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EBERT Alfred
Attilio Ariosti in Berlin (1697-1703) Ein Beitrag zur Geschichte der Musik am Hofe König Friedrichs I. von Preussen
103pp., 23cm., softcover, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Rheinischen Friedrich-Wilhelm-Universität zu Bonn), stamp at verso of title page, text is clean and bright, M111116
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EBERT Friedrich
Die Liedweisen der kolmarer Handschrift und ihre Einordnung und Stellung in der Entwicklungsgeschichte der deutschen Liedweise im 14. - 16. Jahrhundert
115pp., with some music examples in text, 23cm., softcover (label at spine), text in German in Gotic script, Doctoral dissertation (Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Georg-August-Universität zu Göttingen), stamp at verso of t.p., some annotations and underlinings in pencil (can easily be erased), M109366
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Eckhardt, Ulrich [Ed.]
Claudio Abbado: Dirigent
Contains a CD and numerous photographs. 230x230 mm. 198 pages. Hardcover with dust jacket. Jacket edges wrinkled. Cover corners, edges and spine edges bumped. Few page corners slightly wrinkled. Pages yellowing. Else in good condition.
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Edited by Anna Maria Busse Berger and Massimiliano Rossi.
Memory and Invention. Medieval and Renaissance Literature, Art and Music. Acts of an International Conference (Florence, Villa I Tatti, May 11, 2006).
cm. 17 x 24, xx-174 pp. con es. mus., 37 figg. n.t. e 12 tavv. f.t. Rilegato (Hardcover). Villa i Tatti - The Harvard University Center for Italian Renaissance Studies In recent years it has become increasingly clear that the art of memory was closely related to compositional processes in literature, art, and music. These papers explore various aspects of how the relevant material was memorized-whether through division and classification, or through visual diagrams; how the memorized material was used to create new works; how the old texts and models were incorporated into new ones; what was left out and what was reinterpreted in new ways. Negli ultimi anni ? emerso sempre pi? chiaramente quanto l?arte della memoria sia strettamente legata ai processi compositivi nell?ambito letterario, artistico e musicale. Questi saggi indagano sul perch? e su quali materiali siano stati memorizzati o meno attraverso il frazionamento e la classificazione oppure tramite diagrammi visivi; inoltre su quali testi o modelli siano stati rielaborati in nuove opere oppure reinterpretati in nuovi modi. 676 gr. xx-174 p.
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Edited by Virgilio Bernardoni
Edizione Nationale delle Opere di Giacomo Puccini. II. Instrumental music 2.1 Works for organ: Sonate, Versetti, Marce (vol. II/2)
cm 25 x 32, 148 pp. Carus-Verlag GmbH - ISBN 9783899483130 The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini?s organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into "bass" and "soprano".Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini?s organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into "bass" and "soprano".Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. Ed. Nat. OperePuccini 2.Instr. 2.1.Organ 782
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Edizione critica a cura di Graziella Seminara
Vincenzo Bellini Carteggi
cm 17 x 24, vi-622 pp. con 5 es. mus. e 1 figg. n.t. Rilegato in seta. Historiae Musicae Cultores 131 La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base d
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Edizione e commento a cura di Gabriella Biagi Ravenni.
Tosca. Di Victorien Sardou, Giuseppe Giacosa e Luigi Illica. Musica di Giacomo Puccini. Vol. I: facsimile della copia di lavoro del libretto. Vol. II: trascrizione e commento.
cm. 23 x 33, 2 tomi. I: 140 pp. di cui 134 di facsimile. II: xlii-140 pp. con 1 fig, 1 pieghevole ed es. mus. n.t. Centro studi Giacomo Puccini - Testi e documenti Il testo completo del libretto di Tosca, con aggiunte, correzioni, chiose, frammenti di bozze di stampa, schizzi musicali e di piantazioni sceniche. Attraverso gli interventi di Illica, Giacosa, Ricordi, ma soprattutto di Puccini, ? possibile ricostruire, con la massima approssimazione, l?appassionante dialogo che intercorse tra gli autori e l?editore. ? possibile insomma entrare nel vivo del laboratorio creativo e individuare le fasi cruciali della genesi di Tosca. The complete text of the libretto of Tosca, with additions, corrections, glosses, page proof fragments, musical sketches, and sketches of stage settings. Illica, Giacosa, Ricordi and Puccini worked together on Tosca and established an intense professional relationship, which is brilliantly reconstructed in this well-documented volume. A fascinating insight into the creative process and a detailed description of the genesis of Tosca. 1860 gr. xlii-280 p.
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EEKHOUD, Georges.
Peter Benoit. Sa vie, son esthétique et son enseignement, son oeuvre.
[publisher: Bruxelles, Veuve Monnom, 1897] in-8 de 68 pages - Portrait en frontispîce.- Mention au crayon au 1er plat "Exemplaire sur Hollande", sans justification.- RARE
Bookseller reference : 32995
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EEKHOUD, Georges.
Peter Benoit. Sa vie, son esthétique et son enseignement, son oeuvre.
in-8 de 68 pages - Portrait en frontispîce.- Mention au crayon au 1er plat "Exemplaire sur Hollande", sans justification.- RARE Exemplaire en partie débroché, plats défaits. [BU-11]
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EFFRAY Samuel
"Dans la tête d'un musicien; une nouvelle approche pour évoluer dans sa pratique musicale."
Editions Sey, 2018. 15 x 21, 154 pp, broché, très bon état.
Bookseller reference : 97008
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EICHELBAUM Edmundo
"Carlos Gardel; l'âge d'or du tango."
Paris, Denoël, 1984. 15 x 23, 223 pp., quelques illustrations en N/B, broché, très bon état.
Bookseller reference : 95943
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EICHINER Hans
Mittelfränkische Stadt- und Landmusikanten. Eine Untersuchung zum Brauchtum, Aufgabenbereich und Notenbestand der Musikanten im südlichen Mittelfranken im 19. und beginnenden 20. Jahrhundert
Eichstätt, 1987 viii + 495 + 228pp., 21cm., softcover, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorsgrades der Geschichts- und Gesellschaftswissenschaftlichen Fakultät der Katholischen Universität Eichstätt), stamp at verso of title page, text and interior are clean and bright, good condition (looks unread), weight: 1.1kg., M109027
Bookseller reference : M109027
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EICHINER Hans
Mittelfränkische Stadt- und Landmusikanten. Eine Untersuchung zum Brauchtum, Aufgabenbereich und Notenbestand der Musikanten im südlichen Mittelfranken im 19. und beginnenden 20. Jahrhundert
viii + 495 + 228pp., 21cm., softcover, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorsgrades der Geschichts- und Gesellschaftswissenschaftlichen Fakultät der Katholischen Universität Eichstätt), stamp at verso of title page, text and interior are clean and bright, good condition (looks unread), weight: 1.1kg., M109027
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Eisenberg Evan
L'angelo con il fonografo. Musica, dischi e cultura da Aristotele a Zappa
brossura
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Eitner, Robert
Biographisch-Bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten christlicher Zeitrechnung bis Mitte des neunzehnten Jahrhunderts. 9 Bände (von 11). Band I/II: Aa-Cochereau. Band V/VI: Hainglaise-Milleville. Band VII/VVIII: Milleville-Scheiffler. Band IX/X: Schein-Zyrler. Band XI: Nachträge, Miscellanea.
Graz, Akademische Druck- und Verlagsanstalt, 1959-1960. 4°. 25 cm. 480, 478, 482, 479, 482, 482, 480, 369, 448 Seiten. Original-Leinenbände.
Bookseller reference : 55811BB
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
Bilthoven, Creyghton 1968 228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's hardcover in cloth with gilt lettering, good condition, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M107680
Bookseller reference : M107680
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
Bilthoven, Creyghton 1968 228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's softcover, stamp at verso of title page, text is clean and bright, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M1111122
Bookseller reference : M111122
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ELDERS Willem
Symbolic Scores - Studies in the Music of the Renaissance
Leiden, Brill 1994 xii + 269pp., with some bl/w illustrations, 26cm., publisher's hardcover in blue cloth with gilt lettering, good condition, M107681
Bookseller reference : M107681
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's hardcover in cloth with gilt lettering, good condition, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M107680
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's softcover, stamp at verso of title page, text is clean and bright, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M1111122
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ELDERS Willem
Symbolic Scores - Studies in the Music of the Renaissance
xii + 269pp., with some bl/w illustrations, 26cm., publisher's hardcover in blue cloth with gilt lettering, good condition, M107681
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Eliopoulos, Dionysios P. [Eliopoulou, Dionyse P.
METHODOS VYZANTINES EKKLESIASTIKES MOUSIKES [BYZANTINIS EKKLISIASTIKIS MOUSIKIS] Theoria Kai Askeseis [Askiseis]
Minor rubbing and shelfwear. ; (Sympleromene & ananeomene) : treatise on Byzantine Church music in modern Greek. ; 142 pages
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Eliraz, Israel / Tal, Josef [Music] / Marbe, Alan [Trans.]
Masada 967: Opera - Libretto in 15 Scenes [IN ENGLISH AND HEBREW].
IN ENGLISH AND HEBREW. 21x13.5cm. 50+41 pages. Softcover. In good condition.
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EMERY, Eric. - Collectif.
Frank Martin, musique et esthétique musicale. Actes du colloque de La Chaux-de-Fonds 1990.
Lausanne, Revue Musicale de Suisse Romande 1995, 240x160mm, 117pages, broché. Bel exemplaire.
Bookseller reference : 64055
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EMERY (Eric).-
La gamme et le langage musical.
P., PUF (Bibliothèque Internationale de Musicologie), 1961, in 8° broché, 164 pages.
Bookseller reference : 35156
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Emile Ludwig. Trad. par J. Longueville.
Beethoven vie d'un conquérant
Paris, Club des Editeurs, 1956, pleine toile éditeur, portrait au centre, 456 pages. Rousseurs sur tranches, sinon bon état.
Bookseller reference : 67807
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Emile Voillard
Essai sur Monteclair ( Michel Pinolet ) musicien et compositeur du XVIII° siecle ne a Andelot ( Hte-Marne )
Chez Menu a Paris et chez la Veuve Miot-Dadant a Chaumont, 1879. Format 13x20 cm, broche, XIV + 97 + 4 pages. Exemplaire propre mais dos use. Ouvrage rare.Bon etat.
Bookseller reference : 20497
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EMMANUEL Maurice
"Histoire de la langue musicale (2 tomes en 1 volume); tome 1 : Antiquité, Moyen Âge; tome 2 : Renaissance, Epoque moderne, Epoque contemporaine."
Paris, H. Laurens, 1951. 16 x 23, 679 pages (pagination continue), quelques notations musicales, reliure pleine rexine rouge, très bon état.
Bookseller reference : 97870
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EMMANUEL Maurice
César Franck. Collection : Les musiciens célèbres.
Paris, Henri Laurens, 1930. 14 x 21, 128 pp., reliure large dos cuir à 5 nerfs, pages de garde beau papier marbré, bon état.
Bookseller reference : 99532
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EMMANUEL André
La harpe, son évolution, ses facteurs. Collection : Précis techniques, N° 5.
Paris, Dessain et Tolra, 1980. 21 x 15, 136 pp., quelques dessins et illustrations, broché, bon état.
Bookseller reference : 98744
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EMMANUEL, Maurice. - HAHN, Reynaldo. - LANDORMY, Paul. - CHEPFER, Georges. - PANASSIE, Hugues. - VUILLERMOZ, Emile. - SORDET, Dominique. - YVAIN, Maurice.
L’initiation à la musique. A l’usage des amateurs de musique et de radio. Comportant un précis d’histoire de la musique, suivi d’un dictionnaire des oeuvres, d’un lexique des termes et de chapitres variés. Nombreuses illustrations dans le texte et hors texte en couleurs.
Paris, Editions du Tambourinaire 1935, 200x150mm, V - 399pages, reliure demi-toile à coins. Ex-libris. Bel exemplaire.
Bookseller reference : 82943
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Emmanuel, Jaeger; Schmitt, Jean-Frédéric; Le Bot, Marc; Saatdjian, Dominique
Les Violons: Lutherie Venitienne - Peintures et Dessins
270x240mm. 295 pages. Softcover. Cover corners slightly wrinkled. Spine wrinkled. Else in good condition.
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ENGEL Hans
Der sinn in der vokalmusik -
Estratto da "Collectanea historiae musicae", vol. II. In 8°, pp. 147-161, ill. in b/n n.t. Bross. edit. liev. brunita ai margini. Ottime condizioni.
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Enrico Fubini
Estetica della musica
Piccola brossura in buonissime condizioni interne, vol. 3 della collana, copertina segnata da minime mende da scaffale, toni leggermente alterati in cornice e da velature, fogli ben preservati, con minima velatura di ossidazione ai margini e tagli. N. pag. 145. USATO
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ENSAR ASLAN.
Çildirli Âsik Senlik. Hayati, siirleri, karsilasmalari, hikâyeleri.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 502 p. Çildirli Âsik Senlik. Hayati, siirleri, karsilasmalari, hikâyeleri. A comprehensive biographical study on Asik Çildir Senlik, (1850-1913), who was Turkish minstrel and public leader in 19th century. Rare.
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Enselein, Thomas
Der Kontrapunkt im Instrumentalwerk von Joseph Haydn.
Köln, Verlag Dohr, 2008. 4°. 25 x 18 cm. 283 Seiten. Original-Pappband. (= Musicolonia, Band 5).
Bookseller reference : 60457CB
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ERDAL ERZINCAN.
Compositions for Baglama: In Baglama Bozuk, Misket and Müstezat tunings.= Baglama için besteler: Baglama, Bozuk, Misket ve Müstezat düzenlerinde.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 176 p., musical scores. Compositions for baglama: In baglama Bozuk, Misket and Müstezat tunings.= Baglama için besteler: Baglama, Bozuk, Misket ve Müstezat düzenlerinde. The instrument of Baglama, which has been shaped within many years in the rural areas and has a rich and profound history, began to create its tradition in the urban areas after the establishment of the Turkish Republic. In the past, this instrument mostly passed down the vocal melodies; however, now it is agreed by many music authorities that it is about time it must be a part of instrumental music on its own as well. The primary purpose of this book is to contribute to Baglama new tradition without ignoring its richness dating back to old times. This book involves twenty works composed in the tunings of baglama, of bozuk, of misket and of müstezat. Those compositions, prepared to be played in both picked and pickless (selpe) styles, are thought to be beneficial for baglama education as well, and thus it is agreed that methodical symbols should be used in the notation.
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ERHAN ÖZDEN.
Osmanli Maârifi'nde mûsikî.
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In Turkish. 230 p. Osmanli Maârifi'nde mûsikî. Music in the Ottoman educational system.
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ERISMANN Guy
Antonin Dvorak. Collection : Musiciens de tous les temps, N° 29.
Paris, Editions Seghers, 1966. 13 x 16, 185 pp., illustrations, broché, bon état.
Bookseller reference : 69554
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ERISMANN Guy
Antonin Dvorak. Collection : Musiciens de tous les temps.
Lausanne, La Guilde du Livre, 1966. 14 x 17, 192 pp., quelques illustrations en N/B, reliure d'édition pleine toile, très bon état.
Bookseller reference : 93968
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Erich Valentin. Texte français par Anne Gaston.
Beethoven.
Paris, Hachette. Les musiciens par l'image., 1957, in-8, Broché, 146 pages. Bon état.
Bookseller reference : 15675
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ERISMANN Guy,
Janacek ou la passion de la vérité,
Seuil, Musique, 1980, 350 pp., broché, trace de pli sur le dos, couverture partiellement dépelliculée, traces de mouillures, état assez correct.
Bookseller reference : 52113
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Eric Nisenson
Round about midnight. Un portrait de Miles Davis
Paris, Denoël, 1983, in-8, broché, 248 pages. Bon état.
Bookseller reference : 66751
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ERISMANN, Guy.
Smetana l'éveilleur. Collection Serié Musique.
Toulouse, Actes Sud 1993, 215x115mm, 465pages, broché. Bel exemplaire.
Bookseller reference : 81929
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ERISMANN Guy
Janacek ou la passion de la vérité
Seuil, Musique, 1980, 350 pp., broché, trace de pli sur le dos, couverture partiellement dépelliculée, traces de mouillures, état assez correct.
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Ermini, Filippo
Il ?Dies irae?.
cm. 18 x 25,5, viii-158 pp. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia 333 gr. viii-158 p.
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ERNST Anselm
Philosophische Untersuchungen zum Zeitbegriff in der Musik
Aachen, 1973 116pp., 21cm., softcover, text in German, Doctoral dissertation (Von der Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen zur Erlangung des akademischen Grades eines Doktors der Philosophie genehmigte Dissertation), stamp at verso of title page, text is clean and bright, good condition, M108935
Bookseller reference : M108935
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Ernest Guiraud. Henri Busser. Préface de Henri Rabaud.
Traité pratique d'instrumentation. Nouvelle édition complétée et révisée par Henri Busser. Première, deuxième et troisième partie.
Paris, Durand et Cie, Editeurs, 1933, in-4, broché, 351 pages. Bon état.
Bookseller reference : 75555
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ERNST Anselm
Philosophische Untersuchungen zum Zeitbegriff in der Musik
116pp., 21cm., softcover, text in German, Doctoral dissertation (Von der Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen zur Erlangung des akademischen Grades eines Doktors der Philosophie genehmigte Dissertation), stamp at verso of title page, text is clean and bright, good condition, M108935
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ESCUDIER (Marie & Léon).
Dictionnaire de Musique d'après les théoriciens, historiens et critiques les plus célèbres ayant écrit sur la musique.
Paris, Bureau central de Musique, 1844. 2 tomes reliés en un vol. au format in-12 (188 x 123 mm) de 2 ff. n.fol. et 222 pp. ; 121 pp. et 1 f. bl. Reliure de l'époque de demi-veau glacé olive, filet vertical gras doré porté sur les plats, dos lisse orné de doubles filets maigres dorés, filets gras dorés, larges fleurons dorés, titre doré, palette dorée et chiffre doré en queue, tranches mouchetées.
Bookseller reference : 24646
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