‎Gluck‎

‎Gluck, Celina‎

‎Kompaktseminar für pflegende Angehörige in Bezug auf die optimale Ernährungsweise für Seniorinnen: Spezielle Handlungsfelder der Prävention: Bewegung und Ernährung German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 396487535X.G ISBN : 396487535X 9783964875358

‎Gluck, Christoph Willibald‎

‎Alceste Dramma Lirico in 3 Atti‎

‎Milan: G. Ricordi & C. 1954. This is the piano score words with piano accompaniment of the famous opera by Gluck. A Very Good copy tight bright and clean. Hard Cover. Very Good/No Dust Jacket. 4to - over 9¾" - 12" tall. G. Ricordi & C. Hardcover‎

Referenz des Buchhändlers : 28504

‎GLUCK, Christoph Willibald 1714-1787‎

‎Alceste Tragedie Opera en Trois Actes . Representée Pour la premiere fois Par l'Accadémie Royale de Musique Le 30. Avril 1776. Prix. 60. Full score‎

‎Paris Lyon: Au Bureau d'Abonnement Musical Rue du Hazard Richelieu et Aux Adresses Ordinaires. A Lion Chez Castaud Place de la Commedie 1777. Folio. Early dark brown morocco. 1f. recto title verso publisher's catalogue 293 pp. <br /> <br /> With "Lagny" in contemporary black ink to blank inner margin of p. 1. <br /> <br /> Binding worn rubbed and bumped. Slightly worn; title slightly browned and foxed; occasional minor foxing soiling browning and small stains; several leaves slightly trimmed at outer margin not affecting text or notation; small loss to blank lower outer corner of p. 87; light impression to lowermost system of p. 43. Lacking pp. 35/36. Second edition. Wotquenne 44. Hopkinson p. 54 44Acc. Lesure p. 236. BUC p. 385. RISM G2639. <br /> <br /> Alceste an opera in three acts with text by R. de Calzabigi and a ballet by Noverre was first performed on 26 December 1767 at the Burgtheater in Vienna. It was revised by Gluck for a performance in Paris on 23 April 1776. <br /> <br /> "Gluck himself stressed the nature of Alceste as a `reform opera' by providing in the preface dedicating the printed score to the Grand Duke Leopold a discussion that goes far beyond the conventional. .That key document at once a manifesto and a defense . is a sharp repudiation of the theory practice and conventions of the old "opera seria" represented in its final phase by Metastasio and his favourite composer Hasse." TNG Vol. 7 pp. 463 and 467. Au Bureau d'Abonnement Musical, Rue du Hazard Richelieu et Aux Adresses Ordinaires. A Lion Chez Castaud Place de la Commedie unknown‎

Referenz des Buchhändlers : 40432

‎Gluck, Christoph Willibald‎

‎Alceste: Tragedia Per Musica‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 117934992X.G ISBN : 117934992X 9781179349923

‎Gluck, Christoph Willibald‎

‎Antigono‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1020976160.G ISBN : 1020976160 9781020976162

‎Gluck, Christoph Willibald‎

‎Armide - grosse Oper in 5 Akten German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 3743443368.G ISBN : 3743443368 9783743443365

‎Gluck, Christian Friedrich von‎

‎Ausführliche Erläuterung Der Pandecten Nach Hellfeld Vol. 4: Ein Commentar Classic Reprint Latin Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0243539932.G ISBN : 0243539932 9780243539932

‎Gluck, Christian Friedrich von‎

‎Ausführliche Erläuterung Der Pandecten Nach Hellfeld Vol. 9: Ein Commentar; Erste Abtheilung Classic Reprint Latin Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0259378666.G ISBN : 0259378666 9780259378662

‎Gluck, Christian Friedrich von‎

‎Ausführliche Erläuterung Der Pandecten Nach Hellfeld: Ein Commentar Classic Reprint Latin Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0428042589.G ISBN : 0428042589 9780428042585

‎Gluck, Christian Friedrich von‎

‎Ausführliche Erläuterung der Pandecten nach Hellfeld Vol. 38 Classic Reprint: Ein Commentar German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0666858144.G ISBN : 0666858144 9780666858146

‎Gluck, Christian Friedrich‎

‎Ausführliche Erläuterung Der Pandecten Nach Hellfeld: Ein Commentar Volume 25‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1246472384.G ISBN : 1246472384 9781246472387

‎Gluck, Christian Friedrich Von‎

‎Ausführliche Erläuterung der Pandecten: 15. Teil German Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 3752510676.G ISBN : 3752510676 9783752510676

‎Gluck, Christian Friedrich Von‎

‎Ausführliche Erläuterung der Pandecten: 15. Teil German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 3752510668.G ISBN : 3752510668 9783752510669

‎Gluck, Christian Friedrich‎

‎Darstellung Des Kirchenrechtes: Der Katholiken Und Protestanten Besonders In Feinen Praktischen Hauptmomenten 1839 German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1160354316.G ISBN : 1160354316 9781160354318

‎Gluck, Christian Wilhelm‎

‎Die Bei Caius Julius Caesar Vorkommenden Keltischen Namen German Edition‎

‎New. Brand new and still unused unknown‎

Referenz des Buchhändlers : 1140547240 ISBN : 1140547240 9781140547242

‎GLUCK, Christoph Willibald 1714-1787‎

‎Echo et Narcisse Drame Lyrique en trois Actes avec un Prologue . Mis en Musique . Représenté pour la premiere fois par l'Académie Royale de Musique le Mardy 21 Septembre 1779 Prix 40. Full score‎

‎Paris: Chez des Lauriers Md. de Papiers Rue St. Honoré à côté de celle des Prouvaires Ou trouve aussi toutes sortes de papiers réglés pour copier la Musique 1779. Folio. Contemporary quarter dark brown calf with marbled boards spine in decorative compartments gilt with titling gilt to spine. 1f. recto title verso blank 256 pp. <br /> <br /> With blank overpaste to title obscuring the words "Par M. Le Baron de T." <br /> <br /> Signature "L. Wessén" in ink to front pastedown and "A. Benzinger" to free front endpaper. <br /> <br /> Binding worn rubbed and bumped; lower portion of upper joint partially split. Occasional small stains foxing browning tears and light dampstaining; minor loss to blank outer margin of pp. 139 and 149; several small holes to p. 237. Quite a good copy overall on quality paper. First Edition variant issue. Hopkinson p. 63 with attributes of 47Ac except here there is no plate number and the price "40" appears in manuscript and 47Ae as "Royale" has been erased here in pencil. Wotquenne 47. BUC p. 386. RISM G2739<br /> <br /> First performed in Paris at the Opéra on 24 September 1779. <br /> <br /> "Echo et Narcisse was a failure at its early performances largely because the audiences and critics expected high drama along the lines of Alceste Armide and Iphigénie en Tauride. But Echo et Narcisse is a different type of work; it belongs to the pastoral tradition still popular at this date and a genre to which Gluck frequently returned. Comparisons were and are still made with Gluck's more popular dramas because Echo et Narcisse contains numbers and scenes similar to those that had made greater impressions before. It is not a weak opera and there is much fine music in it ." Jeremy Hayes in Grove Music Online<br /> <br /> Gluck was a "Bohemian-Austrian composer of Italian and French opera a leading figure in opera of the second half of the 18th century and the person chiefly credited with the 'reform' of opera after the age of Metastasian opera seria. . Force of circumstance may have led Gluck to Paris to complete his operatic career but in artistic terms Paris can be seen as his inevitable final destination. His years of grounding in opéra comique and the ballet and via Traetta his response to the French tragédie lyrique tradition had already provided the impetus for his overhaul of the opera seria; now it was time to confront that tradition on its own territory. On more than one occasion indeed Gluck explicitly owned the French influence and its particular effect on his preparation for Paris. Between them the eight operas that he produced for the Académie Royale de Musique in Paris - the two Iphigénie operas; the radical revisions for Paris of the Vienna 'reform' operas Orfeo and Alceste; the similar revisions of the Vienna opéras comiques Cythère assiégée and L'arbre enchanté; Armide a new opera on a libretto that Quinault had written for Lully more than 90 years earlier; and the last opera Echo et Narcisse - are all different attempts at the confrontation and revival of that lyric tradition." Jeremy Hayes Bruce Alan Brown Max Loppert and Winton Dean in Grove Music Online. Chez des Lauriers Md. de Papiers, Rue St. Honoré à côté de celle des Prouvaires Ou trouve aussi toutes sortes de papiers ré unknown‎

Referenz des Buchhändlers : 40424

‎Gluck, Christoph Willibald‎

‎Il Re Pastore. Der König als Hirte. Dramma per musica in drei Akten von Pietro Mestastasio. Herausgegeben von Laszlo Somfai. = BA 2284.‎

‎Kassel Bärenreiter 1968. 4°. XXIII 247 S. OLn. leicht angestaubt Ecken etwas lädiert Schnitt ein wenig fleckig Bindung gelockert. = Sämtliche Werke Abteilung III: Italienische Opere serie und Opernserenaden Band 8. Kassel, Bärenreiter 1968. unknown‎

Referenz des Buchhändlers : NOTE0127

‎GLUCK, Christoph Willibald 1714-1787‎

‎Iphigenia in Tauris tragische Oper in vier Acten . aus dem Französischen des Guichard frei ubersetzt von I.D. Sander. Vollstandiger Klavierauszug mit deutschem und französischem Texte. Seiner Durchlaucht dem Fürsten Anton Radziwil in Ehrfurcht zugeeignet von Ludwig Hellwig. . Pr. 5 Rth. Piano-vocal score‎

‎Berlin: Schlesinger's Buch= und Musikhandlung Unter den Linden No. 34. PN 50 1812. Oblong folio. Contemporary dark brown mottled calf-backed marbled boards with oval label titled in manuscript to upper. 1f. recto title verso blank 3 "Personen" and incipits 4-123 i blank pp. <br /> <br /> Provenance<br /> Noted American harpsichordist Louis Bagger 1926-2024<br /> <br /> Binding worn rubbed and bumped. Very occasional minor soiling to blank lower margins; occasional minor showthrough; small stains to title with small circular publisher's handstamp to inner margin. Hopkinson 46Ca. <br /> <br /> Gluck's work is a tragedy in four acts to a libretto by Nicolas-François Guillard after Guymond de la Touche's Iphigénie en Tauride itself based on Euripides's work of the same name. <br /> <br /> "Iphigénie en Tauride was the crowning achievement of Gluck's career a result of the combination of his lifelong experience as an opera composer and a libretto which is arguably the best he ever set." Jeremy Hayes in Grove Music Online<br /> <br /> It was first performed in Paris at the Opéra on 18 May 1779 "with excellent singers; Rosalie Lavasseur sang Iphigénie Larrivée Oreste Legros Pylade and Moreau Thoas. . The opera had a great success immediately and even Grimm wrote of it - I do not know whether this is melody but perhaps it is something better. When I hear Iphigénie I forget I am at the opera; I seem to be listening to a Greek tragedy with music by Lekain and Mlle Clarion. It was the crowning point of Gluck's career. Guillard had provided an excellent libretto more classical than Goethe's poem less Christian and more ruthless; and Gluck had seized on the contrast between Scythians and Greeks upon the perfectly dramatic figures of Iphigenia and Orestes and had produced a work which both re-created a part of Greek tragedy and at the same time foretold a new world." Cooper: Gluck p. 258. Schlesinger's Buch= und Musikhandlung, Unter den Linden No. 34. [PN 50] unknown‎

Referenz des Buchhändlers : 41214

‎GLUCK, Christoph Willibald 1714-1787‎

‎Iphigenie en Aulide Opera en 3 Actes . arrangé pour le Pianoforte par Mr. Grosheim. Prix 20 Francs. Piano-vocal score‎

‎Bonn: Chez N. Simrock PN 609 1809. Oblong folio. Quarter black leather with gilt rules mid-brown cloth boards spine in compartments gilt with titling gilt marbled edges. 1f. recto title verso cast list 3-149 pp. Text in French and German. Engraved throughout. <br /> <br /> With contemporary signature of former owner "Mappes" to upper outer corner of free front endpaper with handstamp of August Kuby in Munich below; "Amalie Mappes" to upper outer corner of title.<br /> <br /> Binding worn rubbed bumped and slightly stained. Occasional soiling; small ink stains browning and foxing to blank margins; small loss to lower outer corner of p. 27. First Edition. Hopkinson p. 41 40F. Wotquenne 40. RISM G2753 and GG2753 no copies in the U.S. <br /> <br /> Iphigenie en Aulide was first performed in Paris at the Opéra on 19 April 1774. <br /> <br /> "Judging from contemporary accounts such as the memoirs of Mannlich the several months of rehearsals for Iphigénie en Aulide must have been quite a spectacle with the irascible 60-year-old composer struggling to reform the bad habits of the singers and players of the Académie Royale to teach them his new opera. However the première of Iphigénie en Aulide in April 1774 was a triumph but the run of performances was interrupted by the death of Louis XV a month later. All the theatres closed and during the period of mourning Gluck quickly revised Orfeo ed Euridice and made a French version of the opera with a translation of the text by Pierre Louis Moline." Jeremy Hayes in Grove Music Online. Chez N. Simrock [PN 609] unknown‎

Referenz des Buchhändlers : 40434

‎Gluck, Christoph Willibald‎

‎Iphigenie en Aulide. Tragédie. Opera en trois Actes. Mis en Musique. Represente pour la premiere fois par l'Academie Royale de Musique le mardy 19 Avril 1774. Prix 40 ts.‎

‎Paris Chez Sieber Rue de filles St. Thomas No.21. entre les rues Richelieu et Vivienne. PlNr. 3. um 1795. Gr.4°. 2 Bl. 298 gest. S. Hldr. d. Zt. Rücken u. Kanten stärker berieben. Rechts unten mit kleinem Wurmbefall der ersten 55 Bl. ausserhalb des Plattenrandes. Sehr sauberer Abzug fast fleckenfrei. Hopkinson 40A i; nicht in CPM. Bibliographisch nicht nachgewiesene Übernahme der dritten Auflage des Werks von Des Lauriers rue St.Honore durch den Verlag Sieber. Die ursprüngliche Verlagsangabe wurde mit einem bedruckten Papierstreifen überklebt. Sonst ist unser Exemplar mit Hopk. 40Ai ident eingebundenes Katalogblatt Preis PlNr. Früher Partitur-Druck von den Platten der Originalausgabe. Paris, Chez Sieber, Rue de filles St. Thomas No.21. entre les rues Richelieu et Vivienne. (PlNr. 3.) [um 1795]. unknown‎

Referenz des Buchhändlers : NOTE0073

‎Gluck, Christoph Willibald‎

‎Orfeo e Euridice: A Lyric Play in Four Acts‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 1356126669.G ISBN : 1356126669 9781356126668

‎GLUCK, Christoph Willibald 1714-1787‎

‎Orphee et Euridice Tragédie Opera en trois Actes. Dédiée A La Reine . Representée pour la premiere fois par l'Academie Royale de Musique le Mardi 2 Aoust 1774. Les Parolles sont de Mr. Moline. Gravée par Madame Lobry Prix 48. Full score‎

‎Paris: Lemarchand 1774. Folio. 19th century quarter dark brown leather-backed marbled boards spine in decorative compartments gilt titling gilt. 1f. recto title verso publisher's catalogue 1f. recto dedication verso argument 217 pp. <br /> <br /> With an inscription signed by the Canadian conductor Wilfrid Pelletier 1896-1982 to Italian conductor Tullio Serafin 1878-1968 dated New York 1928 to front flyleaf.<br /> <br /> Bass figurings added in manuscript to pp. 10-12 Act I scene 1; final page of music signed by the publisher Lemarchand. <br /> <br /> Binding worn; edges rubbed; spine split at joints and hinges; chipped at head and tail. Slightly worn and browned; title soiled with outer edge reinforced with paper tape; some minor staining; several repairs to inner margins; occasional small holes. First Edition variant issue. Hopkinson 41Af. Wotquenne 41. Lesure p. 240. RISM G2852 not distinguishing among issues. <br /> <br /> First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi.<br /> <br /> "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Lemarchand unknown‎

Referenz des Buchhändlers : 29643

‎GLUCK, Christoph Willibald 1714-1787‎

‎Orphée et Euridice. Tragedie. Opera en trois Actes. Dediee A La Reine . Representée pour la premier fois par l'Academie Royale de Musique le Mardi 2. Aoust 1774. Les Parolles sont de Mr. Moline. Gravée par Madame Lobry. Prix 24 tt. Full score‎

‎Paris: Chez Mr. Lemarchand . A.P.D.R. 1774. Folio. Unbound. Sewn. 1f. recto title verso publisher's catalogue 1f. recto dedication verso "Argument" 52 pp. Engraved.<br /> <br /> Incomplete with only first act and three pages of second act present.<br /> <br /> Worn overall with occasional staining foxing and soiling throughout primarily to blank margins; title worn and heavily browned stained and soiled with paper loss to edges; corners slightly bumped and creased; signatures separated; binder's holes to blank inner margin. First Edition unrecorded variant. Wotquenne 41. Hopkinson p. 43 41A. BUC p. 386. Lesure p. 240. RISM G2582. <br /> <br /> First performed in Vienna at the Burgtheater on 5 October 1762 in Italian to a libretto by Ranieri de' Calzabigi and in Paris at the Opéra on 2 August 1774 in French to a libretto by Pierre Louis Moline after Calzabigi.<br /> <br /> "The classical orientation of Calzabigi evident in Orfeo ed Euridice from the moment the curtain rose on the almost archaeologically recreated ancient funerary ritual e.g. the threefold calling of the name of the deceased coloured the entirety of his collaboration with Gluck. Despite the ambiguous attributions of the prefaces signed by the composer it is clear that Gluck largely shared his librettist's classical enthusiasms . It is revealing that Gluck sought out subject matter from Greek tragedy independently of Calzabigi after the latter's departure from Vienna - most probably with his inner conviction mixing with a desire to exploit the goût grec then prevailing in France . Calzabigi's poetry was almost completely devoid of metaphors and similes and placed a mere three characters in a fluid context of dances and choruses or both simultaneously. The action was reduced to essentials: a demonstration of the persuasive powers of music and a cautionary tale on the dangers of curiosity with Orpheus bewailing the loss of his wife already as the curtain rose. Gluck's approach as composer was no less radical particularly in his near-complete elimination of coloratura and of opening ritornellos in the solo numbers. Above all the opera was remarkable in its emphasis on continuity which was achieved chiefly through the enchaining of harmonically open-ended sections of music and through the complete avoidance of recitativo semplice in favour of orchestrally accompanied recitatives so as to avoid sharp contrasts of texture with the set pieces. This continuity and the nearly syllabic vocal writing were calculated to prevent applause and thus also to promote the audience's absorption in the spectacle." Bruce Alan Brown and Julian Rushton in Grove Music Online. Chez Mr. Lemarchand ... A.P.D.R. unknown‎

Referenz des Buchhändlers : 40430

‎Gluck, Chris‎

‎Pasta and Vegetables Low Fat Recipes That Work: Low-Fat Recipes-- That Work‎

‎Pasta Pr Pub 1998-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Pasta Pr Pub paperback‎

Referenz des Buchhändlers : Q-1891004026 ISBN : 1891004026 9781891004025

‎Gluck, Christian Carl‎

‎Sammlung ehegerichtlicher Entscheidungen des k.b. Oberappellationsgerichtes German Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 3752599863.G ISBN : 3752599863 9783752599862