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Berlioz Hector
EVENINGS WITH THE ORCHESTRA TRANSLATED AND EDITED WITH AN INTRODUCTION AND NOTES BY JACQUES BARZUN AT THE REQUEST OF THE BERLIOZ SOCIETY
New York: Knopf 1956. Large octavo. Publisher's three-quarter morocco spine gilt extra t.e.g. First edition. About fine in lightly scuffed slipcase. To all appearances a presentation binding. Knopf unknown books
Référence libraire : WRCLIT32130
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Berlioz Hector
Hector louis berlioz: symphonie fantastique op.14 (ph90) (orchestra)
Référence libraire : 33575VPSL ISBN : 3
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BERLIOZ Hector
Le Musicien Errant 1842-1852
Paris: Calmann-Levy 1927. paperback. very good. Correspondance Punliee Par Julien Tiersot. 380pp. 12mo printed wrappers. Paris: Calmann-Levy 1927.<br/><br/> Calmann-Levy unknown books
Référence libraire : 87646
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BERLIOZ Hector 1803 1869
Autographed Note Signed in French
1855. unbound. 1 page 5.25 x 8 inches no place no date circa 1855 in full: "Bonjour! Je suit mort mais ca commence a ailler. "H. Berlioz." Minor spotting with mounting remnants on verso. Very good condition.<br/><br/> French composer noted as the Father of modern Orchestration.<br/><br/> unknown books
Référence libraire : 266765
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BERLIOZ Hector 1803 1869
Autograph letter signed "H. Berlioz" possibly to Georges Hainl conductor of the Paris Opéra
2 pp. of a bifolium. Octavo. Dated ca. late October 1864-1865. In French with translation. <br/><br/>An important letter in which Berlioz includes information for the first playbill of a projected concert performance of excerpts from his grand opera Les Troyens. He lists the names and addresses of the singers who are to appear: Mme. Anne Charton-Demeur Mlle. Palmyre Wertheimber Mr. Jules Montjauze Mr. Louise-Émile Wartel Mr. Péront Mr. Legrand and Mlle. Estagel. He also mentions a Mr. Prosper Bagier likely the director of the Théâtre-Italien in Paris. Finally he includes a number of special woodwind and percussion instruments that must be added to the orchestra. <br/><br/>"Here are the addresses and a short agenda. You will find the last five artists at the Théâtre Lyrique on evenings when they play Violetta. You will include the names of the artists only later in order not to upset Mr. Bagier."<br/><br/>Slightly worn and stained; creased at folds. Berlioz was the leading French composer conductor and critic of his age. "In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance. and though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." Hugh Macdonald in Grove Music Online.<br/><br/>Although Berlioz finished Les Troyens in 1858 it was not performed in its complete form until years after his death in 1890. The première of Acts 3-5 which included several of the singers mentioned in this letter occurred at the Théâtre Lyrique in Paris on November 4 1863. The performance mentioned in this letter may have taken place in late 1864 or 1865. "Violetta" i.e. the French version of Verdi's La Traviata enjoyed 102 performances at the Théatre Lyrique between October 27 1864 and 1865. The intended recipient of this letter was perhaps Georges Hainl 1807-1873 conductor of the Paris Opéra and the Société des Concerts du Conservatoire from 1863 until 1872. unknown books
Référence libraire : 23289
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BERLIOZ Hector 1803 1869
Autograph letter signed "H. Berlioz" regarding his article on Dmitri Bortnyansky
2 pp. of a bifolium. Octavo. Dated "31 Juillet" no year. To an unidentified male correspondent. On lined paper. In French with translation.<br/><br/>Berlioz apologizes for not being able to edit his article on Bortnyansky with which he hopes his correspondent will be satisfied.<br/><br/>"The fragment of musical criticism which I wanted to add to the item on Bortnianski is in the hands of Mr. M. Levy's printer who is at present bringing out a book which contains this article. It is impossible for me - since the printer is not in Paris - to rework my manuscript. Therefore be good enough to be satisfied with the Russian article; it is accurate on the whole and it would be difficult for me to redo a study on Bortnianski and Emperor of Russia's singers that is already done." <br/><br/>The composer/critic goes on say that he would be happy for extracts of the article to appear in L'Illustration and in a postscript asks his correspondent to send him a copy of the periodical in which his article appears. <br/><br/>Slightly worn; creased at folds and very slightly overall. Dmitri Stepanovich Bortnyansky 1751-1825 was a Ukrainian singer composer and music director active in Russia. "During the 19th century Bortnyansky choral concertos and hymns gained popularity across Western Europe; some copies of concertos preserved in the library of the Hofkapelle in Vienna date from as early as 1780. Berlioz who heard the concertos in Russia in the 1840s praised the 'incredible freedom' of their approach to choral sonority Les soirées de l'orchestre Paris 1852 and included Bortnyansky's music in several of his own concerts in Paris." Marika Kuzma in Grove Music Online<br/><br/>"Berlioz stands as the leading musician of his age in a country-France-whose principal artistic endeavour was then literary and in an art-music-whose principal pioneers were then German. In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance to which he gave his full exertions as composer critic and conductor. And though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." <br/><br/>"Berlioz's views were presented regularly to readers of the Paris press . He published three collections of criticism: Les soirées de l'orchestre 1852 Les grotesques de la musique 1859 and A travers chants 1862. In his feuilletons he wrote of new operas and singers .; his opinion on momentous occasions was of crucial interest for example at the première of Le prophète in 1849. He reviewed most of the concerts of the Société des Concerts; he wrote of new instruments and musical gadgets of his own impressions of music abroad and of important musicians visiting France; he wrote biographical notices of Gluck Beethoven Spontini Méhul and himself; he wrote fiction and fantasy often with a critical purpose; he wrote serialized treatises on orchestration and conducting. There are in short few facets of musical practice of the time untouched in his feuilletons . In general Berlioz's opinions are trenchant and clearly expressed." Hugh Macdonald in Grove Music Online. unknown books
Référence libraire : 35434
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BERLIOZ Hector 1803 1869
Important autograph document signed "H. Berlioz" detailing costs for the first performance of the Requiem op. 5 ca. 1837
1 page. Folio. In French with translation. <br/><br/>Berlioz outlines fees for musicians singers and tuners and costs for rehearsals composition and copying associated with the premiere of the work. <br/><br/>Slightly worn; creased at folds; a few very small holes as a result of ink oxidation. Berlioz was the leading French composer conductor and critic of his age. <br/><br/>"In many senses the Romantic movement found its fullest embodiment in him yet he had deep Classical roots and stood apart from many manifestations of that movement. His life presents the archetypal tragic struggle of new ideas for acceptance. and though there were many who perceived greatness in his music from the beginning his genius only came to full recognition in the 20th century." Hugh Macdonald in Grove Music Online. <br/><br/>Berlioz's Requiem the Grande Messe des Morts was first performed on December 5 1837 at St. Louis des Invalides on the occasion of the funeral of General Danrémont. <br/><br/>"Berlioz admits that when the chance of composing a Requiem came his way he fell on it like a man possessed. The opportunity was a philanthropic commission set up by Gasparin Minister of the Interior in order to re-establish the prestige of sacred music and Berlioz was the first to receive such a commission. It was briskly composed in a fever of inspiration in the summer of 1837 but as is the way with bureaucratic patronage the performance was cancelled for political reasons after Berlioz had gone to the expense of copying the parts and engaging performers. Only after urgent appeals and persistent complaints was an excuse found for staging the performance after all: the death of a French general in the war of conquest in Algeria. So the Requiem was first heard in the church of the Invalides. in a ceremony of pomp and grandeur which the French do with particular style. It was a stirring public occasion and although it was marred for Berlioz by the conductor Habeneck taking a pinch of snuff at the most dramatic entry of the Tuba mirum the truth of the anecdote is disputed it signified for him the blessing of official approval and the wider knowledge in Parisian circles of how powerful and novel his music was. No one was left in any doubt of the force and originality of Berlioz's genius." Macdonald: Berlioz pp. 33-34. unknown books
Référence libraire : 23354
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BERLIOZ Hector 1803 1869
La Prise de Troie Poème Lyrique en deux Actes et trois Tableaux Poème et Musique de Hector Berlioz Partition Piano et Chant. Prix: 15 f. net. Répertoire Choudens. Piano-vocal score
Paris: Choudens Fils PN A. C. 987 1890. Large octavo. Full black cloth titling gilt to spine. 1f. recto title verso blank 1f. recto cast list and contents verso blank 179 i blank pp.<br/><br/>Binding slightly worn rubbed bumped and cockled. Minor pencil annotation to contents. A re-issue of the first edition variant of ca. 1864. Hopkinsin 64B a. Choudens Fils [PN A. C. 987] unknown books
Référence libraire : 29521
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BERLIOZ Hector 1803 1869
La Prise de Troie Poème Lyrique en trois actes et cinq tableaux Poème et Musique de Hector Berlioz Partition Chant et Piano Réduction de L. Narici. Nouvelle Edition. Piano-vocal score
Paris: Choudens PN A. C. 11312 1970. Large octavo. Original publisher's light grey illustrated wrappers printed in dark red. 1f. recto title verso blank 1f. recto notes on first performance named cast list and contents verso blank 117 ii blank 120-129 ii blank 132-257 i blank pp.<br/><br/>Named cast includes Delna Agussol Beauvais Mathieu Mrs. Lucas Renaud Douaillier Chambon Delpouget Péloga Paty Cabillot Flahaut and Hanauer. <br/><br/>Small handstamp to lower margin of upper wrapper; spine slightly creased. Upper edges slightly damaged. A facsimile of the second version published by Choudens in 1899. Hopkinson 64B c. <br/><br/>First performed in Paris at the Théâtre National de l'Opéra on November 15 1899 under the direction of Bertrand and Gailhard. Choudens [PN A. C. 11312] unknown books
Référence libraire : 29520
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BERLIOZ Hector 1803 1869
Romeo et Juliette. Sinfonie dramatique avec Choeurs Solos de Chant et Prologue en Récitatif choral composée d'après la Tragédie de Shakespeare. A Nicolo Paganini. Op. 17 Partition de Piano par Th. Ritter. Piano-vocal score
Leipzig: J. Rieter-Biedermann PN 818 1875. Large octavo. Half dark brown cloth with marbled boards original publisher's printed wrappers with titling within decorative border bound in. 1f. title 3-118 pp. Text in French and German. <br/><br/>Minor tears to lower margin of upper wrapper. Slightly browned. Hopkinson 39D d. <br/><br/>". in some respects Berlioz's most interesting solutions to issues of operatic style are to be found in Roméo et Juliette Friar Laurence's scene and the superb finale which follows may be compared with the best in Meyerbeer." D. Kern Holoman in Grove Music Online. J. Rieter-Biedermann [PN 818] unknown books
Référence libraire : 28523
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BERLIOZ Hector 1803 1869
Roméo et Juliette Piano-vocal score
New York: Edwin F. Kalmus 1975. Large octavo. Original publisher's green printed wrappers. 189 pp.<br/><br/>Wrappers slightly worn; spine slightly faded and stained. Edwin F. Kalmus unknown books
Référence libraire : 29481
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BERLIOZ Hector 1803 1869
The Damnation of Faust Dramatic Legend in Four Parts. Vocal Score. Piano-vocal score
New York: G. Schirmer PN 2376 1880. Large octavo. Original publisher's decorative green wrappers printed in black and red. 1f. recto decorative title verso blank 1f. recto content verso blank 236 pp. Text in english and French.<br/><br/>Wrappers slightly worn; upper partially detached; spine split and torn with portions lacking. Some signatures split or splitting. Hopkinson 54D q.<br/><br/>In four parts to a libretto by the composer and Almire Gandonnière after Gérard de Nerval 's French translation of Johann Wolfgang von Goethe's Faust Le Damnation de Faust was first performed in concert in Paris at the Opéra-Comique Salle Favart on December 6 1846 and as a fully staged opera in five acts by Raoul Gunsbourg for the Monte Carlo Opéra on February 18 1893. G. Schirmer [PN 2376] unknown books
Référence libraire : 29519
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BERLIOZ HECTOR HOPKINSON Cecil
BIBLIOGRAPHY OF.HECTOR BERLIOZ
EDINBURGH EBS 1951. EDINBURGH, EBS, 1951 unknown books
Référence libraire : 13455
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Berlioz Hector. 1803 1869
"Roméo et Juliette" - Autograph Musical Quotation with CDV Photograph
Used; Like New/Used; Like New. Scarce AMQS from the important French romantic composer and shaper of the modern orchestra mounted together with a cdv portrait photograph without photographer's imprint. Berlioz has penned six measures from the "Love Scene" of his Roméo et Juliette indicated as "Adagio" and boldly signed below the the music. Dated perhaps in another hand at the lower left: Paris 1861. Toned else fine. AMQS measuring approx. 18 x 5 cm the full presentation measuring 29.5 x 21 cm. <br style="">In Roméo et Juliette 1839 Berlioz revisits his passion for Shakespeare and by extension for the woman whose renditions of Juliet and Ophelia had completely captivated him more than a decade earlier Harriet Smithson. By the time he composed Roméo Berlioz' love for her had become harsh reality: He was married to Harriet but the match had proven unsuccessful and the two were effectively separated.  But Berlioz had seen Romeo and Juliet at the Odéon during the 1827 Shakespeare season and had found himself overwhelmed writing that "more experiences of that kind would have killed me." Berlioz conducted the first three performances of Roméo et Juliette in Paris in November and December 1839. After hearing a performance of the work in Vienna in January 1846 he revised it thoroughly and conducted the premiere of this final version in Prague on April 17 1846. In his Memoirs Berlioz wrote that the "Love Scene" was his favorite among his works and described the fevered period during which he had composed Roméo et Juliette: "Oh the ardent existence I lived during that time! I struck out boldly across that great ocean of poetry caressed by the wild sweet breeze of fancy under that fiery sun of love that Shakespeare kindled. I felt within me the strength to reach the enchanted isle where the temple of pure art stands under a clear sky. It is not for me to determine whether I succeeded."<br style=""><br style=""><br style=""> unknown books
Référence libraire : 13288
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Berlioz Hector. 1803 1869 Escudier Leon. 1821 1881
Autograph Letter Thanking Escudier for his Article
Used; Like New/Used; Like New. A short autograph letter from the French Romantic composer addressed to the French journalist music critic and music publisher Léon Escudier and thanking him for a "superb and warm" article about his works. Translated from the French in full: "My dear Escudier I believe it was Leon who was the author I came to shake your hand and thank you for the superb and warm article. There has rarely been written on my compositions something which is so remarkable in its insights and which has made me so happy. Yours H. Berlioz." 1 p. with an additional cover page addressed to Escudier. No place no date. One tear some small chips smudges and toning; overall in very good condition. 4.25 x 5 inches 10.5 x 13 cm. Together with a later sepia postcard portrait of the composer 5 x 7 inches 12.5 x 17.7 cm.<br style="">In 1837 together with his brother Marie Escudier and Jules Maurel Leon Escudier founded the weekly La France musicale as well as a music publishing company. In December 1860 he founded the journal L'Art musical.<br> unknown books
Référence libraire : 13739
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Berlioz J
Collectio exemplorum Cisterciensis
Brepols Publishers 2012. hardcover. New. Brepols Publishers hardcover
Référence libraire : 99521 ISBN : 250354004X 9782503540047
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Berlioz J.
Faune de l'Empire Fran�ais. Volume IV. Oiseaux de la R�union.
Paris Larose 1946. Large 8vo 27.0 x 17.2 cm 84 pp. 31 text figures. Near contemporary blue buckram with gilt title on the spine. Quite useful for identification of the largely endemic avifauna of this rather isolated island in the Indian Ocean as the text illustrations show taxonomically important parts; most often the bird's heads and beaks sometimes whole animals. Oddly the drawing of a dodo - not known from R�union - forms the title page vignette. Broad margins. Bound copies such as this one are rare. Stamp on front paste-down and a small blind-stamp on the title page otherwise a very good clean copy. hardcover
Référence libraire : 65938
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Berlioz Jacques; Avec Avril Joseph; Bataillon Louis Jacques; Beriou Nicole Et Al
Identifier Sources Et Citations French Edition
Brepols. Good with no dust jacket. 1994. Softcover. 250350311X . 336 pp. Index alphabetique de matieres index bibliographique. Stiff light blue paper wraps with black are clean and unmarked very light shelf wear. Half title has owner name in ink fore-edge has a light smudge otherwise clean and nice. Good copy. "Ce volume fournit les moyens aux philologues comme aux historiens de reperer les sources et d'identifier les citations des documents qu'ils editent ou etudient." ; L'Atelier Du Medieviste; Vol. 1; 8vo 8" - 9" tall; 336 pages . Brepols paperback
Référence libraire : 10099 ISBN : 250350311X 9782503503110
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Berlioz Jacques Editor
Le Pays Cathare. Les religions m�di�vales et leurs expressions M�ridionales
Fanjeaux: Mairie de Fanjeaux 1998. Good paperback with light wear to corners of wraps. Inscribed on front free endpaper by one of the contributors. . Trade Paperback. Good. 8vo - over 7�" - 9�" tall. Mairie de Fanjeaux Paperback
Référence libraire : 010898
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BERLIOZ J.
Le peuplement avien de l'Oc�anie et celui de la Nouvelle-Cal�donie.
Paris 1945. 8pp 8vo modern wrappers. - Original extract taken from the periodical: Journal de la Soci�t� des Oc�anistes. Tome I No. 1. KEYWORDS:ethnography/oceania unknown
Référence libraire : 65543
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BERLIOZ J.:
Saints et Damn�s. La Bourgogne du Moyen Age dans les R�cits d�Etienne de Bourbon l�Inquisiteur 1190-1261
�ditions du Bien Public 1989. 63 p. illustrations. Couvertures souples. Tr�s bonne condition. unknown
Référence libraire : 47417
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Berlioz J
Tractatus de diversis materiis predicabilibus
Brepols Publishers 2015. hardcover. New. Brepols Publishers hardcover
Référence libraire : 690321 ISBN : 2503552587 9782503552583
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Berlioz Jacques Baecque Antoine de
Jean Jacob L'homme De 120 Ans: Doyen Du Genre Humain 1669-1790
Référence libraire : BXB48SD ISBN : 7
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Berlioz Jacques Rochet Christian Jura Archives départementales Centre départemental de documentation pédagogique
Guide du généalogiste et du biographe dans le Jura.
Référence libraire : EHA3CC
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Berlioz Louis Hector
E�pisode de la vie dun artiste. Symphonie fantastique en 5 parties . Op. 14. Score. Edition Eulenburg
Ernst Eulenburg 1949. Hardcover. Used; Good. German language. Hardback copy. Faux leather. Undated. <p><i><strong>Fast Dispatch. Expedited UK Delivery Available. Excellent Customer Service. </strong></i> <br/><br/>Bookbarn International Inventory #3044770</p> Ernst Eulenburg hardcover
Référence libraire : 3044770
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BERLIOZ Louis Hector.
Grand Traité d`Instrumentation et d`Orchestration modernes. Oeuvre 10me. Contenant: Le tableau exact de l`étendue un appercu du mécanisme et l`étude du timbre et du caractère expressif des divers instrumens sic ! accompagné d`un grand nombre d`exemples en partition tirés des Oeuvres des plus Grands Maitres et de quelques ouvrages inédits de l`Auteur. Nouvelle Edition revue corrigé augmentée de plusieurs chapitres sur les instruments récemment inventés et suivie de l`Art du chef d`Orchestre.
Paris Schonenberger 1855 Nr.: S. 996. 2°. 5 w. Bll. Gest. Tit. m. Vign. u. 312 gest. S. 3 w. Bll. HLdr.bd. d. Zt. m. Streicheisenverz. u. Tit. in Goldpräg. auf Rü. umseit. Sprengschnitt u. marmor. Vorsatzpapieren. Einband berieben an den Kanten bestoßen; Rü. geblichen u. stellenw. rissig; kl. Fehlstellen an den Kapitalen. Stempel des Verlagshauses Schonenberger u. alter Namenszug auf Tit. im Text vereinz. gebräunt u. abgegriffen die tlw. schlecht leserliche Pag. beinahe durchgeh. vom Vorbesitzer m. Bleistift ergänzt; beiliegend 2 Bll. m. Anmerkungen von alter Hand. Hopkinson 30 B S. 61 f.; Riemann I 150 f. hier 1856. EA. der maßgeblichen zweiten Ausgabe von Berlioz erstmals 1844 erschienenener Instrumentationslehre. Erweitert um die Anhänge 'L'art du chef d'orchestre' u. 'les nouveaux instruments'. B.'s ausführliche theoretische Behandlung der Instrumentierung war das erste Schulwerk dieser Art und wurde 1905 von Richard Strauss überarbeitet. Sie enthält vor allem eine ausführliche Instrumentenkunde die Tonumfang Klang und Charakter der Orchesterinstrumente und ihrer einzelnen Register abhandeln und befasst sich mit der Problematik unterschiedlicher Besetzungen und der Anzahl der Spieler in den einzelnen Gruppen. - B. widmete sein Instrumentations-Lehrwerk dem König v. Preußen Friedrich Wilhelm IV. Paris, Schonenberger [1855] (Nr.: S. 996). unknown
Référence libraire : STLD0022
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Berlioz Louis Hector;Mason Marilyn Arrangement
Miniature Suite. 1. Serenade to the Madonna. 2. Hymn for the Elevation. 3. Toccata. Arranged for organ by
New York: H W Gray Company 1952. Very Good Pages clean and bright binding tight. Name of prior owner on cover No surprises. Same day Shipping. Sheet Music. Very Good. H W Gray Company Paperback
Référence libraire : Dx1437
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Berlioz Louis Hector. .
PORTRAIT Berlioz. 1803 La Côte Saint-André - 1869 Paris Komponist und Musikkritiker. Brustbild im Dreiviertelprofil. Holzstich.
Ca. 1860. . Verfasser der ersten umfangreichen Instrumentierungskunde: "Grande traité d'une instrumentation et d'orchestration moderne" 1844.- Verso bedruckt [Ca. 1860]. unknown
Référence libraire : 57739
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Berlioz Louis Hector
Requiem: For chorus and orchestra Vocal score with piano reduction
G. Schirmer. Used - Very Good. Ships from Reno NV. Former Library book. Great condition for a used book! Minimal wear. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy! G. Schirmer unknown
Référence libraire : GRP101723052
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BERLIOZ Louis Hector and Katharine F. Boult
The Life of Hector Berlioz as written by himself in his letters and memoirs
J. M. Dent. Used - Good. Ships from the UK. Former Library book. Shows some signs of wear and may have some markings on the inside. 100% Money Back Guarantee. Your purchase also supports literacy charities. J. M. Dent unknown
Référence libraire : GRP113630747
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Berlioz The Cleveland Orchestra Lorin Maazel Kenneth Riegel
Berlioz The Cleveland Orchestra Lorin Maazel Kenneth Riegel - Berlioz Requiem - Lp Vinyl Record
London Records. Good. LP box set in good condition. Some light markings observed. Sleeves are somewhat discolored. Insert has crease top corner. Cover has small tear front panel. London Records unknown
Référence libraire : SKU1019446
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BERLIOZ (Charles, Dr).
Essai sur l'obsession de négation.
Paris, Amédée Legrand, 1935. Un vol. au format in-8 (238 x 162 mm) de 111 pp., broché.
Référence libraire : 13955
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BERLIOZ (Docteur Charles).
Essai sur l'obsession de négation.
P., Amédée Legrand, 1935, in-8, br., 111 pp., bibliographie. (SD143D)
Référence libraire : 1349350
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BERLIOZ (Dr Charles).-
Essai sur l'obsession de négation.
P., Legrand, 1935, in 8° broché, 112 pages.
Référence libraire : 42273
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BERLIOZ (Dr. Fernand)
Expériences de désinfection au moyen des vapeurs d'aldéhyde formique.
Grenoble, Allier, 1897. plaquette in-8, 15pp.- Figure. Brochée.
Référence libraire : 13418
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BERLIOZ (Dr. Fernand)
Manuel pratique des maladies de la peau. Quatrième édition, corrigée et augmentée.
Paris, Doin, 1897. petit in-8, 2ff.-514pp.- non illustré. Cartonnage de l'éditeur toile lie-de-vin.
Référence libraire : 22490
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BERLIOZ (Elisabeth)
La Situation des départements et l'installation des premiers préfets en l'an VIII (23 septembre 1799-22 septembre 1800). Recueil d'analyses et d'extraits de documents de la série F1cIII des Archives Nationales
Paris, La Documentation Française, 2000 in-8, 365 pp., 8 planches, broché.. Nombreuses annotations au crayon.
Référence libraire : 213027
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BERLIOZ (Hector)
Correspondance générale Tome I 1803-1832
Flammarion "Nouvelle Bibliothèque Romantique" 1972, in-16 broché, 595 p. (dos un peu défraîchi, sinon bon état) Avec index niographique des correspondants. Premier tome de la correspondance du compositeur emblématique du romantisme, publiée sous la direction de Pierre Citron.
Référence libraire : 38952
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Berlioz (Hector)
Correspondance générale, II, 1832-1842
1975 BERLIOZ (Hector), Correspondance générale, II, 1832-1842, Paris, Flammarion, 1975, 797 pp (Nouvelle Bibliothèque Romantique)
Référence libraire : LCI-2747
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BERLIOZ (Hector)
La Damnation de Faust - in : l'Avant Scène Opéra n° 22
Paris Editions Premières Loges 1995 In-8 broché (25x17 cm), couverture illustrée pelliculée, nombreuses illustrations, livret intégral original, discographie comparée, vidéographie, bibliographie, 119 pp. Nouvelle édition.
Référence libraire : MBERDAM1
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BERLIOZ (Hector)
Les Soirées de l'Orchestre.
1852 demi-basane ordinaire (dos un peu frotté). in-12, (1f. blanc, 1f. fx-titre/catalogue Bibliothèque Contemporaine, (2ff. titre/vus les traités; à mes bons amis de l'orchestre/blanc), 436pp., P. Michel Lévy 1852
Référence libraire : 14747
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BERLIOZ (Hector)
Lettres intimes avec une préface de Charles Gounod.
1912 in-12, XV, 319pp., br. Paris Calmann Levy 1912.
Référence libraire : 166
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BERLIOZ (Hector)
Mémoires
Flammarion "Mille & une pages" 1991, in-8 broché, 627 p. (haut du dos, sinon très bon exemplaire ; épuisé chez l'éditeur) Index et bibliographie. Bonne édition complète de ce formidable témoignage sur la vie musicale et artistique du XIX° siècle, annotée par Pierre Citron.
Référence libraire : 46609
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BERLIOZ (Hector)
Né à la Côte-Saint-André (Isère). 1803-1869. Compositeur français. L.A.S. à Monsieur LECOMTE. (Paris, 12 novembre 1852) . Sans lieu, ni date (vendredi matin 8 h) [12 novembre 1852]. 2 pages in-8 (seconde partie du feuillet restaurée par un ajout de papier, fente au pli médian).
...Je ne suis pas allé ce matin interrompre votre sommeil, ainsi que vous my aviez autorisé. Ceut été inutile. Mr F. De Conches [Feuillet de Conches] est encore à Fontainebleau où le Président chasse aujourdhui. Quand vous verrez Mr F. De Conches veuillez être assez bon pour lui dire que ma demande a pour objet de faire quelque chose de grand, dexceptionnel, et non dobtenir les moyens nécessaires à une exécution musicale seulement plus pompeuse que de coutume. Pour que mon but fut atteint, il faudrait faire au moins ce que les associations dartistes ont fait dernièrement, en exécutant mon Requiem pour le Baron de Trémont. On ne couronne pas un Empereur tous les jours ; et lÉglise de Notre-Dame nest pas une église de village....Le baron de Trémont, auquel Berlioz fait allusion dans sa lettre, décédé en juillet 1852, était un érudit, bienfaiteur d'art et de musique, connu pour sa collection d'autographes. Une messe solennelle lui fut dédiée dans léglise Saint-Eustache de Paris, pendant laquelle fut exécuté le Requiem de Berlioz, comme le rapporte Le petit courrier des Dames : « Tout le monde sait (...) que le Requiem de M. Berlioz est une de ses œuvres les plus remarquables et les plus complètes. Lexécution a été parfaite, et grâce à lempressement des artistes, chanteurs et instrumentistes, lœuvre du maître a produit un effet immense... ».Corr. générale (Pierre Citron, Flammarion, 1972-75), T IV, N° 1530.
Référence libraire : 4805
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BERLIOZ (Hector)
Voyage musical en Allemagne et en Italie. Études sur Beethoven, Gluck et Weber. Mélanges et nouvelles.
2 volumes grand in-8 (227 x 137 mm), demi-maroquin à grain long à la Bradel, dos lisses ornés d'un décor romantique en long de filets dorés encadrant un jeu de fers estampés à froid rehaussé de points d'or, titre et auteur dorés en médaillon, date dorée en pied, coins de maroquin, couvertures et dos conservés (rel. moderne), (4), 422 p. et (4), 370 p., exemplaire non rogné. Paris, Jules Labitte, 1844.
Référence libraire : 38644
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BERLIOZ (Hector) - TIERSOT (Julien).
Le musicien errant 1842-1852. Correspondance publiée par Julien Tiersot.
P., Calmann-Lévy, éditeurs, 1927, 1 vol. in-12 br. de 380 pp. + tables.
Référence libraire : 6625
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Berlioz (Hector) - édition présentée et annotée par Pierre Citron
Mémoires
1991 BERLIOZ Hector, Mémoires, Flammarion, Paris, 1991, 631 pp
Référence libraire : LCI-2754
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BERLIOZ (Hector) par J.-G. PROD'HOMME.
Hector Berlioz (1803-1869), sa vie et ses oeuvres. Richement documenté. Préface de M. A. Bruneau.
Librairie Ch. Delagrave 1904. Bel exemplaire relié, reliure demi toile avec coins, dos orné avec étiquette et titres dorés, fort in-8, VIII + 495 pages avec annexes dont importante bibliographie.
Référence libraire : AUB-251
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BERLIOZ (Hector).
Les Soirées de l'orchestre.
Paris, Michel Lévy Frères, 1852. In-12 de : 2ff. blancs, faux-titre (au verso catalogue de la Bibliothèque contemporaine), titre, 436 pages, comprenant in-fine la liste des oeuvres complètes d'Hector Berlioz. Edition originale rare. Bon état intérieur. Petits manques de papier en marge droite à deux pages sans aucune atteinte au texte. Demi-chagrin rouge d'époque, dos lisse orné de quadruple filets dorés et large roulette en pieds. Petits frottements en tête et coins légèrement usés.
Référence libraire : 22622
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BERLIOZ (Hector).
Né à la Côte-Saint-André (Isère). 1803-1869. Compositeur .L.A.S. « H. Berlioz » à "Mon cher Camille" (son beau-frère Camille Pal). Paris, 29 août 1852. 1 page in-8. Petits trous d'épingle.
29/08/1852 Berlioz confirme qu'il a bien reçu ...le billet de cinq cents francs montant de mon prélèvement du mois de septembre. Je vous remercie de votre exactitude... ajoute-t-il. Il vient d'être...gravement malade, mais me voilà de nouveau sur pieds...Berlioz avait deux soeurs. L'ainé, Anne-Marguerite appelée aussi Nanci, épousa Camille Pal, un notaire grenoblois, en janvier 1832. Berlioz entretenait avec ses parents des rapports fidèles attestés jusqu'à la fin de sa vie par une ample correspondance. Il se montre courtois, notamment envers ses deux beaux-frères (Marc Suat, l'époux d'Adèle, notaire à Vienne, et Camille Pal, l'époux de Nanci). Ceux-ci avaient été chargés par Berlioz de gérer chacun une de ses propriétés dauphinoises. Berlioz donna pouvoir en 1853 à Camille Pal afin qu'il puisse récolter les arrérages d'une de ses fermes.Corr. générale (P. Citron, 1972-75), T IV, N° 1513.
Référence libraire : 3629
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