‎Liszt ‎

‎Liszt Franz‎

‎The Gipsy in Music‎

‎London: William Reeves not listed. Hardcover. Good Ex-library with stamps and labels on spine inside front and rear covers ffep and block. Shelfwear to boards and block. Light age toning but pages are otherwise clean. Bound in burgundy cloth with gilt spine lettering; bw illustrated frontispiece; xx 369 30 pp; bw illustrations. The result of the Author's Life-long experiences and investigations of the Gipsies and their Music. Gipsy and Jew two wandering races -- Gipsy life in relation to art -- Gipsy music and musicians. William Reeves hardcover books‎

Referenz des Buchhändlers : 186200

‎LISZT Franz 1811 1886‎

‎Consolations Originalfassung und erstausgabe der Frühfassung / Consolations Original Version and First Edition of the Early Version Herausgegeben von / Edited by Maria Eckhardt Ernst-Günter Heinemann fingersatz von / Fingering by Klaus Schilde‎

‎G. Henle Verlag. Folio. Original publisher's blue printed wrappers. 42 pp. Commentary to pp. 40-42 in German English and French. G. Henle Verlag unknown books‎

Referenz des Buchhändlers : 34353

‎LISZT Franz 1811 1886‎

‎Hungarian Rhapsodies I Nos. I-IX edited by Zoltán Gárdonyi and István Szelényi‎

‎Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 120 pp. Text in German and English. Endpapers slightly browned. Volume 3 of the New Edition of The Complete Works Series I: Works for Piano Solo. unknown books‎

Referenz des Buchhändlers : 34397

‎LISZT Franz 1811 1886‎

‎LW A165/1. Illustrations du Prophète . No.1 Prière Hymne triomphal Marche du Sacre‎

‎Paris: Benoit ainé PN B. et C.ie 51871 1855. MEYERBEER Giacomo 1791-1864. Folio. 1f. title 29 1 blank pp. Engraved.<br/><br/>Plate numbers and imprint of Brandus from their first edition of 1850.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his handstamp "Ex Mario Feninger de Rogatis Libris" to foot of title. <br/><br/>Slightly worn and browned; occasional moderate offsetting; outer leaves partially detached and frayed and torn at edges; musicseller's handstamp to foot of title. First French Edition later issue with Benoit title page. LW A165/1. Searle 414/1. Raabe 223/1.<br/><br/>Liszt made numerous transcriptions from the operas of Meyerbeer including L'Africaine Le Prophète Les Huguenots and Robert le diable. Benoit ainé [PN B. et C.ie 5187(1)] unknown books‎

Referenz des Buchhändlers : 31566

‎LISZT Franz 1811 1886‎

‎LW A205. Danse des Sylphes‎

‎Paris: S. Richault PN 15383 R 1866. BERLIOZ Hector 1803-1869. Folio. Original publisher's light green printed wrappers. 1f. title 7 1 blank pp. Engraved.<br/><br/>From the collection of pianist Mario Feninger 1923-2016 with his small handstamp to upper wrapper "Ex Mario Feninger de Rogatis Libris" and head of first page. Publisher's handstamp to foot of title.<br/><br/>Wrappers detached. Somewhat worn and soiled; minor offsetting. First Edition co-published with Biedermann in Germany. LW A205. Searle 475. Raabe 142. LC Catalog 152.<br/><br/>Liszt was a fervent champion of Berlioz while in Paris and transcribed a number of his works for piano. It was Berlioz who first introduced Liszt to Goethe's Faust. <br/><br/>"A lucid and delicately laid-out scherzo of charming effect." Derek Watson: Liszt p. 201. S. Richault [PN 15383 R] unknown books‎

Referenz des Buchhändlers : 31560

‎LISZT Franz 1811 1886‎

‎LW A42/1-4. Lieder ohne Worte 2 Heft‎

‎Braunschweig: G.M. Meyer PN 361 1840. SCHUBERT Franz 1797-1828. Folio. 1 title 2-19 1 blank pp. Engraved.<br/><br/>Contents: <br/>- Erlkönig D 328<br/>- Sei mir gegrüsst D 741<br/>- Du bist die Ruh D 776<br/>- Auf dem Wasser zu singen D 774<br/><br/>Musicseller's handstamp to foot of title.<br/><br/>Slightly worn; very minor soiling offsetting and foxing throughout. An early edition. LW A42. Searle 558. Raabe 243. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. G.M. Meyer [PN 361] unknown books‎

Referenz des Buchhändlers : 31569

‎LISZT Franz 1811 1886‎

‎LW A42/2. Auf dem Wasser zu singen‎

‎Wien: A. Diabelli und Comp. PN D. et C. No. 6532 1838. SCHUBERT Franz 1797-1828. Large octavo. Disbound. 1 title 2-15 1 blank pp. Engraved.<br/><br/>Occasional light offsetting. First Edition. LW A42/2. Searle 558/2. Raabe 243/2. <br/><br/>Liszt transcribed nearly 150 songs for solo piano including 44 of Schubert's Lieder. <br/><br/>"His response to poetic imagery his conviction that purely musical images of poetic ideas are capable of projection to the listener and his belief that he could illustrate such imagery without words are keys to understanding Liszt's lifelong aesthetic. The musical image of the idea the true symphonic poem thus had its genesis in concept and form in Liszt's adoration of Schubert." Derek Watson: Liszt p. 214. A. Diabelli und Comp. [PN D. et C. No. 6532] unknown books‎

Referenz des Buchhändlers : 31571

‎LISZT Franz 1811 1886‎

‎LW A58. Beethoven's Adelaide‎

‎Leipzig: Breitkopf & Härtel PN 6266 1840. BEETHOVEN Ludwig van 1770-1827. Folio. 1 decorative lithographic title printed in green 2-15 1 blank pp. Engraved. Music printed within decorative blue borders.<br/><br/>Disbound. Slightly soiled and foxed; occasional performer's markings in pencil. Publisher's handstamp to foot of title. First Edition. LW A58. Searle 466. Raabe 121. LC Catalog 146. Hoboken 10 98. <br/><br/>Liszt's transcription of Beethoven's Adelaide Op. 46; 1795 was the first of many arrangements he made of Beethoven's songs. He dedicated the work to the Marchese Maria Martellini an Italian noblewoman who was one of Liszt's early supporters and patrons. Breitkopf & Härtel [PN 6266] unknown books‎

Referenz des Buchhändlers : 31559

‎LISZT Franz 1811 1886‎

‎LW C23. 2tes Concert. 2-piano score‎

‎Mainz: B. Schott's Söhnen PN 16617 1878. Folio. Sewn. 1f. decorative lithographic title 1 blank 2-55 1 blank pp. Engraved.<br/><br/>Common title page with plate numbers of the version for two pianos 16617 as well as for solo piano 22109. Musicseller's handstamp to foot of title.<br/><br/>Partially disbound; outer leaves worn and frayed with minor paper loss to blank right margin of title. Moderate soiling; corners slightly thumbed; occasional offsetting. First Edition later issue. LW C23. Searle 651. Raabe 373. Hoboken 10 16 first issue.<br/><br/>Liszt's Piano Concerto No. 2 in A major was dedicated to pianist and composer Hans von Bronsart 1830-1913 who premiered the work on January 7 1857 in Weimar with Liszt conducting.<br/><br/>As with the first concerto the second has both its detractors and admirers - in this regard there is similarity to the concertos of Chopin. <br/><br/>"Like its predecessor the A major Concerto is a continuously unfolding 'cyclic' structure in which Liszt employs his 'metamorphosis of themes' technique to great advantage. Unlike the E flat major Concerto however it does not easily lend itself to a division into separate movements; neither does it conform to the opposite kind of structural pattern evinced by the B minor Sonata-a single long movement constructed on the principles of sonata first-movement form. It is possible that Liszt was here aiming at a type of structure intermediate between the two and this may explain why the Concerto may seem to have a certain ambiguity of form." Robert Collet: Franz Liszt: The Man and his Music p. 267. B. Schott's Söhnen [PN 16617] unknown books‎

Referenz des Buchhändlers : 31536

‎LISZT Franz 1811 1886‎

‎Magyar Dallok Ungarische National-Melodien und andere Werke . Edited by Adrienne Kaczmarczyk‎

‎Budapest: Editio Musica Budapest 2015. Folio. Original publisher's full royal blue cloth with facsimile of Liszt's autograph signature gilt to upper and titling gilt to spine. 161 pp. Text in German English and Hungarian. Volume 7 of the New Edition of the Complete Works: Supplements to Works for Piano Solo. Editio Musica Budapest unknown books‎

Referenz des Buchhändlers : 34398

‎LISZT Franz 1881 1886‎

‎Es war einmal ein König . Goethes Flohlied in der Vertonung von Franz Liszt . Faksimile-Ausgabe mit Anmerkungen zum Goethe-Verständnis und zu einigen Goethe-Kompositionen Liszts von Hans Rudolf Jung‎

‎Weimar: Nationale Forschungs- und Gedenkstätten deutschen Literatur 1986. Paperback. Very Good. Oblong folio. Original publisher's decorative printed wrappers. 1f. title 3-14 pp. text 6ff. facsimile of the composer's autograph musical manuscript laid in. Nationale Forschungs- und Gedenkstätten deutschen Literatur paperback books‎

Referenz des Buchhändlers : 34715

‎Liszt Franz. 1811a1886‎

‎Engraved Wooden Case and Bone Token‎

‎Used; Like New/Used; Like New. Original circular wooden canister possibly a piano wire case with inscription 'Cantemus Domino Dr. F. Liszt. XIX Aug. 1866' on the lid and '9 Juni 1867' on the inside of lid. Diameter 10 cm. Together with a small round token made of an ivory-like or fine bone material decorated with a miniature engraving and painting enhanced with sand and tiny clippings of grass depicting two angels and the letter 'L' interwoven with a cross. The token with a matching -sized round glass diameter 2.5 cm.<br><br><br />On August 10th of the year 1866 the composer completed the 'Tristis est anima mea' from his oratorio 'Christus' composed 1862 - 1866 and it is conceivable that the text on top of the lid 'Cantemus Domino Dr. F. Liszt. XIX Aug. 1866' was carved to commemorate that occasion. We have been unable to locate any event letter or anything else specifically for August 19th of that year. <br><br><br />The other date inscribed on the case June 9th of the following year was the day after the premiere of Liszt's 'Hungarian Coronation Mass' in Budapest. Following the 1867 Compromise between Austria and Hungary Liszt composed a festive Mass. Yet it took concerted action on the part of Hungarian musicians and public figures as well as the personal intervention of the Empress Elizabeth to have his "Hungarian Coronation" Mass performed instead of a work by a Viennese court composer at the coronation of the Austrian Emperor Franz Joseph and Empress Elizabeth as King and Queen of Hungary at the Church of Our Lady Matthias Church in Buda on 8 June 1867. The performers were from Vienna and Liszt was only present as a member of the audience in the gallery. It was only two years later that Liszt was able to conduct his Mass in Pest with Hungarian musicians and Ede Reményi was finally able to play the violin solos that had been intended for him from the start. unknown books‎

Referenz des Buchhändlers : 10637

‎Liszt Franz. 1811a1886 ZAllner Henrich. 1854a1941 Eichberg Oskar. 1845a1898‎

‎Autograph Letter on a Postcard‎

‎Used; Like New/Used; Like New. An interesting early autograph letter from the German composer and conductor to colleague Oskar Eichberg dealing with plans for a meeting of a musical organization in which they were both members and mentioning a great Liszt celebration in Leipzig which he suggests Eichberg and the other members should attend. Indicating that Eichberg had a connection to Liszt having given his oratorio Die Legende der Heiligen Elisabeth its Berlin premiere the previous year he mentions that "If Liszt is interested his interest and seal of approval would be very much appreciated." Full translation below. Penned densely on a postcard postmarked Leipzig 1875. One vertical crease mounting remnants light overall toning; otherwise in fine condition. 5.5 x 3.5 inches 13.9 x 9 cm.<br style="">Son of composer Carl Friedrich Zöllner Heinrich Zöllner "studied music at the Leipzig Conservatory 1875–7.From 1890 to 1898 he lived in the USA where he conducted the Deutscher Liederkranz in New York; his festival cantata Die neue Welt was awarded a prize at the 1892 Cleveland Sängerfest. On his return to Leipzig he succeeded Kretzschmar as director of music at the university and conducted the Paulus male choir; in 1902 he was Reinecke's successor as professor of composition at the conservatory and from 1903 music editor of the Leipziger Tageblatt.Zöllner's prolific output includes ten operas several large-scale works for chorus and orchestra symphonies overtures piano music and numerous smaller vocal pieces. He wrote many works for male chorus a medium popularized by his father but showed a preference for large forms and forces by adding a full orchestral accompaniment. His most successful opera Die versunkene Glocke was revived frequently up to 1939." Deane L. Root Grove Online.<br style="">Translated from the German: "For today a quick and hurried note that I've wanted to write for more than 8 days but only when I had first got the lay of the land. I have only managed to establish the inconvenient times. There will probably be no one of us here all August and the second half of July is also uncertain so: early to mid July or from the beginning of September on would be good times. 2 Nothing particular on our side. My wishes are simply to accomplish the various proposals which have already been discussed often enough and that seems to be over T.'s dead body! So in every respect Leipzig alone seems advisable and because of the great general fatigue this time without a great song and dance we must restrict ourselves to meeting in the smallest circles and reappraise the rest as much as possible. The big Liszt celebration is on the 20th. How would it be if you all came over here for that Then the Directorium etc. would be together. Everyone could be accommodated of course if we arrange it soon. When one asks too much one receives too many answers. Give me a brief answer about this date. If Liszt is interested his interest and seal of approval would be very much appreciated. R.C. will probably answer you apathetically. In any case whether he answers or not it would be best to come to him with a fait accompli and tell him about this date with the mention that this time no preparations are necessary rather it would be just getting the business done with no fuss. But since I am persona ingrata don't mention that I suggested it. Perhaps I can get things moving in the same vein with K. in the next few days. Looking forward to more with best wishes yours Dr. Z."<br style=""> unknown books‎

Referenz des Buchhändlers : 13802

‎Liszt ( Franz )‎

‎Chopin‎

‎Club français du livre 25 mars 1950, relié toile éditeur avec profil en creux sur le premier plat de la couverture, 196pp; bon état‎

Referenz des Buchhändlers : 16995

‎LISZT (Franz)‎

‎Correspondance de Liszt et de Madame d'Agoult 1840-1864Tome II‎

‎Paris Bernard Grasset 1934 1 13,5 x 21 cm broché, 446 pp,‎

‎publiée par M. Daniel Ollivier. état convenable, couverture légèrement défraîchie‎

Referenz des Buchhändlers : 56580

‎Liszt (Franz).‎

‎Chopin.‎

‎1950 Paris, Le Club Français du Livre, 1950. Un volume de format in 8° de 198 pp.; quelques illustrations et fac similés d'autographes. Reliure de l'éditeur en pleine toile ocre, décorée.‎

‎Dos légèrement passé, sinon bel état. Peu courant.‎

Referenz des Buchhändlers : 10264

‎LISZT (Franz).‎

‎Des Bohémiens et de leur musique en Hongrie.‎

‎Paris, Librairie Nouvelle A. Bourdillat & Cie éditeur, 1859. In-12 br., couverture imprimée. Édition originale rare (dos légèrement fendu).‎

Referenz des Buchhändlers : 1382

‎LISZT (Franz).‎

‎N Doborjn (Hongrie). Compositeur et pianiste virtuose. Brouillon de L.A.S. "F L" "Excellence" (Charles-Alexandre de Saxe-Weimar-Eisenach ?). S.l.n.d. 1 page 3/4 in-8.‎

‎Brouillon de lettre concernant l'Allgemeiner Deutscher Musikverein, l'association musicale fonde par Franz Liszt en 1861 Weimar avec Franz Brendel pour incarner les idaux musicaux de la nouvelle cole allemande; Liszt le remercie pour lui avoir transmis le legs d'une gnreuse donatrice ...Madame de Muchanow en faveur de l'Allgemeine Deutsche Musik Verein et la Beethoven Stiftung [Fondation Beethoven]...J'aviserai l'emploi le plus conforme aux nobles intentions de l'illustre donatrice qui mrite au-del des plus brillants hommages qu'on tait heureux de lui rendre que nous rvrons de cSur : Prochainement le Comit qui a l'honneur de compter V. E. parmi ses membres Notre Musik Verein aura l'honneur de vous adresser ses plus reconnaissants remerciements et d'informer Votre Excellence de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar ( au commencement d'aot) . Prochainement le Comit de notre Musik Verein aura l'honneur d'exprimer ses plus reconnaissants remerciements Votre Excellence et de l'informer de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar, - au commencement d'avril... La comtesse Maria Kalergis-Muchanow (ne Nesselrode, 1822-1874), pianiste polonaise (elle reut des leons de Chopin) et mcne dart, entretint Paris un salon frquent par de nombreux artistes franais et europens, dont Chopin, Liszt, Rossini, Heine, Gautier, Musset... Amie de Cosima, la fille de Liszt, qui pousa Wagner, elle intervint pour que le compositeur allemand put faire jouer son opra Tannhaser Paris. Franz Liszt lui ddicaa plusieurs pices dont la Petite Valse Favorite et composa, son dcs en 1874, l'Elgie pour Piano N1. Maria Muchanow est l'origine de la cration de l'Institut de Musique Varsovie et de la Socit Musicale de Varsovie.En octobre 1842, Liszt avait t nomm Weimar Kapellmeister in auerordentlichen Diensten (matre de chapelle des services extraordinaires) par le grand-duc Charles-Frdric de Saxe-Weimar-Eisenach l'un des protecteurs de Richard Wagner et de Liszt. Le projet de lAllgemeiner Deutscher Musikverein naquit beaucoup plus tard, dans les annes 1860, de la tentative avorte de cration dune Fondation Goethe pour soutenir les arts. La tentative de Liszt fut un rel succs. Les statuts de la nouvelle association furent dposs en 1861. Au fil des ans lassociation devint le dpositaire de plusieurs fondations dont la Beethoven-Stiftung (Fondation Beethoven) en 1871, finance et enrichie par les dons, notamment du grand-duc Charles-Alexandre de Saxe-Weimar.‎

Referenz des Buchhändlers : 3952

‎LISZT / BACH‎

‎OEUVRES D'ORGUE - TRANSCRITES POUR LE PIANO - 2E SUITE - N°9506‎

‎DURAND & Cie. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 43 pages de partitions - clé de sol et clé de fa.. . . . Classification Dewey : 780.26-Partitions‎

‎D&F 9506 Classification Dewey : 780.26-Partitions‎

Referenz des Buchhändlers : RO50062400

‎LISZT / BRAHMS / DVORAK / SMETANA / KHATCHATURIAN‎

‎DISQUE VINYLE 33T RHAPSODIE, TANZE N°5 ET 6, TANZE N°1 ET 8, TANZE, SABELTANZ.‎

‎SUPER MAJESTIC. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, un petit texte dérrière la pochette en trois langues différentes (Anglais, Français et Allemand). Festival Orchester, Bregentz, direction: SANDOR REKAI.. . . . Classification : 410-33 Tours‎

‎Disque n° BBH 1.260 Classification : 410-33 Tours‎

Referenz des Buchhändlers : R130010250

‎LISZT / SCHUMANN.‎

‎DISQUE VINYLE 33T CONCERTO POUR PIANO ET ORCHESTRE N°1 EN MI BEMOL / CONCERTO POUR PIANO ET ORCHESTRE EN LA MINEUR. PAR L'ORCHESTRE DE LA SOCIETE DES CONCERTS DE VIENNE SOUS LA DIRECTION DE KARL RITTER. AVEC FRITZ KERMANN AU PIANO.‎

‎MUSIDISC. non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Quelques rousseurs sur la pochette. Tableau de BODINI sur la couvertiure. Référence n° RC 826.. . . . Classification : 410-33 Tours‎

‎Classification : 410-33 Tours‎

Referenz des Buchhändlers : R130003716

‎LISZT F.‎

‎ALBUM - FUR KLAVIER ZU 2 HANDEN - REINECKE / N°1485.‎

‎BREITKOPF. NON DATE. In-4. Relié toilé. Bon état, Couv. convenable, Mors fendus, Intérieur frais. 100 pages de partitions - V.A. 1485. 2 PHOTOS DISPONIBLES - . . . . Classification Dewey : 780.26-Partitions‎

‎PARTITIONS EN ALLEMAND. Classification Dewey : 780.26-Partitions‎

Referenz des Buchhändlers : R320072134

‎LISZT F.‎

‎CHANT DU CYGNE - DERNIERES MELODIES DE FRANCOIS SCHUBERT POUR PIANO - N° 7 : LA SERENADE.‎

‎FILLASTRE FRERES. NON DATE. In-Folio. En feuillets. A relier, Livré sans Couverture, Dos satisfaisant, Quelques rousseurs. 9 pages de partitions. Etiquette de Fillastre frères contre collées sur l'éditeur d'origine, sur le bas du premier plat.. . . . Classification Dewey : 780.26-Partitions‎

‎R.4187. Classification Dewey : 780.26-Partitions‎

Referenz des Buchhändlers : RO50049059

‎LISZT F.‎

‎ETUDES ET PIECES DE CONCERT DE MAITRES CELEBRES POUR PIANO - N°10 : GNOMENREIGEN / RONDE DES LUTINS - CONCERT-ETUDE N°2.‎

‎HENRICHSHOFEN'S. NON DATE. In-Folio. Broché. Etat passable, 1er plat abîmé, Dos abîmé, Quelques rousseurs. 9 pages de partitions. Tampon et inscription sur la page de titre. Premier plat désolidarisé. Dos renforcé avec de l'adhésif. Nombreuses déchirures, manques et pliures sur le premier plat.. . . . Classification Dewey : 780.26-Partitions‎

‎24 Classification Dewey : 780.26-Partitions‎

Referenz des Buchhändlers : RO50045137

‎LISZT F.‎

‎LA REGATA VENEZIANA - NOTTURNO N°2 - PIANO.‎

‎G.BRANDUS DUFOUR & CIE. XIX° SIECLE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Mouillures. 6 pages de partitions. Etiquette contre collée sur le premier plat.. . . . Classification Dewey : 780.26-Partitions‎

‎B. et CIE 6646. Classification Dewey : 780.26-Partitions‎

Referenz des Buchhändlers : RO50054357