O-Books 2021. Paperback. Good. 2021. No Edition Stated. 216 pages. Signed by the author. Paperback book with pictorial cover. Flat signed by Author. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking inscriptions inserts light foxing tanning and thumb marking. Paper cover has mild edge wear with light rubbing and creasing. Some light marking and tanning. O-Books paperback
Tribes Press 2019. Paperback. Good. 2019. First Thus. 332 pages. Signed by the author. Paperback book. Clean pages with firm binding. Minimal tanning to endpapers and page edges. Mild wear to spine cover edges and corners with some creasing to covers. Sticker to rear. Tribes Press paperback
PETIT FUTE 2011. Paperback. Very Good. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations. PETIT FUTE paperback
PETIT FUTE 2011. Paperback. Very Good. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations. PETIT FUTE paperback
PETIT FUTE 2011. Paperback. Very Good. Slight signs of wear on the cover. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations. PETIT FUTE paperback
STUDYRAMA 2013. Paperback. Good. Former library book. Edition 2013. Ammareal gives back up to 15% of this item's net price to charity organizations. STUDYRAMA paperback
STUDYRAMA 2014. Paperback. Very Good. Former library book. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations. STUDYRAMA paperback
Hermes Science Publications 2002. Paperback. Good. Former library book. Slightly creased cover. Slight signs of wear on the cover. Edition 2002. Ammareal gives back up to 15% of this item's net price to charity organizations. Hermes Science Publications paperback
Celine Parton & Joseph Gish 2021. spiral_bound. Very Good. 8x0x11. Cover clean.Minor wear to page edges and corners. Spiral bound.No writing highlighting or marks in text. Celine Parton & Joseph Gish unknown
Paperback / softback. New. Based on author's own experiences as a Filapina American filmmaker and as a spectator to urge a shift in thinking about sexualized depictions of Asian/American women in film video and theatrical productions this book moves beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. paperback
Softcover volume measuring approximately 6.25" x 9" displays light shelfwear. Binding is firm. Pages are clean and bright. xii/339 pages.<br />"In "The Hypersexuality of Race" Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film video and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure pain and power in performances of sexuality she advances a theory of "productive perversity" a theory which allows Asian/American women—and by extension other women of color—to lay claim to their own sexuality and desires as actors producers critics and spectators.<br />Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical "Miss Saigon" by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong Nancy Kwan and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women's performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism "The Good Woman of Bangkok" and "101 Asian Debutantes." In her examination of films and videos made by Asian/American feminists Shimizu describes how female characters in their works reject normative definitions of race gender and sexuality thereby expanding our definitions of racialized sexualities in representation." Duke University Press paperback
Paperback / softback. New. Based on author's own experiences as a Filapina American filmmaker and as a spectator to urge a shift in thinking about sexualized depictions of Asian/American women in film video and theatrical productions this book moves beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. paperback
Paperback / softback. New. Celine Parreñas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children showing how films allow viewers the opportunity to understand the demands and difficulties placed upon Asian American children. paperback
Hardback. New. Celine Parreñas Shimizu examines early twenty-first-century cinematic representations of Asian and Asian American children showing how films allow viewers the opportunity to understand the demands and difficulties placed upon Asian American children. hardcover
Paperback / softback. New. Traversing classical Hollywood to the cinema of Park Chan-wook Gina Kim and Ramona Diaz and Cannes award-winning director Brilliante Mendoza The Proximity of Other Skins looks at transnational films that achieved global prominence by presenting a different cinematic language of love and sex. paperback
Paperback / softback. New. Traversing classical Hollywood to the cinema of Park Chan-wook Gina Kim and Ramona Diaz and Cannes award-winning director Brilliante Mendoza The Proximity of Other Skins looks at transnational films that achieved global prominence by presenting a different cinematic language of love and sex. paperback
FriesenPress 2016. Paperback. Very Good. Disclaimer:A copy that has been read but remains in excellent condition. Pages are intact and are not marred by notes or highlighting but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. FriesenPress paperback
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