‎Jazz‎

‎Collier James Lincoln‎

‎Duke Ellington: the Life and Times of the Restless Genius of Jazz‎

‎Pan Books. Very Good. 1989. Paperback. 0330306170 . viii 340pp 16 plates. An examination of the Ellington legend set amid the shifting world of black America which provided the background to his success. . Pan Books paperback‎

Referencia librero : 11677 ISBN : 0330306170 9780330306171

‎Collier James Lincoln‎

‎Louis Armstrong. A Biography‎

‎Michael Joseph. Very Good in Very Good dust jacket. 1984. Hardcover. 0718124316 . 383pp plates. Pages slightly tanned. . Michael Joseph hardcover‎

Referencia librero : 12494 ISBN : 0718124316 9780718124311

‎Collier James Lincoln‎

‎The Making of Jazz A Comprehensive History‎

‎Hart-Davis/Magibbon/Granada 1978. Hb xv 573pp b/w photos. Good in a Good dj. Five pages have very brief inked underlining otherwise clean. History of jazz from its African tribal roots and the precursor music created by black slaves in America through to ragtime the blues the New Orleans style swing bebop hard bop the cool school free jazz and electronic jazz with analyses of the major musicians and a discography. Hard Cover. Good/Good. Hart-Davis/Magibbon/Granada Hardcover‎

Referencia librero : 041273 ISBN : 0248110929 9780248110921

‎Collier, Graham‎

‎JAZZ WORKSHOP. The Blues. Universal Edition 26931‎

‎London : Universal Edition, 1988. 77 S.; mit Abb. u. Notenbsp. Krt.‎

‎gute Erhaltung, altersbedingte Lagerspuren, sauber, Sprache: Englisch‎

Referencia librero : 121513

‎Collier, James Lincoln‎

‎Duke Ellington. The life and times of the restless genius of jazz.‎

‎Pan Books, 1987. 340 Seiten, with b/w.-.photos, brosch.‎

‎Guter Zustand / good condition. Brownished paper Cover very slightly worn. - The jazz world has always been filled with interesting personalities: gun-slingers and saints, the beautiful and the damned. Few, however, have em-bodied in one personality as many contradictions as Duke Ellington. He was gregarious and, as one of his friends said, a ?devourer of relationships.? But he was also reserved, a private man whom few people knew well. He could be unstintingly generous; but he could also argue with his musicians over petty amounts of money. He was infinitely loyal and kept on his pay-roll people who had outlived their usefulness; but he could manipulate the people around him ruthlessly for his own ends. Who the real Duke Ellington was is a mystery that fascinated even those who knew him well. In this book I have tried to open, at least a little, this extraordinary man to view. His impact on twentieth-century music is large, and it is only through understanding who he was that we can know how he made so major a mark on our times. I have tended to emphasize the earlier portions of Ellington?s life and career. There are several reasons for this. For one, a number of books published after his death covered the later stages of his career fairly thoroughly. For another, it is my view that Ellington?s most important music came before he was fifty, and I wished to concentrate on that work. Perhaps most critical, the forces that shape any artist?s work generally appear early. Such was the case with Ellington, and I had neces-sarily to look at his early days to find the roots of his art. A book like this is not created by one person but is built on the work of many other people who have gone before. I have depended for discographic details on the superb compilations of Benny H. Aasland, D. Bakker, and the Italian team of Massagli, Pusateri, and Volonte. Where biographical detail was otherwise lacking, I have used Leonard Feather?s Standard work The Encyclopedia of Jazz and the ever-reliable John Chilton?s Who?s Who of Jazz. Previous biographies are discussed in the text, and readers will dis-cover my opinions of them there. I have found particularly useful dozens of oral histories of people associ-ated with Ellington, and I would like to thank the following for guiding me to them and helping me in other ways: Dan Morgenstern and the Staff of the Institute for Jazz Studies at Rutgers University; Vivian Perlis and her associates Harriet Milnes and Jan Fournier at the Duke Ellington Oral History Project at Yale University; and the staff at the Schomburg Center for Research in Black Culture, in New York City. Herb Gray supplied me with some pictures and other material from his private collection. Fran Hunter generously shared with me her memories of the Ellington family. Rob Darrell supplied me with early letters and his memories of Duke. Francis ?Cork? O?Keefe also shared his memories of Duke with me. Andrew Homzy gave me the benefit of his insights into Ellington?s music. Geoffrey L. Collier helped me with analyses of certain Ellington pieces. Edward Bonoff in particular checked many of the musical analyses and of-fered valuable suggestions and criticisms. I am especially grateful to John L. Fell, who provided me with a number of Ellington items I could not locate, spent many hours running for me Ellington films from his private collection, and read the manuscript in its entirety, offering many valuable suggestions and comments. I cannot thank too much Stanley and Helen Dance, who spent hours of their time talking to me about Ellington, again and again answering questions and offering their criticisms and comments on the manuscript. Their aid was invalu-able. Needless to say, the help provided me by the Dänces and any of the others aforementioned does not constitute an endorsement by them of my interpretations and critical opinions of Ellington and his music, which are my own responsibility. I must also thank my editor, Sheldon Meyer, always supportive, sensitive, and forbearing. Finally, I am grateful to Wiley Hitchcock and the Institute for Studies in American Music at Brooklyn College for providing a fellowship that, in part, supported the research for this book. (Preface) ISBN 9780330306171‎

Referencia librero : 1163178

‎Collins R.‎

‎New Orleans Jazz: A Revised History. The Development of American Music from the Origin to the Big Bands‎

‎New York: Vantage Press 1996. First printing. Hardcover. Very Good/very good. Cloth. 293 pages including Appendices and an Index. Illustrated with black & white photographs and drawings. Top edge of exterior page ends show some light foxing and dust jacket shows a small bit of light edge wear. <br/><br/> Vantage Press hardcover‎

Referencia librero : 900853 ISBN : 0533114276 9780533114276

‎Coltrane John jazz musician. Intro by John Taggart. Contributions by Toby Olsen Theodore Enslin ; others.‎

‎MAPS #3: Poems for John Coltrane‎

‎Syracuse University Press no date ca. 1967. PAPERBACK. B009BKYWR2 Cover is heavily scuffed and faded and corners are worn. Text is clean and unmarked. Copy is bowed from storage. Good reading copy only. . Fair. Syracuse University Press, no date (ca. 1967). paperback‎

Referencia librero : POETJD09081613

‎Coltrane, John‎

‎The Classic Quartet - Complete Impulse! [Studio Recordings by John Coltrane Quartet]‎

‎1998. IMPD8 280 8 CD, 99 S., Abb. CD‎

‎Tonträger mit minimale Gebrauchsspuren, minimale Lagerspuren am Leder-Etui & Metalschutz, Booklet im neuwertigem Zustand‎

Referencia librero : 47500

‎Colyer, Ken‎

‎Hot Time in the Old Town‎

‎TIM, 2001. 1 CD CD‎

‎Tonträger im optisch neuwertigem Zustand, minimale Lagerspuren am Jewelcase, Schuber mit deutlichen Lagerspuren u. leicht nachgedunkelt‎

Referencia librero : 25475

‎Commodore Records‎

‎TWO 2 DISCOGRAPHIES OF JAZZ CLASSICS: Commodore United Hot Clubs of America Re-Issues and Commodore Classics in Swing‎

‎New York: Commodore Records 1944. First Editions. Softcover. Very Good. 1 broadsheet printed in purple on white folded to 10 pages. One page is devoted to an essay on jazz collectors and the United Hot Clubs of America. Listed are U.H.C.A. red and blue labels including King Oliver Louis Armstrong. Bessie Smith Bud Freeman Bix Beiderbecke Pine Top Smith Ma Rainey and her Georgia Jazz Band Chicago Rhythm Kings Bud Jacobson's Jungle Kings and others. 2 broadsheet printed in brown on yellow stock folded to 10 pages. One page observes the growing scarcity of such records: Billy Holiday Willie "The Lion" Smith Joe Bushkin Art Hodes Chu Berry Eddie Condon Mugsy Spanier The Chocolate Dandies Kansas City Six and others. Both brochures fold to 6" x 3.5" <br/><br/> Commodore Records paperback‎

Referencia librero : 041411

‎CONVERSIN MICHEL‎

‎ERROLL GARNER - 2 CD INCLUS‎

‎EDITIONS NOCTURNE. 2003. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 23 pages de bande dessinée en couleurs. 2 CD inclus.. . . . Classification Dewey : 781.65-Jazz‎

‎Classification Dewey : 781.65-Jazz‎

Referencia librero : R110281305

‎Condon, Eddie‎

‎Jazz - wir nanntens Musik.‎

‎Frankfurt am Main, JAS Publikationen, 1988. 18 cm, 356 Seiten, Taschenbuch. Genehmigte Lizenzausgabe Seiten und Schnitt leicht gebräunt, Einband mit minimalen Gebrauchsspuren, sehr gute Erhaltung.‎

Referencia librero : 27845AB

‎Coniglio Checco‎

‎Jazz band‎

‎br.‎

‎Conjure‎

‎Cab Calloway Stands In For The Moon by Conjure‎

‎American Clave, 1988. AMCL 1015 CD CD‎

‎Tonträger im neuwertigem Zustand, leichte Lagerspuren beim Jewelcase‎

Referencia librero : 27561

‎Connor D. Russell & Warren W. Hicks‎

‎Bg on the Record: A Bio-Discography of Benny Goodman‎

‎New Rochelle: Arlington House. Fine copy in fine dust jacket. 1973. 4th prt. hardcover. 8vo 691 pp. . Arlington House hardcover‎

Referencia librero : BOOKS004241I

‎Contact‎

‎Five on One (Digipak)‎

‎Pirouet Records, 2010. PIT3048 CD Digipak‎

‎Tonträger im neuwertigem Zustand, leichte Lagerspuren am Digipak‎

Referencia librero : 54446

‎COOKE MERVYN‎

‎CHRONIQUE DU JAZZ‎

‎EDITIONS ABBEVILLE. 1998. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 256 pages. Nombreuses photographies en couleurs et noir et blanc dans et hors texte.. Avec Jaquette. . . Classification Dewey : 781.65-Jazz‎

‎Traduit par Jean François Kresser et Martin Winckler. Classification Dewey : 781.65-Jazz‎

Referencia librero : R110284002 ISBN : 287946157

‎Cook Richard; Morton Brian‎

‎THE PENGUIN GUIDE TO JAZZ ON CD 3rd Edition‎

‎New York NY: Penguin USA 1997. Text/BRAND NEW. Illustrated soft cover/VG with light edge wear faint creasings & surface marks. Critical guide to recorded jazz on CDs. 3rd Edition First Printing. Soft Cover. Near Fine/None as Issued. Penguin USA Paperback‎

Referencia librero : 005340 ISBN : 014051368x 9780140513684

‎Cooke, Mervyn‎

‎The Chronicle of Jazz. Year-by-year, the Personalities, the Stories, the Innovations behind this century`s most exciting music.‎

‎London, Thames & Hudson Ltd., 1997. With many pictures. 256 S. 28,5 x 23 cm, Pp., OU. Used, but good condition. / Leichte Gebrauchsspuren, sonst gut erhalten.‎

Referencia librero : 55215

‎Coppieters, Francis:‎

‎Anleitung zur Improvisation für Klavier‎

‎48 S. 4°. OU.‎

‎Corea, Chick‎

‎Rendezvous in New York (2 SACD)‎

‎Emarcy Records, 2003. 038 023-2 2 SACD, 46 S.; Abb. Digipak‎

‎SACD. Tonträger im neuwertigem Zustand, leichte Lagerspuren am Digipak‎

Referencia librero : 53958

‎Coryell, Larry‎

‎I`ll Be Over You (Import)‎

‎Cti Records, 28.02.1995. 1 CD Jewelcase‎

‎neuwertiger Zustand, original eingeschweißt‎

Referencia librero : 18790

‎COSMETTO (Cléon)‎

‎La vraie musique de jazz.‎

‎Lausanne, Editions de l'Echiquier - Chastellain, 1945. In-8°, 50p. Broché.‎

‎Nom de possesseur en page de garde, sinon en parfaite condition.‎

Referencia librero : 20639

‎COSMETTO Cléon‎

‎La vraie musique de jazz. Collection : Les échos du jazz.‎

‎Lausanne, Editions de l'Echiquier/Les Echos du jazz, 1945. 16 x 22, 50 pp., broché, bon état (couverture défraîchie).‎

Referencia librero : 63798

‎COSMETTO (Cléon)‎

‎La vraie musique de jazz.‎

‎In-8, 50p. Nom de possesseur en page de garde, sinon en parfaite condition.‎