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BERLIOZ
DISQUE VINYLE 33T SYMPHONIE FANTASTIQUE. PAR L'ORCHESTRE SYMPHONIQUE DELA N.D.R. DE HAMBOURG SOUS LA DIRECTION DE PIERRE MONTEUX.
FESTIVAL. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Portrait de BERLIOZ dans la pochette. Référence n° FC 404.. . . . Classification : 410-33 Tours
Referenz des Buchhändlers : R130003714
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BERLIOZ
DISQUE VINYLE 33T SYMPHONIE FANTASTIQUE. PAR L'ORCHESTRE SYMPHONIQUE N.D.R. HAMBOURG SOUS LA DIRECTION DE PIERRE MONTEUX.
CONCERT HALL. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Commentaire de M.R. HOFMANN au dos de la pochette. Référence n° SMS 2357.. . . . Classification : 410-33 Tours
Referenz des Buchhändlers : R130003102
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BERLIOZ
DISQUE VINYLE 33T SYMPHONIE FANTASTIQUE. PAR L'ORCHESTRE SYMPHONIQUE DE BOSTON SOUS LA DIRECTION DE CHARLES MUNCH.
HACHETTE. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. sur la couverture, portrait de BERLIOZ par G. COURBET.. . . . Classification : 410-33 Tours
Referenz des Buchhändlers : R130001705
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BERLIOZ
DISQUE VINYLE 33T SYMPHONIE FANTASTIQUE. PAR L'ORCHESTRE PHILHARMONIQUE DE BERLIN SOUS NLA DIRECTION DE HERBERT VON KARAJAN.
DEUTSCH GRAMMOPHON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Portrait de H. BERLIOZ, texte de José BRUYR et photo du chef d'orchestre dans la pochette. Illustration sur la couverture.. . . . Classification : 410-33 Tours
Referenz des Buchhändlers : R130001607
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BERLIOZ
DISQUE VINYLE 33T SYMPHONIE FANTASTIQUE. PAR LE NEW YORK PHILHARMONIC ORCHESTRA SOUS LA DIRECTION DE LEONARD BERNSTEIN.
"CBS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Illustration sur la couverture : "" Tentation de st Antoine"" par J. BOSCH. Référence n° 60004.. . . . Classification : 410-33 Tours"
Referenz des Buchhändlers : R130003256
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BERLIOZ
DISQUE VINYLE 33T SYMPHONIQUE FANTASTIQUE.
PHILIPS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, Orchestre Philharmonique de NEW YORK, direction: DIMITRI MITROPOULOS. Un petit livre à l'intérieur de la pochette.. . . . Classification : 410-33 Tours
Referenz des Buchhändlers : R130007928
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Berlioz
La prise de troie Poème lyrique
11. Edition choudens 1899, broché. Inn-12 ( 11 X 17,5 cm ), 35 pages,
Referenz des Buchhändlers : CCC-1157
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Berlioz
Mémoires - Tomes I et II
Garnier Flammarion. 1969. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 307 + 380 pages. Quelques rousseurs sur les tranches.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
Referenz des Buchhändlers : R200104135
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Berlioz
Mémoires d'Hector Berlioz de 1803 à 1865 et ses voyages en Italie, en Allemagne, en Russie et en Angleterre écrits par lui-même
Vrin ,2019, in-8 de 920 pages ,illustrations hors-texte ,broché ,Très bon état , .Isbn : 9782711628650.(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
Referenz des Buchhändlers : 50011
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BERLIOZ
SYMPHONIE FANTASTIQUE, EXTRAIT
"Imprimerie des Annales. 13 mars 1898. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginé. 4 pages environ. Photos noires et blanches de Edmond Rostand et M. Coquelin Ainé, et gravures noires et blanches représentant ""Les dernières glanes"" d'après Jules Breton, ""Coup d'épervier!"" d'après Muenier, ""Fantaisies militaires : comment on cesse d'être bleu"" par Charly.. . . . Classification Dewey : 780.26-Partitions"
Referenz des Buchhändlers : RO50023128
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BERLIOZ Hector
A TREATISE UPON MODERN INSTRUMENTATION AND ORCHESTRATION;; Containing an exact table of the compass a detail of the mechanism and a study of the quality of tone and expressive character of various instruments; accompanied by numerous examples in score.
Boston: Elias Howe 1900. New edition revised corrected augmented. Large 8vo pp. 257. Translated from the French by Mary Cowden Clarke. Owner's signature on tile same stamps on front pastedown and first page. Dark blue cloth stamped in gilt. Hinges tender cover somewhat spotted and worn. Good. Elias Howe unknown books
Referenz des Buchhändlers : 44275
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BERLIOZ Hector
Correspondance Gernale
Paris: Flammarion 1972. hardcover. very good. Text edited and presented by Pierre Citron. Three volumes. 835pp. 797pp & 595pp. 12mo printed black cloth; neat ownership signature front free endpaper of volume 2. Paris: Flammarion 1972 1975 1978. A very good set.<br/><br/> Volume I: 1803-1832. Volume II: 1832-1842. Volume III: 1842-1850<br/><br/> Flammarion unknown books
Referenz des Buchhändlers : 238928
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Berlioz Hector
Evenings with the Orchestra
New York: Alfred A. Knopf 1956. 1st Edition. Translated and edited with an introduction and notes by Jacques Barzun at the request of the Berlioz Society. xviii 376 v p. original black cloth. Alfred A. Knopf unknown books
Referenz des Buchhändlers : 043312
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Berlioz Hector
EVENINGS WITH THE ORCHESTRA TRANSLATED AND EDITED WITH AN INTRODUCTION AND NOTES BY JACQUES BARZUN AT THE REQUEST OF THE BERLIOZ SOCIETY
New York: Knopf 1956. Large octavo. Publisher's three-quarter morocco spine gilt extra t.e.g. First edition. About fine in lightly scuffed slipcase. To all appearances a presentation binding. Knopf unknown books
Referenz des Buchhändlers : WRCLIT32130
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Berlioz Hector
Hector louis berlioz: symphonie fantastique op.14 (ph90) (orchestra)
Referenz des Buchhändlers : 33575VPSL ISBN : 3
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BERLIOZ Hector
Le Musicien Errant 1842-1852
Paris: Calmann-Levy 1927. paperback. very good. Correspondance Punliee Par Julien Tiersot. 380pp. 12mo printed wrappers. Paris: Calmann-Levy 1927.<br/><br/> Calmann-Levy unknown books
Referenz des Buchhändlers : 87646
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BERLIOZ Hector 1803 1869
Autographed Note Signed in French
1855. unbound. 1 page 5.25 x 8 inches no place no date circa 1855 in full: "Bonjour! Je suit mort mais ca commence a ailler. "H. Berlioz." Minor spotting with mounting remnants on verso. Very good condition.<br/><br/> French composer noted as the Father of modern Orchestration.<br/><br/> unknown books
Referenz des Buchhändlers : 266765
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BERLIOZ Hector 1803 1869
Autograph letter signed "H. Berlioz" possibly to Georges Hainl conductor of the Paris Opéra
2 pp. of a bifolium. Octavo. Dated ca. late October 1864-1865. In French with translation. <br/><br/>An important letter in which Berlioz includes information for the first playbill of a projected concert performance of excerpts from his grand opera Les Troyens. He lists the names and addresses of the singers who are to appear: Mme. Anne Charton-Demeur Mlle. Palmyre Wertheimber Mr. Jules Montjauze Mr. Louise-Émile Wartel Mr. Péront Mr. Legrand and Mlle. Estagel. He also mentions a Mr. Prosper Bagier likely the director of the Théâtre-Italien in Paris. Finally he includes a number of special woodwind and percussion instruments that must be added to the orchestra. <br/><br/>"Here are the addresses and a short agenda. You will find the last five artists at the Théâtre Lyrique on evenings when they play Violetta. You will include the names of the artists only later in order not to upset Mr. Bagier."<br/><br/>Slightly worn and stained; creased at folds. Berlioz was the leading French composer conductor and critic of his age. "In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance. and though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." Hugh Macdonald in Grove Music Online.<br/><br/>Although Berlioz finished Les Troyens in 1858 it was not performed in its complete form until years after his death in 1890. The première of Acts 3-5 which included several of the singers mentioned in this letter occurred at the Théâtre Lyrique in Paris on November 4 1863. The performance mentioned in this letter may have taken place in late 1864 or 1865. "Violetta" i.e. the French version of Verdi's La Traviata enjoyed 102 performances at the Théatre Lyrique between October 27 1864 and 1865. The intended recipient of this letter was perhaps Georges Hainl 1807-1873 conductor of the Paris Opéra and the Société des Concerts du Conservatoire from 1863 until 1872. unknown books
Referenz des Buchhändlers : 23289
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BERLIOZ Hector 1803 1869
Autograph letter signed "H. Berlioz" regarding his article on Dmitri Bortnyansky
2 pp. of a bifolium. Octavo. Dated "31 Juillet" no year. To an unidentified male correspondent. On lined paper. In French with translation.<br/><br/>Berlioz apologizes for not being able to edit his article on Bortnyansky with which he hopes his correspondent will be satisfied.<br/><br/>"The fragment of musical criticism which I wanted to add to the item on Bortnianski is in the hands of Mr. M. Levy's printer who is at present bringing out a book which contains this article. It is impossible for me - since the printer is not in Paris - to rework my manuscript. Therefore be good enough to be satisfied with the Russian article; it is accurate on the whole and it would be difficult for me to redo a study on Bortnianski and Emperor of Russia's singers that is already done." <br/><br/>The composer/critic goes on say that he would be happy for extracts of the article to appear in L'Illustration and in a postscript asks his correspondent to send him a copy of the periodical in which his article appears. <br/><br/>Slightly worn; creased at folds and very slightly overall. Dmitri Stepanovich Bortnyansky 1751-1825 was a Ukrainian singer composer and music director active in Russia. "During the 19th century Bortnyansky choral concertos and hymns gained popularity across Western Europe; some copies of concertos preserved in the library of the Hofkapelle in Vienna date from as early as 1780. Berlioz who heard the concertos in Russia in the 1840s praised the 'incredible freedom' of their approach to choral sonority Les soirées de l'orchestre Paris 1852 and included Bortnyansky's music in several of his own concerts in Paris." Marika Kuzma in Grove Music Online<br/><br/>"Berlioz stands as the leading musician of his age in a country-France-whose principal artistic endeavour was then literary and in an art-music-whose principal pioneers were then German. In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance to which he gave his full exertions as composer critic and conductor. And though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." <br/><br/>"Berlioz's views were presented regularly to readers of the Paris press . He published three collections of criticism: Les soirées de l'orchestre 1852 Les grotesques de la musique 1859 and A travers chants 1862. In his feuilletons he wrote of new operas and singers .; his opinion on momentous occasions was of crucial interest for example at the première of Le prophète in 1849. He reviewed most of the concerts of the Société des Concerts; he wrote of new instruments and musical gadgets of his own impressions of music abroad and of important musicians visiting France; he wrote biographical notices of Gluck Beethoven Spontini Méhul and himself; he wrote fiction and fantasy often with a critical purpose; he wrote serialized treatises on orchestration and conducting. There are in short few facets of musical practice of the time untouched in his feuilletons . In general Berlioz's opinions are trenchant and clearly expressed." Hugh Macdonald in Grove Music Online. unknown books
Referenz des Buchhändlers : 35434
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BERLIOZ Hector 1803 1869
Important autograph document signed "H. Berlioz" detailing costs for the first performance of the Requiem op. 5 ca. 1837
1 page. Folio. In French with translation. <br/><br/>Berlioz outlines fees for musicians singers and tuners and costs for rehearsals composition and copying associated with the premiere of the work. <br/><br/>Slightly worn; creased at folds; a few very small holes as a result of ink oxidation. Berlioz was the leading French composer conductor and critic of his age. <br/><br/>"In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance. and though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." Hugh Macdonald in Grove Music Online. <br/><br/>Berlioz's Requiem the Grande Messe des Morts was first performed on December 5 1837 at St. Louis des Invalides on the occasion of the funeral of General Danrémont. <br/><br/>"Berlioz admits that when the chance of composing a Requiem came his way he fell on it like a man possessed. The opportunity was a philanthropic commission set up by Gasparin Minister of the Interior in order to re-establish the prestige of sacred music and Berlioz was the first to receive such a commission. It was briskly composed in a fever of inspiration in the summer of 1837 but as is the way with bureaucratic patronage the performance was cancelled for political reasons after Berlioz had gone to the expense of copying the parts and engaging performers. Only after urgent appeals and persistent complaints was an excuse found for staging the performance after all: the death of a French general in the war of conquest in Algeria. So the Requiem was first heard in the church of the Invalides. in a ceremony of pomp and grandeur which the French do with particular style. It was a stirring public occasion and although it was marred for Berlioz by the conductor Habeneck taking a pinch of snuff at the most dramatic entry of the Tuba mirum the truth of the anecdote is disputed it signified for him the blessing of official approval and the wider knowledge in Parisian circles of how powerful and novel his music was. No one was left in any doubt of the force and originality of Berlioz's genius." Macdonald: Berlioz pp. 33-34. unknown books
Referenz des Buchhändlers : 23354
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BERLIOZ Hector 1803 1869
La Prise de Troie Poème Lyrique en deux Actes et trois Tableaux Poème et Musique de Hector Berlioz Partition Piano et Chant. Prix: 15 f. net. Répertoire Choudens. Piano-vocal score
Paris: Choudens Fils PN A. C. 987 1890. Large octavo. Full black cloth titling gilt to spine. 1f. recto title verso blank 1f. recto cast list and contents verso blank 179 i blank pp.<br/><br/>Binding slightly worn rubbed bumped and cockled. Minor pencil annotation to contents. A re-issue of the first edition variant of ca. 1864. Hopkinsin 64B a. Choudens Fils [PN A. C. 987] unknown books
Referenz des Buchhändlers : 29521
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BERLIOZ Hector 1803 1869
La Prise de Troie Poème Lyrique en trois actes et cinq tableaux Poème et Musique de Hector Berlioz Partition Chant et Piano Réduction de L. Narici. Nouvelle Edition. Piano-vocal score
Paris: Choudens PN A. C. 11312 1970. Large octavo. Original publisher's light grey illustrated wrappers printed in dark red. 1f. recto title verso blank 1f. recto notes on first performance named cast list and contents verso blank 117 ii blank 120-129 ii blank 132-257 i blank pp.<br/><br/>Named cast includes Delna Agussol Beauvais Mathieu Mrs. Lucas Renaud Douaillier Chambon Delpouget Péloga Paty Cabillot Flahaut and Hanauer. <br/><br/>Small handstamp to lower margin of upper wrapper; spine slightly creased. Upper edges slightly damaged. A facsimile of the second version published by Choudens in 1899. Hopkinson 64B c. <br/><br/>First performed in Paris at the Théâtre National de l'Opéra on November 15 1899 under the direction of Bertrand and Gailhard. Choudens [PN A. C. 11312] unknown books
Referenz des Buchhändlers : 29520
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BERLIOZ Hector 1803 1869
Romeo et Juliette. Sinfonie dramatique avec Choeurs Solos de Chant et Prologue en Récitatif choral composée d'après la Tragédie de Shakespeare. A Nicolo Paganini. Op. 17 Partition de Piano par Th. Ritter. Piano-vocal score
Leipzig: J. Rieter-Biedermann PN 818 1875. Large octavo. Half dark brown cloth with marbled boards original publisher's printed wrappers with titling within decorative border bound in. 1f. title 3-118 pp. Text in French and German. <br/><br/>Minor tears to lower margin of upper wrapper. Slightly browned. Hopkinson 39D d. <br/><br/>". in some respects Berlioz's most interesting solutions to issues of operatic style are to be found in Roméo et Juliette Friar Laurence's scene and the superb finale which follows may be compared with the best in Meyerbeer." D. Kern Holoman in Grove Music Online. J. Rieter-Biedermann [PN 818] unknown books
Referenz des Buchhändlers : 28523
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BERLIOZ Hector 1803 1869
Roméo et Juliette Piano-vocal score
New York: Edwin F. Kalmus 1975. Large octavo. Original publisher's green printed wrappers. 189 pp.<br/><br/>Wrappers slightly worn; spine slightly faded and stained. Edwin F. Kalmus unknown books
Referenz des Buchhändlers : 29481
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BERLIOZ Hector 1803 1869
The Damnation of Faust Dramatic Legend in Four Parts. Vocal Score. Piano-vocal score
New York: G. Schirmer PN 2376 1880. Large octavo. Original publisher's decorative green wrappers printed in black and red. 1f. recto decorative title verso blank 1f. recto content verso blank 236 pp. Text in english and French.<br/><br/>Wrappers slightly worn; upper partially detached; spine split and torn with portions lacking. Some signatures split or splitting. Hopkinson 54D q.<br/><br/>In four parts to a libretto by the composer and Almire Gandonnière after Gérard de Nerval 's French translation of Johann Wolfgang von Goethe's Faust Le Damnation de Faust was first performed in concert in Paris at the Opéra-Comique Salle Favart on December 6 1846 and as a fully staged opera in five acts by Raoul Gunsbourg for the Monte Carlo Opéra on February 18 1893. G. Schirmer [PN 2376] unknown books
Referenz des Buchhändlers : 29519
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BERLIOZ HECTOR HOPKINSON Cecil
BIBLIOGRAPHY OF.HECTOR BERLIOZ
EDINBURGH EBS 1951. EDINBURGH, EBS, 1951 unknown books
Referenz des Buchhändlers : 13455
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Berlioz Hector. 1803 1869
"Roméo et Juliette" - Autograph Musical Quotation with CDV Photograph
Used; Like New/Used; Like New. Scarce AMQS from the important French romantic composer and shaper of the modern orchestra mounted together with a cdv portrait photograph without photographer's imprint. Berlioz has penned six measures from the "Love Scene" of his Roméo et Juliette indicated as "Adagio" and boldly signed below the the music. Dated perhaps in another hand at the lower left: Paris 1861. Toned else fine. AMQS measuring approx. 18 x 5 cm the full presentation measuring 29.5 x 21 cm. <br style="">In Roméo et Juliette 1839 Berlioz revisits his passion for Shakespeare and by extension for the woman whose renditions of Juliet and Ophelia had completely captivated him more than a decade earlier Harriet Smithson. By the time he composed Roméo Berlioz' love for her had become harsh reality: He was married to Harriet but the match had proven unsuccessful and the two were effectively separated.  But Berlioz had seen Romeo and Juliet at the Odéon during the 1827 Shakespeare season and had found himself overwhelmed writing that "more experiences of that kind would have killed me." Berlioz conducted the first three performances of Roméo et Juliette in Paris in November and December 1839. After hearing a performance of the work in Vienna in January 1846 he revised it thoroughly and conducted the premiere of this final version in Prague on April 17 1846. In his Memoirs Berlioz wrote that the "Love Scene" was his favorite among his works and described the fevered period during which he had composed Roméo et Juliette: "Oh the ardent existence I lived during that time! I struck out boldly across that great ocean of poetry caressed by the wild sweet breeze of fancy under that fiery sun of love that Shakespeare kindled. I felt within me the strength to reach the enchanted isle where the temple of pure art stands under a clear sky. It is not for me to determine whether I succeeded."<br style=""><br style=""><br style=""> unknown books
Referenz des Buchhändlers : 13288
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Berlioz Hector. 1803 1869 Escudier Leon. 1821 1881
Autograph Letter Thanking Escudier for his Article
Used; Like New/Used; Like New. A short autograph letter from the French Romantic composer addressed to the French journalist music critic and music publisher Léon Escudier and thanking him for a "superb and warm" article about his works. Translated from the French in full: "My dear Escudier I believe it was Leon who was the author I came to shake your hand and thank you for the superb and warm article. There has rarely been written on my compositions something which is so remarkable in its insights and which has made me so happy. Yours H. Berlioz." 1 p. with an additional cover page addressed to Escudier. No place no date. One tear some small chips smudges and toning; overall in very good condition. 4.25 x 5 inches 10.5 x 13 cm. Together with a later sepia postcard portrait of the composer 5 x 7 inches 12.5 x 17.7 cm.<br style="">In 1837 together with his brother Marie Escudier and Jules Maurel Leon Escudier founded the weekly La France musicale as well as a music publishing company. In December 1860 he founded the journal L'Art musical.<br> unknown books
Referenz des Buchhändlers : 13739
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Berlioz Jacques Baecque Antoine de
Jean Jacob L'homme De 120 Ans: Doyen Du Genre Humain 1669-1790
Referenz des Buchhändlers : BXB48SD ISBN : 7
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Berlioz Jacques Rochet Christian Jura Archives dpartementales Centre dpartemental de documentation pdagogique
Guide du gnalogiste et du biographe dans le Jura.
Referenz des Buchhändlers : EHA4CC
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BERLIOZ ( Hector ) , Ernest Redon ,
LA DAMNATION DE FAUST légende dramatique partition pour piano seul par Ernest Redon.
Costallat s.d Petit-In-4 160pp. reliure demi-toile percaline époque unknown
Referenz des Buchhändlers : 36700
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Berlioz ( Translated and Edited By Holmes and Newman )
Memoirs Of Hector Berlioz From 1803 To 1865 Comprising His Travels In Germany Italy Russia And England
New York: Tudor Publishing 1932. Blue hard covers in clean tidy condition with a slightly rubbed and chipped dust jacket the Tudor publishing imprint of the Knopf 1932 edition and likely to have been issued some years afterwards . Hardcover. Good/Good. 8vo - over 7¾" - 9¾" tall. Tudor Publishing Hardcover
Referenz des Buchhändlers : 070306
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BERLIOZ ( Marc ) ,
RABELAIS RESTITUE. 3 LE TIERS LIVRE. Tome 1 : Du prologue au chapitre XXVIII.
Collection des Etudes critiques - Didier Erudition In-8 viii-624pp. hommage autographe de l'auteur unknown
Referenz des Buchhändlers : 41852 ISBN : 2864602091 9782864602095
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Berlioz ( Hector )
36 pièces originales pour guitare recueillies par Michel Amoric
Editions musicales transatlantiques EMT 1770 1985, fascicule de 28 pages - très bon état
Referenz des Buchhändlers : 87203
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Berlioz ( J. )
La vie des colibris
Gallimard 1944, broché, 198pp avec 10 planches hors texte et 5 figures in-texte; collection histoires naturelles n° 4; rousseurs claires en bordure du premier plat de la couverture; exemplaire non coupé - bon état
Referenz des Buchhändlers : 86341
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BERLIOZ (Charles, Dr).
Essai sur l'obsession de négation.
Paris, Amédée Legrand, 1935. Un vol. au format in-8 (238 x 162 mm) de 111 pp., broché.
Referenz des Buchhändlers : 13955
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BERLIOZ (Dr Charles).-
Essai sur l'obsession de négation.
P., Legrand, 1935, in 8° broché, 112 pages.
Referenz des Buchhändlers : 42273
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BERLIOZ (Elisabeth)
La Situation des départements et l'installation des premiers préfets en l'an VIII. (23 septembre 1799-22 septembre 1800). Recueil d'analyses et d'extraits de documents de la série F1cIII des Archives Nationales
Paris, La Documentation Française, 2000 in-8, 365 pp., 8 planches, broché. Nombreuses annotations au crayon.
Referenz des Buchhändlers : 213027
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BERLIOZ (Fernand).
Annuaire du Bureau d'hygiène de la ville de Grenoble. Prmière année 1890.
Grenoble Imprimerie Breynat et Cie 1891. 5 feuillets. 149 pages. 3 planches dépliants hors-texte. Nombreux tablaeux in-texte. 21x135 Cm. Broché. Couverture imprimée. Dos renforcé. Première couverture détachée. Rousseurs et petits manques. Ce premier annuaire du Bureau dhygiène de Grenoble publié en 1891 offre un regard précieux sur les préoccupations sanitaires et sociales dune ville en pleine mutation. À une époque où la médecine moderne simpose et où la gestion des villes devient de plus en plus technique ce document rassemble avec sérieux et méthode les données essentielles à la santé publique : statistiques rapports recommandations tout y est pour comprendre comment Grenoble comme tant dautres villes françaises sorganisait face aux défis de lhygiène de lassainissement et de la prévention des maladies. Papier bruni. Petits manques angulaires. Grenoble, Imprimerie Breynat et Cie, 1891. unknown
Referenz des Buchhändlers : 120052
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BERLIOZ (Hector)
Au milieu du chemin 1852-1855. Deuxième édition. Correspondance publiée par Julien Tiersot.
1930 Paris, Calmann-Lévy, 1930. In-12 broché, XI-293 pages + table. Index des noms cités.
Referenz des Buchhändlers : 174
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BERLIOZ (Hector)
La Damnation de Faust - in : l'Avant Scène Opéra n° 22
Paris Editions Premières Loges 1995 In-8 broché (25x17 cm), couverture illustrée pelliculée, nombreuses illustrations, livret intégral original, discographie comparée, vidéographie, bibliographie, 119 pp. Nouvelle édition.
Referenz des Buchhändlers : MBERDAM1
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BERLIOZ (Hector)
Les Soirées de l'Orchestre.
1852 demi-basane ordinaire (dos un peu frotté). in-12, (1f. blanc, 1f. fx-titre/catalogue Bibliothèque Contemporaine, (2ff. titre/vus les traités; à mes bons amis de l'orchestre/blanc), 436pp., P. Michel Lévy 1852
Referenz des Buchhändlers : 14747
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BERLIOZ (Hector)
Mémoires
Flammarion "Mille & une pages" 1991, in-8 broché, 627 p. (haut du dos, sinon très bon exemplaire ; épuisé chez l'éditeur) Index et bibliographie. Bonne édition complète de ce formidable témoignage sur la vie musicale et artistique du XIX° siècle, annotée par Pierre Citron.
Referenz des Buchhändlers : 46609
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BERLIOZ (Hector)
Mémoires comprenant ses voyages en Italie, en Allemagne, en Russie et en Angleterre. 1803-1865
Paris, Calmann-Lévy, 1896-1897 2 vol. in-12, III-367 pp. et 430 pp., bradel demi-percaline bordeaux à coins, dos orné, couv. cons. (rel. de l'époque).
Referenz des Buchhändlers : 199165
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BERLIOZ (Hector)
N la Cte-Saint-Andr (Isre). 1803-1869. Compositeur franais. L.A.S. Monsieur LECOMTE. (Paris, 12 novembre 1852) . Sans lieu, ni date (vendredi matin 8 h) [12 novembre 1852]. 2 pages in-8 (seconde partie du feuillet restaure par un ajout de papier, fente au pli mdian).
...Je ne suis pas all ce matin interrompre votre sommeil, ainsi que vous my aviez autoris. Ceut t inutile. Mr F. De Conches [Feuillet de Conches] est encore Fontainebleau o le Prsident chasse aujourdhui. Quand vous verrez Mr F. De Conches veuillez tre assez bon pour lui dire que ma demande a pour objet de faire quelque chose de grand, dexceptionnel, et non dobtenir les moyens ncessaires une excution musicale seulement plus pompeuse que de coutume. Pour que mon but fut atteint, il faudrait faire au moins ce que les associations dartistes ont fait dernirement, en excutant mon Requiem pour le Baron de Trmont. On ne couronne pas un Empereur tous les jours ; et lglise de Notre-Dame nest pas une glise de village....Le baron de Trmont, auquel Berlioz fait allusion dans sa lettre, dcd en juillet 1852, tait un rudit, bienfaiteur d'art et de musique, connu pour sa collection d'autographes. Une messe solennelle lui fut ddie dans lglise Saint-Eustache de Paris, pendant laquelle fut excut le Requiem de Berlioz, comme le rapporte Le petit courrier des Dames : Tout le monde sait (...) que le Requiem de M. Berlioz est une de ses Suvres les plus remarquables et les plus compltes. Lexcution a t parfaite, et grce lempressement des artistes, chanteurs et instrumentistes, lSuvre du matre a produit un effet immense... .Corr. gnrale (Pierre Citron, Flammarion, 1972-75), T IV, N 1530.
Referenz des Buchhändlers : 4805
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BERLIOZ (Hector) - TIERSOT (Julien).
Le musicien errant 1842-1852. Correspondance publiée par Julien Tiersot.
P., Calmann-Lévy, éditeurs, 1927, 1 vol. in-12 br. de 380 pp. + tables.
Referenz des Buchhändlers : 6625
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BERLIOZ (Hector) par J.-G. PROD'HOMME.
Hector Berlioz (1803-1869), sa vie et ses oeuvres. Richement documenté. Préface de M. A. Bruneau.
Librairie Ch. Delagrave 1904. Bel exemplaire relié, reliure demi toile avec coins, dos orné avec étiquette et titres dorés, fort in-8, VIII + 495 pages avec annexes dont importante bibliographie.
Referenz des Buchhändlers : AUB-251
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BERLIOZ (Hector), JULLIEN (Adolphe).
Hector Berlioz, sa vie et ses œuvres.
1886 Paris, Librairie d’Art, 1886. In-4 br., couverture illustrée, 390 pp. Édition originale contenant de nombreux documents, dont 14 lithographies originales de Fantin-Latour, des portraits du compositeur par Émile Signol (1804-1892), Amédée Charpentier (né en 1822), Charles Baugniet (1814-1886), Adam-Salomon (1818-1881), Etienne Carjat (1828-1906), etc. Fac-similés de lettres et partitions, dessins, gravures, caricatures, autographes, reproductions des premières photographies de l’époque.
Referenz des Buchhändlers : 1360
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BERLIOZ (Hector).
Correspondance inédite (1819-1869).
1879 Paris, Calmann-Lévy, 1879. In-8 relié, bradel pleine toile bordeaux, dos orné de filets dorés, pièce de titre, date en queue, couvertures et dos conservés, 362 pp. (reliure de l’époque). Édition originale, lettres adressées à Robert Schumann, Franz Liszt, Mikhaïl Glinka, Ignace Pleyel et bien d’autres. Notice de Daniel Bernard. Exemplaire ayant appartenu à Edmond de Goncourt avec son paraphe et la mention manuscrite “ édition originale ”, inscrite à l’encre rouge sur la page de garde.
Referenz des Buchhändlers : 1358
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BERLIOZ (Hector).
N la Cte-Saint-Andr (Isre). 1803-1869. Compositeur .L.A.S. H. Berlioz "Mon cher Camille" (son beau-frre Camille Pal). Paris, 29 aot 1852. 1 page in-8. Petits trous d'pingle.
29/08/1852 Berlioz confirme qu'il a bien reu ...le billet de cinq cents francs montant de mon prlvement du mois de septembre. Je vous remercie de votre exactitude... ajoute-t-il. Il vient d'tre...gravement malade, mais me voil de nouveau sur pieds...Berlioz avait deux soeurs. L'ain, Anne-Marguerite appele aussi Nanci, pousa Camille Pal, un notaire grenoblois, en janvier 1832. Berlioz entretenait avec ses parents des rapports fidles attests jusqu' la fin de sa vie par une ample correspondance. Il se montre courtois, notamment envers ses deux beaux-frres (Marc Suat, l'poux d'Adle, notaire Vienne, et Camille Pal, l'poux de Nanci). Ceux-ci avaient t chargs par Berlioz de grer chacun une de ses proprits dauphinoises. Berlioz donna pouvoir en 1853 Camille Pal afin qu'il puisse rcolter les arrrages d'une de ses fermes.Corr. gnrale (P. Citron, 1972-75), T IV, N 1513.
Referenz des Buchhändlers : 3629
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