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COHEN, A
The phonemes of English. A phonemic study of the vowels and consonants of standard English. Diss.
Amsterdam, 1952. Gr.-8vo. 127 S. Br. (wenige Anstreich.)
Referenz des Buchhändlers : 1001727
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Cohen-Steiner, Olivier
Le Regard de l'autre : Le Juif dans le Roman Anglais 1800-1900
240x160 mm. 286 pages. Soft cover. Cover corners wrinkled. Spine edges wrinkled. Else in good condition.
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COHN NIK
BROADWAY, LA GRANDE VOIE BLANCHE.
EDITIONS 10/18 N° 3232. 2000. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 445 pages.. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : RO90003232
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Cohn Nik
La grande voie blanche
Julliard. 1993. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 480 pages. Avec bandeau d'éditeur.. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : R200115440
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Cohn-Sherbok Dan
The Jewish Heritage
Blackwell Publishers 1988 204 pages 14 732x1 778x22 606cm. 1988. Broché. 204 pages.
Referenz des Buchhändlers : 14153 ISBN : 631154140
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COIFFURES FEMININES, ORNEMENTS de la TÊTE par Emma CALDERINI.
ACCONCIATURE ANTICHE e MODERNE. 913 figures dessinées au trait. Présentation et descriptions en français, italien, anglais, allemand.
Milano, Sperling&kupfer ed. S.A. 1963. Bel exemplaire relié, reliure pleine toile, fort in-4, 516 pages sur papier vergé avec annexes. reliure piquée, intérieur propre.
Referenz des Buchhändlers : AUB-5729
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COINDREAU MAURICE EDGARD
APERCUS DE LITTERATURE AMERICAINE
GALLIMARD. 04-1946. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 225 pages. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : R150222767
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COINDREAU Maurice-Edgard
Aperçu de Littérature Américaine.
GALLIMARD. 3ème édition. Avril 1946. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 227 pages. Quelques pages non coupées.. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : RO80143990
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COLANGE L.
ZELL'S POPULAR ENCYCLOPEDIA, A UNIVERSAL DICTIONARY OF ENGLISH LANGUAGE, SCIENCE, LITERATURE AND ART, 2 VOLUMES
T. Ellwood Zell, Philadelphia. 1871. In-4. Relié cuir dos-coins. Etat passable, Plats abîmés, Dos à nerfs, Fortes mouillures. 1196 pages pour le tome I et 1152 pages pour le tome II. Illustré de très nombreuses gravures en noir et blanc dans le texte. Texte sur 2 colonnes. Titre, tomaison, roulettes et filets dorés sur les dos. Dos légèrement frottés et salis. Plats fortement défraîchis et abîmés. Annotations d'époque en page de garde. Tranche défraîchie.. . . . Classification Dewey : 423-Dictionnaire anglais
Referenz des Buchhändlers : RO60072004
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Colapinto John
Auteur en sursis
Belfond. 2003. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. 327 pages. Rares rousseurs.. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : RO30311538
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COLBECK (Norman) Compiler.
A Bookman's Catalogue. The Norman Colbeck Collection of Nineteenth Century and Edwardian Poetry and Belles Letters in the Special Collections of the University of British Columbia. Edited by Tirthanker Bose. Introduction by William E. Fredeman.
First edition, 2 vols., xxxii, [2],502; viii,503-1059pp., frontispieces, orig. cloth. The collection has 465 author sections with 13,291 numbered items, all with full collations. The Colbeck collection fills a respectable niche on Victorian reference shelves alongside the more famous libraries of Thomas Wise (The Ashley Library) and Chauncey Brewster Tinker and the two great Victorian collections of fiction formed by Michael Sadleir and Robert Lee Wolff.
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COLBY WILLIAM / McCARGAR JAMES
VIETNAM HISTOIRE SECRETE D'UNE VICTOIRE PERDUE
PERRIN. 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 363 pages - quelques cartes noir et blanc hors texte. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : R240121040
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Colcord, Joanna Carver
Sea Language Comes Ashore
213 p. Hardcover Good condition; spine darkened
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COLE (Charles Woolsey).
French mercantilism. 1683-1700
New York, Octagon Books, 1971 in-8, VIII-354 pp., percaline bleue à la Bradel (reliure de l'éditeur).
Referenz des Buchhändlers : 240970
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Cole (Gulielmus ; 1635-1716) :
Consilium Aetiologicum. De casu quodam epileptico : Quo respondetur Epistolae Doctissimi Viri, Thomae Hobart, M.D. Annexâ disquisitione de Perspirationis insensibilis materiâ, et peragendae ratione.
Londini, H. Rhodes, 1702 ; grand in 8, veau brun, dos à nerfs muet, décor à froid à la duseuil sur les plats (reliure d’époque) ; portrait gravé par R. White en frontispice, XV, 151, [3] pp.
Referenz des Buchhändlers : 19887
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Cole Ahl, Diane
Benozzo Gozzoli
Mm 240x285 Volume in copertina rigida, sovraccoperta editoriale illustrata a colori, astuccio protettivo editoriale muto, 394(6) pagine con numerose illustrazioni in bianco e nero e a colori nel testo. Note, bibliografia, referenze bibliografiche ed indice analitico in chiusura. Fascicolo allegato con la sola traduzione in inglese della introduzione alla edizione italiana. Traduzione di Margherita Maiani. In stato di nuovo - brand new in original shrink-wrap. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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COLE BROCK
BOUCS EMISSAIRES
L'Ecole des Loisirs. 1988. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 202 pages. Illustré de dessins en noir et blanc dans le texte. Etiquettes de code sur le dos et le 1er plat. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre.. Avec Jaquette. . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : RO40203695
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COLE GDH G D H
Rural Rides. In the Southern Western and Eastern Counties of England together with Tours in Scotland and in the Northern and Midland Counties of England and Letters from Ireland. With Vignettes and a Map of Cobbett's Country. 1000 COPIES WERE PRINTED
Peter Davies 1930. 3 vols. roy. 8vo. Sole Edition thus on laid paper with numerous illustrations in the text and endpaper maps; original marbled boards cloth backs gilt uncut boards very lightly faded corners mildly bruised else a very good clean set. EDITION LIMITED TO 1000 COPIES. The best modern edition. CBEL III p.630. Peter Davies, hardcover
Referenz des Buchhändlers : 10429
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COLE SONIA
FAUX CRANES ET FAUX TABLEAUX
HACHETTE. 1958. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos frotté, Intérieur frais. 272 pages - petit tampon en debut d'ouvrage - frontispice en noir et blanc - couverture contre-pliée. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : RO20160281
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COLELCTIF
NEW UNIVERSAL SELF-PRONOUNCING DICTIONARY WITH AN ENCYCLOPEDIC APPENDIX
THE JOHN C. WINSTON COMPANY. 1941. In-16. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 624 pages - texte sur 2 colonnes. . . . Classification Dewey : 423-Dictionnaire anglais
Referenz des Buchhändlers : RO30143441
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Campagna romana
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Campo Vaccino
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Carro trainato dai buoi
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Il riposo
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Pastori sui monti, vicino Civitella
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869.ne. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)
Valley of Yennie Subiaco
Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.
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COLEMAN LONNIE
LOIN DE SAVANNAH
ROBERT LAFFONT. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 466 Pages. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : R160178299
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Coleman Rebecca
Quand nous étions heureux.
Presses de la cité. 2014. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 390 pages, exemplaire de bibliothèque, couverture plastifiée, tampons et étiquettes.. . . . Classification Dewey : 810-Littérature américaine
Referenz des Buchhändlers : R200123695
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Coleman, Edward D. (Complied by) & Isaiah Sheffer
THE BIBLE IN ENGLISH DRAMA An Annotated List of Plays Including Translations from Other Languages from the Beginnings to 1931. a Survey of Recent Major Plays (1968) by Isaiah Sheffer.
Spine a bit sunned and dulled. Light shelfwear. ; xiii+212pp..; 212 pages
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Coleman, Emily; Harrison, Jay S.; robinson, Francis; Pepper, Curtis G.; Kolodin, Irving; Cassidy, Claudia; Heinsheimer, Hans W.; Frankenstein, Alfred; Rosenfield, John; Durgin, Cyrus; Green, Adolph; Comden, Betty; Diesel, Leota
Theatre Arts Magazine, March, 1959 - Special Opera Issue/Maria Neneghini Callas Cover Photo
82 pages. Features: Metropolitan Malaise; "Wozzeck" in the Wings; Home of the Hunter; Luchino Visconti - Composer's Director; Caruso, Go Home!; Boris Godunov, by Modest Mussorgsky - English text of this play; Theatre, U.S.A.; Chicago - Orbit Routine - With Flares; New York's Own Volksoper; Farrell and San Francisco; Callas and Dallas; Boston - Home-Grown, Short Supply; Three pages of photos of Maria Callas. Average wear. Unmarked. Binding intact. A sound copy. Magazine
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Coleman, Janet
MEDIEVAL READERS AND WRITERS 1350-1400
Ex-library copy with usual stamps, call numbers and pocket. Dustjacket is protected in mylar. Minor bumping to top corners. ; 337 pages; Concerned with Anglo-Norman, Latin and Middle English, and with the way in which social change-- particularly the growth of lay literacy and social mobility-- is expressed in literature.
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Coleman, Mrs Pamela Chandler
The Pearl Story Book: A Collection of Tales Original and Selected
New York: Howe and Ferry 1860. 2nd Printing. Hardcover. Good. 16mo - over 5¾ - 6¾" tall. 108 pages. Red cloth rubbed and with some cuts and tears <br/> <br/> Howe and Ferry hardcover
Referenz des Buchhändlers : 12309
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Coleman, Roger
New Light & Truth. The Making Of The Revised English Bible. [Roger Coleman].
Avon: Bath Press 1989. 90 Seiten. Mit einigen schwarz-weißen Abbildungen im Text. 8° (21 x 13,5 cm). Illustrierte Orig.-Broschur. [Softcover / Paperback].
Referenz des Buchhändlers : 2059422
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Coleman, Simon & Elsner, John
Pilgrimage, Past and Present, Sacred Travel and Sacred Space in the World Religions
British Museum Press London 1995. In-8, hardcover with an illustrated dust jacket. 240 pp.
Referenz des Buchhändlers : REL2504MA1
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Colen A.
SYNTACTIC AND SEMANTIC STUDY OF ENGLISH PREDICATIVE NOMINALS.
Bound, in-4?°, 224pp. ISBN 9065693424. Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten, van Belgie. Klasse der Letteren, Jaargang 46, Nr 112.
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Colen A.
SYNTACTIC AND SEMANTIC STUDY OF ENGLISH PREDICATIVE NOMINALS.
, Brussel, Paleis der Academien, 1984., Bound, in-4? , 224pp. ISBN 9065693424.
Referenz des Buchhändlers : 2676
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COLEN Alexandra
A syntactic and semantic study of English predicative nominals
224pp., 26cm., in the series "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Letteren" jg.46 nr.112, G, T72791
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COLEN Alexandra
A syntactic and semantic study of English predicative nominals
224pp., text in English, 26cm., in the series: "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Letteren" jg.46 nr.112, softcover, very good condition, T64402
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COLEN Alexandra
A syntactic and semantic study of English predicative nominals
Brussel, Paleis der Academiën 1984 224pp., text in English, 26cm., in the series: "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Letteren" jg.46 nr.112, softcover, very good condition, T64402
Referenz des Buchhändlers : T64402
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COLEN Alexandra
A syntactic and semantic study of English predicative nominals
Brussel, Paleis der Academiën 1984 224pp., 26cm., in the series "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Letteren" jg.46 nr.112, G, T72791
Referenz des Buchhändlers : T72791
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COLERIDGE S. T.
Le Dit du vieux marin, suivi de : Christabel et de Koubla Khan, traduit par Henri Parisot. Collection romantique, N° 1.
Paris, Librairie José Corti, 1947. 13 x 17, 93 pp., broché, très bon état.
Referenz des Buchhändlers : 98561
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COLERIDGE Samuel T.
Sur Shakespeare (essai).
Lausanne, Editions Rencontre, 1970. 13 x 19, 307 pp., reliure skivertex, bon état.
Referenz des Buchhändlers : 77954
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COLERIDGE Samuel Taylor
Notes on English Divines. Edited by the Rev. Derwent Coleridge. FIRST EDITION IN UNRESTORED PUBLISHER'S BINDING
2 vols., 16mo., First Edition; original grained brown cloth, sides elaborately blocked in blind, gilt backs, yellow endpapers, uncut and partially unopened, cloth split with minor loss at upper inch of each backstrip, hinges tender (but bindings entirely sound) else a very good, bright, clean set in wholly unrestored publisher's original binding. Complete with half-titles, and 8pp publisher's catalogue (dated October 1852) bound in at front of first volume. The work is based on the 'Literary Remains'. This is an early issue as denoted by the date of the publisher's catalogue. Shepherd, p.67; Wise 95.
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Coleridge, John; 1st Baron Coleridge (1820-1894). English lawyer, judge and Liberal politician who supported women's suffrage an
AUTOGRAPH NOTE SIGNED by the English Lawyer Liberal Politician and Chief Justice of England JOHN COLERIDGE 1ST BARON COLERIDGE.
May 29th 1868. 1868. Very good. - A few words penned on his 4-5/8 inch high by 5 inch wide stationary with his pictorial seal embossed in blue at the top. The seal bears Coleridge's motto "Time Deum Cole Regem" embossed within a belt framing ears of wheat in front of a cross an otter "statant" i.e. standing with all four paws on the ground in the foreground. Coleridge has penned but a few words "I am Madam faithfully yours John Duke Coleridge". Once folded the note is mounted with glue from the verso onto heavier stock clipped from an album. Very good. <p>The English lawyer judge and Liberal politician John Duke Coleridge 1st Baron Coleridge 1820-1894 was the great-nephew of the poet Samuel Taylor Coleridge. An attorney practicing on the western circuit Coleridge held several appointments and was elected to the House of Commons for Exeter. Appointed Solicitor-General under Gladstone he was promoted to Attorney-General for England and Wales. He was subsequently appointed Chief Justice for the Common Pleas and then Lord Chief Justice of England. He was recognized by the "Women's Suffrage Journal" as a "firm and consistent" supporter of women's suffrage. May 29th, 1868. unknown
Referenz des Buchhändlers : 96508
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Coleridge, Anthony
Chippendale Furniture. The Work of Thomas Chippendale and his Contemporaries in the Rococo Taste Vile, Cobb, Langlois, Channon, Hallett, Ince and Mayhew, Lock, Johnson and others circa 1745-1765. Mit einem farbigen Frontispiz und 420 Abbildungen auf Tafeln.
London, Faber and Faber 1968. 4°. 229 S., (Tafeln). OLwd mit OU. Fußschnitt etwas angestaubt, sonst fast frisch.
Referenz des Buchhändlers : 27034AB
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Coleridge, Samuel Taylor
Shakespeare, Ben Jonson, Beaumont and Fletcher / notes and lectures by S. T. Coleridge
Liverpool, Howell, 1875. New ed., origginal Leinenband, kl.-8?, vii, 318 Seiten; Exemplar gestempelt; Einband mit Signaturetikett, Vorsatz mit Exlibris; Zustand: gut -
Referenz des Buchhändlers : ED3-793
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COLERIDGE, Samuel Taylor (Ottery Saint Mary 1772 - Highgate 1834),
L'incauto stregone
Nella versione di Roberto Sanesi . 16mo. pp. 8. . Perfetto (Mint). . Edizione di 150 esemplari numerati. .
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COLERIDGE, Samuel Taylor (Ottery Saint Mary 1772 - Highgate 1834),
Poetry and prose
With essays by Hazlitt, Jeffrey, De Quincey, Carlyle and others. With an introduction and notes by h. W. Garrod. Un ritratto del poeta in antiporta . 16mo. pp. 184. . Molto buono (Very Good). . . .
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Coleridge, Sara
Minnow among Tritons: Mrs. S. T. Coleridge's Letter to Thomas Poole 1799-1834. Edited by Stephen Potter
185 p., illus. Limited edition, no. 338 of 675 copies. Hardcover Very good condition
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COLES k. Adlard
SAILING ON THE SOUTH COAST
1970 un volume reliure toile bleue jean à litalienne in-8,1er plat titre et dessin de bateau en blanc, petite tache dencre à langle en haut à droite sur toutes les pages, with charts and drawings by T. L. Stocken, 144 pages, sans date London Faber et Faber Editeur,
Referenz des Buchhändlers : 5444
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