‎Gravure print‎

‎Austen Jane Introductions by Richard Church Wood engravings by Joan Hassall‎

‎Pride and Prejudice‎

‎Folio Society 1997. Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. At ThriftBooks our motto is: Read More Spend Less. Folio Society hardcover‎

書籍販売業者の参照番号 : G0149014384I5N01 ISBN : 0149014384 9780149014380

‎Author Not Stated‎

‎Sculpture/Inuit: Sculpture of the Inuit - Masterworks of the Canadian Arctic‎

‎493 page exhibition catalogue. 405 handsome photographic plates, many in colour. Represents "a full and definitive recognition of the culture of the Inuit - a people who had, down through the centuries, developed techniques of getting food, clothing, shelter, and warmth from the mammals of the arctic wastes and from the birds and animals of the barren lands." - from foreward. Somewhat above-average wear. Unmarked. Binding intact. Worthy reference copy. Book‎

‎Balzac Honore de. Selected and translated by Jacques le Clercq. Wood engravings by Derrick Harris.‎

‎HONORE DE BALZAC: EPIGRAMS ON MEN WOMEN AND LOVE.‎

‎Peter Pauper Press Mount Vernon New York 1959. 62 pp including colophon 12mo 7 3/8" H hard cover in dust jacket. Illustrated with yellow black and white woodcuts. A collection of the sayings of Balzac on the themes of love marriage religion relationships medicine etc. Very light edge wear minor soiling a few soiling marks on fore-edge of textblock minor browning to spine previous owner's chop stamp on free front endpaper. Dust jacket has minor edge wear - mainly at top of spine minor soiling very light browning to spine. Very Good/Very Good. Peter Pauper Press, Mount Vernon, New York, 1959. hardcover‎

書籍販売業者の参照番号 : 19909

‎Balzac Honore; Dean Mallette Wood Engravings; Allen Dorothy Hand Colouring‎

‎The Hidden Treasures; or The Adventures of Maitre Cornelius‎

‎Kentfield: The L D Allen Press 1953. Limited Edition. Hardcover. Fine/near fine. Dean Mallette. One of 160 copies octavo size 55 pp. The thirteenth publication from The Allen Press this story by Honore de Balzac 1799-1850 was originally titled "Maitre Cornelius" and first appeared in 1831 in the "Revue de Paris"; it was published in book form in 1832. Balzac was a prolific French novelist and playwright perhaps best remembered today for "Eug�nie Grandet" his first bestseller; in this famous wayward love story set in fifteenth-century France Marie de Saint-Vallier daughter of Louis XI is unhappily married and becomes entangled in an unusual love affair. The book features four wood engravings by the incomparable Mallette Dean 1907-1975 painter and illustrator who worked for most of his career in San Francisco on projects such as the WPA Mural Project the murals in Coit Tower and for fifteen years illustrated books for the Grabhorn Press and other Bay-Area presses such as the Allens'. Dorothy Allen hand-colours each wood engraving bringing a bright simplicity to the scenes of the story. ___DESCRIPTION: Quarter blue paper with marbled paper boards red lettering on the spine fore- and bottom edges uncut title page with wood-engraved historiated initial "T" by Mallette Dean with hand-colouring by Dorothy Allen running heads in blue throughout four wood engravings by Dean with hand-colouring by Allen throughout; Romanee type handmade Highclere paper octavo size 9" by 5.75" pagination: i-v vi-lv one of 160 copies unnumbered. With prior owner bookplate on the front paste-down. In publisher's original acetate wrapper. ___CONDITION: A fine copy; the covers clean the corners straight and unrubbed the binding tight with solid hinges the interior clean and bright; some faint sunning to the spine an Ex-Libris on the front pastedown of James Wilson Mull else fine. The acetate wrapper is near fine clean with some light scuff marks without wear but for small chips to the corners and a very small closed tear to the head of the spine. ___CITATION: The Allen Press Bibliography no. 13. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The L D Allen Press hardcover‎

書籍販売業者の参照番号 : 19052011

‎Bandon Raphael & J. Arthur; Lovely Drawings and Engravings Illustrator‎

‎An Analysis of Gothic Architecture Illustated By a series of Upwards of Seven Hundred Examples of Doorways Windows Moundlings Roofs Arches Crosses Panels Buttresses Seats Screens Etc. And Accompanied with Remarks on the Several Details. 2 volume set‎

‎John Grant 1903-01-01. Hardcover. Good. Two folio volumes. Original green cloth. Library markings. Shelfwear some minor fray. Hinges cracked. Splitting starting to gutter margins on pages. Vol. 1 120 pages of text including Index to Churches Referred to and Index to Illustrations followed by plates. Vol. 2: Plates. This is an oversized or heavy book which requires additional postage for international delivery outside the US. John Grant hardcover‎

書籍販売業者の参照番号 : 1806060022

‎BAR, Jacques Charles.‎

‎Colección de los trajes de todas las órdenes religiosas y militares de todo el mundo, traducción del francés.‎

‎(Madrid, Sancha, 1788 y años siguientes), 40,5 x 25,5 cm., cartoné moderno, 130 hojas + 192 láminas iluminadas a mano representando la historia y hábitos de 96 órdenes. (Una de las obras más espléndidas y raras salidas de la imprenta de Sancha. La edición original francesa fue emprendida por Bar en 1778. Sancha empezó a publicar la versión española en 1788 en cuadernos de 6 láminas y quedó sin terminar. Según Cotarelo, a la muerte de Sancha llevaba entregados al público unos 20 cuadernos y posteriormente su hijo tiró algunos más. Ningún bibliógrafo sabe cuantas láminas llegaron a imprimirse. Así, por ejemplo, en El Grabado en España se afirma ?Parece que se publicaron únicamente 188 estampas?. El Catálogo Colectivo solo registra 4 ejemplares pero existe uno más en la Academia de la Historia que utilizó Rodríguez Moñino para su bibliografía de Sancha. Todos estos ejemplares tienen diferente número de láminas. El que mas tiene es el de la Biblioteca Episcopal del Seminario de Barcelona con 203 láminas, el de la Academia de la Historia 188, el de la Biblioteca Lázaro Galdiano 186 y el de la Biblioteca de Navarra sólo 94. Según el WorldCat, esta obra no tiene portada y contiene 97 órdenes y 192 láminas).‎

‎Barbeau, Marius‎

‎Tsimsyan Myths Illustrated‎

‎A clean, unmarked book with a tight binding. 6 1/2"w x 9 3/4"h. 96 pages. Age-toned paper. Many b&w illustrations and photographs. Beautiful color map endpapers. National Museum of Canada Bulletin no. 174.‎

‎BARBUSSE (Henri)‎

‎Le Feu. Journal d'une escouade. Gravures sur verre de André Collot‎

‎Angoulême Jean Emery, Editions d'art, Collection "L'Heptameron" 1949‎

‎Petit in-4 (232 x 174 mm), bradel veau gris bleu et rouge décoré des lettres du titre, couverture et dos conservés (reliure signée Corrêa). Illustrations de André COLLOT. Tirage limité à 3140 exemplaires ; un des 3000 sur vélin d'Alfa bouffant des papeteries Alamigeon (N° 1635). Etiquette au bas de la première page de garde. (frottements sur les charnières, la coiffe supérieure et les coupes, piqûres sur les tranches, rousseurs sur la couverture et le titre, rares piqûres claires dans le texte). // Small quarto (232 x 174 mm), bradel grey blue and red calf, decorated with title letters, soft cover and spine preserved (binding signed Corrêa). Illustrations by André COLLOT. Limited printing of 3140 copies ; one of the 3000 on vellum "Alfa bouffant des papeteries Alamigeon" (Nr 1635). Stamp on bottom of first end-paper. (rubbings on hinges, top of spine and turns-in, spots on edges, brownings on the soft cover and the title page, rare light spots in the text).‎

書籍販売業者の参照番号 : 001610

‎Barnes, Jeremy‎

‎The Pictorial History of the American Civil War‎

‎208 pages including index. From the first firing of guns at Fort Sumter to the ultimate surrender of the South, richly illustrated with many contemporary engravings and rare photographs as well as many colour illustrations and maps. A must for every Civil War Buff. Clean and unmarked. Very light wear. Gorgeous copy of this handsome work. Book‎

‎Bartlett, William Henry. Engraved by E. Smith.‎

‎[Syria, Holy Land, Asia Minor] Bazzar at Jaffa, the Ancient Joppa (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by J. H. Kernot.‎

‎[Syria, Holy Land, Asia Minor] Ruins of Soli, or Pompeiopolis - Asia Minor (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by J. Redaway.‎

‎[Syria, Holy Land, Asia Minor] Turkish Burying Ground at Sidon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by J. Tingle.‎

‎[Syria, Holy Land, Asia Minor] Zarephath or Zarapha, the Ancient Sarepta (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by R. Dawson.‎

‎[Syria, Holy Land, Asia Minor] Djebel Sheich and Mount Hermon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by S. Bradshaw.‎

‎[Syria, Holy Land, Asia Minor] Encampment at Ras-El-Ain, Near Balbec (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by W. F. Starling.‎

‎[Syria, Holy Land, Asia Minor] Castle Near Tripoli, On the River Kadesha (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartlett, William Henry. Engraved by W. J. Cooke.‎

‎[Syria, Holy Land, Asia Minor] The Ladder of Tyrus - A Pass "On the Sea Coast. Near Tyre" (caption title). [ORIGINAL STEEL ENGRAVED PRINT].‎

‎Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.‎

‎Bartolomeo Pinelli - Giuseppe Berneri‎

‎Il Meo Patacca o vero Roma in feste nei trionfi di Vienna poema giocoso nel linguaggio romanesco Edizione seconda arricchita di num. 52 tavole‎

‎In4° grande oblungo, legatura solida in mezza pelle rossa con angoli, fregi dorati al dorso, tasselo con titolo in oro al piatto superiore. Seconda edizione la prima completa con tutte le tavole. PP. (6), 170, più 52 tavole. Buon esemplare. I dodici canti del poema eroicomico, in dialetto romanesco, che diede la notorietà a Giuseppe Berneri (1637-1701) pubblicato insieme alle famose incisioni all’acquaforte di Pinelli (1781-1835) che ritraggono vivide scene popolari, con personaggi e costumi contemporanei, iconografia della Roma ottocentesca.‎

‎Bartsch, Friedrich Ritter von‎

‎Die Kupferstichsammlung der K. K. Hofbibliothek in Wien. In einer Auswahl ihrer merkwürdigsten Blätter.‎

‎Wien, Braumüller 1854. XIII, 312 S. HLdrBd. d. Zt. mit Rückengoldpräg.‎

書籍販売業者の参照番号 : EEzz2582

‎Bates H E and Agnes E Bates Wood Engravings‎

‎Through the Woods: the English Woodland-April to April‎

‎London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. <br/> <br/> Frances Lincoln Publishers hardcover‎

書籍販売業者の参照番号 : 20053005

‎BATES H. E.; wood engravings by PARKER AGNES MILLER‎

‎THROUGH THE WOODS: THE ENGLISH WOODLAND - APRIL TO APRIL‎

‎NEW YORK: MACMILLAN COMPANY. G/FAIR LIGHT EDGEWEAR. LIGHT TONING & FOXING TO PAGES. Pages: 142. . 1936. HARDCOVER. DJ PRICE-CLIPPED HEAVILY EDGEWORN WITH CHIPS & TEARS OLD TAPE SHADOWS TAPED ON VERSO IN MYLAR WRAP. BINDING TIGHT. . MACMILLAN COMPANY hardcover‎

書籍販売業者の参照番号 : MASTER289708I

‎Bates HE.; wood engravings by Agnes Miller Parker H. E.‎

‎THROUGH THE WOODS - The English Woodland - April to April‎

‎New York: Macmillan Co 1936. 1st American edition. Oversize Hardcover in brick cloth boards no jacket. VeryGood unmarked slightly sunned spine. The English woods described in text and remarkably illustrated with many wood engravings. Nice bright clean copy of 1st US edition. <br/><br/>8 x 10-1/2 142 pp 73 b/w engravings. Macmillan Co hardcover‎

書籍販売業者の参照番号 : 17229

‎BATES H. E.‎

‎Through the Woods.. The English Woodland - April to April. With Engravings by Agnes Miller Parker. [Second Edition] NEAR FINE COPY IN UNCLIPPED DUSTWRAPPER‎

‎8vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.‎

‎Baud Bovy Auguste Roger Marx introduction Charles Morice poem Maurice Baud wood engravings‎

‎Vingt oeuvres du peintre Baud-Bovy 1848-1899‎

‎Gen�ve Geneva: Cercle des Arts & des Lettres 1901. A stunning suite of TWENTY LARGE FOLIO WOOD ENGRAVINGS by Maurice Baud after paintings executed by Auguste Baud-Bovy between 1886 and 1898 depicting 19th-century Alpine life and landscapes in all of their picturesque austerity. 28 pages plus 20 full-page hors-texte wood-engravings. Complete with detailed letterpress descriptions. Edition limited to 171 copies of which this is number 41 one of 150 on fine wove paper printed for M.C. Fran�ois and SIGNED BY BAUD. Absolutely complete with ALL PRINTED TISSUE-GUARDS PRESENT. Large folio 51.9 x 39.7 cm. Loose as issued in publisher's attractive cloth portfolio. Half-title spotted last leaf wood engraving no. 20 with some small marginal tears else FINE AND BRIGHT. A rare and important collection of Alpine prints. <br/><br/> Cercle des Arts & des Lettres hardcover‎

書籍販売業者の参照番号 : 38254

‎Beardsley (Aubrey)‎

‎The Later Work of Aubrey Beardsley‎

‎1920 Beardsley (Aubrey), The Later Work of Aubrey Beardsley, 1920, London, John Lane‎

‎Disponibilité sous réserve de vente en boutique, prix valable frais de port inclus pour commande > 90 € et poids < 1 Kg‎

書籍販売業者の参照番号 : LCI-2714