|
Manjula Lusti-Narasimhan ; photographies de Johnathan Watts
BharatanÄá¹yam : la danse classique de l'Inde
Genève Paris: Musée d'ethnographie de Genève ; A. Biro 2002. Trade paperback. Good/Not issued. 240 x 310 x 17 cm. Johnathan Watts. Paperback • Frontispice illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b> • Printed 2002. Musée d'ethnographie de Genève ; A. Biro paperback
Referenz des Buchhändlers : PMV431902M ISBN : 2876603349 9782876603349
|
|
|
African American Photography
African American Family Life and Mobility Early 20th Century Photo Album with Travel and WWI Context
1910. African American family photo album 1910s documenting domestic life social relationships and travel among a Black family during the early twentieth century. The album records moments of leisure movement and community interaction providing visual evidence of African American middle-class or aspirational life during the Jim Crow era. The material captures women's social networks family structure and engagement with broader public spaces including travel religious institutions and wartime presence.<br /> <br /> Album comprises 89 original silver gelatin photographs mounted on black pages. The opening image shows a well-dressed Black couple posed in front of a house followed by sequences featuring three young women likely family members pictured in outdoor settings including picnics and leisure gatherings while wearing Edwardian day dresses. Multiple photographs depict these women in relaxed and social poses smiling embracing and interacting closely. One image includes a Black man in a sailor's uniform among a group of women suggesting a connection to World War I-era military service. Additional photographs show the family residence as well as a white family possibly neighbors or acquaintances including a young white man in U.S. Army uniform. Travel is a recurring theme throughout the album with images of beach outings urban views from elevated vantage points and varied landscapes including snowy residential scenes and subtropical vegetation such as palm and banana plants. Several photographs depict the women in the company of nuns alongside churches and religious shrines indicating engagement with Catholic institutions or schooling. A parade of sailors marching through a city street is also captured. Later images show boating scenes including a rowboat and a larger ship identified in one photograph as "U.S.S. Salem" a naval vessel in service between 1908 and 1921 suggesting geographic movement along the Eastern seaboard.<br /> <br /> Created during a period of legalized racial segregation and restricted social mobility these photographs provide a record of African American life that emphasizes leisure travel and social connection. The repeated depiction of young women in varied environments highlights patterns of movement and participation in public and semi-public spaces not often preserved in visual records of the period. Album pages exhibit fragility with some detachment from the string binding; photographs remain well-preserved and adhered; overall good condition. This album offers an extended visual record of African American family life and social experience in the 1910s. unknown
Referenz des Buchhändlers : 21161
|
|
|
Monique Levi-Strauss ; photographies de Massimo Listri
Cachemires : l'art et l'histoire des châles en France au XIXe siècle
Paris: A. Biro 1987. Hardcover. Good/Good. 250 x 325 x 30 cm. Massimo Listri. Hardcover • Illustrations en couleurs • <b><i>French text original</i></b>. A. Biro hardcover
Referenz des Buchhändlers : PMV432602M ISBN : 2876600005 9782876600003
|
|
|
Conrad Lloyd Morgan ; photographies Richard Bryant
Sperone
Paris: A. Biro 1996. Hardcover. Good/Good. 251 x 268 x 20 cm. Richard Bryant. Hardcover • Illustrations • <b><i>French text original</i></b>. A. Biro hardcover
Referenz des Buchhändlers : PMV433901Q ISBN : 2876601818 9782876601819
|
|
|
Henry Bonnier ; photographies de Pascal Bories ; temoignages de Andre Hours et Edouard Jaupart
Jean Cardot
Paris: A. Biro 2000. Hardcover. Good/Good. 31 cm. Pascal Bories. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. A. Biro hardcover
Referenz des Buchhändlers : PMV436101E ISBN : 2876603004 9782876603004
|
|
|
textes d'Elisabeth Vedrenne et de Valerie de Maulmin ; photographies de Catherine Panchout
Les pionnières : dans les ateliers des femmes artistes du XXe siècle La publication a donné lieu à deux expositions : à Paris Galerie Pierre-Alain Challier 10 mars-7 avril 2018 et Galerie Martel-Greinier printemps 2018
Paris: Somogy éditions d'art ; "Connaissance des arts" ; Galerie Hélène Greiner 2018. Hardcover. Good/Not issued. 229 x 278 x 23 cm. Catherine Panchout. Hardcover • Illustrations en couleurs • <b><i>French text original</i></b>. Somogy éditions d'art ; "Connaissance des arts" ; Galerie Hélène Greiner hardcover
Referenz des Buchhändlers : PMV501601Q ISBN : 2757213059 9782757213056
|
|
|
Crossdressing Photography
LGBTQ History Queer and Cross-Dressing Photographs of Gender Nonconforming Performance and Lesbian Romance 1890s-1903
1890. LGBTQ Cross-Dressing Turn-of-the-century photography of queer gender expression and theatrical cross-dressing during the late nineteenth and early twentieth centuries. Produced in the 1890s through the early 1900s the photographs capture women presenting in masculine attire and gender-bending costume roles. The material provides visual evidence of gender nonconformance and coded queer intimacy during a period when same-sex relationships and gender variance was both socially stigmatized or criminalized in Europe and North America. Costume theatrical play and staged portraiture were socially legible expressions of queer identity and romantic relationships in an otherwise restrictive social environment.<br /> <br /> Archive of 17 photographs and real photo postcards measuring approximately 4 x 6 inches to 3.5 x 4 inches. Six silver gelatin photographs depict a group gathered in a parlor where several individuals wear men's formal clothing including suits bow ties and top hats. The scenes portray staged performances and playful activities among the group including one image of two participants dancing a waltz another showing one individual lifting another in a theatrical fainting pose and a musical scene in which one figure plays a banjo while another accompanies on guitar. The archive also includes eleven real photo postcards featuring studio portraits of female performers wearing stylized Spanish costume roles including toreador and flamenco dancer attire alongside one portrait in contemporary Western clothing. Many postcards are postmarked 1903 and bear handwritten French inscriptions on the versos. The studio portraits emphasize romantic gestures including poses in which one figure offers a flower to the other whispers closely to a partner or holds a guitar in serenade.<br /> <br /> During the late nineteenth and early twentieth centuries theatrical costume and staged photography frequently provided socially acceptable frameworks for gender experimentation and intimate same-sex companionship that might otherwise attract scrutiny. Such imagery is particularly significant for documenting queer social worlds prior to the emergence of organized LGBTQ political movements later in the twentieth century. Archives of private photographs capturing gender-nonconforming dress and affectionate same-sex interaction from this era remain comparatively scarce. Light edge wear and minor surface marks visible on several photographs and postcards consistent with age; photographic images retain strong clarity; overall very good condition. This archive preserves a rare visual record of queer gender play and same-sex intimacy during the decades preceding modern LGBTQ rights movements. unknown
Referenz des Buchhändlers : 21304
|
|
|
Lesbian Photography
LGBTQ History Mid Twentieth Century Photographs of Lesbian Affection and Female Companionship in Private and Social Settings 1950s to 1970s
1950. Mid twentieth century photographs documenting expressions of intimacy and companionship between women during decades when lesbian relationships were widely stigmatized and rarely documented in public records. The images preserve visual evidence of everyday social and romantic interaction between women during the Cold War era a period when same sex relationships were often concealed within private social networks due to legal penalties and cultural hostility directed toward LGBTQ communities. Scenes of women embracing kissing dancing and relaxing together provide direct photographic documentation of forms of affection and companionship that frequently remained invisible within official historical archives.<br /> <br /> Archive of 24 photographs consisting primarily of silver gelatin prints along with several real photo postcards dating approximately from the 1950s through the 1970s. The photographs capture women interacting in domestic recreational and social environments. One photograph shows two formally dressed women exchanging a kiss while one holds a bouquet of flowers the composition suggesting a celebratory moment that may mark a romantic commitment. Another image depicts a woman seated on another woman's lap with both embracing closely their short hairstyles and tailored clothing reflecting contemporary forms of gender presentation that challenged conventional expectations of women's dress. Additional images show women dancing together in public settings as well as groups of women lounging outdoors in swimwear including a photograph in which one woman reclines with her head resting in another woman's lap as they look toward one another. The photographs collectively depict a range of affectionate gestures and relaxed social interaction among women.<br /> <br /> During the mid twentieth century lesbian relationships frequently remained undocumented in official records because social stigma and legal restrictions discouraged public acknowledgment of same sex partnerships. Personal photography therefore constitutes one of the most important surviving sources for reconstructing everyday LGBTQ social life during this period. Images of women in affectionate physical proximity illustrate how emotional intimacy between women often existed within deliberately ambiguous social spaces that allowed relationships to avoid scrutiny while sustaining meaningful companionship. Photographs range in size from approximately 2.75 x 3.5 inches to 5 x 7 inches. Minor corner wear and light discoloration consistent with age; overall good condition. The archive provides valuable visual documentation of lesbian intimacy and women's social networks during the mid twentieth century. unknown
Referenz des Buchhändlers : 21321
|
|
|
Lesbian Photography
Lesbian & Female Companionship Photo Archive 1930s-60s
1930. LGBTQ Lesbian Archive of 29 photographs ca. 1930s-1960s documents intimate companionship romantic affection and gender nonconformity among women in mid-twentieth-century America during decades marked by censorship employment discrimination and criminalization of homosexual conduct. The images preserve visual evidence of lesbian self-fashioning and relational life prior to organized lesbian liberation supporting research into private queer domesticity coded public affection and gender presentation within pre-Stonewall communities. The archive includes formal studio portraits candid outdoor scenes and staged domestic interiors capturing women embracing reclining together holding hands and gazing into one another's eyes. Particularly striking images include two women reclining in grass leaning in for a kiss; a couple embracing on a city sidewalk in confident public display; and a snow-covered ceremony scene in which one woman wears a tailored suit while the other appears in a white gown evoking marriage ritual symbolism.<br /> <br /> Archive of 29 black-and-white silver gelatin photographs. Circa 1930s-1960s. Sizes range from approximately 2.5 x 4 inches to 4 x 6 inches. Several images feature women in suits and ties juxtaposed with partners in dresses visually articulating butch-femme dynamics or broader gender fluidity. One 1940s photograph inscribed en verso reads "We'll dance at your wedding!" underscoring ceremonial and relational themes. Photographs vary between posed and candid compositions.<br /> <br /> Produced in an era when lesbian relationships were largely relegated to coded privacy the archive offers concentrated visual documentation of emotional intimacy and gender variance prior to second-wave feminism and gay liberation. Minor handling wear present; images remain crisp and well defined. Overall very good condition. A cohesive mid-century lesbian photographic record emphasizing affection partnership and gender presentation. unknown
Referenz des Buchhändlers : 21335
|
|
|
par Jean Soustiel et Yves Porter ; photographies d'Antoine Lesieur ; coordination, Marie-Christine David ; preface, Marthe Bernu
Tombeaux de paradis : le Shâh-e Zende de Samarcande et la céramique architecturale d'Asie centrale
Saint-Rémy-en-l'Eau: M. Hayot 2003. Hardcover. Good/Good. 246 x 282 x 23 cm. Antoine Lesieur. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. M. Hayot hardcover
Referenz des Buchhändlers : PMV505204Q ISBN : 2903824363 9782903824365
|
|
|
textes de Jean-Claude Rochette ; [photographies de] Francois Poche
Le dôme des Invalides : un chef-d'oeuvre restauré
Paris: Somogy ; Musée de l'Armée 1996. Hardcover. Good/Good. 257 x 288 x 19 cm. François Poche. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Somogy ; Musée de l'Armée hardcover
Referenz des Buchhändlers : PMV505102E ISBN : 2850562300 9782850562303
|
|
|
Jean Mesqui ; photographies de Mohamad al Roumi et Jean Mesqui
Châteaux d'Orient : Liban Syrie
Paris: Hazan 2001. Hardcover. Good/Good. 260 x 310 x 24 cm. Mohamad al Roumi. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. Hazan hardcover
Referenz des Buchhändlers : PMV301701E ISBN : 2850257885 9782850257889
|
|
|
Marc Guillaume ; preface, Jean-Philippe Lecat ; photographie, Francois Jay
Jean Laronze : peintre de la Bourgogne 1852-1937
Paris: Somogy 2005. Hardcover. Good/Good. 255 x 290 x 21 cm. François Jay. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. Somogy hardcover
Referenz des Buchhändlers : PMV428402E ISBN : 2850568457 9782850568459
|
|
|
African American Photography
Young African American Mother and Child Tintype
1860. African American Sixth plate tintype featuring a young African American woman and an African American girl likely mother and daughter posed before a wall covered with floral wallpaper. Both of them wear light cotton dresses the woman dons an updo hair style with ringlet bangs the young girl's hair scalp length. Measures 3.25" x 4". Housed in a half pressed paper case. These portraits come from a time just after emancipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity the formerly impossible made possible. Overall very good condition. unknown
Referenz des Buchhändlers : 21505
|
|
|
Andre Ravereau ; preface de Hassan Fathy & photographies de Manuelle Roche
Le M'Zab une leçon d'architecture
Arles: Sindbad ; Actes Sud 2003. Reissue. Trade paperback. Good/Not issued. 223 x 280 x 17 cm. Manuelle Roche. Paperback • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text original</i></b>. Sindbad ; Actes Sud paperback
Referenz des Buchhändlers : PMV510001Q ISBN : 2742742700 9782742742707
|
|
|
Photography
New York City Turn of the Century Photo Archive
1927. Industrialization of New York City turn of the century photo archive. Archive of 3 original silver gelatin photographs show significant infrastructure and transportation developments in New York City during the early 20th century showcasing the city's rapid industrial growth and evolving urban landscape. Two of the photographs capture the dramatic steelwork and construction of New York's elevated rail system likely part of the now defunct Third Avenue El line in Lower Manhattan. One image dated September 1927 shows a crane lifting a heavy girder into place above Bowery Street with crowds and carriages visible below. The second image provides a striking perspective looking south from the elevated structure emphasizing the scale of the city's transit overhaul. Together these photos reflect the monumental engineering feats required to modernize New York's public transportation. The third image an elevated view of the West Side piers and warehouses captures a bustling waterfront scene filled with parked cars and delivery trucks highlighting the area's importance as a hub for trade and shipping. The sheer number of vehicles and the vast scale of the industrial buildings point to New York's status as a major commercial and logistical center during the interwar period. This set offers a vivid visual account of New York's transformation during a critical era of growth shaped by expanding transportation systems and the demands of modern urban commerce. Some minor wear overall very good condition. unknown
Referenz des Buchhändlers : 21823
|
|
|
textes de Bertrand Goy, Gisele Krauskopff ; entretien avec Henri Bancaud ; photographies de la collection Hughes Dubois
Sculptures de bois au Népal : bouffons et protecteurs : collection Max Itzikovitz
Milan: 5 continents 2009. Hardcover. Good/Not issued. 29 cm. Hardcover • Illustrations couverture illustrée • <b><i>French text original</i></b> • Printed 2009. 5 continents hardcover
Referenz des Buchhändlers : PMV300901Q ISBN : 8874394950 9788874394951
|
|
|
Regula Tschumi ; photographies de Regula Tschumi
Les trésors enterrés des Ga : l'art des cercueils au Ghana
Bern Sulgen Zürich: Benteli 2011. Hardcover. Good/Not issued. 240 x 280 x 30 cm. Regula Tschumi. Hardcover • Illustrations en noir et en couleurs couverture illustrée en couleurs • <b><i>French text translated from German</i></b>. Benteli hardcover
Referenz des Buchhändlers : PMV430201Q ISBN : 3716516635 9783716516638
|
|
|
texte, Jean-Paul Demoule ; photographies, Erich Lessing
Naissance de la figure : l'art du paléolithique à l'âge du fer
Paris: Hazan 2007. Hardcover. Good/Good. 265 x 305 x 25 cm. Erich Lessing. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b> • Printed 2007. Hazan hardcover
Referenz des Buchhändlers : PMV301503M ISBN : 2850259934 9782850259937
|
|
|
Cold War Photography
Cold War Intelligence History U.S. Army Counterintelligence Photographic Training Manuals from Fort Holabird 1960 to 1963
1960. U.S. Army Intelligence School instructional materials issued between 1960 and 1963 document the formal training of counterintelligence personnel in clandestine photography at Fort Holabird during the Cold War. Produced by the Department of Counterintelligence these documents establish photographic surveillance as a core technical discipline within military intelligence emphasizing the use of compact cameras covert image capture and field processing under restricted conditions. The archive supports research into Cold War espionage military training systems and the adaptation of commercial photographic technology for intelligence purposes.<br /> <br /> Archive consists of nine mimeographed typescript documents totaling 111 pages each three hole punched and measuring approximately 8.5 x 11 inches with designations including "SupR" Supplemental Reading "SO" Student Outline "SIS" Student Information Sheet and "PE" Practical Exercise. Titles are as follows: 1 Description and Operation of the Leica Camera SO Jun 63; 2 Minox Camera SupR May 60; 3 Minox Camera PE Mar 62; 4 35mm Camera SO Oct 61; 5 Subminiature Film Development Supl Nov 62; 6 Subminiature Cameras SO Mar 62; 7 Photographic Strip Printing PE Mar 61; 8 Film Development by Inspection PE Jan 62; 9 Cameras Films and Developers SIS Jan 62. The documents include technical diagrams of camera models such as the Leica IIIF exposure tables film speed comparisons and procedural instructions for photographic capture and processing. Instruction emphasizes the operational value of compact cameras noting that the "Minox miniature camera is one of the most valuable items presently available in the field of intelligence photography" particularly for tasks where "larger cameras are not adaptable or available." Practical exercises required trainees to complete full exposure rolls conduct strip printing tests and photograph designated areas within training grounds.<br /> <br /> These materials were produced during a period when photographic intelligence became central to military and intelligence operations requiring personnel to operate in environments described as "restricted or otherwise forbidden areas" where detection could result in "danger imprisonment or confiscation of camera and exposed film." The curriculum reflects a standardized and technical approach to surveillance combining theoretical instruction with applied field exercises to ensure operational readiness. The emphasis on subminiature formats concealment and independent exposure estimation demonstrates the constraints under which intelligence photography was conducted prior to digital and automated systems. Minor edge wear and light toning; documents remain clean and legible; overall very good condition. This archive provides concentrated primary documentation of U.S. Army counterintelligence training and the technical foundations of Cold War photographic surveillance. unknown
Referenz des Buchhändlers : 22308
|
|
|
African American Photography
African American Youth Culture Photo Album Documenting Black Middle Class Social Life in the 1920s
1920. Archive of original vernacular photographs documenting the social world and self-presentation of a group of young African American men and women during the 1920s capturing leisure friendship fashion and upward mobility within the emerging Black middle class of the interwar period. The photographs record a confident and socially connected cohort of well-dressed young adults posed in domestic and outdoor settings reflecting the expanding educational and social opportunities available to some African Americans in the decades following the Great Migration. The material documents African American youth culture and middle-class identity formation through informal portraiture handwritten captions fashionable clothing and scenes of sociability providing insight into how young Black Americans represented dignity aspiration and companionship during an era marked by segregation and racial exclusion. The recurring appearance of a large residence together with the formal dress and group compositions suggests a milieu connected to higher education boarding life or organized social circles within Black urban or collegiate communities.<br /> <br /> Archive consists of 23 original silver gelatin photographs mounted on 11 black paper album leaves most photographs measuring approximately 3.5 x 2 inches. Images depict groups of African American men and women standing arm-in-arm seated on grassy lawns gathered on porches and posed before a substantial multi-story home appearing repeatedly throughout the album. The men wear tailored three-piece suits ties polished shoes brimmed hats and long overcoats while the women appear in cloche hats belted coats white dresses and other fashionable attire associated with 1920s urban style and flapper-era dress. Several photographs contain handwritten captions in white ink directly on the image surface including one affectionate couple portrait labeled "Secrets of Success" and another humorous group image captioned "Chief Hot Mud-Draw backs or money backs" revealing playful social banter among the sitters. One photograph mounted on the verso of an album leaf depicts a woman holding an infant introducing evidence of familial transition and suggesting the album may have evolved from a record of youthful friendship into broader personal documentation. The photographs emphasize camaraderie poise and deliberate presentation with subjects frequently facing the camera directly in relaxed but carefully composed poses.<br /> <br /> The archive provides valuable visual evidence of African American social and cultural life during the 1920s when Black educational attainment professional mobility and urban migration were reshaping middle-class identity in cities and college communities across the United States. Unlike commercial studio portraits these informal vernacular images preserve interpersonal dynamics humor and friendship networks within a self-defined Black social environment. The clothing gestures and handwritten captions collectively document how young African Americans used photography to assert refinement sophistication and modern identity during the Jim Crow era. Album leaves exhibit chipping and edge wear with occasional wear to several photographs; images themselves remain clear and well preserved overall. Very good condition. A rare and expressive vernacular photographic archive documenting African American youth culture fashion and social identity during the interwar years. unknown
Referenz des Buchhändlers : 22468
|
|
|
African American Photography
African American Diplomat Family International Travel 250 Vernacular Photographs Archive 1960s-1970s
1960. African American Travel Extensive vernacular photo archive of an upper class Black family's global travel. Circa 1960s-1970s. Archive of approximately 250 original vernacular photographs the majority in color. Most measure 3.5" x 4.5". Some bear date stamps ranging from 1960 to 1973. A remarkable visual record of mid-century African American upward mobility transnational leisure and diplomatic life abroad this extensive archive documents the travels and social life of a Black family possibly connected to the U.S. diplomatic corps across Europe Africa Latin America and the American West during the 1960s and 1970s.<br /> These photographs highlight visits to global landmarks including the Pyramids of Teotihuacan in Mexico Sacré-Cœur in Paris and the Piazza San Marco in Venice. One particularly vivid image shows the couple in a rooftop café with the backdrop of the French or Italian Riviera others depict them in bathing suits by private pools walking through bustling urban centers and exploring ancient ruins. The archive also documents urban views from hotel balconies stylish poolside gatherings and intimate couple portraits. A group of children appears in several frames in what may be Mexico City identifiable by signage and architectural clues. Many other photos show candid shots and some posed portraits capturing every day life in homes and in front of cars suggesting prosperity and status during an era still marked by domestic segregation and civil rights struggle<br /> <br /> A portion of the photographs show mild curling or fading consistent with age but the photographs remain clear and vivid overall very good condition. Together these photographs chronicle the life of a family that traversed international borders at a time when legal and social segregation still constrained the lives of many African Americans at home. unknown
Referenz des Buchhändlers : 22458
|
|
|
Colette Garraud ; avec la collaboration de Mickey Boel ; photographies d'Elisabeth Broekaert
L'artiste contemporain et la nature : parcs et paysages européens
Paris: Hazan 2007. Hardcover. Good/Good. 250 x 315 x 35 cm. Élisabeth Broekaert. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. Hazan hardcover
Referenz des Buchhändlers : PMV216802Q ISBN : 285025987x 9782850259876
|
|
|
photographies Michiel Elsevier Stokmans
Bijoux ethniques : Afrique Asie et îles du Pacifique : la collection René Van der Star La publication de ce livre coïncide avec l'exposition de la collection de bijouterie ethnique de René Van der Star au Rotterdam Kunsthalle Hollande
Amsterdam Singapour: Pepin Press 2002. Hardcover. Good/Not issued. 290 x 315 x 33 cm. Michiel Elsevier Stokmans. Hardcover • Illustrations en couleurs • <b><i>French text original</i></b>. Pepin Press hardcover
Referenz des Buchhändlers : PMV521801E ISBN : 9054961007 9789054961000
|
|
|
Claude Jeancolas ; [photographies, Andrew Brucker]
Moirignot : aimer créer rêver Publié à l'occasion de l'exposition "Moirignot : aimer créer rêver : 1913-2002" présentée par le Sénat à l'Orangerie du Palais du Luxembourg Paris du 24 août au 10 septembre 2006
Paris: Éd. FVW 2006. Hardcover. Good/Good. 250 x 320 x 17 cm. Andrew Brucker. Hardcover • Nombreuses illustrations jaquette illustrée en couleurs • <b><i>French text original</i></b>. Éd. FVW hardcover
Referenz des Buchhändlers : PMV215205Z ISBN : 2914304188 9782914304184
|
|
|
Melanie Riffel, Sophie Rouart ; photographies de Marc Walter
La toile de Jouy
Paris: Citadelles & Mazenod 2003. Hardcover. Good/Good. 250 x 310 x 22 cm. Marc Walter. Hardcover • Nombreuses illustrations en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. Citadelles & Mazenod hardcover
Referenz des Buchhändlers : PMV410804E ISBN : 2850881910 9782850881916
|
|
|
essais [de] John Beringen, Hugo E Kreijger, Ien Rappoldt [et al] ; photographies Michiel Elsevier Stokmans
L'art des bijoux en argent : des minorités de la Chine du Triangle d'or de la Mongolie et du Tibet : la collection de René van der Star
Milan: Skira 2006. Hardcover. Very good/Good. 260 x 308 x 22 cm. Michiel Elsevier Stokmans. Hardcover • Photographies • <b><i>French text original</i></b> • Printed 2006 • No inscriptions. Skira hardcover
Referenz des Buchhändlers : PMV427501A ISBN : 8876243852 9788876243851
|
|
|
San Francisco Early Photography
San Francisco 1906 Earthquake Stereoview Photograph Archive
1906. San Francisco Earthquake Early Photography A collection of 10 stereoviews documenting the aftermath of the April 18 1906 San Francisco earthquake and fire published by The World Wide View Co. Chicago as part of "The World Wide Series." Standard stereocard format mounted albumen prints with printed captions on the recto. Each measure 3.5" x 7".<br /> <br /> This dramatic archive provides a rare three-dimensional record of one of the deadliest natural disasters in U.S. history which left more than 80% of San Francisco destroyed and tens of thousands homeless. The stereoviews capture both sweeping cityscapes and intimate street-level views of devastation with toppled buildings charred ruins crumbled brick facades and the skeletal remains of once-grand structures. Several cards feature iconic civic landmarks including the ruins of City Hall the domes of the ruined Call Building and twisted wreckage surrounding Catholic churches. One harrowing image captures a woman with a few young boys overlooking the devastated buildings "Looking west from the Jewish Synagogue". Another shows bank safes being guarded by local authority to keep them from being looted. A photo of local refugee men in suits are shown huddled around a small structure with their former dwellings in the background. Others show daily life amidst catastrophe with men and women surveying rubble or attempting to salvage belongings. The stereoscopic format viewed through a stereoscope gave contemporary audiences a startling sense of realism effectively transporting viewers into the disaster zone. Light wear though images remain clear and legible. Overall a very good condition. A powerful immersive visual archive of America's most infamous natural disaster. Overall very good condition. unknown
Referenz des Buchhändlers : 22602
|
|
|
Photography
New York Albumen Photographs Showing St. Patrick's Cathedral Madison Square and Central Park's 110th Street Bridge
1870. Unknown photographer New York City architectural and park views late nineteenth century documents the city's built environment before steel-frame towers reshaped Manhattan's skyline and supports research into Gilded Age urban development religious architecture elite social geography street surfaces and park infrastructure. The group records a city still defined by masonry churches clubs cobblestone streets carriage-era circulation and landscape engineering rather than the vertical commercial skyline that followed the 1889 Tower Building often identified as New York's first steel-skeleton skyscraper. Because the 110th Street Bridge in Central Park was built in the 1890s the evidence supports a broader late nineteenth-century dating for the group rather than a strictly 1870 to 1879 date. <br /> <br /> Three mounted albumen prints photographs measuring approximately 6 x 8 inches on 8 x 10 inch mounts each with period manuscript caption labels. The first image shows the façade of St. Patrick's Cathedral on Fifth Avenue a major Catholic architectural project begun in 1858 formally opened in 1879 and completed with spires in 1888. The second view shows cobblestone streets at 26th Street and Madison Avenue with the caption identifying the Jockey Club later known in the supplied description as the Manhattan Club and the spire of Dr. Parkhurst's church visible in the background. The third image is captioned as "The Snake" bridge at Central Park's 110th Street documenting the park's northern infrastructure and the city's continued expansion into uptown Manhattan. <br /> <br /> Together the photographs place religious ambition elite leisure geography street texture and park construction within the same visual record of New York before skyscraper modernity. The St. Patrick's view connects Catholic institutional visibility to the growth of immigrant New York while the Madison Avenue and Central Park views preserve the city's carriage-era surfaces club districts and designed circulation systems. Light fading to albumen prints strong remaining detail clean sturdy mounts and minor edge wear very good overall. Compact late nineteenth-century New York photograph archive showing the architectural and infrastructural city that preceded the modern Manhattan skyline. unknown
Referenz des Buchhändlers : 22613
|
|
|
Fabienne Verdier ; texte de Charles Juliet ; photographies de Dolores Marat et Naoya Hatakeyama
Entre ciel et terre
Paris: A. Michel 2007. Hardcover. Good/Good. 255 x 320 x 27 cm. Dolorès Marat Naoya Hatakeyama. Hardcover • Nombreuses illustrations en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. A. Michel hardcover
Referenz des Buchhändlers : PMV428902Q ISBN : 2226178473 9782226178473
|
|
|
[photographies d'] Alexandre Orloff ; [textes de] Salah Stetie
Les trois médinas : Tunis Alger Fès
Paris Arles: Imprimerie nationale éd. ; diff. Actes Sud 2011. Hardcover. Good/Good. 268 x 308 x 30 cm. Alexandre Orloff. Hardcover • Illustrations en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b> • Printed 2011. Imprimerie nationale éd. ; [diff.] Actes Sud hardcover
Referenz des Buchhändlers : PMV429701E ISBN : 2742798757 9782742798759
|
|
|
[photographies de] Jean-Louis Nou ; [texte de] Louis Frederic
Borobudur
Paris: Imprimerie nationale 1994. Hardcover. Good/Good. 33.5 x 30.5 x 4.7 cm. Jean-Louis Nou. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Imprimerie nationale hardcover
Referenz des Buchhändlers : PMV424002E ISBN : 2110811447 9782110811448
|
|
|
Spanish-American War Photography
Spanish-American and Philippine-American War Visual Culture in 1898-1899 Stereoscopic Photographs
1898. Spanish-American War and Philippine-American War photo archive group of 16 stereoscopic prints produced 1898-1899 documenting United States military campaigns and imperial expansion in Cuba and the Philippines. The material captures battlefield actions troop mobilization and the transition from war with Spain to conflict with Filipino forces providing visual evidence of how military operations and their participants were represented to contemporary audiences. These images record both organized combat and its aftermath including American volunteer units Cuban insurgents and Filipino resistance fighters offering insight into the multinational and transitional nature of the ÕºÕ¡Õ¿Õ¥Ö€Õ¡Õ¦Õ´ at the turn of the twentieth century.<br /> <br /> Sixteen albumen stereoscopic prints mounted on beige card stock each approximately 3.5 x 7 inches issued by publishers Strohmeyer and Wyman and Underwood and Underwood. The archive includes views of the 1st U.S. Volunteer Cavalry "Rough Riders" with scenes such as "Hill charged and taken by the 'Rough Riders' San Juan Cuba" depicting soldiers advancing uphill in formation and "Troop H Captain Curry 'Rough Riders'" showing mounted troops assembled with visible uniforms and equipment. Additional images document mobilization and infrastructure including "U.S. Infantry on the March near Camp Tampa Florida" and "Dock at Tampa on the Day of Sailing for Santiago de Cuba" with soldiers transport areas and staging activity. Cuban participation appears in "Cubans in their Trenches Awaiting the Spaniards Pinar del RÃo" showing armed insurgents positioned defensively. The destruction of the USS Maine is represented in "Near View of the 'Maine' Wreck. Havana Harbor" with visible structural damage. Philippine conflict is depicted in images such as "Washington Volunteers advancing. Filipino trenches in front" and "Behind the Filipino Trenches after the Battle of Malabon" including views of fallen soldiers and battlefield terrain. Additional views include U.S. Marines at Mare Island Navy Yard illustrating domestic military preparation.<br /> <br /> Produced at a moment when stereoscopic imagery served as a primary medium for visualizing distant যà§à¦¦à§à¦§ these prints demonstrate how conflict was presented to the American public through immersive three-dimensional formats. The archive shows the construction of military narratives that emphasized organization movement and engagement while also preserving details of landscape equipment and human presence across multiple theaters. The inclusion of Cuban and Filipino subjects situates the material within broader histories of colonial transition and resistance following Spanish rule. The collection supports research into military history visual media and the representation of U.S. imperial expansion at the end of the nineteenth century. Light toning to mounts minor edge wear and scattered surface wear; images remain sharp with strong contrast; overall very good condition. A cohesive visual record of two interconnected conflicts marking the emergence of the United States as an overseas power. unknown
Referenz des Buchhändlers : 22690
|
|
|
texte de Jean-Pierre Van Tieghem ; photographies de Christian Carez
Ghysels : une esthétique de l'espace = the beauty of space
Milan: 5 Continents 2007. Hardcover. Good/Good. 297 x 313 x 21 cm. Christian Carez. Hardcover • Photographies en noir jaquette illustrée • <b><i>French English text original</i></b>. 5 Continents hardcover
Referenz des Buchhändlers : PMV303601Q ISBN : 8874394292 9788874394296
|
|
|
Ferry M Bertholet ; avec les contributions de Lambert van der Aalsvoort, Arlette Kouwenhoven, Steven Martin ; photographie, Mich
Opium : la perle noire : art et histoire d'un rituel perdu : collections Ferry M. Bertholet et Cees Hogendoorn
Paris: Citadelles & Mazenod 2007. Hardcover. Very good/Very good. 260 x 310 x 25 cm. Michiel Elsevier Stokmans. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b> • No inscriptions. Citadelles & Mazenod hardcover
Referenz des Buchhändlers : PMV529502A ISBN : 2850882429 9782850882425
|
|
|
Lesley Ellis Miller ; postface, Pierre Arizzoli-Clementel ; photographies, Christine Smith ; traduction et adaptation francaise,
Soieries : le livre d'échantillons d'un marchand français au siècle des Lumières
Lausanne: la Bibliothèque des arts 2014. Hardcover. Very good/Good. 237 x 318 x 28 cm. Christine Smith. Hardcover • Illustrations en noir et en couleurs cartes portraits jaquette illustrée en couleurs • <b><i>French text translated from English</i></b> • No inscriptions. la Bibliothèque des arts hardcover
Referenz des Buchhändlers : PMV531003A ISBN : 2884531815 9782884531818
|
|
|
Pierre Restany ; photographies, Jean Letourneur
René Letourneur Cette nouvelle édition révisée et enrichie est réalisée à l'occasion de l'exposition "L'atelier du sculpteur René Letourneur" présentée au Musée d'Ile-de-France - Conseil général des Hauts de Seine du 7 mai au 3 novembre 2009
Paris: Cercle d'art 2009. Reissue. Trade paperback. Good/Not issued. 240 x 320 x 19 cm. Jean Letourneur. Paperback • Illustrations couverture illustrée • <b><i>French text original</i></b> • Printed 2009. Cercle d'art paperback
Referenz des Buchhändlers : PMV531204Q ISBN : 2702208975 9782702208977
|
|
|
Hawaii Photography
Hawaiian Islands Tourism and Colonial-Era Visual Culture in 1925 SS Resolute Photo Archive
1925. SS Resolute photo archive approximately 86 photographs dating to 1925 documenting a passenger voyage through the Hawaiian Islands and broader Pacific region during a period of expanding U.S. tourism and colonial presence. The material captures volcanic landscapes urban development agricultural activity and Native Hawaiian individuals providing visual evidence of both environmental features and social life. These images record the intersection of natural geography and emerging tourist infrastructure in Hawaii during the interwar period when the islands were increasingly integrated into trans-Pacific travel networks.<br /> <br /> Approximately 86 black-and-white and color photographs each measuring about 3.5 x 5 inches mounted on black album leaves with white ink captions identifying locations such as Honolulu Hilo Waimea Bay Kilauea Crater and the Royal Hawaiian Hotel. The archive includes multiple views of volcanic activity including lava flows associated with eruptions from 1868 1901 and 1924 as well as craters at Halemaumau and Kilauea steam vents and descending lava formations. Coastal landscapes and inland terrain of Oahu and the Big Island are represented alongside urban scenes in Honolulu including hotels streetscapes and institutional buildings such as the Moana Hotel and the Mormon Temple at Laie. Agricultural images show sugarcane cultivation and rural labor environments while market scenes and portraits depict local residents in daily settings. A group of photographs includes Duke Kahanamoku posed with a surfboard marked "DUKE" alongside additional images referencing Pacific locations such as Tutuila and Upolu indicating the voyage extended beyond Hawaii.<br /> <br /> Produced during the 1920s expansion of Pacific tourism these photographs document how Hawaii and surrounding islands were visually framed for travelers within a colonial and commercial context. The combination of landscape infrastructure and human subjects reflects both the promotion of the islands as a destination and the presence of established local communities and industries. The archive supports research into tourism history Pacific colonial networks environmental documentation and Native Hawaiian cultural representation. Mild toning and occasional rippling to prints with minimal edge wear; captions remain clear; overall very good condition. A comprehensive visual record of a trans-Pacific यातà¥à¤°à¤¾ and its documentation of Hawaii and neighboring islands in the early twentieth century. unknown
Referenz des Buchhändlers : 22784
|
|
|
[catalogue] sous la direction de Pamela Golbin ; [photographies de Patrick Gries]
Madeleine Vionnet puriste de la mode : exposition Paris Les Arts décoratifs 24 juin 2009-31 janvier 2010
Paris: les Arts décoratifs 2009. Hardcover. Good/Good. 255 x 335 x 34 cm. Patrick Gries. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. les Arts décoratifs hardcover
Referenz des Buchhändlers : PMV535001Q ISBN : 2916914137 9782916914138
|
|
|
Mexico Travel Photography
Photo Album Documenting Cultural History in Mexico Canada and U.S. Landscapes 1940 to 1941
1940. Photographic album of an American family's travels in 1940 and 1941 documents cross regional movement through Mexico Nova Scotia and the United States with a sustained visual record of Mexican landscapes labor and public life at the beginning of the 1940s. The album titled in manuscript "MEXICO 1941" includes detailed captions identifying locations agricultural practices and infrastructure situating the images within a period of expanding road networks and tourism in North America. The photographs support research into travel history visual documentation of rural and urban environments and cross cultural observation during the early twentieth century.<br /> <br /> Oblong photograph album containing approximately 180 original black and white silver gelatin photographs each measuring about 3 x 4 inches mounted on grey cardstock pages within a black pebbled faux leather album measuring approximately 9 x 7 inches. Over 80 photographs document travel in Mexico in 1941 with images of central Mexican landscapes including agave fields identified as sources of pulque and mezcal rural roads near Montemorelos the Tampoan River near Valles village scenes and market activity with vendors and goods displayed in open air settings. Urban views show streets with carts wagons and commercial signage. A recurring identified figure "Mary Kay" appears throughout including a photograph with a Spanish interpreter and references to a guide named Miquel "Mike" Soto. Additional photographs depict local residents including agricultural workers and market vendors. The remaining images include approximately 90 photographs from a 1940 trip to Nova Scotia and other North American locations including waterfront and forest scenes Washington D.C. civic architecture and monuments Texas small town environments and Gettysburg battlefield landscapes.<br /> <br /> The album was produced during a period when automobile travel and tourism expanded access to regional and international destinations allowing American travelers to document landscapes and communities through personal photography. The juxtaposition of Mexican rural and urban scenes with locations in Canada and the United States reflects differing regional environments while also demonstrating the continuity of travel practices and visual documentation. The inclusion of detailed captions indicates an effort to record geographic and cultural information alongside personal experience. Photographs remain clean and well preserved with secure corner mounts and a tight binding; overall very good condition. This album provides an extensive visual record of early 1940s travel across North America with particular emphasis on Mexico and Canada. unknown
Referenz des Buchhändlers : 22952
|
|
|
sous la direction de Sylva Petrova et Jean-Luc Olivie ; photographies de Gabriel Urbanek
Verres de Bohême : 1400-1989 : chefs-d'oeuvre des musées de Tchécoslovaquie Publié à l'occasion de l'exposition présentée à Paris Musée des arts décoratifs 17 octobre 1989-28 janvier 1990
Paris: Flammarion / Union des arts décoratifs 1989. Hardcover. Very good/Very good. 31.0 x 24.0 cm. Gabriel Urbanek. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b> • Printed 1989 • No inscriptions. Flammarion / Union des arts décoratifs hardcover
Referenz des Buchhändlers : PMV412102A ISBN : 2080121448 9782080121448
|
|
|
Anne van Cutsem ; photographies de Mauro Magliani
Parures de tête ethniques : d'Afrique d'Asie d'Océanie et d'Amérique de la collection Ghysels
Milan: Skira 2005. Hardcover. Very good/Very good. 248 x 287 x 28 cm. Mauro Magliani. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b> • No inscriptions. Skira hardcover
Referenz des Buchhändlers : PMV331001A ISBN : 8876242821 9788876242823
|
|
|
The Association Of International Photography Art Dealers
The Photography Show 98
The Association of International Photography Art Dealers. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. The Association of International Photography Art Dealers paperback
Referenz des Buchhändlers : GB00843NURKI4N00
|
|
|
Araki, Nobuyoshi
NOBUYOSHI ARAKI; Viaggio Sentimentale
Centro Per L'Arte Contemporanea Luigi Pecci. 2000. Paperback. Very Good. 32.5 X 27.5 X 0.1 centime; 240 pages . 8887700192 . Centro Per L'Arte Contemporanea Luigi Pecci paperback
Referenz des Buchhändlers : 68999 ISBN : 8887700192 9788887700190
|
|
|
[organisee par le Departement des arts graphiques du Musee du Louvre et le] Departement des estampes et de la photographie de la
Les effets du soleil : almanachs du règne de Louis XIV : XVIIe exposition de la Collection Edmond de Rothschild Paris Musée du Louvre du 19 janvier au 17 avril 1995
Paris: Réunion des musées nationaux 1995. Trade paperback. Very good/Not issued. 214 x 302 x 14 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée • <b><i>French text original</i></b> • Printed 1995 • No inscriptions. Réunion des musées nationaux paperback
Referenz des Buchhändlers : PMV608604A ISBN : 2711830616 9782711830619
|
|
|
[redige par] Jean Boudriot [et par] Hubert Berti ; photographies, Patrick Dantec
Modèles historiques au Musée de la Marine
Paris: Ancre 1997. Hardcover. Fine/Very good. 32 cm. Patrick Dantec. Hardcover • Illustrations en noir et en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b> • Printed 1997 • No inscriptions. Ancre hardcover
Referenz des Buchhändlers : PMV422903A
|
|
|
[photographies de] Frank Horvat, [texte de] Catherine Join-Dieterle
De la mode & des jardins : au Musée Galliera Publié à l'occasion de l'exposition Paris Musée de la mode et du costume 16 octobre 1997-26 avril 1998
Paris: Paris musées / Imprimerie nationale 1997. Hardcover. Good/Good. 275 x 335 x 27 cm. Frank Horvat. Hardcover • Illustrations en couleurs jaquette illustrée en couleurs • <b><i>French text original</i></b>. Paris musées / Imprimerie nationale hardcover
Referenz des Buchhändlers : PMV220302Z ISBN : 2743301643 9782743301644
|
|
|
Pierre Provoyeur ; iconographie reunie par Michel Brodsky, Gerard Benoit-Vivier et l'auteur ; photographies Jacques Boulay
Vivier
Paris: Éd. du Regard 1991. Hardcover. Good/Good. 33 x 25 x 3 cm. Jacques Boulay. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Éd. du Regard hardcover
Referenz des Buchhändlers : PMV605701Q ISBN : 2903370680 9782903370688
|
|
|
Weems, Carrie Mae
CARRIE MAE WEEMS; The Hampton Project
Aperturewilliams College Museum of Art. 2001. First. Hardcover. Near Fine in Near Fine dust jacket. Aperturewilliams College Museum of Art hardcover
Referenz des Buchhändlers : 69042
|
|
|
Mexico Photography
Mexican Culture Craftsmen and Local Communities Photo Archive 1940s-60s
1950. Mid-century Mexico photo archive of markets colonial architecture rural households and regional custom recording Mexico everyday labor Indigenous craft traditional dress and iconic national scenery. The photos primarily show on the ground local customs basket vendors seated behind stacks of woven wares pottery sellers in street market display women posed before hanging textiles and earthen vessels and a rural family gathered outside an adobe or jacal dwelling. These photos document monumental Mexico City life smaller scenes of household economy and village life cathedral plazas bullfighting spectacle Indigenous and mestizo craft traditions and rural environments.<br /> <br /> Photo archive of 20 real photo and photographic postcards varying postcard format sizes Mexico mid twentieth century. Visible captions identify scenes including "Vendedores de canastos. Mex." "Lacandon y textiles mayas C.D. de Las Casas Chis. Mex." "A Mexican Family / Mexican Casa / Adobe Huts" "El Zocalo Mexico D.F." "La Quebrada Acapulco Gro." "Patio de la fonda en San Blas Nay." and "En Xochimilco Mexico." The archive includes broad scenic and civic views of cathedral architecture plazas volcanic landscape lake and garden settings cliffside resort construction at Acapulco and waterfront or canal-side leisure scenes. Other cards focus closely on cultural and economic life: men in broad-brimmed hats selling baskets in market space pottery laid out for sale in the street women cooking outdoors in a scene labeled for the Mexican army a bullfighter in the arena a fruit or pottery market display a palm-thatched dwelling marked "A Mexican Home" and portraits tied to Chiapas and the Lacandon region.<br /> <br /> The archive belongs to a period when postcards were a primary vehicle for circulating Mexico as both modern nation and regional mosaic with tourism ethnographic curiosity and nationalist image-making all folded into the same marketable format. Light surface and edge wear; overall very good condition. The combination of major landmark views with market household and Indigenous-associated scenes gives the archive a grounded record of how mid century Mexico was pictured through work craft and regional custom. unknown
Referenz des Buchhändlers : 23194
|
|