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FIELD, Eugene, words by, and Margaret Dixon, music by
Sheet music: The Wooden Shoe No. 1 in C
New York: Boosey & Co 1927. Softcover. Good. First edition. Quarto. Two nested bifoliums making eight pages. Name stamp publisher's stamp and publisher's blind stamp on the front cover dampstaining to the front cover affecting throughout and soiling to the exterior a complete but good only copy. For voice and piano. Plate number 2861 - 6. Includes short samples of "A Thrush's Love Song" "The Second Minuet" and "A Caution." The name stamp is that of prolific American composer and pianist Fay Foster who took first place in the American Composers Competition of 1913. The lyrics to this song are from Eugene Field's children's poem "Wynken Blynken and Nod" who set sail in a wooden shoe to go fishing. This song composed by Margaret Dixon is unrecorded by OCLC and appears to be equally scarce in the trade. Boosey & Co unknown
Referencia librero : 587652
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FIELD, Eugene, words by, and Frank H Brackett, music by
Sheet music: The Singing in God’s Acre
Boston: The B.F. Wood Music Co 1900. Softcover. Very Good. Sheet music. Quarto. Two nested bifolia making eight pages. Possibly trimmed along the sides not affecting the music as it was uncommon for sheet music of this era to be this size outer bifolium separated along the bottom half of the fold owner name on front cover and some toning and soiling to the exterior still a very good and complete copy. For voice and piano in the key of G. Plate imprint "B.F.W. 1096 - 6." The back cover features short samples of six other songs including "Romance of the Roses" and "A Southern Hush Song." OCLC locates seven holdings and it appears to be equally uncommon in the trade. The B.F. Wood Music Co unknown
Referencia librero : 603704
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FIELD, Eugene, words by, and Frederic W Root, music by
Sheet music: A Hush-A-By Song
Cincinnati: The John Church Co 1888. Softcover. Good. First edition. Folio. Two nested bifolia making eight pages. Notched and worn along the folds with numbers penned on each page from once being bound within an album outer bifoium separating along the bottom of the fold offsetting to the back cover and some soiling to the exterior still a complete and good or better copy. For voice and piano. Plate imprint "6240 - 5 - T." Dedicated to the singer and actress Jessie Bartlett Davis. The lyrics to this piece are actually taken from Field's poem "A Lullaby"; though Field did write a poem titled "A Hushaby Song" and those familiar with that poem might understand why it's not quite appropriate for singing. This piece is unrecorded by OCLC and appears to be equally scarce in the trade. The John Church Co unknown
Referencia librero : 604771
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FIELD, Eugene, words by, and Martha Bailey Moore, music by
Sheet music: Child and Mother
Pittsburgh PA: Volkwein Bros 1936. Softcover. Near Fine. First edition. Quarto. Two nested bifolia making eight pages. Some very light offsetting to the front cover and some light bumping to the corners else near fine. For voice and piano. Plate imprint "Child and Mother - 5." Eugene Field was a late 19th century American writer known for his children's verse and essays. Martha Bailey Moore on the other hand appears to be a complete unknown we cannot find any information about her nor any other compositions. This piece is unrecorded by OCLC and it appears to be equally uncommon in the field. Volkwein Bros unknown
Referencia librero : 606654
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FIELD, Eugene, words by, and Alicia Adelaide Needham, music by
Sheet music: The Fairy’s Lullaby No. 4 in A flat
New York: Boosey & Co 1897. Softcover. Very Good. First edition. Folio. Two nested bifolia making eight pages. Outer bifolium with some separation at the ends of the fold publisher's stamp on the front cover light edgewear and rubbing to the exterior still a very good and complete copy. For voice and piano. Plate number 245 - 6. The back cover features short samples of three other songs. The front cover states "Sung by Miss Louise Dale." The composer of this piece Alicia Adélaïde Needham was the first woman to ever conduct at the Royal Albert Hall. OCLC locates three holdings. Boosey & Co unknown
Referencia librero : 606658
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FIELD, Eugene, words by, and Hubbard T Smith, music by
Sheet music: Listen to My Tale of Woe: Or Johnny Jones and His Sister Sue
Washington D.C.: John F. Ellis & Co 1889. Softcover. Good. Later printing. Encore Verse by E.P. Jewell. Folio. Originally a single bifolium with a single-sheet-insert making six pages. Notched and worn along the spine from once being bound within an album as a result the bifolium and insert remain bound together though separating along the bottom third of the fold edgewear including several small tape repairs and soiling to the exterior a complete but good only copy. For voice and piano. Plate impression "Listen to my tale of woe. 3." There's an advertisement stamped at the bottom of page three "'Bill Kelly's New Spring Pants' Hubbard T. Smith's Latest Comic Song. Price 40 Cents." The lyrics are derived from Field's poem "The Little Peach Tree" with a few additions. Late 19th century children's stories and poems can be surprisingly grim and this one is no exception. John F. Ellis & Co unknown
Referencia librero : 607079
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FIELD, Eugene, words by, and Geo Stahl, music by
Sheet music: Sometime
Chicago: National Music Co 1896. Softcover. Very Good. Stated as "Superior National Edition" which we believe to also be the first edition. Folio. Single bifolium with a single-sheet-insert making six pages. Insert taped into the bifolium toning and edgewear including some chips and tears still a complete and very good copy. For voice and piano. Plate number 4175. The back cover features short samples of six "easy transcriptions of standard sacred songs for the organ or piano" including "Rock of Ages" by Thomas Hastings and "Flee As A Bird" by M.S.B. Dana. "Respectfully dedicated to Mrs. Eugene Fields Chicago." The woman in the photo is not identified. This piece is unrecorded by OCLC and appears to be equally scarce in the trade. National Music Co unknown
Referencia librero : 607387
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FIELD, Eugene, words by, and Morris Ellsworth, music by
Sheet music: A Norse Lullaby
New York: Edward Schuberth & Co 1900. Softcover. Very Good. First edition. Folio. Single bifolium with a single-sheet-insert making six pages. Edgewear including small tears foxing to the exterior and bumping to the corners still a complete and very good copy. For voice and piano. Plate imprint "C.F.T. No. 285." The front cover states "Dedicated to The Hatfield House" though it is unclear if it is referring to the historical house in Fairmount Park in Philadelphia Pennsylvania. This piece is unrecorded by OCLC and appears to be equally scarce in the trade; furthermore we could not find any solid biographical information on the composer Morris Ellsworth. There's a chance he's the original composer and subject of a song called "Morzie Ellsworth" about a Mane-ite moving to Pennsylvania to work as a lumberjack which Brian Miller of the website EverGreenTrad states "likely descended from the New Brunswick Canada song 'Morris Ellsworth.'" But this was all the info we could glean on Ellsworth and while it's a remote chance we find the concept of a lumberjack-composer mentally conjuring melodies while chopping wood deep in the forest quite Romantic. Either way it remains a rare and intriguing piece. Edward Schuberth & Co unknown
Referencia librero : 610192
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FIELD, Eugene, words by, and Helen French, music by
Sheet music: Little Boy Blue No. 3 in G
London: Schott & Co 1906. Softcover. Very Good. Unknown edition. Folio. Two nested bifolia making eight pages. Bumping to the corners and light age toning very good or better. For voice and piano. Plate number 28030.3. Features short samples of seven other songs. This piece by Helen French is just one of many compositions set to this poem that were published around the turn of the century. OCLC locates only a single holding of this edition by French and it appears to be equally uncommon in the trade. Schott & Co unknown
Referencia librero : 610791
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FIELD, Eugene, words by, and Frank Damrosch, music by
Sheet music: The Rockaby Lady
New York: G.Schirmer 1894. Softcover. Very Good. Sheet music. Folio. Two nested bifolia making eight pages. Minor edgewear music shop stamp on the front cover and toning very good. For voice and piano. Plate number 11418. OCLC locates only two holdings and it appears to be equally scarce in the trade. G.Schirmer unknown
Referencia librero : 617579
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Fielder, Charles N and Roy G Owens; Music by John T Boudreau
Song of Utopia. Official song Utopian Society
Los Angeles: Utopian Society of America 1934. 4p. sheet music minor handling wear and soil ownership signature Rosa Pitt in upper right corner. "No truth but truth no enslaved youth reads the Utopian code / Clarion call heed one and all let Brother share Brother's load! Utopian Society of America unknown
Referencia librero : 8853
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Fields, Gracie; Parker, Ross; Charles, Hughie; Heneker, David; Harper, Jimmy; Haines, Will E; Connor, Tommie; et al
Sing Along with Gracie Fields - Songbook Song Book with Sheet Music for Voice and Piano with Guitar Chords
USA: Robbins Music Corp. Good. 1943. First Edition. Paperback. 28 pages. Nice Photo of Gracie Fields on cover. Sentimental tunes from the days of WWII including: There'll Always Be An England; The Thing-Ummy Bob; The Biggest Aspidastra in the World; Out in the Cold Cold Snow; He's Dead but he Won't Lie Down; I Never Cried So Much in All My Life; Walter! Walter! Lead me to the Altar; In My Little Bottom Drawer; H'Ya Duchess; Honey; Round the Marble Arch; The King's Horses And the King's Men. Average wear. Binding intact. Prior owner's name and date on front cover. A sound vintage copy.; 4to - over 9¾" - 12" tall; Sing Along with Gracie Fields - Songbook Song Book with Sheet Music for Voice and Piano with Guitar Chords There'll Always Be An England; The Thing-Ummy Bob; The Biggest Aspidastra in the World; Out in the Cold Cold Snow; He's Dead but he Won't Lie Do . Robbins Music Corp. paperback
Referencia librero : 812G4590
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FIELDS, Mrs [Annie], words by, and Margaret Ruthven Lang, music by
Sheet music: Orpheus Op. 38 No. 1
Boston: Arthur P. Schmidt 1902. Softcover. Good. Presumably the first edition. Folio. Two nested bifolia making eight pages. "For the Press" stamp on the front cover outer bifolia separated along the bottom half of the fold and bumping to the corners a complete but just a good or better copy. For voice and piano with pedal marks. Plate imprint "A.P.S. 5899-5." The lyrics are from the play Orpheus: A Masque by Annie Fields. The composer of this piece Margaret Ruthven Lang was an American composer born and based out of Boston. In Women & Music: A History" Karin Pendle says that Lang was the first woman composer to have a piece performed by a major American orchestra; the piece was her now lost Dramatic Overture: Op. 10 performed by the Boston Symphony Orchestra in 1893. OCLC locates only a single holding of this song and it appears to be equally uncommon in the trade. Arthur P. Schmidt unknown
Referencia librero : 610823
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FIELITZ, Alexander von (1860-1930)
Autograph Musical Quotation Signed
This German-born composer and conductor wrote pieces for piano and violin songs a cantata two operas and more. AMuQS heavy stock 3¼" X 2½" card n.p. Chicago n.d. 1905. Very good. Light even age toning; mounting traces on verso. On a 3¼" X 1" slip neatly tipped to the center of this heavy card Fielitz boldly pens a couple of measures of music adding "Eliland" just above it and "Eine kleine Zelle" below it. Below this slip on the heavy card he signs boldly in full. "Eliland" was Fielitz's most popular song cycle in the United States. This unusual piece was penned just after Fielitz emigrated to America in 1905 whereupon he settled in Chicago and became an instructor at the Chicago Musical College. Very uncommon. unknown
Referencia librero : 20963
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Fielitz, Alexander von, Dirigent, Komponist (1860-1930).
Eigenh. Postkarte mit U. Charlottenburg, 25. II. 1921.
2 SS. Qu.-8vo. Mit eh. Adresse. An Walter Josephson (Direktor der Duisburger Philharmoniker): "Verehrter Herr Kollege! Ihr Schreiben erreichte mich früh, kurz vor meiner Abreise in die Ferien. Sie erhalten rechtzeitig Antwort. In Eile besten Gruß". - Fielitz, der polnisch-russischer Abstammung war, studierte Klavier, Komposition und Dirigieren als Schüler Julius Schulhoffs, Kretschmers und Karl Bancks. Seit 1884 Theaterkapellmeister in Zürich, 1885/86 in Lübeck, übersiedelte Fielitz nach Italien, wo er 1887-89 als freischaffender Komponist in Rom und auf Capri lebte. Seit 1901 unterrichtete er am Sternschen Konservatorium in Berlin und dirigierte 1904 am Theater des Westens. 1905 ging er als Lehrer an das Ziegfeld-Konservatorium nach Chicago, leitete dort seit 1906 das Symphonieorchester und kehrte 1908 an das Sternsche Konservatorium zurück, dessen Leitung er 1915 übernahm (DBE).
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Fielitz, Alexander von, Dirigent, Musikpädagoge und Komponist (1860-1930).
Konvolut von 12 eigenh. Briefen und 1 eh. Postkarte. Rom, Capri, Neapel, Hamburg und Dresden, 1896-99.
Zus. 36 SS. Kl.-8vo bis gr.-8vo. An den Musikschriftsteller u. -kritiker Max Kalbeck. - Alexander von Fielitz studierte Klavier, Komposition und Dirigieren als Schüler Julius Schulhoffs, E. Kretschmers und Karl Bancks. Seit 1884 Theaterkapellmeister in Zürich, 1885/86 in Lübeck, übersiedelte Fielitz nach Italien, wo er als freischaffender Komponist in Rom und auf Capri lebte. Seit 1901 unterrichtete er am Sternschen Konservatorium in Berlin und dirigierte 1904 am Theater des Westens. 1905 ging er als Lehrer an das Ziegfeld-Konservatorium nach Chicago, leitete dort seit 1906 das Symphonieorchester und kehrte 1908 an das Sternsche Konservatorium zurück, dessen Leitung er 1915 übernahm.
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Fife, Austin E; Fife, Alta S; Schwab, Mary Jo [Music Editor]; Ralston, J K [Illustrator]
Cowboy and Western Songs: A Comprehensive Anthology
Clarkson N. Potter 1969. First Edition. Hardcover. Very Good/Very Good. 0x0x0. Signed by Authors. Signed by Austin and Alta Fife on the FFEP. The binding is tight corners sharp. Light handling on the boards and spine. Text and images unmarked. The dust jacket shows some light handling a couple of 3" taped repairs on the bottom edge of the back panel vertical crease on the front flap unclipped in a mylar cover. 4to. xii 372pp. Clarkson N. Potter hardcover
Referencia librero : CHAPfifCW
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Fifield, Christopher [subject: Bruch, Max, 1838-1920;
Max Bruch : his Life and Works. Childhood & Youth; Mannheim; Folksong & Frithjof; Colbenz; Sondershausen; Bergisch Gladbach; Berlin; Bonn; Liverpool; Breslau; Final Years; Postlude; List of Works
New York : George Braziller 1988. 1988. Hardcover. Very Good. 351 pp. 8 pp. of plates : illustrations ; 24 cm. ; ISBN: 0807612049; 9780807612040 LCCN: 88-16689 ; LC: ML410.B87; Dewey: 780/.92/4; B ; OCLC: 18072672 ; " the only full-length study of the composer - the author provides a richly documented account of Bruch's career as music director and conductor." ; brown cloth wth gold lettering ; no dustjacket ; VG <br/> <br/> New York : George Braziller, 1988. hardcover
Referencia librero : 4769 ISBN : 0807612049 9780807612040
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Fignon Beno
La fisarmonica. I ragazzi del complesso "Aurora". La fisarmonica nelle feste, nella cultura e nel bacino Cellina-Meduna, Cologno Monzese, Silvia Editrice, 2009
Cologno Monzese, 2009; ril., pp. 136.
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Fignon Beno
La fisarmonica. I ragazzi del complesso «Aurora». La fisarmonica nelle feste, nella cultura e nel bacino Cellina-Meduna
Come nuovo edizione: 1a pp. 135
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Figueiredo, Vera; Oliveira, Daniel
Vera Cruz Island: Brazilian Rhythms for Drumset
Paperback. Very good condition. Two CDs in clear plastic sleeves are attached to inside rear cover. One or two slight scores on covers. Pages are bright and clean, and the contents are clear. AF Used
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Files, Flamingo Music
Guitar Cheat Sheets
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referencia librero : 1320165176.G ISBN : 1320165176 9781320165174
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Filiberto, Roger
Harmony-Chords Melody for the Steel Guitar E7th Tuning
USA: Gibson Inc. Fair. 1953. Reprint. Paperback. 80 pages. Reprint of the 1939 first edition. Heavily worn. Binding intact. Light pencil markings to contents. A worthy working copy of this vintage work.; Folio - over 12" - 15" tall; Harmony-Chords Melody for the Steel Guitar E7th Tuning Instruction Lessons . Gibson, Inc. paperback
Referencia librero : 812G1844
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Filini Elena
Il concorso internazionale per cantanti Toti dal Monte. Un quarantennio di debutti a Treviso, Cornuda, Antiga Edizioni, 2011
Cornuda, 2011; ril., pp. 304, 80 ill. b/n e col., cm 21x24,5.
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FILIPACCHI MUSIC
"1 DISQUE AUDIO 33 TOURS - BANDE ORIGINALE DU FILM ""ORANGE MECANIQUE"", UN FILM DE STANLEY KUBRICK / theme for a clockwork orange / timesteps / i want to marry a lighthouse keeper..."
. NON DATE. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours
Referencia librero : RO30161524
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Filippetti, Enzo.
Spirali per sassofoni.
<br/> STATO: USATO, MOLTO BUONO.<br/> TITOLO: Spirali per sassofoni. <br/> AUTORE: Filippetti, Enzo.<br/> EDITORE: Riverberi Sonori<br/> DATA ED.: 2004,<br/> EAN: 9790705004298
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Filippetti,Enzo.
Spirali per sassofoni. Esercizi giornalieri per i sovracuti.
Esercizi giornalieri per i sovracuti. Il metodo scritto da Enzo Filippetti permette l’apprendimento progressivo del registro sovracuto di tutti i sassofoni, attraverso uno studio attento dell’intonazione e della qualità del suono. Gli esercizi danno la possibilità al sassofonista di acquisire padronanza e facilità sulle nuove diteggiature garantendo sempre flessibilità e precisione. <br/> STATO: NUOVO.<br/> TITOLO: Spirali per sassofoni. Esercizi giornalieri per i sovracuti. <br/> AUTORE: Filippetti,Enzo.<br/> EDITORE: Riverberi Sonori Ed.<br/> DATA ED.: 2003,<br/>
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Filippi, Filippo, Musikkritiker (1830-1887).
Visitenkarte mit eigenh. Widmung. O. O. u. D.
50 x 107 mm. 1 ½ SS. "Je suis bien désolé mon cher Mr. Hanslick de vous aviez manqué […]".
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Filippo Annunziata
Prendi, l'anel ti dono... Divagazione tra opera e diritto privato
Presentazione di Giovanni Iudica, introduzione di Emilio Sala, brossura, sovracoperta, formato 16 x 21, pagine 224, ottime condizioni - 47474
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Filippo Bigioli inventore dal Perfetto Leggendario
S.Cecilia, 22 novembre
Acquatinta in buono stato di dimensioni 18x25
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Filippo Casaccia
Canzoni per Fare l'Amore, Genova, De Ferrari Editore, 2021
Genova, 2021; br., pp. 244, cm 14x21.
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Filippo Facci
Nota di note Parole per raccontare la musica
Brossura datata, volume di seconda mano con conservazione interna prossima allo stato del nuovo, copertina illustrata da composizione grafica, segnata da comuni tracce da manipolazione e attrito molto evidenti alle estremità, carte come mai sfogliate, pulviscolo ai tagli ossidati non uniformemente. N. pag. 209 USATO
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Filippo Marchetti
Ricordi di Roma-La preghiera
Spartito in folio Lievissimi segni d'uso e del tempo sui piatti con piccolo distacco tra dordo e piatti in basso,ottimo l'interno
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Filippo Sproviero; Mario Nicolini
Jazzbackstage in Black & White, Perugia, Futura Edizioni, 2010
Testo Italiano e Inglese. Perugia, 2010; cartonato, pp. 96, ill. b/n, cm 29x29.
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Filipponi Luca; Moccia Antonio
Gian Carlo Menotti. L'uomo che amava la musica, la Scozia e la sua Spoleto
brossura
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FILLIOL Xavier
Les musiques à La Réunion
1993, éditions CNH, Les Cahiers de Notre Histoire n° 39, in-8 agrafé de 30 pages, couverture verte illustrée couleur, ouvrage illustré de photos en N&B. | Etat : Excellent état, quelques mots soulignés au crayon à papier léger (Ref.: Ref86724)
Referencia librero : 2916361631
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FILLIPETTI SANDRINE.
LE JAZZ A PARIS.
ISBN : 2840962632. PARIGRAMME. FEVRIER 2003. In-16 Carré. Broché. Bon état. Couv. fraîche. Dos satisfaisant. Intérieur frais. 110 pages. Nombreuses illustrations en noir et blanc dans le texte .
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FILLIPETTI SANDRINE.
LE JAZZ A PARIS.
PARIGRAMME. FEVRIER 2003. In-16. Broché. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 110 pages. Nombreuses illustrations en noir et blanc dans le texte .. . . . Classification Dewey : 780-Musique
Referencia librero : R150180860
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FILLONNEAU Ernest
Les concerts de Paris. Revue de la saison musicale de 1860
39pp., 24cm., br.orig., texte frais et sans rousseurs, bon état, rare, M83015
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FILLONNEAU Ernest
Les concerts de Paris. Revue de la saison musicale de 1860
Paris, Jules Tardieu 1860 39pp., 24cm., br.orig., texte frais et sans rousseurs, bon état, rare, M83015
Referencia librero : M83015
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FIlloux, H.
Allons au bois joli (1er livret)
Paris, Firmin-Didot 1963 1 in -8 Broché couverture Illustrée 35 [p.p] Le premier volume de la célèbre méthode de chant et de poésie pour les petits. Un recueil délicieux qui regroupe chansons de rondes, comptines et airs populaires, illustré avec la finesse caractéristique des éditions Firmin-Didot des années soixante. Un véritable voyage dans la mémoire scolaire et musicale française
Referencia librero : LCI-6368
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Fillunger, Marie, Sängerin (1850-1930).
Albumblatt mit eigenh. U. O. O. u. D.
1 S. Visitkartenformat. Die aus Wien stammende Sängerin studierte nach einer ersten Ausbildung am Konservatorium der Gesellschaft der Musikfreunde auf Anraten von Johannes Brahms an der Hochschule in Berlin, wo eine intensive Liebesbeziehung zwischen ihr und Eugenie Schumann, der Tochter von Clara und Robert Schumann, ihren Anfang nahm; ab 1878 lebte "Fillu" auch längere Zeit bei den Schumanns. "Fillunger debütierte schon während ihrer Studienzeit mit großem Erfolg als Oratoriensängerin in Norddeutschland und trat später in Holland, in der Schweiz und 1889 in London auf" (ÖBL I, 315). Anschließend nach London übersiedelnd, wurde sie dort vor allem als Interpretin der Lieder von Schubert und Brahms bekannt, unternahm Konzerttourneen nach Australien und Südamerika und unterrichtete von 1904 bis 1912 am Royal College of Music in Manchester. Nach dem Ersten Weltkrieg lebte sie in der Schweiz.
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Film und Tanz
Melodien für Akkordeon. Band 31. Ausgabe für Akkordeon mit überlegtem deutschen, tlws. auch englischen Text. Neue leicht spielbare Bearbeitung. Mit Akkordbezeichnungen.
Hamburg, Sikorski., (um 1965). 4°. 23 Seiten. Farbig illustrierter Originalkarton. - Ein sehr gut erhaltenes, annähernd neuwertiges Exemplar.
Referencia librero : 2182BB
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Filocamo, Gioia, ed.; Frammenti di storia medievale†; (1999 :; Spoleto, Italy -- conference)
Melodie dimenticate : stato delle ricerche sui manoscritti di canto liturgico : atti del convegno, Spoleto, 2-3 ottobre 1999 Historiae Musicae Cultores,; 91
Medium Octavo in grey self-wrappers; xi, 172 p. : ill., music ; 24 cm. Text in Italian // Contains: Frammenti di mosaici e di manoscritti per un'archeologia musicale : il caso di Trento / Cesarino Ruini -- Cenni di storia del canto liturgico nelle diocesi di Trento e di Bressanone nel Quattrocento attraverso i manoscritti e le edizioni superstiti / Marco Gozzi -- Frammenti liturgici nel Paese Basco / Carmen RodrÌguez Suso -- Atlantide musicale : il canto patriarchino fra mito e realt‡ / Angelo Rusconi -- Un percorso italico per i responsori delle domeniche di Avvento / Anna Vildera -- Il canto piano in fonti tardive di Padova : problemi di identificazione e descrizione catalografica / Antonio Lovato -- Le prime testimonianze di musica scritta a Ravenna : i frammenti adiastematici / Mauro Casadei Turroni Monti -- "Geometrica et musica" / Caterina Tristano -- Metodi di ricerca sul canto liturgico e tecnologie informatiche / Nicola Tangari. Church music -- Manuscripts -- Congresses.† Gregorian chants -- Manuscripts -- Congresses.† Manuscripts, Medieval -- Congresses.† Manuscripts, Medieval -- Italy -- Congresses.†// Papers presented at a conference, Frammenti di storia medievale, lo stato attuale delle richerche sui manoscritti di canto liturgico: recupero, restauro e inventariazione dei codici musicali, Spoleto, Italy, Oct. 2-3, 1999.
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FILOGAMO NUNZIO (1902 - 2002) - MARTELLINI GIORGIO
SANREMO STORY 33 ANNI DI FESTIVAL DELLA CANZONE
Prefazione: Ravera Gianni . Pagine: 62 . Illustrazioni: Foto a colori e in bianco e nero dei cantanti . Formato: 8° . Rilegatura: Brossura originale . Stato: Buono . Caratteristiche: Leggera brunitura .
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Filomena Fittipaldi
I ruoli del soprano nella «Trilogia popolare» di Giuseppe Verdi
Autori: Filomena Fittipaldi.
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Filomena Fittipaldi
I ruoli del soprano nella «Trilogia popolare» di Giuseppe Verdi, Macerata, Simple, 2019
Macerata, 2019; br., pp. 70, ill. b/n, cm 21x29.
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Filomena Fittipaldi
Il belcanto. Storia, biografie e studi relativi alla tecnica dei grandi autori del belcanto italiano, Macerata, Simple, 2020
Macerata, 2019; br., pp. 98, cm 14x20.
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Filomena Fittipaldi
Il belcanto. Storia, biografie e studi relativi alla tecnica dei grandi autori del belcanto italiano
Per belcanto (o anche bel canto) s'intende una tecnica di canto virtuosistico, come si desume dallo stesso nome, caratterizzata dal passaggio fluido ed omogeneo dalle note gravi alle note acute, da agilità nell'ornamentazione e nel fraseggio e dalla concezione della voce umana come strumento. Il termine viene riferito in generale all'arte e alla scienza della tecnica vocale affermatasi nel tardo '700 e per tutto l' '800, che non focalizza l'attenzione tanto sulla potenza della voce quanto più proprio sulla padronanza della tecnica. Questo stile di canto si affermò parallelamente alla diffusione della melodia composta per una sola voce, la monodia accompagnata del "recitar cantando", che diede la possibilità ai compositori, oltre che ai cantanti, di curare maggiormente la disciplina del canto, attraverso la stesura di vari esercizi, chiamati solfeggi, utili per allenare la voce umana ad una migliore esecuzione delle opere. La maggiore enfasi posta sulla tecnica, rispetto al volume, ha fatto sì che il belcanto sia stato a lungo associato ad un esercizio atto a dimostrare la bravura dell'esecutore. Ne consegue per i cantanti, dediti ormai ad un studio preciso e costante, una perfetta uniformità della voce, un eccellente legato, un registro lievemente più acuto, una incredibile agilità e flessibilità e un timbro morbido. In questo elaborato di tesi focalizzerò la mia attenzione sui grandi Maestri del Belcanto dell' '800 poiché è il repertorio che più mi piace e mi interessa, e per questo motivo ho deciso di cercare di investigare i vari aspetti di questo periodo della storia della lirica, dalla letteratura musicale ai rapporti tra arte e storia, proprio perché nessun momento storico riesce ad emozionarmi e coinvolgermi come avviene, in generale, con la stagione del melodramma italiano del XIX secolo. Autori: Filomena Fittipaldi.
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Filomena Fittipaldi
Madrigali danteschi, esercizi per quattro voci miste, Macerata, Simple, 2020
Macerata, 2020; br., pp. 16, ill. b/n, cm 21x29.
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