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[RÉGIONALISME SAINT-JULIEN DE VOUVANTES ] ALIZON MARÉCHAL FERRANT A SAINT-JULIEN DE VOUVANTES
COMPTE MANUSCRIT - FACTURES ACQUITTÉES POUR LES ANNÉES 1889 A 1903 PAR MR ESNAULT, RÉSIDANT AU BOURG A SAINT JULIEN DE VOUVANTES A MONSIEUR ALIZON MARÉCHAL FERRANT A SAINT-JULIEN DE VOUVANTES (44)
SAINT-JULIEN DE VOUVANTES 1889-1903 1 document ORIGINAL, 19 PAGES DE COMPTE sur feuilles volantes manuscrites à l'encre brune sur papier crème à colonnes bleues et rouges, tous les comptes sont arrêtés en fin d'année et acquités et datée avec la signature du Maréchal Ferrant ALIZON, 1889 - 1903, comptes avec la date d'intervention, ca qui a été fait et le total du, FACTURES ACQUITTÉES POUR LES ANNÉES 1889 A 1903 PAR MR ESNAULT RESIDANT AU BOURG A SAINT JULIEN DE VOUVANTES A MONSIEUR ALIZON MARÉCHAL FERRANT A SAINT-JULIEN DE VOUVANTES (44),
Referenz des Buchhändlers : 28368
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[Révolution Française - Ain - Manuscrit]
Extrait des Régistres des délibérations de la Commission intermédiaire de Bresse et Dombes. Du douze décembre mil sept cent quatre vingt neuf.
In-folio de 6 pp., (1) f. blanc, cordon de soie verte d’assemblage, signature autographe de Brongier l’Ainé, secrétaire, contresigné Valentin du Plantier, lieutenant général au Bailliage de Bresse, siège Présidial de Bourg, sceau de cire rouge.
Referenz des Buchhändlers : 12025
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[S.A.R. MADAME DUCHESSE DE BERRY] V. BONHIOL (COMMERCANT NANTAIS - ENTREPRISE DE PLOMBS DE CHASSE LAMINÉS : V. BONHIOL ET CIE NANTES)
[MANUSCRIT] MADAME LA DUCHESSE DE BERRY - sa vie - le soulèvement dans la Vendée - son arrestation - sa captivité - sa mort - ses obsèques suivis d'une notice sur Deutz, par V. BONHIOL - Aout 1870
Paris 1870 -in-8 demi chagrin un Manuscrit ORIGINAL relié, reliure demi-chagrin violet in-octavo (binding half shagreen in-octavo), RELIURE D'ÉPOQUE, dos à nerfs (spine with raised bands)(dos insolé), décoré "or" et à froid (gilt and blind stamping decoration), titre frappé "or", entre-nerfs à fleurons fleur de Lys "or", filet à froid de part et d'autre des nerfs, papier marbré marron foncé, marron clair et rouge aux plats, tête lisse dorée (gilt top edge), gouttière et tranche de queue non-rognées, Ex-Libris gravé en noir par Dan Lailler sur papier blanc collé au dos du 1er plat : aux armes de RICHELOT [de la Bibliothèque de René RICHELOT (1895-1969), un des derniers Grands Bibliophiles Bretons, ancien président de la Société archéologique d'Ille et Vilaine ], extrait découpé du catalogue de la Librairie Durand-Noël collé au dessus de l'Ex-Libris aprés l'achat de celui-ci, Texte Autographe Manuscrit à l'encre brune par V. BONHIOL (tampon de V. Bonhiol, Paris en bleu en bas du titre + Préface signée V.B.), Manuscrit orné d'une photographie albuminée en noir : Portrait de Mme la Duchesse de Berry en frontispice + 2 Photographies albuminées en noir "Portrait de Mme la Duchesse de Berry" différentes en hors-texte (dont une à la fin de sa vie) + 2 dessins originaux à la plume en noir à l'encre de chine ( dessin du Chateau de la Pénissière + dessin avec Femmes en costume d'époque lisant l'affiche "ETAT DE SIEGE" devant l'entrée du Château des Ducs de Nantes) + une grande planche hors-texte dépliante : "Intérieur et plan de la mansarde ou S.A.R. la Duchesse de Berry à été arrêtée"d'aprés un dessin de PLOUAYS DE CHANTELOU, lithographié en noir par Charpentier à Nantes + un Fac-Similé de lettre Autographe de Marie-Caroline Duchesse de Berry à Mr Meyer consul de Naples à Bordeaux, fait à Paris en Aout 1870,
Referenz des Buchhändlers : 24646
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[Sacha Guitry] Jeanne LANDRE - [1874 - 1936] - Romancière française
Lettre autographe signée à Jules Herman - Paris le 2 septembre 1910 -
2 pages 1/2 in8 + enveloppe - trés bon état -
Referenz des Buchhändlers : GF27075
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[Sacha Guitry] Jeanne LANDRE - [1874 - 1936] - Romancière française
Lettre autographe signée à Jules Herman - Paris le 13 aout 1910 -
1 page in8 + enveloppe - trés bon état -
Referenz des Buchhändlers : GF27078
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[SADE Donatien Alphonse François, Marquis de] SADE Renée-Pélagie Cordier de Montreuil, Marquise de
Billet autographe de reconnaissance de dettes de 150 livre à la présidente de Montreuil.
- s.n., s.l. 16 juin 1777, 17,1x11,1cm, une feuille. - Billet autographe signé de Madame de Sade, dans laquelle cette dernière reconnaît des dettes envers sa mère, Madame la présidente de Montreuil. Un petit trou sans manque de texte. Paraphe du notaire précisant le nombre de pièces en dessous des trois lignes de texte. Tout au long de sa vie, le Marquis - fastueux et très dépensier - fut criblé de dettes et n'eut de cesse de chercher de l'argent, principalement auprès de ses beaux-parents par l'entremise de sa femme. Provenance : archives de la famille. [ENGLISH DESCRIPTION ON DEMAND]
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[SADE Donatien Alphonse François, Marquis de] SADE Renée-Pélagie Cordier de Montreuil, Marquise de
Billet autographe de reconnaissance de dettes de 200 livres à la présidente de Montreuil.
- s.n., s.l. 18 janvier 1778, 16,3x5,1cm, une feuille. - Billet autographe signé de Madame de Sade, dans laquelle cette dernière reconnaît des dettes envers sa mère, Madame la présidente de Montreuil. Un tout petit trou sans gravité. Paraphes du notaire de Sade, Maître Gibert, précisant le nombre de pièces versées au verso de chaque billet. Tout au long de sa vie, le Marquis - fastueux et très dépensier - fut criblé de dettes et n'eut de cesse de chercher de l'argent, principalement auprès de ses beaux-parents par l'entremise de sa femme. Provenance : archives de la famille. [ENGLISH DESCRIPTION ON DEMAND]
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[SADE Donatien Alphonse François, Marquis de] SADE Renée-Pélagie Cordier de Montreuil, Marquise de
Billet autographe de reconnaissance de dettes de 200 livres à la présidente de Montreuil.
- s.n., s.l. 18 avril 1777, 11x17,1cm, un feuillet remplié. - Billet autographe signé de Madame de Sade, dans laquelle cette dernière reconnaît des dettes envers sa mère, Madame la présidente de Montreuil. Un petit trou sans manque de texte. Paraphe du notaire de Sade, Maître Gibert, précisant le nombre de pièces versées en dessous des trois lignes de texte. Tout au long de sa vie, le Marquis - fastueux et très dépensier - fut criblé de dettes et n'eut de cesse de chercher de l'argent, principalement auprès de ses beaux-parents par l'entremise de sa femme. Provenance : archives de la famille. [ENGLISH DESCRIPTION ON DEMAND]
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[SADE Donatien Alphonse François, Marquis de] SADE Renée-Pélagie Cordier de Montreuil, Marquise de
Billet autographe de reconnaissance de dettes de 48 livres à la présidente de Montreuil.
- s.n., s.l. 15 septembre 1777, 17,1x11,1cm, une feuille. - Billet autographe signé de Madame de Sade, dans laquelle cette dernière reconnaît des dettes envers sa mère, Madame la présidente de Montreuil. Un petit trou sans manque de texte. Paraphe du notaire de Sade, Maître Gibert, précisant le nombre de pièces versées au verso du feuillet. Tout au long de sa vie, le Marquis - fastueux et très dépensier - fut criblé de dettes et n'eut de cesse de chercher de l'argent, principalement auprès de ses beaux-parents par l'entremise de sa femme. Provenance : archives de la famille. [ENGLISH DESCRIPTION ON DEMAND]
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[SADE Donatien Alphonse François, Marquis de] SADE Renée-Pélagie Cordier de Montreuil, Marquise de
Billet autographe de reconnaissance de dettes de trois cents livres à la présidente de Montreuil.
- s.n., s.l. 18 janvier 1778, 19x12,7cm, une feuille. - Billet autographe signé de Madame de Sade, dans laquelle cette dernière reconnaît des dettes envers sa mère, Madame la présidente de Montreuil. Un tout petit trou sans gravité. Paraphes du notaire de Sade, Maître Gibert, précisant le nombre de pièces versées au verso de chaque billet. Tout au long de sa vie, le Marquis - fastueux et très dépensier - fut criblé de dettes et n'eut de cesse de chercher de l'argent, principalement auprès de ses beaux-parents par l'entremise de sa femme. Provenance : archives de la famille. [ENGLISH DESCRIPTION ON DEMAND]
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[SAINT-CÔME-D'OLT - AVEYRON]
ACTE NOTARIE SUR PARCHEMIN DE 1381 : SUCCESSION - PETRONILLE BERNARD DEMANDEUR ET PHILIPPE MAUBALY DEFENDEUR, SONILHAC PAROISSE DE SAINT-COSME - (SAINT-CÔME-D'OLT) - AVEYRON - 1381 -
SAINT-CÔME-D'OLT 1381 UN DOCUMENT AUTHENTIQUE D'EPOQUE : Succession aprés décès - sur parchemin, écrit d'un seul côté, format : 25,2 x 53 cm de 1 feuillet , manuscrit à l'encre brune EN LATIN , daté du 17 février 1381 avec une très belle lettrine calligraphiée, texte en Latin, fait à SAINT-CÔME-D'OLT - AVEYRON - signature illisible..
Referenz des Buchhändlers : 20014
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[Saint-Exupéry]
Preuves de noblesse pour l'Ordre de Malte, datées de Toulouse, 10 mai 1783, établies à la demande des Commissaires de l'ordre de Malte, les chevaliers Catelan et Carrière d'Aufrery, pour procéder à la vérification des actes, renvoyés de Malte, pour l'admission de Marc-Antoine-Emmanuel de Saint-Exupéry.
Manuscrit du XVIIIe siècle. In-folio de 70 pages (trois cahiers) qui sont la copie, faite à l'époque sur le document original, par un membre de la famille Saint-Exupéry, de l'intégralité du rapport officiel de ces deux commissaires.
Referenz des Buchhändlers : 14847
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[SAINTE-LUCE - LE MIGRON - FROSSAY - SAINT-VIAUD] BROSSAUT, PROCUREUR FISCAL A LA SEIGNEURIE DE BOIS-ROUAUD EN FROSSAY
GROSSE DE GAULEAGE (PRISAGE DES MAISONS, TERRES, FIEFS) AU SOUTIEN D'AVEU DEVANT LE PROCUREUR FISCAL BROSSAUT DES JURIDICTIONS DE LA SEIGNEURIE DE BOIS-ROUAUD EN FROSSAY, LE 23 SEPTEMBRE 1744 [ PRISAGE ET CORDAGE DES PROPRIÉTÉS DE L'AUBINIÈRE EN SAINTE-LUCE (PETIT - SUCESSEUR D'IMBERT PETIT SIEUR DE L'AUBINIERE) , LA COUROUSSERIE, LA BOURDERIE NOBLE DE LA REINETIÈRE, LA BOURDERIE DE L'AUNEAU, LA CADOIRE, LES MABILEAUX, LA BOURDERIE DE LA RINQUETIÈRE, LA GRANDE GAIGNERIE ETC... + DÉPLACEMENT AU MIGRON POUR LE PRISAGE ET LE CORDAGE D'UN LOGIS, UN AUTRE LOGIS AU LIEU DU CHASTELET, AU FIEF QUINTIN, L'OUCHETTE, le FIEF DE BOIS-ROUAUD (FROSSAY), LE FIEF ROSSIGNOL, LA COULÉE (FIEF DU BOIS-ROUAUD) + DÉPLACEMENT A SAINT-VIAUD : A LA CANNELAIS, LA BASSE CANNELAIS, LE MOULIN NEUF]
FROSSAY 1744 un document de 56 pages, sur papier vergé, ligné et filigrané "à l'écu à la double Fleur de Lys Royale", manuscrit à l'encre brune, timbre fiscal noir : "BRETAGNE - DIX HUIT DENIERS" format : 33,5 x 21 cm, cm, Signature manuscrite : BROSSAUT , PROCUREUR FISCAL A LA SEIGNEURIE DE BOIS-ROUAUD EN FROSSAY, LE 23 SEPTEMBRE 1744,
Referenz des Buchhändlers : 28366
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[SAINTE-LUCE] BRETESCHÉ ET BELON NOTAIRES ROYAUX DE NANTES
CONTRAT D'ACQUET D'1 QUANTON DE TERRE SIS EN LA GAIGNERIE DES LANDES PROCHE DU BOIS DE LA CADOUERE EN SAINTE-LUCE (LOIRE-INFÉRIEURE), APPARTENANT A MARGUERITE GODARD, VEUVE DE JAN CHANTREAU RÉSIDENT A STE LUCE, A MAITRE GILLES PETIT, NOTAIRE ROYAL A NANTES, PAROISSE SAINT-SATURNIN, FAIT A NANTES, LE 24 FÉVRIER 1685,
FROSSAY 16 un document de 4 pages, sur papier vergé, ligné et filigrané : "à l'écu à la Fleur de Lys Royale", manuscrit à l'encre brune, 2 timbre fiscaux imprimés en noir (différents) : "BRETAGNE - DIX HUIT DENIERS" format : 33 x 21 cm, Signature manuscrite de BRETESCHÉ ET BELON NOTAIRES ROYAUX DE NANTES, FAIT A NANTES, LE 24 FEVRIER 1685,
Referenz des Buchhändlers : 28371
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[SAINTE-LUCE] BRETESCHÉ ET BELON NOTAIRES ROYAUX DE NANTES
CONTRAT D'ACQUET DE 2 QUANTONS DE TERRE SIS EN LA GAIGNERIE DES LANDES EN SAINTE-LUCE (LOIRE-INFÉRIEURE), APPARTENANT A GUILLAUME BAUD LABOUREUR ET MARGUERITE JOLLIVET SA FEMME A MAITRE GILLES PETIT, NOTAIRE ROYAL A NANTES, PAROISSE SAINT-SATURNIN, FAIT A NANTES, LE 4 JUIN 1683
FROSSAY 16 un document de 4 pages, sur papier vergé, ligné et filigrané , manuscrit à l'encre brune, timbre fiscal noir : "BRETAGNE - DIX HUIT DENIERS" format : 33 x 21 cm, Signature manuscrite de BRETESCHÉ ET BELON NOTAIRES ROYAUX DE NANTES, FAIT A NANTES, LE 4 JUIN 1683,
Referenz des Buchhändlers : 28370
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[SAINTE-LUCE] BRETESCHÉ ET BELON NOTAIRES ROYAUX DE NANTES
CONTRAT D'ACQUET DE 3 SEILLONS DE TERRE SIS EN LA GAIGNERIE DES LANDES EN SAINTE-LUCE (LOIRE-INFÉRIEURE), APPARTENANT A LOUIS JANNIER LABOUREUR ET JEANNE MAILLARD, SA FEMME A MAITRE GILLES PETIT, NOTAIRE ROYAL A NANTES, PAROISSE SAINT-SATURNIN, FAIT A NANTES, LE 30 OCTOBRE 1683
FROSSAY 16 un document de 4 pages, sur papier vergé, ligné et filigrané "à l'écu à la Fleur de Lys Royale", manuscrit à l'encre brune, timbre fiscal noir : "BRETAGNE - DIX HUIT DENIERS" format : 33 x 21 cm, Signature manuscrite de BRETESCHÉ ET BELON NOTAIRES ROYAUX DE NANTES, FAIT A NANTES, LE 30 OCTOBRE 1683,
Referenz des Buchhändlers : 28369
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[SAINTE-LUCE] ROUILLE ET HERAULT (Notaires Royaux à Nantes)
VENTE D'UNE PIECE DE TERRAIN D'1/4 DE JOURNAL JOUXTANT LA TERRE DE L'AUBINIERE EN SAINTE LUCE [PAR MR PIERRE PREBOIS ANCIEN CONSTRUCTEUR DE VAISSEAUX ET NÉGOCIANT A NANTES] ACHETÉE PAR MR PIERRE FRANCOIS GRIHAUT DE LA MOTTE SEIGNEUR DE L'AUBINIERE EN SAINTE-LUCE, NANTES LE 10 JUILLET 1777
1649 un document de 4 pages, sur vélin parcheminé, manuscrit à l'encre brune, format : 18,4 x 24,2cm, écrit sur les 3 premières pages, Signature manuscrite : ROUILLE ET HERAULT (Notaires Royaux à Nantes), Nantes, le 10 Juillet 1777,
Referenz des Buchhändlers : 22176
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[SALME Marc de]
Réunion de 2 documents manuscrits du XVIe siècle.
Achat de la seigneurie de Fleurey à dom Claude de Grandmont, abbé de la Charité, par Marc de Salme, sgr de Bétoncourt, 1586. In-folio sur parchemin, 41 lignes - Foi et hommage de Marc de Salme, sieur de Bétoncourt, Villebaudon, etc. pour les biens et droits qu'il détient du sieur Grandmont au lieu de Fleurey, 1589. Feuillet papier in-4, 57 lignes, cachet.
Referenz des Buchhändlers : 572723
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[Salt production].
Riße und Beschreibung der Saltz-Cothen. Probably Halle/Saale, ca. 1720.
Folio (ca. 375 x 250 mm). (13) ff., 1 blank leaf. German manuscript on paper. With 10 pen-and-ink drawings in original hand colour. Contemporary boards with manuscript title label to cover. Fine German manuscript on how to increase the efficiency of German salt production. In German cities such as Halle, a major centre of the salt industry, the production of cooking salt was based essentially on the use of wells that provided a high concentration solution of brine. Extracted from the wells, the brine was boiled and refined to salt, a process carried out by specialized personnel - the "salters", who worked in small huts or cots ("Kothen" in German) located in close proximity to the wells. - Presumalby prepared by an experienced salter, the present manuscript gives detailed instructions on the efficient construction and heating of hearths and the sustainment of the required heat, as well as the correct handling of boiling pans. The text concludes with a recommendation of the highly profitable pratice of concentrating the brine using sea salt, as was common in Dutch salt production. - The charming illustrations show the interior of the cots with their various boiling and concentration pans, including diagrammatic depictions of masonry and the arrangement of pans, grids and hearths, as well as a scene of everyday life in the cot. - Engraved bookplate of the artillery school and stamp of ownership of the Hanover military library to front pastedown, the latter also to the first page. Later bookplate of the historian Hanns Freydank (1892-1971) to pastedown. Freydank is the author of numerous publications on salt production with a focus on his native Halle. - Spine and corners somewhat rubbed. Block damaged; paper slightly browned, occasional spots. A rare survival.
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[Salzburg - Bergwesen].
Des hochlöblichen Erzstift Salzpurg Perckhwerchs Ordnung sampt dem Register und Vorred. Getrucht in der erzbischöflichen statt Salzburg durch Hansen Pauman von Rotenburg auf der Thauber anno 1551. [Salzburg, vor 1550 bzw. nach 1551].
Deutsche Handschrift auf Papier. (6), 63, (16) Bll., zwischen Titelblatt und Register durchschossen. Grün gefärbter Pergamentband der Zeit. Kl.-Folio (200 x 305 mm). Zeitgenössisches Manuskript der wichtigen Bergwerksordnung des Fürsterzbischofs Matthäus Lang von Wellenburg von 1532, die 1551 als eines der ersten gedruckten Bücher von Salzburg bei Hans Baumann erschien. Die neue Bergwerksordnung löste die älteren, teils mehrdeutigen und unverständlichen Regelwerke ab; sie bestand mit mehreren Novellierungen auch nach dem Ende des Erzstiftes weiter und wurde erst 1854 durch das Allgemeine Berggesetz für die Österreichische Monarchie abgelöst. - Die Ordnung regelte die Rechte und Pflichten der landesfürstlichen Beamten, der Gewerken und Hutleute, die Abgaben der Bergleute, die Versorgung der Bergwerke mit Holz und Lebensmitteln sowie die Arbeits- und Ruhezeiten, wobei der übermäßig lange Aufenthalt im Wirtshaus nach Feierabend unter Strafe gestellt wurde: "Wir wollen auch das unnsere Perckhrichter zu fürderung gemeines nutz und der perckhwerch [...] allenthalben darob seyen, Das die Huetleut, Lehenhewer, Gedingheuer und annder Arbaiter, all zu rechter zeit, und wie obgemelt ist, zue und von der Arbait geen, und sich nit in den Wirtshewsern, Tafernen oder anndern ennden uber die gewönndliche zeit versitzen oder verhalten, bey peen aines Reinischen guldens [...]" (fol. 35). - Der erste Teil der vorliegenden Handschrift stammt noch aus der ersten Hälfte des 16. Jhs., bricht jedoch bei Artikel 34 (fol. 63v) ab und wurde nach dem erwähnten Baumann-Druck wohl im dritten Viertel des 16. Jhs. ergänzt. Das im Zuge dieser Komplettierung entstandene Titelblatt entspricht jenem der gedruckten Ausgabe. - Einband fleckig, Rücken lädiert, Schließbänder fehlen. Papier durchgehend leicht fleckig; einzelne Seiten mit kleinen Randläsuren, teils alt mit Papierstreifen hinterlegt.
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[SARPI (Paolo)].( Amelot de la Houssaye )- MANUSCRIT.
Histoire des bénéfices, manuscrit- (Laferueur- Laserueur)
petit IN 4 plein veau raciné époque XVIIIe siécle, sd, dos titré,à caissons dorés, MANUSCRIT ancien, pagination par double page, paginé 1 à 136 feuillets ,soit 271 pages manuscrites ,bien lisible,complet, premier plat orné d'un motif géometrique ?; bon etat.Petits manques à la coiffe et queue.
Referenz des Buchhändlers : 27513
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[Saussure, Horace Bénédict de] Laicharding (Johan, Nepomule von ; 1754-1797) :
Manuale Botanicum sistens plantarum Europaearum characteres generum, specierum differentias, nec non earum loca natalia.
Oeniponte et Lipsiae (Innsbruck et Leipzig), Michel Aloysius Wagner, 1794 ; in-8 ; plein vélin ivoire rigide, titre manuscrit au dos (reliure de l'époque) ; 631, (9) pp. d'index.
Referenz des Buchhändlers : 11015
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[Savoie]
Certificat de Civisme,
in-4, 4 pp., décerné par le Conseil Général de la commune d'arc cy-devant St-Jean de Maurienne, au citoyen Claude Belleville, membre de l'Administration de ce district. Délivré à la Maison Commune, la première sans-culotide de l'an second ; suivent 13 signatures et cachet de cire rouge ; contre-signé par la Société Populaire et Régénérée, par le Directoire du district d'Arc et par le Comité Révolutionnaire d'Arc, soit encore 13 signatures et 3 cachets de cire rouge. Encadrement de baguette acajou arrondie et double vitrage.
Referenz des Buchhändlers : 10417
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[Schubarth, Ernst Ludwig].
Physik nach Schubart. Berlin, 1839.
4to (273 x 90 mm). (810) pp. Manuscript in black ink, in a neat and legible Kurrent hand. With 178 precisely executed pencil and ink diagrams and sketches in the margins, together with one full-page and two tipped-in folding drawings. Contemporary drab blue linen with gilt red cloth spine label. All edges red. A meticulously maintained record of one of Schubarth's lecture series, kept by a student, "W. Mück," and a fascinating look at 19th century physics. Unpublished. - Schubarth (1797-1868) was a medical doctor, surgeon, and technological chemist. He gave lectures on chemistry and physics at the Königliches Gewerbeinstitut in Berlin from 1821 to 1848 and at the Bauakademie Berlin from 1831 to 1862. Both universities merged in 1879 and thus were forerunners of Berlin's highly regarded Technische Universität. Schubarth wrote numerous books, including "Tabellen für den Unterricht in der Physik" (1831), "Elemente der technischen Chemie" (1833), and "Lehrbuch der theoretischen Chemie" (1822). He was one of only four academics who lectured at the Gewerbeinstitut during the inaugural year of 1821. It is not known whether these lectures were given at the Gewerbeinstitut or at the Bauakademie. They have never been published. - Schubarth was known to Alexander von Humboldt, who recommended him to Michael Faraday in a letter of 9 August 1846, describing him as "a savant whose work has been most useful for the progress of the industry of this country" (Faraday, p. 537) His image can be seen on the statue of the Prussian statesman Peter Beuth, the prime mover in 19th century Prussia's industrial renewal, where Schubarth is shown addressing a group of fellow scientists. - In his book "Aesthetics, Industry and Science: Hermann von Helmholtz and the Berlin Physical Society", M. Norton Wise notes: "From the perspective of technological modernism at the Bauschule, it is noteworthy that students learned their chemistry and physics entirely from a practical and industrial perspective. Ernst Ludwig Schubarth taught the basic courses, although he had no student laboratory and surely taught experimentation by demonstration alone. After habilitating at the Medical Faculty in Berlin, Schubarth became associate professor for materia medica and chemistry at the University and one of Beuth's most stalwart contributors at the Gewerbeinstitut and Gewerbeverein, serving for years as editor of its journal" (pp. 53f.). - Binding rather rubbed, front joint cracked but sound, back hinge cracking, spine cocked. Text somewhat toned, with some light soiling, but generally in very good condition. Cf. The Correspondence of Michael Faraday, Vol. 3 (2013). M. N. Wise, Aesthetics, Industry and Science: Hermann von Helmholtz and the Berlin Physical Society (University of Chicago Press, 2018).
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[Schulheft].
Die Formen der Kunst. Österreich (Graz?), 2. Viertel des 19. Jhs.
Deutsche Handschrift in Tinte und Blei auf Papier. 21 SS. auf 11 ff. Brauner Umschlag der Zeit, fadengeheftet. Kl.-8vo. Auf den ersten 11 Seiten des Hefts hat der Schüler eine Theorie und Beschreibung der Kunstgattungen unter dem Titel "Die Formen der Kunst" niedergeschrieben. Der Text übernimmt zahlreiche Passagen aus Johann Heinrich Dambecks "Vorlesungen über Ästhetik" (1822), die ihrerseits auf Lessings Unterscheidung von Raumkunst (plastische Künste) und Zeitkunst (Musik, Poesie) aus der berühmten Laokoon-Schrift (1766) zurückgreifen. Auf diese Reinschrift folgt ein in Blei niedergeschriebenes Gedicht "Abschied von Gratz" mit zahlreichen Korrekturen auf 9 SS. Zwei Seiten mit Kritzeleien und einfachen Rechnungen verdeutlichen, dass es sich um ein Schulheft handelt. - Das erste Blatt lose, ein Blatt herausgelöst. Insgesamt gut lesbare Handschrift von jugendlicher Hand.
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[Schuselka, Franz, Publizist und Politiker (1811-1886)].
Der moderne Hagestolz. Lustspiel in 4 Aufzügen. [Wohl Wien], 1839.
Eigenh. Manuskript, 3 von 4 Faszikeln. Zusammen 63 SS. auf 34 Bll. Fadengeheftet. Folio. Bis auf den letzten Akt vollständiges Komödienmanuskript: ein Jugendwerk, das zwar nicht zur Aufführung gelangte, jedoch vom Verfasser zur Erzählung "Der Flatterling" umgearbeitet wurde, die 1841 fortsetzungsweise in Gottlieb Haases Unterhaltungsblatt "Bohemia" erschien (Nrn. 144-150). Wie jeweils auf Bl. 1 verso angeführt, sind die Personen des "in einer großen Residenz" spielenden Lustpiels: "Mildner - ein reicher Privatmann / Theresia - seine Gemahlin / Karl - sein Sohn / Holm - ein pensionirter Offizier / Lorchen - dessen Tochter / Dem. Florette - eine Schauspielerin / von Hahn, Chevalier Larmin [und] Marotti - Karls Freunde / Johann - Karls Jo[c]key / Marie - Florettens Kammermädchen / ein Diener Mildners”. Im linken Rand von 18. Jänner bis 11. Februar fortlaufend datiert, weist das Manuskript zahlreiche Streichungen, Korrekturen und teils mit Rotstift ausgeführte Ergänzungen auf. - Der Jurist Schuselka war einer der bekanntesten österreichischen Persönlichkeiten der Märzrevolution 1848. Ab 1839 hatte er, "der schon seit seiner Studentenzeit journalistisch tätig war, die Laufbahn eines freien Schriftstellers [ergriffen], vorerst v. a. als Mitarbeiter bei Zeitungen. Zu Beginn der 40er Jahre wandte er sich ganz der politischen Publizistik zu [...] Schuselka zählte im Vormärz wegen der polemischen Schärfe seiner gegen die Politik Metternichs und gegen die nichtddeutschen Nationalitäten des Habsburgerreiches gerichteten Schriften zu den bekanntesten liberalen Schriftstellern" (ÖBL XI, 380). Als Vertreter der großdeutschen Linken spielte er seine bedeutendste Rolle im Wiener Oktoberaufstand von 1848, wo er an der Spitze des Sicherheitsausschusses stand. Nach der Übergabe Wiens ging er nach Kremsier, wo er im Reichstag der Führer der Opposition wurde. 1850 wurde er nach seiner Rückkehr aus Wien ausgewiesen. Seiner Liebe zum Theater blieb er treu: 1849 heiratete er die Schauspielerin Ida Wohlbrück (1817-1903). - Äußerlich angestaubt; unbeschnitten.
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[Sciences] Gergonne, Joseph ; de Serres, Marcel ; Ollier, Prosper.
Certificat d'admission aux cours de la Faculté des Sciences de l'Académie de Montpellier
signé par Joseph Gergonne, doyen, et Marcel de Serres, secrétaire, délivré à Prosper Ollier, étudiant en Médecine, né aux Vans en Ardèche, en 1799 ; à Montpellier, le 21 novembre 1820 (in-8, 1 p.), cachet humide ovale de l'Académie de Montpellier.
Referenz des Buchhändlers : 10181
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[Seefahrt]. - The Rosenbach Company
The Sea. Books and Manuscripts on the Art of Navigation, Geography, Naval History, Shipbuilding, Voyages, Shipwrecks, Mathematics, Including Atlases, Maps and Charts.
Philadelphia-New York, The Rosenbach Company, 1938. 4°. XI, 224 S., OKart.
Referenz des Buchhändlers : 48484
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[SEINE ET MARNE] [MANUSCRIT]
Plan des Propriétés appartenant à Monsieur RICARD Louis Auguste situées sur les Communes de JACQUEVILLE et BOISSY AUX CAILLES, 1908.
J. Rathier, Géomètre à Malesherbes, 1908. In-plano, rel. de l'ép. demi-chagrin rouge, dos à nerfs rehaussés d'une roulette dorée, titre doré ; 7 grands plans manuscrits sur double page, dont un dépliant et 3 tableaux synoptiques, le tout monté sur onglet. Qq. annotations au crayon.
Referenz des Buchhändlers : 594261
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[Shooters guild regulations].
Schützenordnung von [!] Jahre 1725. Eggenburg, 1832.
Folio (246 x 398 mm). (8) pp. 19th century black boards covered with blue, pink, orange, yellow and green striped cloth and giltstamped title label. Marbled pastedowns. A 19th century manuscript copy of the 1725 statutes of the shooters guild of Eggenburg in Lower Austria, in 18 articles. Transcribed from a certified copy from 1725, the year when the statutes were originally drawn up, as witnessed by Johann Georg Philipp Fleischmann of the city chancellery. The articles mostly concern the so-called "Kränzlschießen", regular shooting events in which participants alternately would provide the prizes. Two postcards by Rudolf Branböck from 1897-98, one addressed to the "k. k. priv. Bürgerl. Schützen-Corps Commando" regarding the 1897 Easter shooting match, the other addressed to his friend Johann Schally, requesting tickets for a ball, are loosely inserted. - The fine binding is slightly rubbed, extremities bumped. Paper a little duststained with a small brownstain to the margins. Ink on first pages slightly faded. From the library of the Viennese collector Werner Habel.
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[Silk production in Granada - presentation manuscript]. Baños y Molina, Pedro Paschio de.
Manifiesto del origen, progreso, y estado de la real hacienda y renta de poblacion en la ciudad, y reyno de Granada, que ha estado enagenada de la corona desde primero de enero de 1726 hasta fin de agosto del de 760. [Granada?], 22 March 1762.
4to (the tables measuring ca. 515 x 740 mm). - (Bound with) II: Copia de la carta remitida a s.e. en 16 de septiembre de 760, que acompaño al manifiesto, plan y demas documentos sobre renta. - (Bound with) III: Manifiesto de la renta de seda del reyno de Granada, executado de orden del Exmo. Sr. Marques de Esquilace del Consejo de S.M. su secretario de el de Hacienda y Superintendente general de todas Rentas Reales. 17 ff., 11 ff., plus 2 large folding tables ("Estado de los morales y moredas existentes en la Ciudad de Granada, ciudades, villas y lugares de su thesoreria" and "Plan general de los valores que produce la Real Hacienda de población del reyno de Granada"). Stored loosely in a modern folder. Impressive calligraphic presentation manuscript with an account of the history and 18th century state of the renowned silk production in Granada. Having belonged to the Marqués de Esquilache, Minister of Charles III, and signed in Granada by Pedro Paschio de Baños y Molina (1762), this beautiful copy was executed by a skilled calligrapher for the personal collection of the Marqués, probably by a calligrapher in Granada, where resided a number of professional scribes who produced elaborately decorated Cartas Ejecutorias (patents of nobility) for the Cancilleria. - Granada was known for centuries throughout the Mediterranean and beyond for the high quality of its silk: according to the German traveller Hieronymus Münzer in 1492, theirs was the best in the world. Its fame lasted to the end of the 19th century, when the German Imperial family still bought Granada silk. The cultivation of silk in Granada had been the main source of revenue for the Muslim Nasrid Kingdom of Granada; after its fall to the Catholic kings in 1492, it filled the coffers of the Spanish crown. Until the expulsion of the Moriscos in 1609 the production of silk remained mainly in their hands. Historians have argued that the steep hike of silk taxes ordered by Philip II led to the Morisco rebellion of 1568-71. The silk was traded from three exchanges (alcacerías), the main one situated in Granada, where since the period of Nazari rule Genovese traders were active and exported the silk throughout the Mediterranean and even to America. - This document testifies to the great interest that the Spanish kings took in the promotion, cultivation, and trade of silk in the second part of the 18th century. It is a beautiful document remarkable for the wealth of information it contains. In the best spirit of the Enlightenment, it meticulously records the number of mulberry trees in all localities of Granada, from the smallest to the largest, the number of additional trees that could be planted, the yearly expenses for juros (loans that the King had vouched to pay to certain individuals and religious institutions), and other items. - The document is addressed to the Marqués de Esquilache, minister of King Charles III, by Pedro Paschaio de Baños y Molina, director of the King's revenue in Granada. Paschaio, a member of a family of accountants, became very wealthy at the service of the crown. In 1752 he owned nine houses in the Macarena in Granada, six taverns, and lands. Born in 1691, he bought the post of mayor of the city of Granada in 1724. From this position he initiated his social ascent by organizing the visit of King Philip V to the city in 1730. By 1760 he was director of finances of Granada, an office which undoubtedly augmented his wealth. He financed several important religious buildings in Granada in the late Baroque style. - Professionally restored tears, almost invisible, to large folding tables; some minor oxidation to ink as expected, but overall in excellent condition. A. M. Gómez Román, "Moral aristocrática, filantropía y promoción en la figura de Pedro Pascasio de Baños", Cuadernos de Arte de la Universidad de Granada 36 (2005), pp. 139-149. J. Highet, "Silks from Islamic Lands", Asian Art, 6 March 2014. J. R. McNeill, The Mountains of the Mediterranean. An Environmental History (Cambridge, 1992), p. 226. Girón Pascual Rafael María, Las Indias de Génova. Mercaderes genoveses en el reino de Granada durante la edad moderna (Editorial de la Universidad de Granada, 2013).
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[SIREY]
PORTRAIT PRÉSUMÉ D’AIMÉ ALEXIS SIREY, FILS DE JEAN-BAPTISTE SIREY, École française de la fin du XIXe siècle
, 45 x 36 cm à la française [cadre], sanguine, pierre noire et rehauts de blancs sur papier, signée en bas à gauche, cadre en bois clair d’époque orné d’une fine frise (traces de frottements et petis coups sur le cadre).
Referenz des Buchhändlers : 4242
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[Siéyès (Ange-Emmanuel-Paul ; 1852-1898)]
Dressage du cheval de guerre et du cheval de chasse, suivant la méthode du feu M. le commandant Dutilh écuyer en chef à l'Ecole de cavalerie, par un de des élèves [Sieyès]. 2e édition revue et corrigée, augmentée de onze gravures.
Paris, Berger-Levrault, 1888 ; in-8, broché ; 210, [2] pp. de Catalogue et 11 gravures in-texte, couverture verte imprimée.
Referenz des Buchhändlers : 22356
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[Société archéologique de Béziers].
"Musée lapidaire. Aperçu général de l'histoire de Béziers." Manuscript for a general history of Béziers based on the objects of the Museum of the Archaeological Society. [Béziers], 1910-1911.
4to. French manuscript in blue and red ink on paper. 107 pp. With an index and 68 photographs mostly outside the text (37 numbered plates). Original half cloth notebook. Sewn. Beautiful, unpublished manuscript that must be attributed to a member of the Archaeological Society of Béziers. From 1866, the society’s "Musée lapidaire" was housed in the unfinished monastery attached to the Béziers Cathedral. Today, only a few of the more than 300 objects are still on display there, while most have been transferred to the Musée du Biterrois. The author traces the eventful history of Béziers based on objects of the collection and their inscriptions, dating from the Roman period to the 18th century. The objects from the Roman period offer the greatest variety; they include a head of Silenus, the statue of a Roman Emperor, locally known as Pépézut, funerary monuments and architectural ornaments. In the preface, the author thanks the former president of the Archaeological Society, Louis Noguier, and two other members who contributed to the establishment of the museum. In 1899, Noguier had published a book on the museum’s inscriptions from the Christian period. Based on a clipping from a local newspaper with an article on a congress of the Archaeological Society in January 1911, the manuscript can be tentatively ascribed to Joseph Dardé, secretary of the society and curator of the museum. - Several pages loose, as are the plates. Some browning. Occasional bent corners, margins, and minor tears.
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[SPIESS] GODEL Vahé:
Henry Spiess poète survivant.
Genève, Georg, 1963. In-12 de format carré, broché de 130-[2] pages, couverture verte pomme.
Referenz des Buchhändlers : 21607
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[Steiermark - Verwaltung].
"Extract der in der Landthandvest einkhomenden kays. rescripten und privilegien". O. O., 8. X. 1731.
Handschrift auf Papier. 4 SS. auf Doppelblatt. Folio (320:206 mm). Wohl mit Bezug auf eine gedruckte Fassung der "Lanndhanduest. Des Löblichen Hertogthumbs Steyr, darinnen Keyserliche, Königliche, und Landtsfürstliche Freyhaiten, Statua, Landtgebrauch and andere Satz" enthaltenden Gerichts-, Polizei- und Landordnung des seit 1192 zu Österreich gehörigen Herzogtums Steiermark entstandenes Exzerpt, in dem der Verfasser an Hand einzelner Abschnitte das "Rescriptum v. Verdinands des dritten, die Veranlaßte Erbhuldigung betreffend; [das] Rescriptum ab eodem die confirmation der privilegien, und [die] Concessionen dises Land Steyr betreffend" notiert. - In altem Sammlungsumschlag.
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[Steinhauer, Anton.] Johannes à Sancto Andrea.
Vado mori, sive via omnis carnis morte duce mortalibus in processione mortuorum monstrata. Prag, Cornelius Peter Werner, 1733 [eigtl. Lwow, 1747].
Deutsche Handschrift auf Papier. (4), 52 SS., 2 w. Bll. Halblederband der Zeit. 8vo. Zeitgenössische hochbarocke Abschrift der ersten Ausgabe von Steinhauers totentanzartiger Erbauungsschrift in der Tradition der "Ars bene moriendi" durch den Lemberger Redemptoristen Johannes à Sancto Andrea (unter dem kopierten Zensurvermerk eigenh. signiert und datiert 1747). - Papierbedingt durchgehend etwas gebräunt. Vgl. Jantz 2663 (Ausg. 1744). De Backer/Sommervogel VII, 1540, 1. Graesse VI, 433.
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[Suppression of the Society of Jesus].
"Per la soppressione della Società". Manuscript copy of ten anti-Jesuit poems. No place, late 18th century.
4to. Italian manuscript on paper. 7½ pp. on bifolia. The collection starts with a long poem comprising 37 verses of 3 lines each that calls for the suppression of the Jesuits, starting: "Giorno d'ira, e di furore / Di ruine apportatore / Spunta all'empio, e all'impostore". The unpublished poem is addressed to the Pope and repeats typical accusations brought against the Society of Jesus. - It is followed by three sonnets concerning the controversial and at the time unsuccessful canonization process for Juan de Palafox y Mendoza (1600-59), the former bishop of Puebla who had briefly served as Archbishop of Mexico (1640-42) and as Viceroy of New Spain (1642). Palafox y Mendoza is famous for his long conflict with the powerful Jesuits of New Spain over ecclesiastical jurisdiction. The Jesuits ultimately succeeded in having the bishop transferred from Puebla to a minor see in Old Castile in 1653, effectively ending his career. In the 18th century, Palafox y Mendoza's anti-Jesuit writings gained popularity and were an important factor in the banishment of the Jesuits from Spain in 1767. The introduction of the cause of beatification was approved by Pope Benedict XIII in 1726 but a positive decision by the responsible congregation in 1777 was suspended by Pope Pius VI through the intervention of the Jesuits. The poems must be seen in this context; the first stave of the third poem reads: "Oh Gesuiti! Della Terra f[a]ex, / Infine l'ha pur vinta Palafox, / E difesolo il forte Hispaniae Rex, / Che no teme da Voi la mala Nox". - The fourth sonnet in the collection is a caustic reinterpretation of the famous prophecy that Ignatius of Loyola had received in a vision of Christ near Rome in 1537, starting: "I shall be favourable to you in Rome". - Four sonnets are warnings and outright criticisms of Pope Clement XIII (1758-69), a former Jesuit. The first of the sonnets is a speech by the personification of the Adriatic Sea to the Pope, commanding him to safeguard the honour of St Peter and warning him of coming storms. This is followed by three variations of a sonnet that does not directly address Clement but openly criticizes Papal decisions and his opposition to the ruling Princes of Europe, comparing the Pope to the Kings of Egypt and Assyria in an allusion to the biblical stories of Moses and Judith. - The final sonnet in the collection with two additional staves of 3 lines in the end strikes a similar tone, now directly attacking the Jesuits. It underlines that Rome must obey the European potentates, directly mentioning the court in Vienna, in order to be saved and restore its glory by "extinguishing" the Jesuits: "Che sarai salva, e con gloria distinta / Quando la Società vedrassi estinta". - With very slight stains. Well preserved.
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[Suppression of the Society of Jesus].
Anonymous anti-Jesuit poem written upon the death of Pope Clement XIV. No place, ca. 1774.
8vo. Italian manuscript on paper. 1 p. The poetic persona of this slanderous sonnet is the devil who informs the Jesuits of Clement's demise and incites them to use the opportunity for their malefactions, implying that they are responsible for papicides and regicides: "Mort'é Clemente (all'empia Società / Il Diavol' prese tosto a dir' così.) / Teneri Figli miei, vedete già, / Quanto per voi m'adopri e notte, e dì. / Or sappiate, che in man vi tornerá, / Tutto ciò, che il destin à voi rapí, / E che La Compagnia risorgerá, / Ad onta di Colui, che vi abboli, / Deh.' [Non] cari Figli, non temete più, / Seguite pur à uccider Papi, e Ré, / Ch'io sempre vi darró [!] forza, e virtú, / Ed al vostro valor ampia mercè, / Finchè verrete poi tutti quaggiù, / Eternamente ad abitar con me". - A slightly different version of this poem was published in the posthumous eighth volume of José Ortiz y Sanz's "Historia general de España" with the sardonic comment that the "devil apparently had some prognostic power" but that his words are unreliable, as is to be expected for a statement by the devil. - On 21 July 1773, Clement XIV issued the papal brief "Dominus ac Redemptor Noster" ordering the suppression of the Society of Jesus. This was probably the most controversial political decision of the 18th century, leading to a surge of propaganda for and against the Jesuits and the Pope that culminated after Clement's death on 22 September 1774. - Traces of folds. With a small burn hole and minor stains. J. Ortiz y Sanz, Historia general de España, Volume VIII (Madrid, 1846), p. 243.
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[Suppression of the Society of Jesus].
Anonymous manuscript with 13 predominantly anti-Jesuit poems. No place, late 18th century.
4to. Italian manuscript on paper. 12 pp. on bifolia. The first poem in the manuscript is an anonymous sonnet entitled "In occasione della Vinciza fatta al Lotto di Napoli industriosamente dalli Romani" that compares Roman politics to the "damned game" of lottery, but also a "sorbet" that needs to be swallowed, and attacks several people, including the cardinals and Curia members Luigi Maria Torregiani and Simone Buonaccorsi, as "assassins" and "perfidious ministers" who give Romans the "title of thieves". - The second anonymous poem is an anti-Jesuit sonnet, presented as a kind of prophecy that was "recovered above" a Jesuit building in Rome "nell' Arco de' Greci", probably referring to the Collegium Graecorum. It compares the Jesuits to a "flock of birds" who built their nest from loot but are now "cast out", alluding to the suppression of the Society of Jesus in 1773. The final stave openly calls for violence, even threatening those who do not participate in the extirpation: "Per estirpar la maladetta Razza / Calpesteremo il Nido, i Padri, e l'ova | E proscritto sarà chi non c'ammazza". - This is followed by a copy of Carlo Innocenzo Frugoni's (1692-1768) sonnet "L'Angelo Sterminatore", here appropriated for anti-Jesuit purposes, calling for the "expulsion of the Society" from Parma. The sonnet has been published in the second volume of Frugoni's collected poetry (C. I. Frugone, Opere poetiche II [Parma, 1779], p. 373). - Another comparison of the Jesuits with birds, now ravens, is presented in an anonymous Latin distich: "Dar Lojoliticii [...] Opes, Gusmani Corpus Alumnis: / Num Carnes Corvus, devorat Ossa Canis." According to an added explanation, the poem was written to commemorate a Neapolitan woman who died because she compromised her devotion to St Dominic with her estimation for the Jesuits and followed "their advice" concerning her inheritance. - The fifth poem in the manuscript is another sonnet that is satirically attributed to Lorenzo Ricci, the General of the Society of Jesus at the time of their suppression. In lamenting the downfall of the Jesuits, the fictional Ricci corroborates calumnious accusations brought against them. The first stave reads: "Siam giunte al fine delle nostre imprese, / Speranza più non v'è di coglier frutti, / Il colpo già letal, onde palese / E la scentura, che sovrasta à tutti." This is followed by another sonnet that traces in a highly spiteful tone the "situation and conduct" of several important Jesuits following the suppression: "Situazione, e condotta del P. N., e di varii del Cordon Bleu dell'Ordine Lojolitico", starting with the General: "Ricci singhiozza smania, e si tapina". - Two further sonnets are actual works of the Jesuit poets Severio Bettinelli and Giulio Cesare Cordara, although the second sonnet is wrongly attributed to Bettinelli as well. Bettinelli's sonnet "Tuona, fulmina, e sbuffa Torregiani", apparently written after the expulsion of the Jesuits from Spain in 1767 in order to "slander diverse Cardinals" such as Luigi Maria Torregiani, is met with critical annotations, whereas Cordara's apologetical sonnet "Cadrà, se così in Ciel si trova scritto" is derided in two anti-Jesuit "responses" in the form of sonnets. These are immediately followed by a satirical sonnet that ridicules the expulsed Jesuits of Spain who "cannot find anybody who allows them to disembark", starting "Ah nave, ah nave che nel mezzo all'onde". Cordara's poem has been published in the Italian journal "La Voce della Ragione" in 1832, where it is dated to 1773. - Another sonnet is couched in the form of a dialogue between "Pasquino e Marforio" and is thus a classical Roman pasquinade. Pasquino asks Marforio whether it is true that a Dominican friar has been murdered in Martinique. Marforio confirms this, implicating a Jesuit named Scarponio who had brought the news to him through a disciple. - The final and longest poem of the collection (82 verses of 4 lines) is a "Canzonetta to the Genovese Signori who welcomed the Jesuits expulsed from Spain on Corsica". The poem is a furious denouncement of Genovese hospitality and closes with a plea for Justice, asking God to "release the brakes" and have the "evil Society completely suppressed and extinguished", followed by an "Amen". More than 2,600 Jesuits were forced to leave Spain in 1767 and take refuge in Corsica until 1768, when the island was taken over by France, which had already expelled the Jesuits from its territories in 1764. This development finally forced Pope Clement XIII grudgingly to allow the exiles to enter the Papal states. - Occasional stains and browning. Well preserved.
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[Suppression of the Society of Jesus].
Anonymous manuscript with three anti-Jesuit texts. No place, ca. 1773.
4to. 1¾ pp. on bifolium. The first text is a Life of the controversial Jesuit Gabriel Malagrida (1689-1761) with its satirized counterpart, written in opposing columns. Italian introductions were added in order to lend the Latin "original texts" a note of authenticity: "Short chronicle printed underneath the image of Father Malagrida, found in the case of a Jesuit father who had been robbed in Belforte. The figure is conical and Father Malagrida is represented in the habit of a Jesuit missionary with a walking stick in hand [...]". The satirized version of the introduction identifies the Jesuits as thieves and describes Malagrida in "the habit of an assassin with a deadly knife in hand". Both "vitas" follow an established formula for short biographies of deceased Jesuits. The satirical version is fiercely vitriolic, repeating common accusations against the Jesuits such as disloyalty, idolatry, and regicide. The description of the image probably refers to an actual engraved "portrait" of Malagrida. This anonymous engraving, clearly libellous, would not have been carried by a Jesuit and circulated in various copies with anti-Jesuit captions. - Gabriel Malagrida was an Italian Jesuit who worked as a missionary in Brazil for 28 years. When he returned to Portugal in 1750, Malagrida was highly respected at court. His fervour in explaining the 1755 earthquake of Lisbon as a divine punishment gave his biggest enemy at the court, prime minister Sebastião José de Carvalho, the leverage to procure Malagrida's banishment from the capital. In 1758 he was falsely accused of having been part of the conspiracy behind an attempt on the life of King José I and found guilty of high treason. This so-called Távora affair served as a pretext for the banishment of the Jesuits from Portugal in 1759. As the Inquisition found no proof of his guilt, Malagrida could not be executed for treason, and Carvalho moved on to accuse him of heresy based on falsely attributed texts. In a blatant miscarriage of justice, Gabriel Malagrida was strangled and burned in Lisbon on 21 September 1761. - The first of two sonnets completing the collection is presented as if it had been recited by a brother of King George III during the solemn unveiling of a statue of Pope Clement XIV in the house of a Catholic English Lord. Pope Clement XIV was surprisingly popular in Britain, as he did not recognize the Catholic Jacobites as pretenders to the British throne, and for his anti-Jesuit stance. A bust of the Pope by Christopher Hewetson was copied several times for members of the British nobility. - The second anonymous sonnet "against the Jesuit fathers" was supposedly "sent to Rome printed in golden characters to the ambassador of Spain and presented to the Pope by him". The sonnet describes the purported reaction of Lorenzo Ricci, the Superior General of the Jesuits, to the suppression of the Society by Pope Clement XIV. The first stave reads: "Ricci crollando l'orgogliosa testa / Chiamo fremente i suoi Compagni, e disse / Reco novella, o Figli miei funesta, / Il rio Clemente il gran decreto scrisse". - Lorenzo Ricci was arrested soon after the suppression of the Jesuits on 21 July 1773. He was indefinitely imprisoned without trial at the Castel Sant'Angelo in Rome and died there in 1775. - Some browning, creases, and minor tears. Minimal damage due to ink corrosion.
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[Suppression of the Society of Jesus].
Manuscript copy of six anti-Jesuit poems. No place, late 18th century.
4to. Italian manuscript on paper. 4 pp. on bifolium. The first sonnet in this collection mocks the Jesuits expelled from Spain in 1767, who did not receive permission to land with their ships in the Papal States. The first stave reads: "E ancor sul crespo di Nettuno / Van del suo fato incerte galleggiando / Le navi ch'ebber dalla Spagna il bando, / Carche d'ira di Dio vestita a bruno!". - The second poem pretends to be a lamentation of the Jesuit Provincial of Aragon: "Il Provinciale de Gesuiti d'Aragona, non permettendosele lo sbarco nel Porto di Civita Vecchia, si querela con i seguenti Versi di Virgilio". The fictional Jesuit quotes the Aeneid (I, 539-544), wherein a lack of hospitality towards the Trojans is decried. - The two following sonnets scold the Jesuits, based on a quarrel with the Piarists. In a droll metaphor, the Piarists' mantillas are described as thermometers indicating the trouble resulting from the "affairs of the Jesuits" in terms of storms and tempests: "Ma nel torbigo tempo, ed infelice / Alzarsi ad occhio, e vaccorciar si vede: / Onde or tempesta, ed or seren predite." The second sonnet is a response to the "Piarists who jubilate over the Jesuit catastrophes". - The longest poem in the collection, consisting of 14 staves of four and three lines, accuses the Jesuits of not celebrating Mass on Christmas Eve, instead luring the naive believers to celebrate an idolatrous Mass on Good Friday: "Li PP. Gesuiti nella Notte del SS. Natale non celebrano le sacre Funzioni ordinate dalla S. Chiesa come tutti gli altri Ecclesiastici; ma tengono chiuse le Porte delle loro Chiese sin' all'Aurora: Il Venerdi Santo poi espongono il SS. Sacramento col solito Rito, e Ceremonie, e danno al Popolo la Benedizione." The Jesuits are thus likened to the Protestants through a breach of the Roman Rite that has no celebration of Mass between the Lord's Supper on Holy Thursday evening and Easter Vigil. Apart from idolatry, their true motive is presented to be hunger for power. The poem calls them "treacherous pirates who only lust for kingdoms and treasures" and celebrates their expulsion from France (1764) and Spain (1767). - A final sonnet in the collection predicts the fall of the "tall, terrible colossus" that is the Jesuit Order, repeating common accusations against the Society of Jesus that was suppressed by Pope Clement XIV in 1773. - With occasional brownstains and a minor tear to the fold.
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[Tabak; Arents, George]. - Brooks, Jerome E. (Hg.)
Tobacco. Its History Illustrated by the Books, Manuscripts and Engravings In the Library of George Arents, Jr. Together with an introductory essay a glossary and bibliographic notes by Jerome E. Brooks. 5 Bände u. 10 Lieferungen.
New York, The Rosenbach Company u.a., 1937-1969. Fol. Mit sehr zahlr., tlw. ganzs. bzw. farb. Abbildungen im Text u. auf Tafeln sowie einer gefalt. Beilage. Zus. ca. 3180 S., OLwd.-Bde. (Bde. 1-5) bzw. OUmschläge (Lieferungen 1-10).
Referenz des Buchhändlers : 53774
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[Tabak; Arents, George]. - Brooks, Jerome E. (Hg.)
Tobacco. Its History Illustrated by the Books, Manuscripts and Engravings In the Library of George Arents, Jr. Together with an introductory essay a glossary and bibliographic notes by Jerome E. Brooks. 5 Bände.
Mansfield, Martino Fine Books, o. J. (Nachdruck der Ausgabe Florenz 1937-1952). 4°. Mit Abbildungen u. einer mehrf. gefalt. Beilage. Zus. ca. 2.520 S., OLwd.-Bde.
Referenz des Buchhändlers : 66759
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[TABLEAU MANUSCRIT]
Carte militaire des troupes de France sur le pied des dernières ordonnances.
S.l., s.d. 100 x 66.,
Referenz des Buchhändlers : 245272
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[TALLEMANT (Paul).
Manuscrit XVIIIe]. Le Voyage de l'Ile d'Amour ou la Clef des coeurs.
S.l.n.d., , 1713 vers . Manuscrit in-12 carré (128 x 177 mm) de (51) ff., veau brun granité, dos orné à nerfs (reliure de l'époque).
Referenz des Buchhändlers : 43452
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[TALLEYRAND] - MANUSCRIT anonyme
Réflexions sur l'éducation, adressées par un père à celui qui doit élever son fils.
[1768]. Gr. in-8° 537p. Reliure plein veau d'époque, dos à nerfs orné de fleurons dorés, encadrement doré sur les plats, tranches dorées
Referenz des Buchhändlers : 43275
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[TEPEDELENLIZÂDE] ISMAIL RAHMI PASHA, (Active as Turkish / Ottoman governor of Adrianople between 1848-1850).
Autograph letter signed [sealed] 'Vâlî-yi Edirne Es-Seyyid Ismail Rahmi' to famous Crimean origin Haci Giray family for condolences.
Very Good Turkish, Ottoman (1500-1928) Original autograph manuscript letter sent to Haci Giray family for condolences on Haci Giray's death. 38x21 cm. On a special paper with 'ahar'. Sealed. 1 p. Has six lines. With a legible script and fine calligraphic style. It starts with 'huve'. He was a Turkish statesman, governor and member of state council according to Sicill-i Osmânî by Süreya and Türkischer Biographischer Index. The House of Giray (Crimean Tatar: Geraylar, Turkish: Âl-i Cengiz), also Girays, were the Genghisid/Turkic dynasty that reigned in the Khanate of Crimea from its formation in 1427 until its downfall in 1783. The dynasty also supplied several khans of Kazan and Astrakhan between 1521 and 1550. Apart from the royal Girays, there was also a lateral branch, the Choban Girays (Çoban Geraylar). Before reaching the age of majority, young Girays were brought up in one of the Circassian tribes, where they were instructed in the arts of war. The Giray khans were elected by other Crimean Tatar dynasts, called myrzas (mirzalar). They also elected an heir apparent, called the qalgha sultan (qalga sultan). In later centuries, the Ottoman Sultan obtained the right of installing and deposing the khans at his will. Giray family settled in Adrianople (Edirne) city in 17th century.
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[Theologische Handschrift].
["Schluß Denksprüche" (Incipit)]. O. O. u. D., [wohl Anfang 19. Jhdt.].
90 beschr. SS. auf 46 Bll. Marmorierter Pappband der Zeit. 4to. Der zweite Teil einer theologischen Handschrift über "Motivenlehre. Von der Unsterblichkeit der menschlichen Seele", "Von dem besonderen Gerichte", "Von dem Reinigungsorte der menschlichen Seele", "Von der Auferstehung der Todten am Ende der Welt", "Von dem allgemeinen Gerichte", "Von dem Himmel", "Von dem Orte des ewigen Unglückes" u. a. Handschrift schließt mit den Worten "Ende des zweyten Kurses der dritten Grammaticalklasse". - Der Einband etwas berieben und bestoßen, innen tadellos.
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[THESE DE THEOLOGIE, MANUSCRIT] - RAPP (Emile) -
RELIGION ANTIQUE.
Strasbourg, L'AUTEUR, 1907 ; in-4, 247 pp., br. Broché en état moyen -MANUSCRIT EN ALLEMAND - these de théologie allemande dirigé par Albert Herhard -these manuelle.
Referenz des Buchhändlers : 201710643
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