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DONIZETTI Gaetano 1797 1848
Lucrezia Borgia Melodramma posto in Musica . ridotto per Piano Forte Solo Dal Mo. Luigi Truzzi . Fr 15._. Fl. 5.45.cm. Piano solo
Milano: Gio. Ricordi PNs 7210-7224 1834. Oblong folio. Light yellow calf-backed marbled boards gilt-ruled compartments to spine. 1f. recto title verso blank 1f. recto table of contents verso blank 5-107 pp. Each number with separate caption title some with separate pagination. Engraved. <br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding worn rubbed and bumped; minor loss to head and tail of spine; narrow strip cut from upper margin of front free endpaper with remnants of contemporary markings in all likelihood related to ownership. Light foxing and a few small stains to title; very minimal scattered foxing throughout. First edition for piano solo. Inzaghi IN. 47 pp. 164-166.<br/><br/>Lucrezia Borgia to a libretto by Felice Romani after Victor Hugo's play Lucrèce Borgia was premiered in Milan at the Teatro alla Scala on December 26 1833. Despite an uneven reception it became one of Donizetti's most successful operas particularly after the second production of the work in 1840. <br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Gio. Ricordi [PNs 7210-7224] unknown books
Referenz des Buchhändlers : 31259
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DONIZETTI Gaetano 1797 1848
Lucrezia Borgia. Opera in Italian. Libretto by Felice Romani after Victor Hugo's play. Piano-vocal score
London: Egret House PN 41690 k 1974. Large octavo. Original publisher's decorative wrappers. 1f. recto half title verso blank 1f. recto title verso copyright statement 2ff. publisher's note and introduction 1f. recto chronology verso blank 1f. recto reproduction title verso blank 1f. recto named cast list verso contents 1f. blank 241 i device pp. <br/><br/>Named cast includes Mariani Luciano Lalande Enrichetta Pedrazzi Francesco Brambilla Marietta Marconi Napoleone Visanetti Giuseppe Guaita Ismaele Vaschetti Giuseppe Spiaggi Domenico Pochini Ranieri and Petrazzoli Francesco. <br/><br/>Wrappers slightly worn and soiled; bookseller's label to upper wrapper. Egret House [PN 41690 k] unknown books
Referenz des Buchhändlers : 30266
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DONIZETTI Gaetano 1797 1848
Maria de Rudenz. Excerpts in piano-vocal score
Leipzig: Friedrich Hofmeister PN 2387 1840. Oblong folio. Black marbled boards with original publisher's brown printed wrappers bound in. 77 pp. Engraved. Text in Italian and German.<br/><br/>Some early notational additions in pencil to the vocal lines in the sixth number the duet "Oude riedi che mai brami"<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding considerably worn rubbed bumped and cracked; spine mostly lacking; remnants of paper title label to upper. Some minor signs of wear; light uniform browning; scattered foxing. First German edition. The first edition of the complete piano-vocal score was published in the following year in Vienna by Diabelli. Inzaghi IN. 62 p. 182. <br/><br/>Maria de Rudenz a dramma tragico in 3 acts to a libretto by Salvadore Cammarano after A. Bourgeois J.-G.-A. Cuvelier and J. de Mallian premiered in Venice at the Teatro La Fenice on 30 January 1838. <br/><br/>"With its highly romantic plot unusual in involving a heroine who apparently dies twice Maria de Rudenz marks the extreme of Donizetti's interest in 'strong' subjects. It has often been remarked that the libretto's violent plot and its reliance on past events to move the action on is more than a little reminiscent of Cammarano's later Il trovatore. The score contains much fine music including a mellifluous sortita for the baritone a notable Larghetto to the Act 1 finale later incorporated into Poliuto and Les martyrs several powerful duets with contrasting melodies for the participants particularly effective is the one for Maria and Corrado in Act 2 a moving aria-finale for the heroine and extraordinarily in the prelude to Act 2 an extended solo for bass clarinet." William Ashbrook in Grove Music Online. Friedrich Hofmeister [PN 2387] unknown books
Referenz des Buchhändlers : 33576
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DONIZETTI Gaetano 1797 1848
Maria di Rohan Dramma lirico in tre atti di S. Cammarano . Rappresentato in Vienna li 6 Giugno 1843 L'opera intera D. 6.00 . Piano-vocal score
Napoli: Stabilimento Musicale Partenopeo PNs 6056-6060 6063 6065 6133 6136-6141 6402 6492 6535 6652 6659-6660 6721-6724 6727-6730 1853. Oblong folio. Vellum-backed and edged boards with dark brown cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original yellow publisher's printed wrappers bound in. 1f. recto title verso named cast list table of contents 3-158 pp. Each number with separate caption title and secondary pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis and "Michele Dupino Marmorato." With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title. Named cast list includes the performers from the premieres in Vienna Paris and Naples including: Eugenia Tadolini Giorgio Ronconi Carlo Guasco Lorenzo Salvi Giulia Grisi Marietta Brambilla Gaetano Fraschini and Filippo Coletti. <br/><br/>Piano reduction of the Sinfonia by Czerny "nello stile elegante."<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn and with minor defects. Minimal foxing throughout primarily confined to margins. An early edition later issue. Inzaghi IN. 76 pp. 196-7.<br/><br/>Girard's first edition of Maria di Rohan appeared circa 1844 but this issue contains a new title page with Girard's later imprint Stabilimento Musicale Partenopeo.<br/><br/>Maria di Rohan was composed to a libretto by Salvadore Cammarano after Lockroy and Badon's play Un duel sous le Cardinal de Richelieu 1832. It premiered at the Kärntnertortheater in Vienna on June 5 1843.<br/><br/>"The most tautly constructed of Donizetti's romantic melodrammi Maria di Rohan shows clear signs particularly in Act 3 that Donizetti was moving towards the effect of unbroken musical continuity abandoning the closed patterns of conventional 'number' opera. Even in Act 1 the usual succession of 'entrance' arias is given new force and dynamism by Donizetti's tendency to reduce the fixed forms to their minimum and to inject vivid musical characterization. It is a work that calls for accomplished singers who are also powerful actors particularly for the baritone role of Chevreuse. Chorley described the powerful effect produced by Giorgio Ronconi in this part.<br/><br/>Maria di Rohan contains some of Donizetti's most expressive music. The soprano's first-act aria 'Cupa fatal mestizia' suggests Un ballo in maschera. The tenor's aria at the beginning of Act 2 'Alma soave e cara' is one of a number of fine single-movement tenor arias from the final years of Donizetti's output that reveal how effectively he wrote for this range of voice. The baritone's scene in Act 3 'Bella e di sol vestita' has been eloquently recorded by Mattia Battistini." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Stabilimento Musicale Partenopeo [PNs 6056-6060, 6063, 6065, 6133, 6136-6141, 6402, 6492, 6535, 6652, 6659-6660, 6721-6724, 6727 unknown books
Referenz des Buchhändlers : 31243
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DONIZETTI Gaetano 1797 1848
Maria Padilla
Milano: Giovanni Ricordi PNs 13551-13579 1859. Oblong folio. Disbound. 1f. title printed within decorative light teal blue border 1f. named cast list contents 3-253 1 blank pp. Engraved.<br/><br/>Named cast list includes Giorgio Ronconi Gaetano Rossi Domenico Donzelli Sofia Löwe Luigia Abbadia and Teresa Ruggeri.<br/><br/>Contemporary owner's signature "Geo. Sweet" to upper outer corner of title with handstamp of Tams Witmark to blank lower margin and blindstamp of Tito Ricordi dated April 1859 to lower outer corner.<br/><br/>Wrappers lacking. Slight dampstaining to lower margin throughout; light foxing to outer leaves; occasional markings in pencil. First Italian edition later issue. Published shortly after the French edition. Inzaghi IN. 71 p. 191. Bergamo Catalogue p. 127 54. Gaspari III p. 301.<br/><br/>A melodramma in three acts to a ibretto by Gaetano Rossi and Donizetti after the play by François Ancelot Maria Padilla premiered in Milan at La Scala on 26 December 1841.<br/><br/>"One of the most unfairly neglected of Donizetti's mature operas Maria Padilla contains a wealth of brilliant and dramatically powerful music." William Ashbrook in Grove Dictionary of Opera. Giovanni Ricordi [PNs 13551-13579] unknown books
Referenz des Buchhändlers : 33417
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DONIZETTI Gaetano 1797 1848
Olivo e Pasquale Solo piano
Milano: Epimaco e Pascquale Artaria PNs 128-136 1830. CONCONE Paolo Giuseppe 1801-1861 arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. illustrated lithographic title 82 pp. Engraved. With publisher's catalogue to verso of lower wrapper.<br/><br/>With lithograph by Le Brass depicting a scene from Act I Scene VI of the opera. <br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat worn rubbed and soiled; dampstain to upper right. Scattered light foxing. First Edition of this arrangement. Rare. OCLC one copy only in Switzerland. Inzaghi IN. 22 p. 142.<br/><br/>A melodramma in 2 acts to a libretto by Jacopo Ferretti after Simeone Antonio Sografi Olivo e Pasquale premiered in Rome at the Teatro Valle on 7 January 1827. Epimaco e Pascquale Artaria [PNs 128-136] unknown books
Referenz des Buchhändlers : 33414
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DONIZETTI Gaetano 1797 1848
Otto mesi in due ore o Gli Esiliati in Siberia Solo piano
Milan: Epimaque et Pascal Artaria PNs 58-67 1830. TROMBETTA Giuseppe arranger. Oblong octavo. Vellum-backed marbled boards with decorative rectangular paper label with manuscript titling to upper manuscript titling to spine. 96 pp. total in various paginations. Engraved. On wove paper.<br/><br/>With small embossed crown with initials "FG" beneath to upper blank margin of title.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/><br/>Binding somewhat worn rubbed and scuffed; head of spine chipped; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement later issue. Rare. OCLC no copies in North American libraries. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27.<br/><br/>An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt Otto premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
Referenz des Buchhändlers : 33412
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DONIZETTI Gaetano 1797 1848
Otto mesi in due ore o Gli Esiliati in Siberia Solo piano
Milan: Epimaque et Pascal Artaria PNs 58-67 1829. TROMBETTA Giuseppe arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. title printed in blue and black 96 pp. Engraved. With publisher's catalog to verso of lower wrapper. On laid paper.<br/><br/>From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni.<br/><br/>Binding somewhat worn and rubbed; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement first issue. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27.<br/><br/>An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt the present work premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
Referenz des Buchhändlers : 33413
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DONIZETTI Gaetano 1797 1848
Poliuto I Martiri Opéra Italien. Prix 12f. net. Piano-vocal score
Paris: Schonenberger PNs S. 1828 1188 1852. Octavo. 1f. title i thematic table of contents i publisher's catalog 162 pp. Engraved.<br/><br/>Vendor's handstamp to lower margin of title.<br/><br/>Lacking wrappers with remnants of modern green paper to spine. Moderately foxed; some leaves stained; repairs to margins of some leaves affecting several measures of music. Later edition. Lesure II pp. 395-396. OCLC no. 7618582.<br/><br/>Poliuto a tragedia lirica to a libretto by Salvadore Cammarano after Pierre Corneille's play Polyeucte was first performed at the Teatro San Carlo in Naples on November 30 1848.<br/><br/>"Never very successful in Paris Les Martyrs enjoyed some circulation in an Italian translation as I martiri but in Italy the more compact three-act Poliuto was generally preferred. Its performance history there began in 1848 when it received its première in Naples soon after Donizetti's death; the recent granting of a constitution there made the mounting of the banned work seem a political gesture as well as an artistic one. Throughout the 19th century it was put on periodically as a vehicle for such dramatic tenors as Tamberlik and Tamagno. It has had some notable revivals: at La Scala in 1940 with Gigli and Caniglia and in 1960 with Corelli and Callas; in 1977 at the S Carlo; and in Vienna in 1986 with Carreras. A Rome revival in 1988 followed a text that removed many years' editorial accretions. Les martyrs too has been revived notably in Venice in 1978." William Ashbrook in Grove Music Online. Schonenberger [PNs S. 1828, 1188] unknown books
Referenz des Buchhändlers : 26482
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DONIZETTI Gaetano 1797 1848
Recitativo e Duetto Se vederla a me non lice. Esquito in Venezia dalla Siga. Vial e dal Sigr. Salvatori Nella Tragedia lirica di S. Cammarano Belisario . F.3 Gr.50. Piano-vocal score
Napoli: B. Girard e Ci. PN 3068 1836. Oblong folio. Sewn. 11 pp. 1 blank. Engraved.<br/><br/>Inscriptions to title in three hands: "Sr. Palombis " in faded black ink "N Spada" in blue ink "eseguito il 3 ottobre 1858" in brown ink.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Spine reinforced with contemporary paper tape partially split. Edges slightly frayed and with small tears; several corners creased; minor foxing and staining throughout. From the first Naples edition. Inzaghi IN. 56 pp. 175-7.<br/><br/>Belisario was composed to a libretto by Salvadore Cammarano after Luigi Marchionni's adaptation of Eduard von Schenk's Belisarius 1820. It premiered at the Teatro La Fenice in Venice on February 4 1836. <br/><br/>The duet "Se vederla a me non lice" is from the finale of Act 2 in which Irene prepares to lead her blinded father Belisarius into exile. The premiere was sung by Celestino Salvatori and Antonietta Vial. "The tenderness and intensity of their duet . prefigures another Verdi speciality the father-daughter duet." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PN 3068] unknown books
Referenz des Buchhändlers : 31274
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DONIZETTI Gaetano 1797 1848
Roberto d'Evereux Conte d'Essex A Lyric Tragedy in 3 Acts with Italian Text. Piano-vocal score
Melville N.Y.: Belwin Mills PN 9397 1980. Folio. Original publisher's green printed wrappers. 1f. recto title verso blank i reproduction incipits and named cast list 2-159 i blank pp. <br/><br/>Named cast list includes Grisi Albertazzi Rubini Morelli Tamburini and Marliano. <br/><br/>Wrappers slightly worn. Kalmus Vocal Scores 9397. Belwin Mills [PN 9397] unknown books
Referenz des Buchhändlers : 30259
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DONIZETTI Gaetano 1797 1848
Roberto Devereux Tragedia lirica Di S. Cammarano . dedicata a S.E. il Cavaliere G.C. Nicola Santangelo Ministro Segretario di Stato Degli Affari Interni . L'opera intere D.6. Piano-vocal score
Napoli: Successori della Ditta Girard e Co. PNs 3616-31 3872-3 4292-4 1853. Oblong folio. Vellum-backed and edged boards with burgundy cloth laid down initials "C.G." gilt to upper titling to spine stamped in black original yellow publisher's printed wrappers bound in. 1f. recto title verso blank 8 pp. Sinfonia 3-150 pp. Each number with separate caption title and pagination. Engraved.<br/><br/>Endpapers watermarked with a fleur-de-lis. With priced catalog "Opere Teatrali Intere" to upper wrapper listing works by Bellini Donizetti Rossini Verdi et al. composed through 1853 and with list of pieces with individual prices and plate numbers to title.<br/><br/>From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br/><br/>Binding slightly worn bumped and scuffed. Light browning to title; minimal foxing throughout primarily confined to margins. First Edition of the revised version later issue. Inzaghi IN. 61 pp. 180-2. The first edition of Roberto Devereux was revised by Girard with the changes Donizetti made for the 1838 performance in Paris PNs 4292-4. This later issue has "Successori della Ditta" added to the title indicating that it was issued shortly after Girard's imprint changed in 1853. <br/><br/>Roberto Devereux to a libretto by Salvadore Cammarano after François Ancelot's tragedy Élisabeth d'Angleterre 1829 was first performed in Naples at the Teatro S Carlo on October 28 1837.<br/><br/>"The portrait of Queen Elizabeth I in Roberto Devereux is the most imposing of Donizetti's representations of that character who also appears in Elisabetta al castello di Kenilworth and Maria Stuarda and the role must rank as one of the great acting and singing opportunities in the bel canto repertory. Musically the score has much to commend it. As in other Donizetti operas the first act moves in a rather leisurely manner with a sequence of full arie di sortita; the pace accelerates to a dramatic climax in a briefer Act 2; then Act 3 like that of Lucia is a sequence of three powerful scenes."<br/><br/>"Particularly impressive are Elizabeth's entrance aria the duet for Sarah and Essex the trio-finale to Act 2 the Prison Scene of Essex and Elizabeth's aria-finale. Everywhere the score shows the sure hand of a composer in control of his materials. The powerful prelude to the Prison Scene recalls the opening of Act 2 of Fidelio. Elizabeth's final Larghetto 'Vivi ingrato' is a fine example of a melody developing in a long emotional arc of searing poignancy and of Donizetti's sensitive response to the expressive colour of the words." William Ashbrook in Grove Music Online.<br/><br/>Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Successori della Ditta Girard e Co. [PNs 3616-31, 3872-3, 4292-4] unknown books
Referenz des Buchhändlers : 31257
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DONIZETTI Gaetano 1797 1848
Torquato Tasso Piano-vocal score pre-publication proof copy
Milano: F. Lucca PNs 900 904 905 912 e 913 914 and 915 1833. Oblong folio. Original blue wrappers with publisher's large ivory printed title label to upper. Engraved. Uncut. With text in Italian. On high quality paper.<br/><br/>Contains the following 6 complete numbers all with secondary pagination:<br/>- Scene e Duetto. In un etasi che uguale. 19 i blank pp. secondary pagination 49-67. PNs 900 L900L.<br/>- Duetto. Colei Safronia. 17 i blank pp. secondary pagination 87-103. PNs 904 P904P z904z. <br/>- Seguito del finale primo. Torquato! mira. Il Fratel t'invia 35 i blank pp. secondary pagination 104-138. PNs 905 n905n.<br/>- Scena e duetto. Poco dunque ti pare. 13 i blank pp. secondary paginatio 183-197. PNs 912 e 913 R912-913R R913R.<br/>- Sei mia . 34 pp. secondary pagination 198-231. PN 914.<br/>- Perche dell'aure in sen Gran scena ed aria. Eseguita dal Sigr. Giorgio Ronconi. 27 i blank pp. secondary pagaination 232-258. PNs 915 Z915Z.<br/><br/>Upper portion of first page of many numbers blank where title imprint etc. would be added for subsequent commercial publication.<br/><br/>Wrappers slightly worn and soiled spine reinforced with dark ivory tape. Minor internal browning; edges dusty. CPM Vol. 17 p. 259. Bergamo catalogue 80 complete plate nos. 897-915. Inzaghi 46. <br/><br/>A "melodramma semiserio" in three acts to a libretto by Jacopo Ferretti after Giovanni Rosini's Torquato Tasso and to a lesser degree Carlo Goldoni 's Tasso Johann Wolfgang von Goethe 's Tasso and Byron 's The Lament of Tasso Donizetti's Torquato Tasso was first performed in Rome at the Teatro Valle on 9 September 1833.<br/><br/>"Eleonora's expressive sortita 'Io l'udia nei suoi bei carmi' and her duet with the poet that follows 'Colei Sofronia' are notable passages. The finest music in the score however comes in the last act with Tasso's Larghetto 'Perché dell'aure in sen' leading into a touching dialogue with chorus; this culminates in a mournful cantabile to form the lyric section of the tempo di mezzo and is followed by an elegiac cabaletta in C major. As in Anna Bolena Donizetti here expanded the structure of the aria-finale to fill out an entire scene." William Ashbrook in Grove Music Online.<br/><br/>One of the earliest publications issued by Lucca. [F. Lucca] [PNs 900, 904, 905, 912 e 913, 914 and 915] unknown books
Referenz des Buchhändlers : 36254
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Donizetti Gaetano music & words & W. Corbyn English words
Salut a la France
New York: William Hall & Son 1850. Paperback. Good. Sheet Music 6p. Disbound removed from a bound volume. 34cm. Substantial foxing and browning mainly around edges. Color lithographed illustration of an impossibly thin-waisted Jenny Lind in period costume on front cover. Cover title: Jenny Lind in the Opera of La Fille de la Regiment. The music which was taken from the opera is copyrighted 1845 but the copyright date on the cover is 1850. <br/><br/> William Hall & Son paperback books
Referenz des Buchhändlers : 71300
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DONIZETTI Pino.
I cacciatori d'ombre.
Verona:: Arnoldo Mondadori 1963. 1963. Bibloteca Moderna Mondadori No. 778 Sezione Scienza e Tecnica. 190 x 110 mm. 256 4 ads 10 pp. 22 photographic figs. index. Boards. Blind stamp and ownership rubber stamp on title. Very good. Arnoldo Mondadori, (1963). hardcover books
Referenz des Buchhändlers : M6051
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DONIZETTI G. -
Don Pasquale. Dramma buffo in tre atti di M. A. Con introduzione biografica e critica di Ettore Bontempelli.
Milano, Edizioni Radio Teatrali Artistiche, 1931, 16mo brossura originale, pp. 62 con una tavola in antiporta e 7 illustrazioni nel testo (Teatro Lirico, 13/14) .
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DONIZETTI Gaetano
Accademia di poesia e musica che danno gli alunni dei pontificj seminari romano e pio e gli scolari del Liceo del Pont. Sem. Rom. nella Chiesa di S. Apollinare il 1 luglio 1867 per celebrare la secolare memoria del martirio dei SS. Apostoli Pietro e Paolo
In 8, pp. 18. Br. rifatta. Libretto del melodramma sacro 'San Pietro' di Donizetti messo in scena dagli allievi dell'Accademia di Musica e di Poesia di Roma per le celebrazioni del martirio di San Pietro e San Paolo, con elenco degli interpreti. Segue elenco di odi e sonetti recitati in quell'occasione.
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DONIZETTI GAETANO
Canzonette inedite a cura di l. Inzaghi, M. Preda.
In 8°, cart. edit., pp. 93,(11).
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Donizetti Gaetano
Don Pasquale Dramma Buffo in Tre Atti
Mm 125x175 Brossura editoriale di pp. 32. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
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DONIZETTI Gaetano
L'ELISIR D'AMORE. Melodramma in due atti su libretto di Felice Romani. Musica di Gaetano Donizetti.
In-8, cartonato editoriale, sovracoperta, pp. 139, con numerose illustrazioni in bianco e nero e a colori nel testo. In ottimo stato (nice copy).
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DONIZETTI GAETANO
LA FAVORITA OPERA COMPLETA PER PIANOFORTE, partitura numero 46268-69
27,5x20 cm; (4), 130, (2) pp. Brossura editoriale illustrata. Ritratto di Donizetti inciso al recto del frontespizio. Breve storia, su due pagine, dell'opera “La Favorita”. Spartito completo per pianoforte di quest'opera del grande compositore Bergamasco. Buono stato di conservazione. Edizione non comune.
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Donizetti Gaetano
Lucia Di Lammermoor Dramma Tragico in Due Parti Di S. Cammarano
Mm 125x180 Libretto d'opera. Brossura editoriale di pp. 32. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
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DONIZETTI Gaetano
LUCIA DI LAMMERMOOR. Dramma tragico. Riprodotto integralmente per mandato di Giovanni Treccani degli Alfieri.
In-4 p. oblungo (mm. 300x395), elegante legatura in mz. pelle edit., piatti in tela rossa con cornice a secco e titolo oro, dorso a cordoni con fregi in oro, tagli super. dorati, risguardi rossi con grandi e belle cornici dorate, pp. 17 (frontesp. con titolo in rosso - nota introduttiva all’opera - dati biografici - in quanto tempo fu scritta la Lucia di Lammermoor? - produzioni musicali donizettiane, a cura di Guido Zavadini, Conservatore del museo Donizettiano di Bergamo); è pure incluso il ritratto in tricromia del musicista (1797-1848). Edizione in fac-simile dell’opera: la partitura autografa è qui riprodotta a colori in 374 facciate di note musicali del prezioso manoscritto di proprietà del Conte Giovanni Treccani degli Alfrieri - Senatore del Regno. Tiratura di soli 300 esemplari. Il ns., contenuto in astuccio di tela edit. rossa (tracce d’uso), è in ottimo stato.
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DONIZETTI Gaetano
MARIA STUARDA. Teatro alla Scala. Direttore Antonino FOGLIANI.
In-4 (cm. 28.70), cartonato editoriale, sovracoperta editoriale illustrata, custodia, pp. 143, (1), con numerose illustrazioni in bianco e nero ed a colori nel testo + cofanetto editoriale illustrato contenente 1 dvd e 2 cd. In ottimo stato (nice copy). .
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DONIZETTI Gaetano -
Don Pasquale. Dramma buffo inntre atti.
Milano, Barion, 1933, 16mo pp. 32
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Donizetti Gaetano - Rossi Gaetano
Linda Di Chamounix
Mm 135x200 Libretto d'opera protetto da cartoncino coevo in buone condizioni di 43 pp. Qualche fioritura ed alcune pagine sbarrate da matita blu. Senza indicazione della data, ma riteniamo fine '800.
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Donizetti, Gaetano
20 Songs by Donizetti
Alfred Music 1996-10-01. paperback. New. 8.75x0.25x11.50. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
Referenz des Buchhändlers : DADAX0882848097 ISBN : 0882848097 9780882848099
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Donizetti, Gaetano
Alfredo Il Grande: Dramma Per Musica
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 101964494X.G ISBN : 101964494X 9781019644942
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Donizetti, Gaetano
Alina regina di Golgonda: Melodramma in due atti di Italian Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 3385078725.G ISBN : 3385078725 9783385078727
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Donizetti, Gaetano
Alina regina di Golgonda: Melodramma in due atti di Italian Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 3563232598.G ISBN : 3563232598 9783563232590
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Donizetti, Gaetano
Anna Bolena: Tragedia Lirica in 2 Atti Classic Reprint Italian Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 0364297166.G ISBN : 0364297166 9780364297162
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Donizetti, Gaetano [Composer]
Anna Bolena: Vocal Score
RICORDI 1986-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! RICORDI paperback
Referenz des Buchhändlers : Q-0634071106 ISBN : 0634071106 9780634071102
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Donizetti, Gaetano
Anna Bolena: A Lyric Tragedy in Two Acts 1850
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 1162086181.G ISBN : 1162086181 9781162086187
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Donizetti, Gaetano
Anna Bolena: A Lyric Tragedy In Two Acts 1850
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 1168922178.G ISBN : 1168922178 9781168922175
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Donizetti, Gaetano (1797-1848)
Anna Bolena : tragedia lirica di F. Romani / posta in musica dal Maestro Donizetti
Paris : Pacini 1853. First Edition. Hardcover. Good copy in the original gilt-blocked cloth over marble boards. Panel edges somewhat dulled and dust-toned as with age. Corners sharp with an overall tight bright and clean impression. Physical description; 3232p. Subject; Opera - Italian - 19th century. Paris : Pacini hardcover
Referenz des Buchhändlers : 253128
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DONIZETTI, Gaetano 1797-1848
Anna Bolena. Duetto S'ei t'abbore io t'amo ancora eseguito al Teatro di Apollo in Roma nel Carnevale del 1839-40 dai celebri Sigra. Ca. Ungher e Sigr. Do. Donzelli nell' opera Anna Bolena. Prez. Fr. 2.30. Lit. Martelli. Piano-vocal score
Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. <br /> <br /> From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981.<br /> <br /> Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. <br /> <br /> The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. <br /> <br /> Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. <br /> <br /> The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618.<br /> <br /> "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online.<br /> <br /> Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown
Referenz des Buchhändlers : 31312
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Donizetti, Gaetano
Anna Bolena: Vocal Score
Ricordi 1986-11-01. paperback. Used: Good. 8.00x0.79x10.75. Buy with confidence. Excellent Customer Service & Return policy. Ricordi paperback
Referenz des Buchhändlers : SONG0634071106 ISBN : 0634071106 9780634071102
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Donizetti, Gaetano
Anne de Boulen: Opera En Trois Actes Cinq Tableaux
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 1245849204.G ISBN : 1245849204 9781245849203
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DONIZETTI, Gaetano 1797-1848
Autograph musical quotation signed "Donizetti Lucia di Lammermoor - 1836
1 leaf. Oblong quarto 210 x 284 mm.<br /> <br /> Four measures in keyboard score from the duet between Lucia and Edgardo in Act I Scene IV set to the words "A' miei voti in vovo il cielo" From all danger be guarded for ever. Notated in ink at the blank lower margin of an original accomplished drawing depicting a male and female figure in costume presumably the characters Lucy and Edgardo in Donizetti's opera. Signed and dated by the artist in ink: "Clelia de Vera d'Aragona fece 14 Luglio 1838." In pen watercolor and brown wash with highlights in light gray gouache.<br /> <br /> Slightly worn; quite browned; offsetting from contact with another leaf of textual manuscript creating a slightly bleached appearance; small binding holes and fraying to left edge. Partial watermark most probably of the English paper maker J. Whatman.<br /> <br /> Provenance<br /> Christie's Rome 13 December 2001 Lot 337. Lucia di Lammermoor with a libretto by Salvatore Cammarano was first performed in Naples at the Teatro San Carlo on 26 September 1835. <br /> <br /> "It . very quickly became one of the most universally popular operas of the nineteenth century. . Donizetti himself writing to Ricordi three days after the première was in a rare state of excited exaltation: 'Lucia di Lammermoor went on . It pleased and it pleased very much if I am to believe in the applause and the compliments I received. I was called out many times the singers even more often. . Its title role has been impersonated by almost every soprano since 1835 who has supposed herself or has been supposed by others to have sufficient agility and enough dependable very high tones; the role of Edgardo has been favored by most of the non-Wagnerian tenors . The opera's second-act sextet 'Chi mi frena in tal momento' achieved an almost unique universal familiarity . The 'Mad Scene' became the chosen proving ground and applause-gatherer for an apparently unending succession of prima donnas. . With Rossini operatically inactive and Bellini dead Lucia di Lammermoor went far toward establishing Donizetti as the most eagerly sought-for of living Italian composers of opera - and therefore of all Italian composers - for the rest of his active life." Weinstock: Donizetti pp. 110-111 <br /> <br /> The artist was presumably a member of the historic Italian family De Vera d'Aragona of Naples. <br /> <br /> A unique and attractive document despite defects as noted. unknown
Referenz des Buchhändlers : 39871
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Donizetti, Gaetano
BELISARIO RIDOTTA PER PIANO-FORTE SOLO
Milano c. 1857 date on music advertisment inside rear cover. Giovanni Ricordi . Piano score. Oblong 4to. 91p. original green printed wraps fully decorated with vignette illustrations of cherubim and dancing girls and interior of concert hall etc . VG cover light wear and light soiling; text near fine page edges light ripled. Scarce in original wrapper. Pictures available on request. . paperback
Referenz des Buchhändlers : a77112
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DONIZETTI, G
Belisario. Opera in 3 Atti. Musica del Maestro Gaetano Donizett. Unter der Leitung des Kapellmeisters Signor Buzzola. In Scene gesetzt vom Signor Carozzi. Program. Königstädtisches Theater. Montag den 2. October 1843.
Königstadt 1843. . Broadsheet. Uncut. As Giustinano sgr Giuseppe Bien as Belisario sgr Cleto Capitini as Antonia debut by Ersilia Ranzi. unknown
Referenz des Buchhändlers : M2446
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Donizetti, Gaetano
Belisario: Tragedia Lirica in Tre Atti da Rappresentarsi in Pavia Nel Teatro De'signori Condomini la Primavera 1841 Classic Reprint Italian Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 0364905190.G ISBN : 0364905190 9780364905197
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Donizetti, Gaetano
Belisario: Tragedia Lirica in Tre Parti; Parte Prima IL Trionfo; Parte Seconda l'Esilio; Parte Terza la Morte; Da Rappresentarsi Nel Gran Teatro la . 1836 Classic Reprint Italian Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 0428710581.G ISBN : 0428710581 9780428710583
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Donizetti, Gaetano
Belisario: Tragedia lirica in tre atti da rappresentarsi nel Teatro Comunale di Ravenna la primavera del 1839 Italian Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 338507097X.G ISBN : 338507097X 9783385070974
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Donizetti, Gaetano
Belisario: Tragedia Lirica in Tre Parti Classic Reprint Italian Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 1397268611.G ISBN : 1397268611 9781397268617
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Donizetti, Gaetano
Betly Italian Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 3385062187.G ISBN : 3385062187 9783385062184
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Donizetti, Gaetano
Betly: Dramma Giocoso In Due Atti Italian Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 1019740566.G ISBN : 1019740566 9781019740569
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Donizetti, Gaetano
Betly: Dramma Giocoso in Due Atti Classic Reprint Italian Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 0364901004.G ISBN : 0364901004 9780364901007
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Donizetti, Gaetano
Betly: Opera En Deux Actes 1854 French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 1162077174.G ISBN : 1162077174 9781162077178
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Donizetti, Gaetano
Betly: Opéra En Deux Actes. French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 1020222417.G ISBN : 1020222417 9781020222412
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