Paris 1850. Pencil pen and wash drawing with numerous sub-titles in ink signed "J. Litoux" A fascinating and beautiful architectural drawing - or 'rendu' of basic elements of house construction in cluding walls floors doorways roofs and ceilings.<br/> <br/> A fine drawing from an architectural student at the Ecole des Beaux-Arts in Paris the most influential architectural school in existence during much of the 18th century the whole of the 19th century and the first part of the 20th century. 'Students were eligible for the Ecole if they were at least fifteen years old or under thirty. They began with the seconde classe in which they competed in the concours d'émulation. These alternated between an esquisse - a rough sketch for which up to twelve hours was allowed - and a rendu - the large-scale finished drawing for which one to three months were allowed. Two to four years were usually required for a student to accumulate enough credits to enter the première classe. The same system was followed again usually for two to three years after which the student should have accumulated enough credits to compete for the Grand Prix de Rome. The winner of the Grand Prix was entitled to five years study under the auspices of the French Academy in Rome. For each of his first three years he was required to submit an analytical study of an ancient monument. For his fourth year he had to submit a complete reconstruction of a major classical work. For his fifth year he was required to submit an original work designed to a program of his own invention. In the seconde classe the student was required to attend a variety of lectures in theory history and construction and learned to prepare construction drawings. Work was done at ateliers located outside the precincts of the Ecole des Beaux-Arts. These were rented and organized by the students themselves and the students had the right to invite a teacher of their own choice to serve as their maître. The teacher himself did not have to be a member of the faculty of the Ecole nor - at least in principle - did he have to be a practicing architect.' Arthur Drexler. The Architecture of the Ecole des Beaux-Arts. New York MoMA 1977 p.8-9<br/> <br/> Arthur Drexler The Architecture of the Ecole des Beaux-Arts. New York MoMA 1977. unknown
Paris 1850. Pencil pen and wash drawing with numerous detailed measurements. A fascinating and beautiful drawing--or "rendu"--of an ancient Roman sarcophagus.<br/> <br/> A fine drawing from an architectural student at the Ecole des Beaux-Arts in Paris the most influential architectural school in existence during much of the 18th century the whole of the 19th century and the first part of the 20th century. 'Students were eligible for the Ecole if they were at least fifteen years old or under thirty. They began with the seconde classe in which they competed in the concours d'émulation. These alternated between an esquisse --a rough sketch for which up to twelve hours was allowed--and a rendu --the large-scale finished drawing for which one to three months were allowed.Two to four years were usually required for a student to accumulate enough credits to enter the première classe. The same system was followed again usually for two to three years after which the student should have accumulated enough credits to compete for the Grand Prix de Rome. The winner of the Grand Prix was entitled to five years study under the auspices of the French Academy in Rome. For each of his first three years he was required to submit an analytical study of an ancient monument. For his fourth year he had to submit a complete reconstruction of a major classical work. For his fifth year he was required to submit an original work designed to a program of his own invention. "This study of the sarcophagus of Lucius Cornelius Scipio Barbatus was part of an Ecole de Beaux Arts student's portfolio. The sarcophagus was one of many in the Scipio family tomb on the Via Appia just outside of Roma and it dates from c. 290 B.C. The obituary text reads English "Lucius Cornelius Scipio Barbatus son of Gnaeus a valiant gentleman and wise whose fine form matched his bravery very well was aedile consul and censor among you he conquered Taurasia and Cisauna in fact Samnium he overcame all the Lucanian lands and brought back hostages."<br/> <br/> Arthur Drexler The Architecture of the Ecole des Beaux-Arts. New York MoMA 1977. unknown
Paris: E. Leroux 1883. Hardcover. Fair. lv 577p. Contemporary 1/4 leather. 27cm. Covers quite scuffed. Contents reasonably sound but browned and rather brittle a few corner chips and tears. Ex lib. Title and most text in French. <br/><br/> E. Leroux hardcover books
Paris: Ecole Estienne 1959. Softcover. Good inscribed by Krol. spine cracked dent to rear. White wraps with color illustration. 4 color and several bw plates. Text in French. Ecole Estienne paperback books
Paris: Editions Estienne 1966. Softcover. VG- page cutting error bump to corner and spine. White wraps with color illustration. Unpaginated. 49 plates 13 full color. Text in French. Preface by Robert Ranc. Editions Estienne paperback books
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Ferrandi the French School of Culinary Arts in Paris—dubbed “the Harvard of gastronomy” by Le Monde newspaper—is the ultimate pastry-making reference. From flaky croissants to paper-thin mille-feuille and hardcover
Référence libraire : ria9782080203182_inp ISBN : 2080203185 9782080203182
E. de Boccard. volumes 1947-1948 et 1949 en mauvais état dos défait plats séparés couvertures dans l'ensemble en état correct bords assez frottés qquelques fentes sur les charnières couvertures ternies tachées intérieurs propres rares annotations sur certains volumes. in8. Sans date. Broché. 18 volumes. Année 1947 et 1948 en un volume les autres années sont complètes et en 2 tomes chacune /// iconographie en noir et blanc E. de Boccard unknown
E. de Boccard. Bon Etat de conservation cependant couvertures défraîchies bords frottés rousseurs sur tranche intérieur propre pages non-coupées sur certains volumes. in. Sans date. Broché. 14 volumes. iconographie en noir et blanc photographies plans schémas E. de Boccard unknown
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