudicelli. Albin Michel unknown‎

Referenz des Buchhändlers : 81270

‎Rene DEPESTRE‎

‎En état de Poésie‎

‎Paris: Les Editeurs Français Réunis 1980. Fine. Les Editeurs Français Réunis Paris 1980 10.50 x 13.50 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Publisher's full green cloth binding smooth spine green paper endpapers and pastedowns. A handsome copy. Autograph inscription dated and signed by René Depestre to the writer Christian Giudicelli. Les Editeurs Français Réunis hardcover‎

Referenz des Buchhändlers : 81258

‎William CLIFF‎

‎America‎

‎Paris: Gallimard 1983. Fine. Gallimard Paris 1983 14 x 20.50 cm broché The first edition of which there were no deluxe copies. Two light stains on the spine very slightly sunned without significance. Autograph inscription signed by William Cliff to Christian Giudicelli: ""Pour toi mon cher Christian cette longue et bizare errance avec les sentiments de ton devoué. William."" ""For you my dear Christian this long and strange wandering with the feelings of your devoted. William."" Gallimard unknown‎

Referenz des Buchhändlers : 81363

‎Silvina OCAMPO‎

‎Lo amargo por dulce‎

‎Buenos Aires: Emece editores 1962. Fine. Emece editores Buenos Aires 1962 12.50 x 20.50 cm broché First edition. Spine very lightly sunned without any gravity final endpaper partially shadowed due to the presence of a press cutting. Handsome autograph inscription signed by Silvina Ocampo to her friend Ema Risso Platero: ""A Emita para que no me olvide en los jardines del mundo en donde hay verdes. que nos dan y temura. Silvina 1963."" ""To Emita so that she doesn't forget me in the gardens of the world where there are greens. that give us tenderness. Silvina 1963."" Ema Risso Platero Uruguayan diplomat was a painter poet writer she notably published Arquitecturas del insomnio with a prologue by Borges and was a friend of Michel Foucault and Jorge Luis Borges. Emece editores unknown‎

Referenz des Buchhändlers : 80849

‎Victor LENEPVEU - (Alfred DREYFUS)‎

‎AFFAIRE DREYFUS Musée des horreurs - Affiche originale lithographiée en couleurs - n°6 ""Le Traître"" • Original colour lithographed poster‎

‎Paris: Imprimerie Lenepveu 1899. Fine. Imprimerie Lenepveu Paris s. d. novembre 1899 49.80 x 65.20 cm une affiche Musée des horreurs – Original colour lithographed poster – n° 6 “Le Traître” Imprimerie Lenepveu Paris Novembre 1899 498 x 652 cm one poster Original colour lithographed poster depicting Alfred Dreyfus as a Gorgonian headed hydra pierced by a military sword. Far from the classic zoomorphic codes usually used by caricaturists Alfred Dreyfus is associated here with the hydra a mythical creature emblematic of evil. Beyond this symbolism the choice of a monster with sprawling and perpetually regenerating heads gives the image a strong anti-Semitic charge exceeding that of the Dreyfus Affair. Ironically it is the term hydra that will be used after the Second World War to describe the anti-Semitic resurgence of our modern society. Transverse folds some marginal foxing not affecting the image. Circulated between October 1899 and December 1900 in a France set ablaze by the Dreyfus Affair these immense colour portraits are the work of Victor Lenepveu who announced the publication of 150 and then 200 drawings before finally producing only around fifty. Despite the 1881 law on the freedom of press allowing the dissemination of a politically subversive image the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior. The fragility of the paper and the imposing size of these very violent posters as well as their almost immediate seizure by the police contributed to the disappearance of these caricatures which strongly left a mark on public opinion. These horreurs were widely promoted by anti-Semitic newspapers that announced a fantasised print of 300000 copies thus insinuating the success of anti-Semitic ideas in the population. On 1st October 1899 L'Intransigeant announced the publication of the Musée des horreurs in its columns: “Un dessinateur de beaucoup d'esprit au coup de crayon d'un comique intense M. V. Lenepveu a eu l'heureuse idée d'inaugurer une série de portraits des vendus les plus célèbres de la tourbe dreyfusarde. Le titre de cette série « Musée des Horreurs » est suffisamment suggestif et indique bien ce qu'il promet. . C'est la maison Hayard qui mettra en vente à partir d'aujourd'hui le numéro 1 de cette désopilante série.” “An artist of great spirit with an intense comical pencil stroke M. V. Lenepveu had the happy idea of inaugurating a series of portraits of the most famous sellouts of the Dreyfusard rabble. The title of this series “ Musée des Horreurs” is sufficiently suggestive and is a good indicator of what it promises. . It is Maison Hayard that will put up for sale from today issue number 1 of this hilarious series.” First a peddler then a bookseller-publisher Napoléon Hayard known as Léon Hayard specialised in the marketing of anti-Dreyfusard and anti-Semitic ephemera and advertisements. Today however copies in good condition of these pamphlet caricatures which contributed to the social and political divide of France are very rare. Published in the booming written press - at the same time as Émile Zola's famous “J'accuse !” - these propaganda materials had a significant impact on the younger generations and preceded the ideological violence of the 20th century. Imprimerie Lenepveu unknown‎

Referenz des Buchhändlers : 80332

‎Paul FORT‎

‎Poème manuscrit signé du Chant de la paix - La ronde autour du monde dédicacé à Carlo Rim Si tous les gars du monde • Handwritten signed poem of the Chant de la paix - La ronde autour du monde dedicated to Carlo Rim‎

‎s. l.: S. n. 1930. Fine. S. n. s. l. s. d. circa 1930 13.50 x 21 cm une feuille Handwritten signed poem of the Chant de la paix – La ronde autour du monde dedicated to Carlo Rim Si tous les gars du monde ca 1930 135 x 21 cm one leaf Handwritten signed poem by Paul Fort: 13 lines in black ink three tercets entitled “Chant de la paix – La ronde autour du monde”. “If all the girls of the world wanted to hold hands all around the sea they could make a circle / If all the guys of the world wanted to be sailors with their boats they would make a nice bridge on the water: Then we could make a circle around the world if all the guys of the world wanted to hold hands.” Handwritten inscription dated and signed by Paul Fort to Carlo Rim in green pencil beneath the poem: “Pour Carlo Rim Très amical souvenir de la kermesse aux a drawing of a star.” A superb manuscript in Paul Fort's elegant calligraphy of one of the most famous hymns to peace taken up in songs films expressions and ritornellos throughout the 20th century until it became a real popular “meme” whose origin has been lost in the collective unconscious. S. n. unknown‎

Referenz des Buchhändlers : 80999

‎Victor LENEPVEU - (Jean JAURES)‎

‎AFFAIRE DREYFUS Musée des horreurs - Affiche originale lithographiée en couleurs - n°14 ""L'Eléphant du Jourdain"" • Original colour lithographed poster‎

‎Paris: Imprimerie Lenepveu 1900. Fine. Imprimerie Lenepveu Paris s. d. janvier 1900 49.80 x 65.20 cm une affiche Original colour lithographed poster depicting Jean Jaurès as an elephant sitting on a chair and holding a bottle of “water from the Jordan”. Until then portrayed as a dog – caricaturists mocking his aggressiveness – Jean Jaurès is here for the first time represented as an elephant. It is a question here of highlighting his potbelly and his pachyderm silhouette but we can nevertheless highlight the great dignity of this massive personality with a high gaze. The water from the Jordan is held on one of his hoofs and alludes to the rumour that he had his son baptised in the scared river thus acting against his anticlerical policy. Despite the caricaturist's desire to ridicule Jean Jaurès the choice of the elephant a symbol of strength prosperity and wisdom is ultimately positive. Transverse folds and tiny minor marginal tears. Circulated between October 1899 and December 1900 in a France set ablaze by the Dreyfus Affair these immense colour portraits are the work of Victor Lenepveu who announced the publication of 150 and then 200 drawings before finally producing only around fifty. Despite the 1881 law on the freedom of press allowing the dissemination of a politically subversive image the publication of this nightmarish pantheon was interrupted by order of the Ministry of the Interior. The fragility of the paper and the imposing size of these very violent posters as well as their almost immediate seizure by the police contributed to the disappearance of these caricatures which strongly left a mark on public opinion. These horreurs were widely promoted by anti-Semitic newspapers that announced a fantasised print of 300000 copies thus insinuating the success of anti-Semitic ideas in the population. On 1st October 1899 L'Intransigeant announced the publication of the Musée des horreurs in its columns: “Un dessinateur de beaucoup d'esprit au coup de crayon d'un comique intense M. V. Lenepveu a eu l'heureuse idée d'inaugurer une série de portraits des vendus les plus célèbres de la tourbe dreyfusarde. Le titre de cette série « Musée des Horreurs » est suffisamment suggestif et indique bien ce qu'il promet. . C'est la maison Hayard qui mettra en vente à partir d'aujourd'hui le numéro 1 de cette désopilante série.” “An artist of great spirit with an intense comical pencil stroke M. V. Lenepveu had the happy idea of inaugurating a series of portraits of the most famous sellouts of the Dreyfusard rabble. The title of this series “ Musée des Horreurs” is sufficiently suggestive and is a good indicator of what it promises. . It is Maison Hayard that will put up for sale from today issue number 1 of this hilarious series.” First a peddler then a bookseller-publisher Napoléon Hayard known as Léon Hayard specialised in the marketing of anti-Dreyfusard and anti-Semitic ephemera and advertisements. Today however copies in good condition of these pamphlet caricatures which contributed to the social and political divide of France are very rare. Published in the booming written press - at the same time as Émile Zola's famous “J'accuse !” - these propaganda materials had a significant impact on the younger generations and preceded the ideological violence of the 20th century. Imprimerie Lenepveu unknown‎

Referenz des Buchhändlers : 80337

‎COLLECTIF‎

‎Durendal - Revue catholique d'art et de littérature 8ème année - Année 1901 complète‎

‎Bruxelles Brussels & Paris: Lyon-Claesen 1901. Fine. Lyon-Claesen Bruxelles Brussels • & Paris 1901 17.50 x 27 cm reliure de l'éditeur First edition. Some minor foxing. Publisher's Bradel binding in half red boards with corners smooth spine decorated with gilt fillets burgundy boards sky blue paper endpapers and pastedowns. Pictorial contributions by Giotto Giorgione Perugino painters from the Beuron school Anton Van Welie. Numerous literary contributions including those by Henry Bordeaux Georges Brigode Eugène Demolder Gaston Della Faille de Leverghem Charles de Sprimont Iwan Gilkin Edouard Ducoté Louis le Cardonnel Charles Lagasse de Locht Joris-Karl Huysmans Georges Ramaekers Pierre Verhaegen. Lyon-Claesen hardcover‎

Referenz des Buchhändlers : 81393

‎FERNANDEL - Carlo RIM‎

‎Photographie originale représentant le cinéaste Carlo Rim conseillant Fernandel pour une scène de ""L'armoire volante"" film de Carlo Rim‎

‎Paris: R. Bègue photo 1948. Fine. R. Bègue photo Paris 1948 11 x 8.50 cm une feuille Original photograph taken during the filming of ""L'armoire volante"" a humorous police intrigue starring Fernandel. The photograph shows Carlo Rim from behind his hands resting on a window balcony offering his advice to Fernandel facing him vintage silver gelatin print. Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."" Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: ""Carlo Rim Fernandel L'armoire volante 1948."" R. Bègue photo unknown‎

Referenz des Buchhändlers : 81476

‎Carlo RIM‎

‎Dessin original au styllo bille noir rehaussé au correcteur blanc représentant son grand ami le poète André Salmon‎

‎s. l. 1956. Fine. s. l. 1956 20 x 25.50 cm une feuille Original drawing in black ballpoint pen monogrammed in black ballpoint pen ""CR"" and dated and captioned in pencil ""André Salmon twice 1956"" depicting in profile and with a pipe screwed to his lips his great friend the writer and poet André Salmon. The drawing was made on tracing paper and pasted onto a sheet. Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. unknown‎

Referenz des Buchhändlers : 81502

‎Edmond MALASSIS - Richard WAGNER‎

‎La Tétralogie‎

‎Paris: L'Edition d'art H. Piazza 1942. Fine. L'Edition d'art H. Piazza Paris 1942 17.50 x 24 cm broché Edition adorned with original color illustrations by Edmond Malassis. Handsome copy despite two small tears to the spine. L'Edition d'art H. Piazza unknown‎

Referenz des Buchhändlers : 81406

‎(to Antoine BLONDIN) - Bernard BAROKAS‎

‎La chanson de Bertram‎

‎Paris: Grasset 1978. Fine. Grasset Paris 1978 14 x 22.50 cm broché First edition printed on ordinary paper. A slight crease mark to the lower right corner of the front cover covers slightly soiled but without significance. Precious and friendly autograph inscription signed by the author to Françoise and Antoine Blondin. Grasset unknown‎

Referenz des Buchhändlers : 81386