‎Ornithologie‎

‎"GOULD, JOHN.‎

‎Regulus Ignicapillus. Fire-crested Wren.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Three birds, on branches with fruits, foliage. A spider seen. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43988

‎"GOULD, JOHN.‎

‎Ruticilla Phoenicura. Redstart.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male outside the nest in a tree with a baby bird. Tree with fruits. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43967

‎"GOULD, JOHN.‎

‎Ruticilla Tithys. Black Redstart.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male outside the nest on a cliff, natural sorroundings. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43968

‎"GOULD, JOHN.‎

‎Saxicola Oenanthe. Wheatear.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Three birds shown, natural surroundings, flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. .The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43962

‎"GOULD, JOHN.‎

‎Sitta Caesia, Wolf et Meyer. Nuthatch.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. 2 adults in a trunk tree with nest, 1 baby bird shown. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43940

‎"GOULD, JOHN.‎

‎Sylvia Curruca. Lesser Whitethroat.‎

‎.London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, female and male in natural surroundings of flowering bush looking at a flying insect. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43974

‎"GOULD, JOHN.‎

‎Turdus Atrogularis, Temm. Black-throated Thrush.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults in a tree. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43952

‎"GOULD, JOHN.‎

‎Turdus Iliacus, Linn. Redwing.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Adult with open wings on a branch. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43950

‎"GOULD, JOHN.‎

‎Turdus Musicus, Linn. Thrust.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing 2 birds, one at the nest with 4 eggs, surrounded by flowers. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43948

‎"GOULD, JOHN.‎

‎Turdus Pilaris, Linn. Fieldfare.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two adults, one on the nest in a tree. J. Gould & H.C. Richter, del. et lith. - Walter & Cohn, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43951

‎"GOULD, JOHN.‎

‎Turdus Viscivorus, Linn. Missel-Thrush.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Showing 2 adults and one baby bird on a branch. J. Gould & H.C. Richter, del. et lith. - Walter, Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43949

‎"GOULD, JOHN.‎

‎Upupa Epops, Linn. Hoopoe.‎

‎London, Printed by Taylor and Francis - Published by the Author, (1862-) 73. Folio. Papersize 54,5x36,5 cm. Lithographed and fully handcoloured. Two birds, both sexes in a tree in which three baby birds.. J. Gould & H.C. Richter, del. et lith. - Walter Imp. Fine and clean. The plate is accompanied with the original textleaf. (2) pp. A fine repair to right margin, just touching foliage.‎

‎This is an original plate from Goulds great work ""The Birds of Great Britain"", issued between 1862 and 1873. The plates in this work were executed by Gould himself, and a few by J. Wolf, H.C. Richer and Hart. Together with Audubon's plates, the Gould-plates are considered the best bird-art ever produced, AND THE PLATES IN HIS ""BIRDS OF GREAT BRITAIN"" ARE THE PEAK OF GOULD'S ARTISTIC LIFE. In the foreword Gould stresses the difference from his ""Birds of Europe"" in the treatment of the illustrations, the inclusion here of the figures of the baby birds and nests, and he comments ""Many of the public are quite unaware how the colouring of these large plates is accomplished" and not a few believe that they are produced by some mechanical process or by chromo-lithography. This, however is not the case every sky with its varied tints and every feather of each bird were coloured by hand" and when it is considered that nearly two hundred and eighty thousand illustrations in the present work have been so treated, it will most likely cause some astonishment to those who give the subject a thought."". Elsewhere he remarked upon employing ""almost all colourists in London."" - Wood p. 364. - Nissen No. 372. - Sitwell 102. - Zimmer pp. 261-62. - Not in Jean Anker.‎

Référence libraire : 43930

‎"KOLTHOFF, GUSTAF och L.A. JÄGERSKIÖLD.‎

‎Nordens Fåglar. Ny utvidgad och omarb. Upplaga af C.J. Sundevalls ""Svenska Foglarna"".‎

‎Stockholm, (1898). 4to. Orig. hldrbd. med rig dekoration på shirtpermerne. Ryg slidt, særligt ved øverste kapitæl. XV,342,7,II pp. samt 69 kromolitograferede tavler, afbildende talrige arter ( fra 4 til 12 på hver planche). Navne tilskrevet arterne på afbildningerne. Enkelte bladkanter reparerede. Brugsspor.‎

‎"KOLTHOFF, GUSTAF och L.A. JÄGERSKIÖLD.‎

‎Nordens Fåglar. Ny utvidgad och omarb. Upplaga af C.J. Sundevalls ""Svenska Foglarna"".‎

‎Stockholm, (1898). 4to. Orig. hldrbd. med rig dekoration på shirtpermerne. Ryg slidt, særligt ved øverste kapitæl. XV,342,7,II pp. samt 69 kromolitograferede tavler, afbildende talrige arter ( fra 4 til 12 på hver planche). Navne tilskrevet arterne på afbildningerne. Enkelte bladkanter reparerede. Brugsspor.‎

‎Anker No. 270. Wood p. 421.‎

Référence libraire : 43250

‎"KOLTHOFF, GUSTAV och L.A. JÄGERSKIÖLD.‎

‎Nordens Fåglar. Ny utvidgad och omarb. Upplaga af C.J. Sundevalls ""Svenska Foglarna"".‎

‎Stockholm, (1898). 4to. Samt. hldrbd. med rygforgyldning. Ene fals itu. (6),XV,343 pp. samt 69 kromolitograferede tavler.‎

‎Anker No. 270. Wood p. 421.‎

Référence libraire : 11789

‎"MATHEWS, GREGORY M.‎

‎Systema Avium Australasianarum. A systematic List of the Birds of the Australian Region Part I-II.‎

‎(London), 1927-30. Solid hcloth. Bound with 2 orig. frontwrappers. X,1047 pp.‎

‎"MONTAGU, G.‎

‎Ornithological Dictionary of British Birds. Sec.ed. with a Plan of Study...by James Rennie.‎

‎London, 1831. Later hcloth, uncut, some pencil annotations. A little brownspotted. LX,592 pp. Many fine woodcut-illustrations in the text.‎

‎"PEARSON, HENRY J.‎

‎""Beyond Petsora Eastward"". Two Summer Voyages to Novaya Zemlya and the Islands of Barents Sea. With Appendices On the Botany and Geology by H.W. Feilden.‎

‎London, Porter, 1899. Small 4to. Orig. pictorial cloth gilt. Slight wear to top a. bottom of spine. Top edge gilt. Chromolithogr. frontisp. XIV,335 pp, 88 plates a. 2 fold. maps.‎

‎"PELZELN, AUGUST von. - NOVARA-EXPEDITION.‎

‎Vögel.‎

‎Wien, Kaiserlich-Königlichen Hof-und Staatsdruckerei, 1865. 4to. Contemporary hcalf. Corners bumped, edges rubbed. Part of upper wrapper from the general title cut and mounted but having the htitle: ""Vögel"". Internally fine. IV,176 pp. and 6 fine chromolithographed plates of birds. (T.F. Zimmermann pinx - Lith. A. Hartinger).‎

‎"POULSEN, AAGE.‎

‎""Prydfjerkræ"". Fugletegninger og farvetavler Stig Aagesen.‎

‎Skibby, (1959). Lex8vo. Orig. helshirt. VIII,316 pp., 9 tavler (heraf 8 i farver), tekstillustr. Indbundet med alle 14 hefteomslag.‎

‎"RENNIE, J.‎

‎Die Baukunst der Vögel.‎

‎Leipzig, 1833. Small 8vo. Cont. hcalf. Richly gilt back. Tears in top of spine. XXVIII,416 pp. and 35 engraved plates with 82 figs. Text a little brownspotted.‎

‎"RÉAUMUR, (R.A. FERCHAULT de).‎

‎The Art of Hatching and bringing up Domestick Fowls Of all Kinds, At any Time of the Year. Either by means of the Heat of Hot-Beds, or that of Common Fire.‎

‎London, C. Davis, 1750. Bound to style in a fine later hcalf with raised bands and titlelabel in leather on back, gilt. VIII,470,(1) pp., 15 large folded engraved plates and 10 textengravings (as headpieces). A few scattered brownspots.‎

‎"SONNERAT, P.‎

‎Voyage a la Nouvelle Guinee, dans lequel on trouve la description des Lieux, des Observations physiques & morales, & des details relatifs a l'Histoire Naturelle dans le regne animal & le regen vegetal.‎

‎Paris, Ruault, 1776. 4to (260 x 207 mm). In a very nice contemporary full calf binding with five raised bands with richly gilt spine, gilt boarders to boards, gilt ornamentation to edges of boards. All edges gilt. Ex-libris pasted on to pasted down front end-paper. Light wear to extremities, corners lightly bumped and hindges with a bit of wear, an overall very nice and clean copy. XII, (4), 206, (2) pp + 120 engraved plates (No. 90 and 91 being on the same leaf).‎

‎"TÅNING, VEDEL.‎

‎Sortfugle og Fisk ved Island.‎

‎København, 1930. 8vo. In contemporary half cloth with gilt lettering and stamp to front board. Two labels pasted on to pasted down front end-paper and stamp to first leaf of text. Pp. (49)-68.‎

‎( ARNAULT de NOBLEVILLE, Louis-Daniel et SALERNE, François ).‎

‎Aëdonologie, ou Traité du rossignol franc ou chanteur ; Contenant La Manière de le prendre au filet, de le nourrir facilement en cage, & d'en avoir le chant pendant toute l'année. Ouvrage accompagné de Remarques utiles & curieuses sur la nature de cet Oiseau. Avec figures‎

‎A Paris, chez Debure pere. MDCCLXXIII ; in-12° demi-chagrin rouge, dos lisse orné de jeux de filets dorés et à froid, titre doré; Xpp.,(2)pp., 156 pp., et 2 planches dépliantes. La deuxième planche, déchirée sans manque, a été consolidée, rares piqûres, titre un peu jauni. Fine reliure postérieure ( de la 2ème moitié du XIXème ).‎

‎Très rare ouvrage consacré à cet oiseau dont on a tant prisé le chant, que l'on surnomme "rossignol", qui excelle dans le chant. ( Reu-Bur)‎

Référence libraire : c5667