‎Livres illustres‎

‎"DAHLBERG (DAHLBERGH), ERIK.‎

‎Suecia Antiqua et Hodierna. 3 parts (all). - [THE LARGEST AND MOST SUMPTUOUS SCANDINAVIAN TOPOGRAPHICAL WORK]‎

‎(Stockholm, publication date is unclear, but commission to the work was granted in 1661. ca. 1661 - 1715) Folio (370 x 260 mm). 3 parts bound entirely uncut in 2 nice uniform red half calf bindings from ca. 1800 with gilt lettering and ornamentation to spines. Wear to edges of boards and small repair to lower compartment on vol II/III. 5 plates with marginal repairs and 1 plate with small closed hole (Not renewed margins as is often an indication of a later issue). Very light occasional marginal browning. An overall very nice uncut set in vertical folios as intended by Dahlberg.13, (1) pp. of Index. 356 etched and engraved plates - the list of plates at the beginning calls for 352, but numbers ""46"" in vol. II and ""38"" in vol. III each consist of two separate plates plus 1 extra plate (consisting of two plates) in the end of vol. III showing Templum Ulricæ, the Swedish church in London. Thus complete (+1 extra). Plates by various engravers including J. van den Aveele, Willem Swidde, Jean Marot, Jean Le Pautre, A. Perelle, J. J. von Sandrart, and E. Reitz, most after Count Dahlberg's drawings.‎

‎Magnificent copy, entirely uncut with the additional uncalled for plate, of the largest and perhaps most sumptuous Scandinavian topographical work. The scope and extravagant character of the work was reflected in it’s printing history" In 1661, Dahlberg obtained a commission from the Swedish government to compile a pictorial archive of the country's architectural treasures. No less than 18 engravers were hired to transfer Dahlberg’s drawings to copperplates (a few of the drawings were by David Klöcker-Ehrenstrahl and Elias Brenner). After decades of transferring drawings to copperplates, 21 years were spent on completing the printing of the plates - the sheets continued to be published throughout the 18th and into the 19th century. Per Lagerlöf wrote a Latin text, but it was only partially printed and never published. ‘Suecia antiqua’ was an ambitious effort to document Sweden. The kingdom was then at the height of an aggressive expansion and very much aware that it had become a major power, primarily through its success in the Thirty Years War (1618-48) and campaigns against Denmark and Poland in the 1650s. In the course of this transformation, it took substantial new territories and sponsored many new and impressive architectural projects both at the state and the individual level, which were here presented to an international audience. Dahlberg's direct source of inspiration was the topographical publications issued by the Swiss publisher Matthäus Merian whom he had become acquainted with during his military service and studies in Germany: ”I want to produce a work on Sweden like that with which Merian honored Germany. Foreiners should see how much of greatness and beauty is to be found in our fatherland”. (Jonsson, Stormaktstid, 1992). “The compilation of architectural views emerged as a genre in the mid-sixteenth century and grew in popularity over the following two hundred years. They range widely in scope, ambition and intended purpose, with some constituting a kind of architectural monograph and others taking a regional or global focus as a form of topographical literature. Many are documentary others contain imaginary or ideal buildings. Some emphasize text others contain only a few captions. However, all have in common an attractive presentation that is not particularly technical, and would appeal to anyone with even a passing interest in architecture. It may be this easy accessibility that has often made them seem like ornaments for aristocratic libraries and largely removed from the more intellectually engaged worlds of the study and the architectural studio. With some exceptions, such as the rich works of Giovanni Battista Piranesi, they have typically been seen as early coffee table books - of limited use at the time, and important to the history of art and architecture primarily” (Kristoffer Neville, Suecia antiqua et hodierna: An Architectural Viewbook in the Eighteenth Century). Brunet V:578. Lindberg: Swedish Books 1280–1967 as no. 37.Collijn 4, 198.‎

Référence libraire : 60343

‎MASIUS, HECTOR GOTTFRIED.‎

‎Traur-rede Welche Bey des Hochgebohrnen Herrn, Herrn Christian Güldenleu [...] Leichbegängnis, bey hoher Versamlung, auch königlicher allergnädigster Gegenwart. - [ONE OF THE MOST MAGNIFICENT OF ALL FUNERAL BOOKS]‎

‎Copenhagen, Joachim Schmitgen, 1709. Folio (398 x 260 mm). In a magnificent full brown morrocco binding with five raised bands, richly gilt spines, elaborate gilt borders to boards, inner gilt dentelles, gilt capitals and gilt ornamentation to edges of boards. All edges gilt. Binding signed by Anker Kyster. Sunning to spine and a few scratches to boards. A very nice wide margined copy. (10), 112, (11), (2), 36, (29) pp. + 7 large folded plates (including the frontispiece). Plates numbered A-F, by Andreas Reinhardt after Gottfrid Fuchs. The frontispiece was drawn by J.S. Ebert. Five of the plates bear dates, which range from 1704 to 1707. The frontispiece and plate C incorporate a portrait of Gyldenlöve. Plate A shows the casket being taken off an illuminated ship at night. Plate B, the procession through Copenhagen (4 joined sheets, 1850 mm). Plate C, closely trimmed with professional repair to inner margin, shows the laying in-state, Plate D (3 joined sheets 1470 mm) shows the funeral ceremony with the catafalque. Plate E (3 joined sheets, 1600 mm), shows the procession leaving the church with the casket. Plate F, closely trimmed with minor loss of text, shows the casket.‎

‎The very scarce first appearance of one the most magnificent of all funeral books and one of the finest examples of Danish book production in general. In a grandiose baroque-style, the work documents the funeral procession of King Christian V’s young son Christian Gyldenløve’s, Count of Samsø. The procession through Copenhagen and final burial in Church of Our Lady took place in the evening, which is why the plates were printed in dark tones. Christian Gyldenløve, Count of Samsø (1674-1703), was a Danish nobleman and military officer. He was the illegitimate son of King Christian V of Denmark and his mistress Sophie Amalie Moth. Christian Gyldenløve was born on November 28, 1674, in Copenhagen, Denmark.Gyldenløve had a military career and achieved the rank of colonel. He participated in various military campaigns and battles, including the Scanian War (1675-1679) against Sweden. He commanded his own regiment and gained a reputation as a skilled and brave officer.In addition to his military duties, Christian Gyldenløve held several noble titles. In 1698, he was appointed Count of Samsø, which is a Danish island located in the Kattegat Sea. He also held the title of Lord of Rosenborg. Tragically, Christian Gyldenløve's life was cut short at the age of 28. He died on July 16, 1703, during the Battle of Thorn (modern-day Torun) in Poland, while fighting in the service of the Polish king against the Swedish forces. His premature death was a source of sorrow for his family and the Danish court to which this lavishly printed book is a testament to. The work was printed in 275 copies. Dansk Boghåndværk gennem Tiderne 75. Bibliotheca Wegeneriana 2189‎

Référence libraire : 60424

‎MAROLLES (Michel de).‎

‎Tableaux du Temple des Muses Tirez du Cabinet de Feu Mr. Favereau. - [CLASSICAL MYTHOLOGY BEAUTIFULLY ILLUSTRATED]‎

‎Amsterdam, Abraham Wolfgank, 1676. 4to (190 x 165 mm). In contemporary marbled paper covered boards. Extremities with wear, boards with scratches, corners bumped. Missing top 5 cm of spine. Frontispiece closely trimmed with loss to upper and lower margin. Plate no. 19 with repair in outer margin, with loss of plate. Internally generally nice and clean. (18), 476, (6) pp. + 58 plates and 1 frontispiece.‎

‎Uncommon later edition – printed in Amsterdam for the first time - of Michel de Marolles' adaptations of classical fables beautifully illustrated with 58 full-page plates by Cornelis Bloemaert after Abraham van Diepenbeeck’s design depicting scenes from classical mythology and ancient fables. The prints were of exceptional quality and became an inspiration for artists and printmakers in the following decades. “In 1655 the print collector and classicist abbé Michel de Marolles (1600–81) published a book titled Tableaux du Temple des Muses (fig. 1).1 It was a folio edition illustrated with a series of engravings of 58 wellknown myths from classical antiquity, for which he wrote detailed commentaries. The prints, most of which were designed by Abraham van Diepenbeeck (1596–1675), are extraordinarily virtuosic and original for their day. Remarkably, the identity of the engraver or engravers is not known for certain. De Marolles’s publication was an international success. New editions in different languages continued appearing until well into the eighteenth century, and copies of the print series were also published. Although the engravings are still well-known, their printing history remains a little obscure. Sources relating to the patrons and artists involved are sparse. In addition, the available material has been interpreted in different ways in the past, sometimes giving rise to incorrect conclusions.” (Altena, The Tableaux du Temple des Muses) The Tableaux du Temple des Muses was protected by a 15-year privilege. In 1665 Nicolas Langlois published an edition with the illustrations only, and in 1676 Abraham Wolfgank published Le Tableaux du Temple des Muses in quarto format in Amsterdam. Brunet III, 1443: “Les beaux exemplaires ens ont peu communs”. Graesse IV, 409.‎

Référence libraire : 60775

‎EKENMARK, J. E.‎

‎Handbok for unga Fruntimmer i Konsten att tillverka Bomulls- och Linne- vafnader.‎

‎Stockholm, Olof Grahn, 1820. 8vo. Uncut in the original blank boards. Light wear to extremities, lower part of spine split. Most of plates detached. (10), 142, (2) + 14 plates.‎

‎First first appearance of this treatise on various fabrics and textiles.‎

Référence libraire : 60855

‎PICINELLO, PHILIPPO.‎

‎Mundus Symbolicus, in emblematum universitate formatus, explicatus, et tam sacris, quam profanis eruditionibus ac sententiis illustratus. Editio novissima a plurimis mendis, quibus prior scatet, repurgata. 2 vols. - [PICINELLO'S BEAUTIFUL EMBLEMS]‎

‎Cologne, Boetium, 1695. Folio (370 x 230 mm). Contemporary full sprinkled calf with five raised bands to spine. Small paper-label pasted on to top of spines. Bindings with considerable wear, worm holes to boards, leather detached from edges of boards making the wooden boards visible. Spine-ends with loss of leather, end-bands showing. With occassional browning throughout. Some papers creased. (50 - including the frontispiece), 740 (8), 276, (200) pp. (With the following errors in pagination in vol. 2: 1-84, 95-98, 199, 100-101, 202, 103-174, 171-172, 177-236, 235, 238, 237-268.). With many emblems (included in the pagination) throughout.‎

‎Fifth Latin edition, rarely found complete with both volumes as here, of Picinello’s magnificent and highly popular encyclopaedia of emblems - a cornerstone of emblematic literature and an essential guide for understanding the allegorical language of the Baroque era. “Picinelli’s intention was to compile a collection of brief interpretations which he wanted to have close to hand, especially on his travels as a preacher. From this collection of emblems, originally covering only four pages, the full reference work developed.The author wants the book to be understood not only figuratively as a book of the world: for him it really is the world, it contains the world in all its reality and, conversely, the whole world can be derived from it. In this he follows the interpretation of Romans 1,20 that, since the creation of the world, the invisible secrets of God can be perceived by the understanding mind through His works.” (Olms Online) Filippo Picinelli (1604 – 1679) was an Augustinian munk. Picinelli was born in Milan, Italy in 1604 and joined the Augustinian Order in 1614. He studied philosophy and theology at Cremona and Piacenza and lived in Milan. (Landwehr 480 - Not listing this edition, 1681, 1687, 1694 and 1715)‎

Référence libraire : 61577

‎LASSENIUS, JOHANNES.‎

‎Heiligen Perlen-Schatzes Andere Vertheilung Uber die Monaht Majus, Junius, Julius und Augustus.‎

‎Copenhagen, Bockenhoffer, 1688. 8vo. In contemporary full calf with four raised bands and gilt ornamentation to spine, with one of two clasps preseved. Wear to extremities, leather on spine craacked and head of spine chipped. Annotations in contemporary hand to front free end-paper. Internally nice and clean. (14), 1024, (14) pp. + frontispiece and 32 engraved plates (emblems).‎

‎Second edition (Landwehr: re-edition) of Lassenius’ beautifully illustrated collection of edifying morning and evening readings intended for May, June, July and August Johannes Lassenius (1632-1692), German theologian and baroque poet and professor of theology in Copenhagen 1677. He was arguably the most famous preacher of his time in Copenhagen. Biblioteca Danica I, 421.Landwehr 398a.‎

Référence libraire : 61757

‎HUGH, HEFNER (+) EDGREN, GRETCHEN.‎

‎Inside The Playboy Mansion: If You Don't Swing, Don't Ring.‎

‎Santa Monica, General Publishing Group, 1998. In the original red clothing binding with gilt lettering to spine and front board. In the original printed dust-jacket. Signed by Hugh Hefner on front free end-paper. A fine and clean copy. 352 pp.‎

‎A fine copy - signed by Hugh Hefner of this legendary publication that celebrates the history of Playboy Mansion.‎

Référence libraire : 62052

‎TEIJIRO, TAKAGI.‎

‎The Fishermen's Life in Japan. - [EARLY JAPANESE PHOTOS]‎

‎(Kobe, Tamamura, 1906) 8vo-oblong (255 x 185 mm). With the original printed front wrapper in contemporary silk covered boards. Wear to spine and edges of boardes, slightly miscoloured. Inner hinge spit. Photos with light marginal browning, but internally generally nice and clean. 2 ff. + 20 coloured photographs with a two-line caption below in English.‎

‎First edition this scarce photobook depicting various scenes from Japanese fishermens lives. OCLC only record three copies and copies rarely find their way into the trade. Takagi Teijiro (born circa 1875) trained under renowned photographer Kozaburo Tamamura and managed the Tamamura branch in Kobe until the early 20th century. He eventually took ownership of the store and gained the right to use the Tamamura name. Takagi is credited with producing over 30 English-language photobooks showcasing Japanese culture and customs. He continued using the Tamamura name until 1914, when he rebranded his business as the T. Takagi Photographic Studio & Art Gallery, which remained in operation until at least 1929.‎

Référence libraire : 62214

‎PREVERT, JACQUES (+) BIDERMANAS, IZIS.‎

‎Charmes De Londres.‎

‎Lausanne, Guilde Du Livre, 1952. 4to. In the original photographic covers. Light wear to extremities, primarily spine. Internally nice and clean. 136 pp.‎

Référence libraire : 62743

‎Raine, Kathleen‎

‎William Blake‎

‎Editions du Chêne, 15/21, Paris, 1975. In-8, broché sous couverture rempliée et illustrée en couleur, 215 pp. Introduction - I. A l'école de l'Antiquité. - II. "L'art perdu des Grecs". - III. Un nouveau type de livre. - IV. "Lambeth, quartier exquis". - V. "Les Nuits". - VI. Les amis authentiques. - VII. Le trait tout-puissant. - ...‎

‎Nombreuses illustrations en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com‎

Référence libraire : 4174

‎Keynes, Sir Geoffrey‎

‎Drawings of William Blake - 92 Pencil Studies‎

‎Dover Publications, Inc, New York, 1970. In-4, broché sous couverture illustrée en noir et blanc, xi-177 pp. Introduction, by Geoffrey Keynes - List of Illustrations - Drawings of William Blake : Plates.‎

‎Avec 92 planches commentées à pleine page en noir en hors texte. --- Plus d'informations sur le site archivesdunord.com‎

Référence libraire : 4176

‎[CARLOTTI] - STENDHAL‎

‎L'abbesse de Castro. Illustrations de J.A. Carlotti.‎

‎Grenoble, Bordas, 1943. In-4 en ff. sous couv. rempliée et emboîtage rouge éditeur, 118 pp., illustrations hors-texte. 1943‎

‎Un des 90 exemplaires de tête (n°26) sur vélin de Rives à la cuve, réservés à l'illustrateur, aux éditeurs et à leurs amis. Fonds de l'étui en partie fendus, bon ex. par ailleurs. - Frais de port : -France 8,4 € -U.E. 10 € -Monde (z B : 15 €) (z C : 33 €)‎

Référence libraire : 461115

‎[ENFANTINA] SCHMID (Chanoine Christophe)‎

‎Le Petit Mouton. Suivi de La Mouche.‎

‎P., Pitois-Levrault et Cie., 1839. In-18 bradel, cartonnage bleu de l'époque, filets, auteur et titre dorés au dos; 141, 144 pp, 4 gravures h.-t., dont 3 en frontispice. Envoi à la plume, daté de 1870. 1839‎

‎Relié à la suite: La Veille de Noël. Menus frottements et tâches aux cartonn., un coin fendilé; une partie des feuillets et les planches sont brunis, texte propre par ailleurs. Bon ex. - Frais de port : -France 4,9 € -U.E. 7 € -Monde (z B : 11 €) (z C : 21 €)‎

Référence libraire : 465932

‎CARZOU - CARZOU (Nane)‎

‎La ville à l'envers.‎

‎Nice, Ed. d'Art de Francony, 1976. In-8 cartonnage éditeur ill. en coul., 30 pp., 13 ill. en coul. de Carzou, à pleine page. 1976‎

‎Double envoi de Carzou et Nane à René Vigo, au faux titre, pour ce conte enfantin fantastique par son texte et son illustration. Défaut d'usage au cartonnage, intérieur frais. - Frais de port : -France 5,7 € -U.E. 8 € -Monde (z B : 12 €) (z C : 22 €)‎

Référence libraire : 475507

‎BERTHOMME SAINT-ANDRE VOLTAIRE‎

‎L'Ingénu.‎

‎P., Editions de la Bonne Etoile, (1934). Petit in-4 broché, couv. ill. en couleurs rempliée, [1]f.-143 pp.-[1]f., vignettes en noir dans le texte et 16 planches en couleurs h.-t. Tirage limité à 2500 exemplaires numérotés sur vélin, n° 11. 1934‎

‎Conte philosophique illustré par le peintre et affichiste Louis Berthomme Saint-André (1905-1977). Bel exemplaire. - Frais de port : -France 7,15 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Référence libraire : 527234

‎LUC (Pierre) GALLAND (Antoine)‎

‎Histoire de SINBAD LE MARIN.‎

‎Paris, Gründ, 1939 In-4 "tellière" à bandes, dos à nerfs, plats ornés en sérigraphie rouge, tranches mouchetées, gardes marbrées rose et or, couverture et dos conservés , tranches mouchetées de rouge, 1er plat illustré d'une composition en couleurs de Pierre Luc, 95pp, illustré de compositions de l'artiste en noir et en couleurs, in et h.-t.‎

‎Mors du 1er plat frotté, par ailleurs en bel état et bien relié. - Frais de port : -France 6,8 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Référence libraire : 529735

‎CHAMPSAUR (Félicien)‎

‎Le Bandeau.‎

‎P., La Renaissance du Livre / Mignot, s.d. (1916). In-8, rel. moderne demi-basane rouge, dos lisse, pièce de titre chagrin rouge, tête mouchetée, [3]ff.-XVI-358 pp., texte imprimé en couleurs, 326 dessins dans le texte par Raphaël Kirchner, 8 pl. h.-t. en coul. par Chimot, J. Dardier, Kirchner, M. de Lambert, chanson juanesque mélodie de Massenet, vignettes de Benedictus, Morin, Orazi, Fabius Lorenzi. 1916‎

‎Dos passé, int. très frais. Ex. en très bonne condition. - Frais de port : -France 6,8 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Référence libraire : 530461

‎BETOURNE (Jacques) CONSTANTIN-WEYER (Constantin)‎

‎Un homme se penche sur son passé.‎

‎P., Aux quatre coins du monde à la société d’éditions françaises et internationales (1928). Petit in-4, sous double emboitage (chemise + étui), couv. rempliée, 201pp, ill. de 16 lithographies originales de Jacques Bétourné, tirage limité et num. à 2000 ex. sur alfa du Marais. Exemplaire non justifié. 1928‎

‎Bel ex. - Frais de port : -France 7,15 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Référence libraire : 542452

‎[GRANGE (Jacques)] FORESTIER (Henri), TISSERAND (Roger), CAZIN (Paul)‎

‎Veillées de Bourgogne.‎

‎Michel Jeanniard, éditeur, 1945. Grand in-4 broché, sous double emboitage chemise (étiquette au dos avec petit taches), étui, couverture rempliée orangée ornementée, 210 pp, illustré de 26 lithographies en couleurs hors texte de Jacques Grange. Tirage limité à 900 ex. Un des 750 numérotés sur vélin fin de Savoie, étiquette-ex-libris gravé sur bois. 1945‎

‎Fond de l'étui fendu, bel ex. - Frais de port : -France 9,65 € -U.E. 11 € -Monde (z B : 17 €) (z C : 42 €)‎

Référence libraire : 536943

‎CAMUS FRANCE (Anatole)‎

‎L'étui de nacre.‎

‎Paris, Les Edition du Panthéon, 1948. In-8 carré br., couv. rempliée ill. en coul., 273 pp., 10 illustr. h.-t. en couleurs de Camus, réalisées en héliogravure par Aulard à Paris, typographie rouge & noire, lettrines et culs-de-lampe en rouge. Un des 2500 exemplaires numérotés. 1948‎

‎Dos légèrement passé, bonne condition de l'ex., non coupé. - Frais de port : -France 5,7 € -U.E. 8 € -Monde (z B : 12 €) (z C : 22 €)‎

Référence libraire : 543062

‎[BERNARD (Chantal)]‎

‎La reproduction du Livre International de la Paix.‎

‎Editions de l'Est, 1994. Coffret illustré in-folio, 103 planches de textes et de reproductions d'oeuvres d'artistes français et étrangers, de Christin Lacroix, Jean Marais, Gérard Di Maccio, Ranci Chapelin-Midy, Jean Carzou, Paul Ambille, Yves Sant-Laurent, Hans Herni... 1994‎

‎Tous ces textes son rédigés aussi bien par des personnalités politiques que spirituelles, également d'auteurs... français et de tous les pays du monde. Ils sont réunis en planches décorées et illustrées. Comme neuf. - Frais de port : -France 13,5 € -U.E. 13 € -Monde (z B : 24 €) (z C : 52 €)‎

Référence libraire : 538829

‎DUPUIS (Eudoxie)‎

‎Chan-Ok le pirate.‎

‎Paris, librairie Delagrave, 1934. In-4, cartonnage éditeur percaline vert pâle, dos lisse orné d'un portrait en médaillon et titre doré le long du dos, tranche sup. dorée, plat polychrome représentant 3 personnages attachés à un mât lors d'un abordage sur fond d'incendie, 1ff., 233 pp., ill. de J.O. Davidson et Ch. Fouqueray en noir dans le texte. 1934‎

‎Qqs. frottements, menues rousseurs aux mors, traces de ruban adhésif sur les gardes, intérieur frais, bonne cond. - Frais de port : -France 8,4 € -U.E. 10 € -Monde (z B : 15 €) (z C : 33 €)‎

Référence libraire : 540519

‎GUIZOT (Pauline, Mme)‎

‎Récréations morales. Contes de la jeunesse.‎

‎Paris, Didier, libraire-éditeur, 1855. In-12 cartonnage éditeur percaline brune, dos lisse avec titre doré et orné des mêmes types de riches décors romantiques polychromes dorés que les plats, 374pp., 1 frontispice et 3 gravures h.-t. sous serpentes, ex-libris. 1855‎

‎Des rousseurs, bonne cond. - Frais de port : -France 5,7 € -U.E. 8 € -Monde (z B : 12 €) (z C : 22 €)‎

Référence libraire : 540753

‎NAUDIN (Bernard)‎

‎BEETHOVEN‎

‎A Paris, chez Martin, Kaelin, 1930. In-folio en ff. (44 x 33 cm), sous chemise à rabats, dos en percaline chagrinée grise, titre doré sur le 1er plat, 8 pp, suite de 7 reproductions de dessins en plusieurs couleurs de Bernard Naudin h.-t., sous passe-partout, le premier est un portrait en pied de Beethoven . La suite des autres dessins ont été inspirés par cette oeuvre de ce grand musicien. Tirage limité à 147 ex. Un des 120 exemplaires sur papier de Hollande numérotés. 1930‎

‎Bonne condition. - Frais de port : -France 8,4 € -U.E. 10 € -Monde (z B : 15 €) (z C : 33 €)‎

Référence libraire : 543338

‎PASKY‎

‎Le monde merveilleux des jeux et jouets en Alsace.‎

‎Strasbourg, Editions du Rhin, 1997. Petit in-4 carré, cart. d'éditeur ill. en couleurs, 157 pp., ill. en couleurs. 1997‎

‎Cart.lég. sali, sinon intérieur à l'état de neuf. - Frais de port : -France 7,15 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €)‎

Référence libraire : 542117