‎Anglais‎

‎PIKE ROBERT L.‎

‎TOUT LE MONDE AU BAIN. COLLECTION : SERIE NOIRE N° 1400‎

‎GALLIMARD .. 1971.. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 250 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Série noire sous la direction de Marcel Duhamel. Traduit de l'américain par M. Charvet. Classification Dewey : 810-Littérature américaine‎

Référence libraire : R150108731

‎PILCHER ROBIN‎

‎DE L'AUTRE COTE DE L'OCEAN‎

‎JC LATTES. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 403 Pages. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par F. BELLOT Classification Dewey : 810-Littérature américaine‎

Référence libraire : R160150937 ISBN : 270961989

‎PILCHER ROSAMUNDE‎

‎SOUS LE SIGNE DES GEMEAUX‎

‎FRANCE LOISIRS / PRESSES DE LA CITE. 1995. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 289 pages - jaquette légèrement déchiré en pied, traduit de l'américain par Vassoula Galangau. Avec Jaquette. . . Classification Dewey : 810-Littérature américaine‎

‎Classification Dewey : 810-Littérature américaine‎

Référence libraire : RO30128356

‎Pilaf Bey = Douglas,Norman‎

‎Venus in the Kitchen: Or Love's Cookery Book.‎

‎New York: Viking Press 1953 Book. Illus. by Bruce Roberts. Very Good. Hardcover. 1st.US Edition. 1st US Edition Published "April 1953". Compiled by Norman Douglas and G Orioli under the pseudonym Pilaff Bey. Introduction by Graham Greene pp.vii-x Somewhat twee title page design - the decorations and jacket design by Bruce Roberts are not quite reflective of some of more robust recipes described inside - Marrow of Leopard or Pie of Bull's Testicles for example 192p. illus index.Wolf B9b. Viking Press hardcover‎

Référence libraire : 039794

‎Pilipenko, Valery (Author of Introduction--in English)‎

‎Jarki; Catalogue covering works dated 1985-1988‎

‎1989. Presumed First Edition First printing. Wraps. Good. The format is approximately 8.25 inches by 11.25 inches. Unpaginated 36 pages plus covers. Illustrated cover. Some text in Russian German French and English. Illustrations some in color. Youri Jarkikh Jarki Latin: Zharkikh; born July 16 1938 is a French-Russian painter and visual artist of the "Russian vanguard". Jarkikh was born in Tikhoretsk Krasnodar Krai Soviet Union. From 1961 to 1967 he studied at the Leningrad Vera Mukhina Higher School of Art and Design. Jarkikh was co-organizer of the movement for independent art in the Soviet Union. He was significant in the cultural history of Leningrad later Saint Petersburg as an organizer of the Independent Society for Experimental Exhibitions. In 1974 Jarkikh organized with O. Rabin E. Ruchin and A. Gleser non-conformist artists the Bulldozer Exhibition in Moscow. In 1974 and 1975 Jarkikh was one of the initiators of the Gazanevsky exhibition of unofficial art in Leningrad. Jarkikh was pursued by the KGB because of his activities. His health was affected through the practice with Iprite a poison. In 1978 he emigrated to France where he received political asylum. In 1984 Jarkikh founded the artists' association Eidos. He held exhibitions at the Palais des congrès de Paris from 1987 to 1988. In 1990 he was elected "Premier Peintre de Paris" First Artist of Paris. After the "Poets Alphabet" exhibition in Saint Petersburg in 2008 he again accepted Russian nationality which was offered to him by the Russian government. Jarkikh's creativity developed under the influence of the Russian vanguard and German Expressionism. Nearly half of his 77 years Jarki has lived in exile. His works are in the collections of the best museums in the world including the Centre Pompidou and the number of his exhibitions in the West exceeds one hundred. In the USSR it was not even a small part of such exhibition opportunities. Yuri Zharkikh along with Alexander Refiev and Eugene Rohini were among the originators of "gazanevsky culture" and been voices of dissent in the historical period. Jarki and Rukhin were Zamperini "Shuttle diplomacy" between St. Petersburg and Moscow underground vivid organizers and "a pain" for the authorities. Both were among the instigators and participants of the Bulldozer exhibition in 1974. Rukhin died in the prime of a career in a fire at his workshop in 1976. Aref died in Paris in 1978 just a year after emigrating. Jarkie emigrated to the West after- time settled in France where he then lived and worked. The brightest pages in the biography of Jarki are linked to the USSR and its practice of persecution of independent artists. In Germany then in France Yuri Zharkikh was a rather busy schedule of exhibitions — personal and group interest in unofficial Russian artists in the West in 1970s was particularly high. In 1984 the artist organized in France a group of "Eidos". His work in Moscow was seen occasionally on the gallery level. In particular in 2009 exhibition of his work was organized by the Gallery "vellum". Recently his work can be seen in St. Petersburg "New Museum" Aslan chehova and "Erarta". His work quite independently and recognizable. Yes his stories are often anthropomorphic plexus heaps of creatures with transparent skin. But it is rather a stylistic device to transmit its own philosophical ideas. paperback‎

Référence libraire : 88517

‎PILLARS OF THE ENGLISH CHURCH‎

‎Pillars of the English church -‎

‎Mowbray. Very Good. Mowbray 1934 129pp ex-lib very slightly foxed otherwise very good Mowbray unknown‎

Référence libraire : 15541

‎Pinkola Estés Clarissa‎

‎"Femmes qui courent avec les loups (Histoires et mythes de l'archétype de la Femme sauvage) - ""Le livre de poche"" n°14785"‎

‎Grasset. 2001. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 763 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Trad. de l'américain par Marie-France Girod. Classification Dewey : 810-Littérature américaine‎

Référence libraire : R300330319

‎Pinkola Estés Clarissa‎

‎Femmes qui courent avec les loups. Histoires et mythes de l'archétype de la Femme sauvage.‎

‎Grasset. 2006. In-8. Broché. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Quelques rousseurs. 487 pages, exemplaire de bibliothèque, couverture plastifiée, tampons et étiquettes - renforts adhésifs au corps de l'ouvrage, papier jauni.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par MArie-France Girod. Classification Dewey : 810-Littérature américaine‎

Référence libraire : R200124796

‎PINKOLA ESTES CLARISSA‎

‎LA DANSE DES GRAND-MERES - Sur la jeunesse de l'age mur - et la maturite de la jeunesse.‎

‎GRASSET. 2009. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎TRADUIT DE L'AMERICAIN PAR MARIE-FRANCE GIROD. Classification Dewey : 810-Littérature américaine‎

Référence libraire : R320081697

‎PINKOLA ESTES CLARISSA‎

‎LE JARDINIER DE L'EDEN - CONTES DE SAGESSE A PROPOS DE CE QUI NE PEUT MOURIR..‎

‎GRASSET. 1998. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 105 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Traduit de l'américain par MARIE-FRANCE GIROD Classification Dewey : 810-Littérature américaine‎

Référence libraire : RO20153137

‎PINTO REBELO‎

‎LES FILLES D'ESTORIL‎

‎FRANCE LOISIRS. 2012. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 317 pages - Annotations au crayon à papier sur la page de faux titre. Avec Jaquette. . . Classification Dewey : 810-Littérature américaine‎

‎Traduction de Danielle Schramm Classification Dewey : 810-Littérature américaine‎

Référence libraire : R160197424

‎Pineiro R. J.‎

‎Lightning navette en péril‎

‎Lefrancq. 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 391 pages.. . . . Classification Dewey : 810-Littérature américaine‎

‎Trad. de l'américain par Patrick Delperdange. Classification Dewey : 810-Littérature américaine‎

Référence libraire : R240161501

‎PINDARUS.‎

‎The extant odes of Pindar. Translated into English with an introduction and short notes by Ernest Myers.‎

‎London, MacMillan, 1908.‎

‎23,176 p. Cloth. 20 cm‎

Référence libraire : 105915

‎PINKNEY (Ninian).‎

‎Travels through the South of France. and in the interior of the provinces of Provence and Languedoc, in the years 1807 and 1808, by a route never before performed, being along the banks of the Loire, the Isère, and the Garonne, through the greater part of their course. Made by the permission of the French government. Second edition‎

‎Londres, Gale, Curtis, & Fenner, 1814 in-8, viii pp., 474 pp., avec une carte dépliante aux contours rehaussés de couleurs en guise de frontispice, demi-chevrette verte à coins, dos lisse orné de filets dorés, double filet à froid sur les plats (reliure de l'époque). Dos insolé, coins obtondus, ff. 7-10 défraîchis.‎

‎Rare (la première édition parut en 1809, juste après le périple). Il ne faut pas confondre ce Ninian Pinkney (1776-1825), Baltimorien, alors lieutenant-colonel des Native Rangers et correspondant de Bentham, avec le médecin militaire du même nom (1811-1877). Il ne faut pas non plus attribuer l'ouvrage à des Pinkney qui n'ont rien à y voir, comme on le voit dans nombre de référencements : ou William Pinkney (1764-1822), le 7e Attorney général, ou un Nathan Pinkney non attesté par ailleurs...L'ouvrage est fort intéressant, donnant un point de vue complètement extérieur sur l'état de la France, tant à Paris que dans les provinces traversées, de Tours à Marseille. Un seul exemplaire au CCF (BnF).Exemplaire de James Corry, d'une famille d'origine écossaise, dont une branche émigra aux États-Unis en 1803, avec vignette ex-libris héraldique contrecollée sur les premières gardes. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

Référence libraire : 226737

‎Pinchas Zukerman Los Angeles Philharmonic English Chamber Orchestra‎

‎Mozart: Famous Serenades Audio CD Pinchas Zukerman Los Angeles Philharmonic English Chamber Orchestra‎

‎Sony 1997-11-18. Audio CD. New. Original CDs not a cheap reissue CD-R copies. Brand New 2 CD Set FACTORY SEALED. Sony unknown‎

Référence libraire : C8942

‎Pinchas Zukerman [Conductor]; English Chamber Orchestra [Orchestra];‎

‎Vivaldi Concerti Audio CD Pinchas Zukerman and English Chamber Orchestra‎

‎RCA 1996-05-21. Audio CD. Very Good. CD and liner in excellent condition. Tiny hole in corner of case. RCA unknown‎

Référence libraire : C1276

‎Pindar‎

‎Odes de Pindar. With Notes and Illustr., by Gilbert West, R.B. Greene and H.J.Pye, to which is Prefixed a Dissertation On the Olympic Games, by the Former‎

‎London, Dodsley, 1749. 26 : 21 cm. 13 Pages, 206 pages, 1 leaf; 117 pages; 315 pages, 1 leaf. Modern half calf. 5 part in 1 volume.‎

‎Gilbert West's Dissertation on the Olympic Games is the first modern history of the ancient games. The Dissertation incorporates a bibliopgraphic essay, historical conjecture and narrative, and description of the venue, athletes and events at Olympia. West considered the ancient games a political institution foremost, and demonstrated the importance of seeing the games as an elemental institution embedded in and revealing of the larger political culture of an ancient Greece. With the Dissertation, West joined British Classical scholars, tranlators and literary figures who found in ancient Greek liberty, virtue and patriotic value models for the British nation in the eighteenth century. - Contains also: Pindar, The first to the Fourteenth Olymic Odes. - The odes of Pythian, Nemean, Istmian and Horace. - Euripides, Iphigenia in Tauris. A tragedy. - Lucian, The triumphs of the Gout. - Apollionius Rhodius, Translations from the Argonauticks. - Missing the title-page, the first three leaves a bit browned; front board a bit loosened. - Even with the missing title-page, the original edition, like here is very hard to find and very rare.‎

Référence libraire : 16081AB

‎PINDAR:‎

‎PINDARI OLYMPIA PYTHIA NEMEA ISTHMIA PART 1‎

‎GENEVA HENRI. STEPHANUS 1560. 16mo CONTEMPORARY FULL LEATHER BINDING WITH COVERS DECORATED WITH GILT CENTRE OVAL ORNAMENT AND CORNER ORNAMENTS RAISED BANDS. TEXT IN LATIN AND GREEK 576 PAGES. PART 1. THE LEATHER NATURALLY WORN WITH SOME LOSS TO THE HEAD AND TAIL OF THE SPINE. CONTENTS CLEAN. FRONT HINGE WEAK. OVERALL VERY GOOD. SCARCE. GENEVA, HENRI. STEPHANUS, 1560 hardcover‎

Référence libraire : 39764

‎PINE John‎

‎Battaglia navale‎

‎Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati, insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem.  Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance.  Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.‎

‎PINE John‎

‎Battaglia navale‎

‎Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati, insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem.  Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance.  Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.‎

‎PINE John‎

‎Battaglia navale‎

‎Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati, insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem.  Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance.  Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.‎

‎PINION FB.: F. B.‎

‎A BRONTE COMPANION; LITERARY ASSESSMENT BACKGROUND AND REFERENCE‎

‎LONDON THE MACMILLAN PRESS LTD 1975. 1ST EDITION. A VERY GOOD COPY IN A VERY GOOD DUSTWRAP. LONDON, THE MACMILLAN PRESS LTD, 1975 unknown‎

Référence libraire : 37267

‎PINKHAM, Lucile‎

‎William III and the respectable revolution. The part played by William of Orange in the revolution of 1688.‎

‎Northfield, Archon, 1969. VIII, 272 S. OLwd (mit OUmschlag).‎

Référence libraire : 3406012

‎Pinnock, Trevor, The English Concert George Frideric Handel a. o‎

‎Handel: The Organ Concertos (Gesamtaufnahme, 3 CD)‎

‎Archiv Produktion, 1984. 435037-2 3 CD, 24 S. CD‎

‎Tonträger im neuwertigem Zustand, leichte Lagerspuren am Jewelcase, weisses Case leicht nachgedunkelt‎

Référence libraire : 47713

‎PINTER Harold.‎

‎Dwarfs.‎

‎NY: Grove Weidenfeld. Near Fine in Near Fine dust jacket. 1990. Hardcover. 0802113850 . First American edition. Very near fine in like dust jacket. . Grove Weidenfeld hardcover‎

Référence libraire : 570 ISBN : 0802113850 9780802113856