‎Manuscrit‎

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎Eigenh. Albumblatt mit Selbstkarikatur und U.‎

‎o.J. Ohne Ort, Ohne Jahr, Fol. 1 Seite. - Im Halbprofil..‎

Référence libraire : 59873

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎Eigenh. Brief mit U.‎

‎o.J. Hamburg, 2. XII. 1989, Fol. 1 Seite. - Gruß mit mont. Zeitungsausschnitt. - Mit eigenh. Umschlag.‎

Référence libraire : 60643

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎Porträtpostkarte mit eigenh. U. in rotem Filzstift.‎

‎o.J. , Ohne Ort und Jahr, 1 Seite. - Nach einer Porträtzeichnung..‎

Référence libraire : 56767

‎S. Cantelli;‎

‎Hrabani Mauri Opera exegetica. Repertorium fontium. I,‎

‎Turnhout, Brepols, 2006 Hardback, XXXIV+392 p., 1 b/w ill., 160 x 240 mm. ISBN 9782503510644.‎

‎Riconosciuto ed acclamato, sulla scia di una tradizione erudita affermatasi all'inizio del secolo scorso, quale 'praeceptor Germaniae', Rabano fu mandato dall'abate Baugulfo - gia destinatario dell' Epistola de litteris colendis - a studiare a Tours presso Alcuino. Tornato a Fulda, prima come maestro e poi, a partire dall' 822, nella veste di abate, egli fece dell'abbazia la sede di una delle piu importanti scuole del regno. Ma Rabano non lavoro solo per i suoi monaci. Vero erede dalla tradizione culturale alcuiniana - e interpretato dai suoi stessi contemporanei come tale - egli porto avanti il piano di politica culturale promosso da Carlo. A tal fine realizzo una glossa sistematica alla sacra Scrittura che, concepita come raccolta ordinata delle spiegazioni dei Padri, conobbe uno straordinario successo. Dopo Rabano, per generazioni, studiare il testo sacro significo, sopratutto, leggere, interpretare, rielaborare le raccolte di expositores da lui messe a punto. L'opera esegetica di Rabano Mauro costituisce pertanto un passaggio obbligato non solo per comprendere quello che fu lo studio della Bibbia durante l'alto medioevo, ma anche per farsi un'idea delle letture patristiche alla base della formazione di molti dei maestri che operarono in questi secoli. Tuttavia, sopratutto a ragione del suo carattere compilativo, essa e stata completamente trascurata dalla critica. Il presente lavoro si propone di colmare tale lacuna. Basato su un'indagine sistematica delle fonti, esso tenta una prima lettura complessiva dell'impegno interpretativo dell'abate di Fulda, assegnandogli un preciso posto nella storia dell'esegesi latina. Con i tre volumi dei Hrabani Mauri Opera Exegetica escono per la prima volta su supporto cartaceo alcuni dei risultati rielaborati nel contesto del progetto di ricerca 'La Tradizione dei Padri nell'Europa del Primo Millennio' (TRAPEM). Iniziato verso la meta degli anni '90, TRAPEM consiste nello studio sistematico delle fonti di tutte le opere a soggetto teologico, morale, dottrinale ed esegetico prodotte entro l'arco di tempo compreso tra il sec. VII e la fine del sec. XI. I dati raccolti vengono immagazzinati in un apposito data base, che consente di circoscrivere l'edizione a stampa ai soli apparati delle fonti relativi all'opera di singoli autori (o alla tradizione interpretativa di singoli libri della Scrittura), accompagnati da un ampio ed articolato studio introduttivo. Nella fattispecie i Hrabani Mauri Opera Exegetica comprendono, oltre agli apparatus fontium di tutti i commentari alla Bibbia di Rabano e relativi indici (voll. II e III), uno studio articolato in tre sezioni: 'Rabano esegeta', 'Le fonti', 'I Commentari'. Nella sezione relativa a 'Le fonti' si fornisce un quadro della conoscenza che Rabano aveva degli autori e delle opere che risultano impiegate nei suoi commentari. La sezione 'I Commentari' consiste in una serie di schede, una per ciascun commentario, in cui le fonti vengono illustrate in rapporto ai contenuti del libro commentato. Languages : Italian.‎

Référence libraire : 39133

‎S. Cantelli;‎

‎Hrabani Mauri Opera exegetica. Repertorium fontium. III ,‎

‎Turnhout, Brepols, 2006 Hardback, 566 p., 160 x 240 mm. ISBN 9782503510668.‎

‎Riconosciuto ed acclamato, sulla scia di una tradizione erudita affermatasi all'inizio del secolo scorso, quale 'praeceptor Germaniae', Rabano fu mandato dall'abate Baugulfo - gia destinatario dell' Epistola de litteris colendis - a studiare a Tours presso Alcuino. Tornato a Fulda, prima come maestro e poi, a partire dall' 822, nella veste di abate, egli fece dell'abbazia la sede di una delle piu importanti scuole del regno. Ma Rabano non lavoro solo per i suoi monaci. Vero erede dalla tradizione culturale alcuiniana - e interpretato dai suoi stessi contemporanei come tale - egli porto avanti il piano di politica culturale promosso da Carlo. A tal fine realizzo una glossa sistematica alla sacra Scrittura che, concepita come raccolta ordinata delle spiegazioni dei Padri, conobbe uno straordinario successo. Dopo Rabano, per generazioni, studiare il testo sacro significo, sopratutto, leggere, interpretare, rielaborare le raccolte di expositores da lui messe a punto. L'opera esegetica di Rabano Mauro costituisce pertanto un passaggio obbligato non solo per comprendere quello che fu lo studio della Bibbia durante l'alto medioevo, ma anche per farsi un'idea delle letture patristiche alla base della formazione di molti dei maestri che operarono in questi secoli. Tuttavia, sopratutto a ragione del suo carattere compilativo, essa e stata completamente trascurata dalla critica. Il presente lavoro si propone di colmare tale lacuna. Basato su un'indagine sistematica delle fonti, esso tenta una prima lettura complessiva dell'impegno interpretativo dell'abate di Fulda, assegnandogli un preciso posto nella storia dell'esegesi latina. Con i tre volumi dei Hrabani Mauri Opera Exegetica escono per la prima volta su supporto cartaceo alcuni dei risultati rielaborati nel contesto del progetto di ricerca 'La Tradizione dei Padri nell'Europa del Primo Millennio' (TRAPEM). Iniziato verso la meta degli anni '90, TRAPEM consiste nello studio sistematico delle fonti di tutte le opere a soggetto teologico, morale, dottrinale ed esegetico prodotte entro l'arco di tempo compreso tra il sec. VII e la fine del sec. XI. I dati raccolti vengono immagazzinati in un apposito data base, che consente di circoscrivere l'edizione a stampa ai soli apparati delle fonti relativi all'opera di singoli autori (o alla tradizione interpretativa di singoli libri della Scrittura), accompagnati da un ampio ed articolato studio introduttivo. Nella fattispecie i Hrabani Mauri Opera Exegetica comprendono, oltre agli apparatus fontium di tutti i commentari alla Bibbia di Rabano e relativi indici (voll. II e III), uno studio articolato in tre sezioni: 'Rabano esegeta', 'Le fonti', 'I Commentari'. Nella sezione relativa a 'Le fonti' si fornisce un quadro della conoscenza che Rabano aveva degli autori e delle opere che risultano impiegate nei suoi commentari. La sezione 'I Commentari' consiste in una serie di schede, una per ciascun commentario, in cui le fonti vengono illustrate in rapporto ai contenuti del libro commentato. Languages : Italian.‎

Référence libraire : 39135

‎S. Keefe;‎

‎catalogue of works pertaining to the explanation of the creed in Carolingian manuscripts,‎

‎Turnhout, Brepols, 2012 Hardback, 402 p., 160 x 240 mm. ISBN 9782503544076.‎

‎The catalogue identifies works used to explain the creed in Carolingian collection volumes compiled for the instruction of the clergy. It includes both edited and unedited works and some recently edited in a companion volume to this one, Explanationes Symboli aeui Carolini (CC CM, 254). The catalogue shows that the teaching of the creedal faith was assembled from snippets of, or whole, patristic works, homilies, personal professions of faith, and works of many other genres. In the past, we have had little concept of the range of works known to those responsible for teaching the faith at the parish and missionary level of the Carolingian world. In this catalogue crucial attention is paid to the contents of the manuscripts as a whole in which the creed explanation is found and how these collection volumes may have functioned. It is hoped that the manuscript descriptions will be of benefit to students and specialists working on other kinds of texts for the education of the clergy. Languages : English, Latin.‎

Référence libraire : 39178

‎S. Luiz, Fr. Antonio de‎

‎Mestre de Ceremonias, que ensina o rito romano, e serafico aos religiosos da reformada, e Real Provincia da Conceição no Reino de Portugal, exposto em duas unicas classes. Terceira Impressão, mais correcta, e notavelmente accrescentada com algumas Lições, varias Doutrinas, muitas Declarações da Sagrada Congregação, e Determinações novissimas do N. SS. P. Pio VI. Por um filho da sobredita Provincia.‎

‎Lisboa, Na officina de Simão Thaddeo Ferreira, 1789. 4° 450 S. / Pag. Orig. - Lederband / Encadernação da época inteira de pele. [2 Warenabbildungen] Exlibris auf dem vorderen Innendeckel. Handschriftl. Eintrag auf dem Vortitel / Manuscritos na página de ante-rosto. Gut erhalten / Bom estado.‎

Référence libraire : 41455

‎S. Panayotova, N. Morgan (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria + the Meuse region Southern Netherlands.‎

‎two volumes; 292 + 255 =560 p., 750 colour ill., 230 x 330 mm, Languages: English, Hardback wih dusjackets , fine condition !. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour.‎

‎S. Panayotova, N. Morgan (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET‎

‎Hardback, 2 volumes ., 560 p., 750 colour ill., 230 x 330 mm. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Languages: English.‎

‎S. Panayotova, N. Morgan (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET 2 VOLUMES.‎

‎, Brepols, 2012 Hardback in cloth + dusjacket, 2 vol., 560 pages., 750 colour ill., 230 x 330 mm., Languages: English, fine condition !. ISBN 9781905375479.‎

‎This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Review "These volumes triumphantly justify 'paper cataloguing'. [...] The authors and sponsors are to be warmly congratulated and urged to complete a series that makes a fundamental contribution to knowledge." (Catherine Reynolds, in The Burlington Magazine CLIII, March 2011, p. 182) On ne peut que se r jouir de la qualit de ces deux premiers volumes et souhaiter la parution rapide des tomes suivants. (A. Ch telet, dans Art et M tiers du Livre 31, D c 2009-f v 2010, p. 91-92) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge have all the indices and finding aids (including an index of biblical and non-biblical iconography) to facilitate further research. They are brimming with ideas, are full of dissertation topics, and are testaments to the bounty ? intellectual and sensuous or even sybaritic ? spread out before students of medieval manuscripts." (Kathryn M. Rudy, in HNA Review of Books) "This updating of the traditional manuscript catalogue is a very useful addition to the scholarship on manuscripts in English collections, in part because of the precision and brevity of the updated information, but especially because of the sumptuous illustrations, which provide the irreplaceable visual context for the textual information the catalogue presents." (Stephen Clancy, in Speculum 86/3, July 2011, p. 789) "The series will be a landmark in manuscript studies, and one can only hope that further support will hasten further projected volumes." (Rowan Watson, in: The Burlington Magazine, vol. CLIV, 2012, p. 847) "Esta calidad editorial y cient fica, presentes en los dem s tomos y vol menes que conforman la serie Illuminated Manuscripts in Cambridge de Harvey Miller/Brepols, es un excelente modelo a tener en cuenta para la edici n de futuros cat logos de manuscritos iluminados." (Isabel Escandell Proust, in: Codex Aquilarensis, 29, 2013, p. 289-304) (?) un instrument de travail pr cieux pour le chercheur et l?amateur clair . (Marc Gil, dans Le Moyen Age, 1, 2017, p. 207)‎

Référence libraire : 35786

‎S. Panayotova, N. Morgan, S. Reynolds (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula‎

‎Hardback, 2 vol., 720 p., 900 colour ill., 230 x 330 mm. ISBN 9781905375851. This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Languages: English.‎

‎S. Papadaki-Oekland;‎

‎Byzantine Illuminated Manuscripts of the Book of Job A Preliminary Study of the Miniature Illustrations. Its Origin and Development,‎

‎Turnhout, Brepols, 2009 Hardback, 478 p., 127 b/w ill. + 285 colour ill., 23 x 30. ISBN 9782503532325.‎

‎Of all the Old Testament books, the Book of Job remains acutely contemporary today. Written between the 6th and 3rd c. B.C., it deals with subjects such as the presence of evil in the world, the misery, the quest for justice, the faith, and the behavior of people when they face sudden twists and turns of life. It seems that the ancient text had been illustrated since the Early Christian period because of its fascinating novel-like narrative style. In her own study on the Book of Job, Stella Papadaki-Oekland probes into all the Byzantine illuminated manuscripts of the illustrated Greek text. The number of miniature illustrations included in these fifteen manuscripts, dating from the 9th to the 16th century, comes to more than 1800 of which 2/3 of the about 380 illustrated herein are previously unpublished manuscript images. The book is an unabridged version with minor changes of Papadaki-Oekland?s Inaugural Dissertation at Heidelberg University (1979) and is published posthumously by her daughters, Helen-Aina and Astrid-Zoe -in homage to Byzantine Art. The fifteen Byzantine Illuminated Manuscript Illustrations of the 'Book of Job' studied, illustrated and discussed are: Biblioteca Apostolica Vaticana, Rome: cod. Vat. gr. 749; cod. Vat. gr. 751; cod. Vat. gr. 1231 and cod. Vat. Pal. gr.230 - The Monastery of St. John the Theologian, Isle of Patmos: cod. Patmos 171 - Biblioteca Nazionale Marciana, Venezia: cod. Marc. gr. 538 - Monastery of St. Catherine, Sinai, Egypt: cod. Siena 3 - Orthodox Patriarchate of Jerusalem and All Palestine, Jerusalem: MS. Taphou 5 - Monastery of Vatopedi, Mount Athos: Vatopedi 590 - Monastery Magisti (Great) Lavra, Mount Athos: Lavra B100 - Byzantine and Christian Museum, Athens: MS. 62 - Bodleian Library, Oxford: MS. Barocci 201 and MS. Laud gr. 86 - Bibliothegue nationale de France, Paris: MS. gr. 134 and MS. gr. 135 - National Library of Russia, St. Petersburg: MS gr. 382 (former folio of Taphou 5) The study of the Septuagint Book of Job in Byzantine tradition include comparative analysis of the interrelationship of the individual miniature cycles, their general arrangement and artistic character, the origin and development as well as its contents and significance in the literary and popular tradition. Finally, the six Comparative Tables presented at the end of the volume provide the reader for the first time a complete cross reference interrelationship between the individual 1800 images of the 15 manuscripts and 'Sir Lancelot C. L. Brenton's' English translation of the Septuagint 'Book of Job' passages. Further examples of images discussed herein of early Christian 'Job' representations include: Biblioteca Apostolica Vaticana, Rome, MS.Reg.gr.1 ? known as the Bible of Queen Christina of Sweden; Bibliotheque nationale de France, Paris, MS gr. 510, MS syr. 341-the Syriac Bible and MS.gr. 923- Sacra Parallela; Biblioteca Nazionale 'Vittorio Emanuele III', Naples, Coptic MS IB 18, Catacomb of the Via Latina, Rome and the Sarcophagus of Junius Bassus, Basilica di San Pietro, Rome. Furthermore, the book is of invaluable importance due to its methodological approach. As the leading art historian Hans Belting points out, the study of Stella Papadaki-Oekland calls in question Kurt Weitzmann's rigid theory about the process of the Byzantine illuminated manuscripts production. There?s no doubt that, even though it was written a lot of years ago, this remains the most complete and comprehensive study about the Book of Job in Byzantine art. Languages : English.‎

Référence libraire : 40469

‎S.S. TARSUS, (1931-1961) TRAVEL LETTER.‎

‎[TRAVEL TO MARSEILLES BY S.S. TARSUS -EXOCHORDA-] Autograph letter signed 'Y. Küm?'.‎

‎Very Good Turkish Original autograph letter signed (ALS) 'Y. Küm?' sent to his mother from S.S. Tarsus. 21,5x28 cm. In Turkish. Written by a pencil. 1 p. Full. Dated 8-12-1957. He describes his travel route to his mother in Marseilles, to Spain by train, etc. [TRAVEL TO MARSEILLES BY SS TARSUS -EXOCHORDA-] Autograph letter signed 'Y. Küm?'. S / S Tarsus was launched in 1931 by "New York Shipbuilding Co.1" for "American Export linen New York" and was launched under the name SS Exochorda. The ship, which has a capacity of 879 passengers, is 140 meters long and 19 meters wide. Its water section was 8.3 meters. It had 7200 HP steam turbine machine weighing 9298 Groston. Exochorda, previously carrying passengers and cargo, was placed under the order of the United States Land Forces as "Harry E. Lee-AP17" as of 27 December 1940. After being used in logistics services during the Second World War, it was connected to the Toothshipyard in Baltimore on May 9, 1946 and taken out of service. In April 16, 1948, after it's purchased by Turkey, it was named Tarsus by Turkish politician Kasim Gürlek.‎

‎SABAHATTIN KUDRET AKSAL, (1920-1993), (Turkish poet and author).‎

‎[Autograph poem translations from Charles Baudelaire by Sabahattin Kudret Aksal].‎

‎Very Good Turkish Original typescript papers. 29x21 cm. In Turkish. 3 p. [Autograph poem translations from Charles Baudelaire by Sabahattin Kudret Aksal]. Aksal's translations of three poems from Baudelaire for Turkish 'Argos' literary periodical. Rare.‎

‎Sabar, Shalom‎

‎Mazal Tov: Illuminated Jewish Marriage Contracts from the Israel Museum Collection.‎

‎240x340 mm. 199 pages. Hardcover with dust-jacket. Jacket edges slightly worn. Cover edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.‎

‎SABRI BERKEL, (Turkish painter), (1907-1993).‎

‎Typed letter signed 'Sabri Berkel'.‎

‎Very Good Turkish Typescript letter (document) signed (TLS) by Sabri Berkel sent to 'Türkiye Çagdas Ressamlar Cemiyeti Baskanligi' [i.e. The Society of Turkish Contemporary Painters Presidency]. 15x22,5 cm. In Turkish. 18 lines. Dated April 22, 1969, Istanbul. Letter requesting that each artist send their 6 works (sculpture, oil painting, and engraving) as well as their biographies to be selected for the 10th Sao Paolo Biennial in September 1969. Signed by Berkel under his title "Devlet Güzel Sanatlar Akademisi Y. Resim Bölüm Baskani" [i.e. President of Turkish Fine Arts Academy Painting Department]. Sabri Fetah Berkel was a Turkish-Albanian modernist painter; he was one of the most important painters and academic personalities of the last century in Turkey. Berkel was born in Skopje, where, in 1927, he completed high school at a French lyceum. From 1927 to 1928 he studied at an Art School in Belgrade. From 1929-1935 he finished his studies at the Academy of Fine Arts, Florence. Sabri Fetahu Berkel visited his country Albania in 1982 where he met with his family and parents. Berkel died in Istanbul. In the honor of Turkish talented painter Sabri Berkel from Turkey, NASA decided to name the Berkel, or the well-known printmaker, and it is a complex crater that sits inside of the larger Ellington basin that indicates the presence of dark material at depth of its surface.‎

‎Sacada de Varios Manuscritos y Memorias Arabigas‎

‎Historia de la Dominación de los Ãrabes en España‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0282596615.G ISBN : 0282596615 9780282596613

‎Sacha GUITRY‎

‎Fragment manuscrit intitulé "Dialogue au sujet de la guerre"‎

‎S. n. | s. l. s. d. [ca 1930] | 21 x 27 cm | une page recto-verso plus un quart de page‎

‎Fragment manuscrit que Sacha Guitry a intitulé "Dialogue au sujet de la guerre",manuscrit de premier jet, 51 lignes rédigées au crayon de papier. Quelques ratures de la main de Sacha Guitry. - Photographies et détails sur www.Edition-Originale.com -‎

Référence libraire : 86004

‎Sachau, Aduard / Ungnad, Arthur [Ed.]‎

‎Aramäische Papyrus aus Elephantine: Kleine Ausgabe‎

‎230x155 mm. 119 pages. Hardcover. Cover slightly curved. Spine edges slightly worn. Ex-library copy with the usual markings. Few pages age stained - No damage to text. Pages slightly yellowing. Else in good condition.‎

‎SACHER-MASOCH Léopold de‎

‎Lettre manuscrite signée : "[J'ai] cessé depuis longtemps toute communication avec Mme Wanda de Sacher-Masoch"‎

‎- 1er juin 1893, 11,3x17,7cm, un feuillet. - Lettre manuscrite probablement inédite, rédigée par un secrétaire, datée du 1er juin 1893 et signée par Léopold de Sacher-Masoch à un destinataire inconnu, probablement un avocat. Mention manuscrite de la main de Sacher-Masoch en marge haute gauche de la lettre : «?Répondu le 1 mai 93?». Deux pages rédigées à l'encre noire sur un double feuillet. L'écrivain se prépare à un éventuel procès intenté par sa première femme Wanda, l'inspiratrice de son célèbre roman La Vénus à la fourrure, qui tente de recouvrer ce qui lui est dû et se libérer du fantasme qu'elle avait incarné à travers les œuvres de son mari. Wanda, de son vrai nom Angelika Aürora Rümelin, avait signé avec lui le fameux contrat stipulant qu'elle devait se couvrir de fourrure, et le fouetter ainsi vêtue, véritable évangile de ce qui deviendra le masochisme. Malgré cette union sacrée et actée, dès la fin des années 1870, Leopold fut las de la vie avec elle, Wanda étant incapable de combler ses désirs?: «?Courtisane malgré elle?» et «?infirmière?» selon Jean-Paul Corsetti, elle fut, nous dit Gilles Deleuze «?sa compagne à la fois docile, exigeante et dépassée?». Accablé par les difficultés d'argent, il revendit les fameuses fourrures et les robes de sa femme, et leur divorce fut prononcé en 1886. Poursuivie par son alter-ego de Vénus à la fourrure qui avait fait d'elle une Dalila impérieuse et vénale, il semble que Wanda ait voulu poursuivre en justice son ancien mari?: «?Ayant cessé depuis longtemps toute communication avec Madame Wanda de Sacher-Masoch, il m'est impossible de m'entendre avec elle à l'amiable [...] En cas échéant, ce sera contre moi que Mme de Sacher-Masoch pourra tenter un procès?». Le procès est sans aucun doute lié à la sortie de Kassya, un opéra de Léo Delibes sur un livret de Sacher-Masoch adapté par Henri Meilhac et Philippe Gilles, créé à l'Opéra-Comique la même année. Il est possible que Wanda, traductrice des œuvres de Masoch pendant ses années de mariage, n'ait pas reçu ses droits de traduction qui lui étaient dus pour Kassya, tiré d'une nouvelle parue dans les Contes galiciens de son mari. Dans le même esprit que ses années de soumission absolue à Wanda, il tient à porter seul le fardeau des accusations de sa femme, moyennant une somme d'argent payée par les autres auteurs de l'opéra (Henri Meilhac et Philippe Gilles)?: «?Je déclarerai dans un acte notariel [sic] que, en touchant la somme dite, je me charge de toute responsabilité vis-à-vis de Mme de Sacher-Masoch?». étrange et pittoresque étape de l'histoire du fondateur du masochisme, encore inconnue de ses biographes. [ENGLISH DESCRIPTION ON DEMAND]‎

‎Sachs, Nelly, Schriftstellerin und Nobelpreisträgerin (1891-1970)‎

‎Eigenh. Briefkarte mit U.‎

‎o.J. Stockholm, 5. I. 1967, Qu.-Kl.-8°. 2 Seiten. Mit eigenh. Umschlag. Gelocht.‎

‎An den Journalisten und Schriftsteller Hans Eberhard Friedrich (1907-1980): "[...] Ihr lieber Brief mit der Beilage hat mich tief ergriffen und ich danke Ihnen von Herzen dafür. Ja Sie haben Recht 'Und niemand weiß weiter' [1957] war wirklich der Durchbruch und daß die Anregung an den wagemutigen [Hamburger Verlag] Ellermann von Ihnen kam, freut mich doppelt. Nun frage ich ob Sie den Sonderdruck 'Die Suchende' schon bekommen haben, sonst sende ich von meinen eigenen Exemplaren [...]" - Friedrich war 1965-67 Feuilletonchef der "Welt".‎

Référence libraire : 46647

‎Sachsen‎

‎Ihrer Königl. Maj. in Pohlen, [et]c. als Chur-Fürstens zu Sachsen, [et]c. Mandat, Wieder Die unruhigen Mühl-Knappen, und Deren Unfug, auch Plackereyen, Ergangen De Dato Dreßden, am 25. Augusti, Anno 1724.‎

‎o.J. Dresden, Johann Conrad Stößel, 1724, Fol. Titel mit Holzschnittwappen, Anfang mit Holzschnittvignette. 12 unpag. Seiten. Ohne Einband.‎

‎Einzige Ausgabe. - VD18 10363114. - Das unter August dem Starken erlassene Mandat bezieht sich auf die damals herrschenden Unordnungen, welche bei dem Wandern der Mühlburschen begangen wurden und oft die traurigsten Folgen hatten. - Wiederabdruck in: Thomas Hayme, Allgemeines Teutsches juristisches Lexicon, 1738, S. 698. - Unbeschnitten, minimale Randbräunung. - Nur in 1 Exemplar bekannt (SLUB Dresden).‎

Référence libraire : 53607

‎Sacra Poenitentiaria ; PENITENCERIE APOSTOLIQUE‎

‎[ Indult d'exclaustration daté du 17 février 1791, pour un prêtre Carme du diocèse de Besançon ] : "Bernardinus Seguin Presbyter et Frater Ordinis Fratrum Beatæ Mariæ Virginis de Monte Carmelo [...] humiliter exponit S.V. quod attenta discrimina temporum in Galliarum Regno degentium coactus erit a Claustro egredi..." [ Bernardin Seguin, prêtre et frère de l'Ordre des Frères de la Bienheureuse Vierge Marie du Mont Carmel [...] explique humblement à Sa Sainteté qu'en raison des temps difficiles que traverse le Royaume de Gaule, il sera contraint de quitter le cloître" ... ].‎

‎1 acte manuscrit de 2 ff. (3 pages manuscrites), 1791, avec sceau embossé sous papier et cire, document signé de D. Caraccianis et Phil. Canevari [ "le Chancelier" ] : [ Indult d'exclaustration daté du 17 février 1791, pour un prêtre Carme du diocèse de Besançon ] : "Bernardin Seguin Presbyter et Frater Ordinis Fratrum Beatæ Mariæ Virginis de Monte Carmelo [...] humiliter exponit S.V. quod attenta discrimina temporum in Galliarum Regno degentium coactus erit a Claustro egredi..." [ Traduction : Bernard Seguin, prêtre et frère de l'Ordre des Frères de la Bienheureuse Vierge Marie du Mont Carmel [...] explique humblement à Sa Sainteté qu'en raison des temps difficiles que traverse le Royaume de Gaule, il sera contraint de quitter le cloître" ... ].‎

‎La Pénitencerie Apostolique, par une autorité apostolique spéciale et expresse qui lui a été communiquée par Sa Sainteté le Pape Pie VI, adresse à Raymond de Durfort, Archevêque de Besançons l'autorisation faite au Carme Bernard Seguin, religieux de l’Ordre des Carmes, prêtre de l’Ordre de la Sainte Croix, de vivre hors du monastère, tout en restant lié par ses vœux substantiels (pauvreté, chasteté, obéissance), adaptés à sa nouvelle condition, et avec l'obligation de retourner au cloître si la situation l'y oblige. Très intéressant document de la Chancellerie Apostolique, accordé à un Carme sous la Révolution Française. Voir également, dans notre catalogue, le "certificat de civisme" accordé à un Carme de même patronyme.‎

Référence libraire : 70583

‎SADAN BEZEYIS, (President of the Turkish Contemporary Artists Society; Painter and Sculptor), (1926-2017).‎

‎Typed document signed 'Sadan Bezeyis'.‎

‎Very Good Turkish Original typescript document signed by Sadan Bezeyis. 30x22 cm. In Turkish. 1 p. Includes 20 lines. Dated Istanbul, November, 25, 1968. Bezeyis was a Turkish painter, sculptor and the president of the Turkish Contemporary Artists Society. His father is calligrapher Abdullah Bey. He graduated from Istanbul State Fine Arts Academy High Painting Department Nurullah Berk Workshop, which he started in 1945, in first place in 1951. He represented Turkey at the International Venice Biennale 1958. Paintings and sculptures of Bezeyis are included in many institutions and private collections in Turkey and worldwide.‎

‎Sadat, Mohamed Anwar El, Politiker und Nobelpreisträger (1918-1981)‎

‎Masch. Brief mit eigenh. U.‎

‎o.J. Kairo, 31. VIII. 1979, Fol. 1 Seite. Gestoch. Briefkopf.‎

‎Antwort in deutscher Sprache auf den Brief einer Verehrerin in Deutschland: "[...] Ich freue mich, daß meine Friedensbemühungen bei dem befreundeten Volk der Bundesrepublik Deutschland ein gutes Echo gefunden haben, und daß meine Initiativen und mein Handeln für einen gerechten Frieden anerkannt werden [...] ich gebe der Hoffnung Ausdruck, daß der Frieden nicht nur in unserer Region, sondern auch in der ganzen Welt im Interesse der Menschheit erhalten wird [...]" - Sadat hatte 1978 den Friedensnobelpreis erhalten. - Im oberen Drittel etwas knittrig. - Sehr selten.‎

Référence libraire : 58817