‎École‎

‎PIGEONNEAU (M.H.)‎

‎L'Europe moins la France. Cours complet de géographie rédigé conformément aux programmes de 1880 et de 1881.‎

‎Ouvrage contenant 14 cartes et 50 figures intercalées dans le texte. Classe de 2nde enseignement secondaire classique.Classe de 3 ème, enseignement secondaire moderne.Paris, Belin Frères, 1894, in 12°, 1/2 rel. toile, 428 pp.‎

‎Bel exemplaire.‎

Referenz des Buchhändlers : 4629

‎Pignon Catalogue Galerie nationale du grand palais‎

‎Pignon‎

‎1985 Paris Edition Denoël, 1985. In/4 reliure éditeur toile sous jaquette rempliée et illustrée en couleur, illustrations en noir et en couleur, 300 pages. Catalogue dexposition. Édouard Pignon (1905 - 1993) exposition réalisée par le centre National des Arts Plastiques.‎

‎bon état‎

Referenz des Buchhändlers : 11486

‎Pikeville High School‎

‎The Black Diamond 1930 Vol. 1 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 0331322374.G ISBN : 0331322374 9780331322378

‎Pikeville High School‎

‎The Black Diamond 1942‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 026042451X.G ISBN : 026042451X 9780260424518

‎Pikeville High School‎

‎The Black Diamond 1942 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 0331447703.G ISBN : 0331447703 9780331447705

‎Pikeville High School‎

‎The Black Diamond 1938 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 0428738141.G ISBN : 0428738141 9780428738143

‎Pilchuck Glass School Staff Dale Chihuly, Foreword Signed by Lino Tagliapietra‎

‎Pilchuck Works Fall 1992.‎

‎<p>Seattle: Pilchuck School 1992 <i><b>S</b><b>igned at page 23 with the description of his work by Lino Tagliapietra.</b></i> First edition / First Printing. Stapled illustrated wrappers. Near fine.</p> Pilchuck School, paperback‎

Referenz des Buchhändlers : 15386

‎PILLER, Joseph:‎

‎Leitfaden des Rechts- und staatsbürgerlichen Unterrichtes für die Schulen des Kantons Freiburg.‎

‎Freiburg, Zentralstelle für Lehrmittel und Schulmaterial, o.J., ca 1923, in-8vo, 77 S., mit Bleifstifft Notizen, H.-Leinenband.‎

Referenz des Buchhändlers : 116416aaf

‎PILLON - ECOLE CENTRALE DES ARTS ET MANUFACTURES‎

‎Cours de machines-outils, d'appareils et de construction mécaniques. Premier et deuxième cahier. Menuiserie, forge, fonderie, usinage.‎

‎Couverture souple. 2 volumes, cartonnage demi-toile, légèrement défraîchi. 657 pages. Certaines pages sont vierges pour que l'élève note ses cours (Ces pages sont parfois remplies).‎

‎Livre. Cours de M. Pillon. Ecole centrale des arts et manufactures. 1re année. Ecole centrale des arts et manufactures, 1937.‎

Referenz des Buchhändlers : 92565

‎PILO Giuseppe Maria‎

‎Canaletto. Bibliothèque Marabout Université, MU 74.‎

‎Verviers (Belgique), Marabout Université, 1961. 11 x 17, 90 pp., plusieurs illustrations en couleurs et en N/B, broché, bon état (couverture légèrement défraîchie).‎

Referenz des Buchhändlers : 67135

‎PILON Edmond‎

‎Watteau et Son École‎

‎Bruxelles & Paris G.Van Oest et Cie 1924 GRAND In-8 XVII-240 pp , hors textes en noir et blanc‎

‎Bel État Broché à raba‎

Referenz des Buchhändlers : 30881

‎Pilot Mountain Sunday School Association‎

‎Minutes of the Organization of the Pilot Mountain Sunday School Association‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 0365463264.G ISBN : 0365463264 9780365463269

‎Pincher Creek Historical Society‎

‎Prairie Grass to Mountain Pass: History of the Pioneers of Pincher Creek and District‎

‎viii, 867 pages. Generously illustrated with black and white reproductions of archival family photos. Second printing of the 1974 first edition. "Devoted primarily to biographies arranged in alphabetical order according to district, concentrating on settlers who arrived prior to WWI. Includes the following districts: Ashvale, Beauvais, Beaver Mines, Burmis, Chipman Creek, Cowley, Crook, Cyr, Drywood, Fir Grove, Fishburn, Gadshill, Gladstone Valley, Halifax, Heath Creek, Hillsboro, Lee School District, Lundbreck, Marr, Maycroft, Mountain Hill, North Fork, Olin Creek, Robert Kerr, Spread Eagle, Spring Ridge, Summerview, Tanner, Tennessee, Todd Creek, Twin Butee, Utopia, Waldron, and Yarrow. Two words highlighted on page vii otherwise clean and unmarked with light wear. Short opening to top of backstrip. Binding tight. A quality copy of this excellent local history and invaluable genealogical reference. Krotki [2] 827, Strathern 3197. Book‎

‎PINE John‎

‎Battaglia navale‎

‎Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &amp;c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &amp;c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem.  Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance.  Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.‎

‎PINE John‎

‎Battaglia navale‎

‎Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &amp;c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati, insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &amp;c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem.  Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance.  Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.‎

‎PINE John‎

‎Battaglia navale‎

‎Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &amp;c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati, insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &amp;c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem.  Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance.  Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.‎

‎PIOT-HAMERS‎

‎L'éducation de l'enfance, procédés à employer por donner à l'enfant une bonne éducation première, pour faire germer en lui le sens du vrai, du grand, du beau.‎

‎Mons, Dequesne-Masquillier, 1888 15 x 22, 27 pp., broché, bon état‎

Referenz des Buchhändlers : 14057

‎PIQUERAY Marcel et Gabriel, TAEYE Camille‎

‎Marais d'étoiles.‎

‎La Louvière (Belgique), Le Daily-Bul, 1991. 22 x 22, sans pagination, nombreuses illustrations en couleurs, broché, très bon état.‎

Referenz des Buchhändlers : 88436

‎PIRANESI Giovan Battista (Mogliano Veneto 1720 - Roma 1778)‎

‎Il cavalletto‎

‎- RARISSIMO PRIMO STATO DI SEI, dalla PRIMA EDIZIONE delle CARCERI - Acquaforte, bulino, tinta allo zolfo e bruniture, firmata in lastra in basso a destra. Tavola della PRIMA edizione delle 'Carceri'. Esemplare nel primo stato di sei secondo Robison. Magnifica prova, impressa su carta vergata coeva con filigrana "cerchio e giglio, margini di circa 8 mm, in ottimo stato di conservazione.Le 'Carceriì in prima edizione sono di eccezionale rarità. Secondo un censimento fatta da Andrew Robison, solo 16 esemplari completi dell'opera in prima tiratura sono noti nelle raccolte pubbliche di tutto il mondo.Senza dubbio la serie più nota e celebrata fra le opere del Piranesi. La serie è databile intorno al 1745, e comprendeva quattordici tavole, includendo il frontespizio che portava il titolo di Invenzioni Capric di Carceri all’acquaforte datte in luce da Giovanni Buzard in Roma, mercante al Corso. Una seconda stesura delle stesse, subito successiva, recava il titolo con il nome dell’editore giustamente corretto in Bouchard. E’ fuori di dubbio che l’idea, assolutamente innovativa, per la realizzazione di questa opera nasce da un collegamento molto stretto con la serie denominata Prima Parte di Architetture non solo per la vicinanza di tempo che intercorre tra i due lavori, ma proprio per il preciso intendimento ideologico che l’artista aveva in quel periodo in fatto di architettura. La serie venne ripubblicata dopo ben quindici anni, nel 1761, ampiamente riveduta e corretta. Il Piranesi non era nuovo a ripensamenti e variazioni sulle proprie opere, ma molto interessante è analizzare il motivo che lo indusse a riproporre, cambiandolo nella forma, questo importante lavoro. Le esperienze archeologiche condotte nello studio che porterà alle Antichità Romane (1756), le polemiche con architetti e le loro teorie del periodo, la consapevolezza di aver affinato ancora la propria tecnica stilistica, e il variato concetto architettonico lo indussero a mettere mano alle Carceri. E’ con questa nuova ed arricchita sapienza incisoria che l’artista va a ripescare le vecchie lastre, e dopo la rielaborazione, le ripresenta nel pieno della figura polemica e della lotta ideologica in fatto di architettura che in quegli anni conduceva. La riproposizione della serie rappresenta per il Piranesi un aspetto ben preciso, ovvero ripresentare, rinforzandolo, il messaggio polemico e di polemica architettonica già affrontato quindi anni prima. Lo scardinamento degli spazi e della prospettiva, della logica e di tutti i principi comuni affermati nei trattati, rottura totale con le leggi tradizionali e gli insegnamenti accademici dell’architettura. Due sono le tavole aggiunte nella seconda edizione, che quindi comprende il frontespizio e quindici lastre. Notevoli le differenze stilistiche tra il corpus dell’opera e le due nuove lastre, dove notevoli sono la complessità di struttura e di composizione architettonica, che dimostrano il cambiamento avvenuto in seguito allo studio archeologico dei grandi monumenti romani.Di diverso aspetto l’effetto emotivo che suscita la visione delle singole opere che compongono la serie, che con il loro aspetto malinconico costituiscono un elemento di perenne richiamo, di inesausta vitalità, e di estrema modernità. I ponti sospesi, le reti, i ballatoi, le scale e quanto altro presente nelle Carceri sono stati esame di numerosi studi, che una copiosa letteratura ha colto sin dal romanticismo, dando loro una grande popolarità, esaltandone le molteplici reazioni emozionali che le stesse conferivano. - THE VERY RARE FIRST STATE, from the FIRST EDITION of CARCERI -Etching, engraving, sulphur tint and burnishing, 1750, signed at lower right. From the Carceri set, from the first edition, first issue. Example in the first state of six described by Robison, from the contemporary roman edition.A magnific impression, printed with black ink on contemporary laid paper with "encircled fleur de lys" watermark, with small margins (about 8 mm), very good condition.The first edition of 'Carceri' is absolutely rare. According with Andrew Robison, there are only 16th complete set of the first edition and first issue preserverd in the libraries.Undoubtedly these is the best known and most celebrated series among the works by Piranesi. The series, datable around 1745, consisted of fourteen plates, with the title page bearing the title Invenzioni Capric di Carceri all’acquaforte datte in luce da Giovanni Buzard in Roma, mercante al Corso. In the second issue, immediately subsequent, the title presents the publisher’s name rightly corrected in Bouchard. There is no doubt that the innovative idea of this work comes from a very close connection with the series titled Prima Parte di Architetture not only for the proximity of the dates, but also because both the series reflect the Piranesi’s precise ideology on architecture.The series was re-published fifteen years later , in 1761. Robison 38 I/VI, Hind 12, Focillon 35.‎

‎PIRLOT P., DOUILLET I., LECOMPTE-DEPOORTER I., BASTIN M. et alii‎

‎De facto, Art Magazine : James Ensor.‎

‎Tournai, Editions Complexe, 1990. 21 x 29, 58 pp., très nombreuses illustrations en couleurs, broché, bon état.‎

Referenz des Buchhändlers : 63229

‎PISANI - FERRY F.‎

‎MONSIEUR L'INSTITUTEUR. L'ECOLE PRIMAIRE A 100 ANS.‎

‎J C Lattés 1981, In-8 broché, couverture illustrée. 302 pages. Cache e bibliothéque. Trés bon état.‎

‎PITT-RIVERS Françoise‎

‎Balzac et l'art.‎

‎Paris, Editions du Chêne, 1993. 26 x 32, 158 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.‎

‎préface de Félicien Marceau.‎

Referenz des Buchhändlers : 62355

‎Pittsylvania High School‎

‎The 1940 Pitt Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 1390891232.G ISBN : 1390891232 9781390891232

‎Pittsylvania High School‎

‎The Pitt of 1939 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referenz des Buchhändlers : 036503133X.G ISBN : 036503133X 9780365031338

‎Plainfield High School‎

‎Year Book 1906 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referenz des Buchhändlers : 0428625401.G ISBN : 0428625401 9780428625405