‎Anglais‎

‎Elle Shushan, Essaka Joshua, Emma Rutherford, Ellie Smith, Alison Lapper‎

‎Without Hands - The Art of Sarah Biffin‎

‎, Paul Holberton Publishing Ltd, 2022 Softcover, 104 pages, ENG. edition, 250 x 195 mm, NEW , illustrated in color / b/w. ISBN 9781913645366.‎

‎Overview A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion. Accompanying an exhibition at Philip Mould & Company, Without Hands presents the art of Sarah Biffin. Biffin (1784-1850) was born with phocomelia, a condition described on her baptism record as "born without arms and legs." After learning to sew and write as a child, Biffin joined a traveling sideshow where she painted in front of an audience. Eventually, she rose to fame as a talented miniaturist, signing many of her works "without hands." Despite her prolific output, including commissions from royalty and exquisitely detailed self-portraits, Biffin's work has been overlooked by art historians. Beautifully illustrated and including original research, Without Hands celebrates Biffin as an artist who challenged contemporary attitudes to disability.‎

Référence libraire : 63176

‎Irving Lavin‎

‎World Art : Themes of Unity in Diversity : Acts of the XXVIth International Congress of the History of Art.‎

‎, Penn State University Press, 1990 Hardcover, 3 Volumes; 265 + 535 + 893 = 1693 pages, In very Good condition, illustrated dustjackets, Language = 90 pct. English + partly French, Italian , German., images / illustrations in b/w. .290 x 225 x 75 mm; ISBN 9780271006079.‎

‎Under the sponsorship of the Comit International d?Histoire de l?Art (CIHA), scholars from 31 countries met in August in Washington, DC, to present papers and discuss the subject of the Congress. The CIHA was created by a group of scholars meeting in Vienna in 1873 to exchange results of research, discuss aspects of the theory of the history of art, and encourage international discourse. CIHA has since sponsored congresses at intervals of three or five years. Until now CIHA focused on European art from Constantine to the present, whereas the XXXVIth Congress, in a critical shift, encompassed the history of art from all periods and places. The seven sessions deal with broad themes that transcend cultural differences and are uniquely perceptible through the discipline of art history. Center and Periphery: Dissemination and Assimilation of Style examines the processes whereby local styles may be formed by ?dissemination? from a dominant cultural center and, conversely, those which form a cosmopolitan style by the ?assimilation? of disparate local tradition. Conceptual Designs: Diagrams and Geometric Patterns discusses form and meaning in diagrams and geometric patterns used as independent compositions or as ?incidental? ornament. The Written Word in Art and as Art explores the relationship between what is written and how it is written, and the contribution of both to an understanding of the work as a whole. The Artist is concerned with significant developments in the history of the artist?s self-consciousness. Art and Ritual examines the contribution of the study of ritual to an understanding of the form and meaning of a work of art, and vice versa. Art and National Identity in the Americas looks at the problems of regional and national self-definition in the art of North, Central, and South America, from the European conquests to the present. Preserving the World Art discusses the history and theory of conservation and restoration of works of art and their settings. Each session was chaired and its program determined by two distinguished scholars from widely divergent fiends, ensuring a broad and varied approach to the subject. Following introductory essays by the Chairs, the papers represent a selection of the best contribution by art historians as well as scholars in other disciplines. Included as well are plenary addresses by three international leaders in the field, Hermann Fillitz, Andr Chastel, and George Kubler.‎

Référence libraire : 63220

‎Veronica O'Mara, Virginia Blanton (eds)‎

‎Saints' Lives for Medieval English Nuns, II. An Edition of the ?Lyves and Dethes' in Cambridge University Library, MS Additional 2604‎

‎, Brepols, 2024 Hardback, xvi + 502 pages, Size:156 x 234 mm, Illustrations:1 tables b/w., Language: English. ISBN 9782503607832.‎

‎Summary Cambridge University Library, MS Additional 2604 contains a unique collection of prose saints' lives evenly divided into eleven universal and eleven native saints (predominantly culted at Ely). Clearly intended for the devotional life of nuns, presumably in an East Anglian convent, the volume comprises nineteen female figures, all of whom are virgins, martyrs, or nuns, and three male saints (two apostles and a hermit). These late Middle English lives are translated from a variety of Latin sources and analogues including material by Jacobus de Voragine, John of Tynemouth, and others. The collection demonstrates an interest in showcasing native saints alongside their universal sisters. Luminaries of the English Church, such as thelthryth of Ely and her sister Seaxburh, are found in the company of notable virgin martyrs like Agatha and Cecilia. Famous saints like John the Evangelist and Hild of Whitby feature alongside others such as Columba of Sens and Eorcengota. Fully analysed and contextualised in its companion volume Saints' Lives for Medieval English Nuns, I: A Study of the ?Lyves and Dethes' in Cambridge University Library, MS Additional 2604, these texts are edited here for the first time. Alongside the edition of the twenty-two saints' lives and full textual apparatus, there are extensive overviews and commentaries providing details of the sources and analogues as well as explanatory historical and literary notes. The edition concludes with three appendices, a detailed select glossary, and a bibliography of works cited. TABLE OF CONTENTS Introduction Editorial Procedure A Study and Edition of the Saints' Lives Here begynnyth the lyfe of Seynt Iohn Baptist Here begynnyth the life of Seynt Iohn Euangeliste Here begynnyth the lyf of Seynt Columbe e virgyn [Here begynneth the martirdome of Seynt Agace the virgyn] [The life of Seynt Cecile the virgyn and martir] Here begynnyth the life of Seynt Barbara the virgyn and martir The life of Seynt Audry of Hely virgyn and martir Here begynnyth the life of Seynt Sexburge, sister to Seynt Awdre, which was the next abbes of Hely aftir hir Here begynnyth the lyfe of Seynt Ermenylde, the first doughter of seynt Sexburgh Here begynnyth the lyfe of Seynt Werburgh, the doughter of Seynt Ermenyld Here begynnyth a shorte lyfe of Seynt Erkengoode, the secunde doughter of Seynt Sexburgh and the awnte of Seynt Wereburgh, and of Seynt Alburgh at was sistir to Seynt Awdre of Hely Here begynnyth the life of Seynt Whitburge Here begynnyth the lif of Seynt Edith of Wylton Here begynnyth the holy life of Seynt Edburgh, abbes of Tenett aftir Seynt Mildrede Here begynnyth the holy life of Seynt Aswyde e nonne of Folkstone [The holy lif of Seynt Hilde abbes of Streneshall] Here begynnyth the life of Seynt Martha, abbes of many nonnes and e syster of Mary Mawdelen Here begynnyth a litill short mencion of the life of Seynt Domitille Of the Life of Seynt Iustine Abbes and Martyr [Here begynnyth the lyfe of Seynt Benett] Thus begynnyth e lyfe of Seynt Modewyne Here begynnyth the life and miracles of Seynt Leonarde Textual Apparatus Overviews and Commentaries John The Baptist John the Evangelist Columba Agatha Cecilia Barbara thelthryth Seaxburh Eormenhild W rburh Eorcengota (and thelburh) Wihtburh Edith Eadburh Eanswith Hild Martha Domitilla Justina Benedicta Modwenna Leonard Appendix A. Section Summaries Appendix B. Miracles Appendix C. Place-Names Select Glossary Select Bibliography‎

Référence libraire : 63337

‎Dominique Goy-Blanquet‎

‎From the Domesday Book to Shakespeare?s Globe. The Legal and Political Heritage of Elizabethan Drama‎

‎, Brepols, 2023 Hardback, 456 pages, Size:156 x 234 mm, Illustrations:1 col., Language: English. ISBN 9782503601311.‎

‎Summary The phrase 'Jus Uncommon' summarizes England's claim to independence from Europe, a claim supported by its unique legal system and Elizabethan theatre, and their strong interconnexion. Elizabethan tragedy begins at the Inns of Court. It was no mere coincidence, but a result of the long history of intersecting processes of law, politics, and theatre. This book sets out to contextualize and explore such legal and literary intersections, charting the emergence of Elizabethan legal culture from its various English and European sources over the course of the four hundred years running from Magna Carta to Shakespeare. It encompasses the major strands of legal history and culture that formed the background to Elizabethan political drama, republican tradition, theories of monarchical sovereignty,?European and English theories of?imperium,?pedagogical and rhetorical practices of the Inns of Court,?legal-antiquarian research, parliamentary privilege, and Tudor political pamphleteering. Legal texts, discourses, and social practices constructed a pervasive intellectual culture from which Elizabethan drama - like Shakespeare's - emerged. Shakespeare is not the central object of this study, but he is central to its argument. What he knew about law was what collective memory had stored from centuries past at home and abroad. The issues, characters, themes, theories, and metaphors dramatized by the Elizabethan playwrights followed the way opened at the Inns. Emblematic figures of lawyers-writers and their Senecan patterns paved the way to Gorboduc and to Shakespeare's histories. TABLE OF CONTENTS Editorial Note Introduction : Law or Liberty? Part I. Jus uncommon. Freedom of the State Chapter 1. Dreams of Empire Early Steps to Singularity Clashes of Jurisdictions Sacred Monarchy Chapter 2. England's Mixed Polity English Democrats Good Counsel Model Parliaments Right of Conquest Chapter 3. Rival Law Codes Roman Law The Common Law of the Realm Emergence of the Inns Upward Mobility Part II. Fair Trial. Freedom of Magistrates Chapter 4. Learned Counsel A Display of Legalism The Courtly Muses of Europe Chapter 5. Divorcing Rome King's Conscience King's Printer King's Games Chapter 6. Fortune's Wheels Common Prayers Heretics on Trial 'Something Tawdry'. The Political Pageant 'An Axe or an Acte'. The Execution of Justice Part III. The Conscience of England. Freedom of Speech Chapter 7. The Languages of Law The Legal Nursery Won in Translation Chapter 8. Theatres of Law Dramatic Justice Political Tragedy Chapter 9. Lawyers in Parliament 'Shall Cassandra Bee Punished?' The Liberties of the House Clean and Unclean Money The Lawyer's Glasses of Governance Chapter 10. Kings do but Play Us Lawyers in Resistance A Parliament of Voices Conclusion. 'This Magnificent Theatre of Heaven and Earth' Select Bibliography Index of Acts, Statutes, and Treatises Index of Plays, Poems, Dialogues, and Masques General Index‎

Référence libraire : 63359

‎Liz Lochhead , Amanda Schiff , Joe Ahearne , Cyrus Shahrad , Adam Ganz‎

‎Crude Metaphors : Parts 1-5‎

‎, Hotshoe Books Limited, 2015 Box with 5 books, 60 pages, short stories with photographs, ENG., 190 x 120 x 45 mm, All in Fine condition, . ISBN 9780955746598.‎

‎A very special limited edition collectors box of five books featuring a selection of the most renowned photographers of today, including Roger Ballen, Todd Hido, Edgar Martins, Mayumi Hosokura and Esther Teichmann. Crude Metaphors, a prominent and celebrated section of HOTSHOE magazine since 2005, brings together photography and fiction writing, pairing a photographer and a writer to produce a narrative, written in response to a chosen series of images. This beautifully designed collection of books combines these greats of photography with writers such as the National Poet for Scotland Liz Lochhead, and Joe Ahearne, director of Doctor Who and co-writer of Danny Boyle's Trance. With stories ranging from a female bounty hunter to a world of artificial intelligence and a father's suicide, readers will be taken on five compelling journeys through the words and images of ten different creators.‎

Référence libraire : 63801

‎Mich le Bussi res (ed)‎

‎Old English Life of Saint Pantaleon. Old English text with introduction, translation and Latin version‎

‎, Brepols, 2024 Paperback, 160 pages, Size:156 x 234 mm, Illustrations:20 b/w, 5 tables b/w., Language(s):English, Old English, Latin. ISBN 9782503609256.‎

‎Summary The Old English Life of Saint Pantaleon survives in one eleventh century manuscript: it appears here for the first time in an easily available edition. This edition is based both on independent research and on the work of previous scholars. It is a challenging text, from a much-damaged manuscript, but well worth reading: it is interesting both from a linguistic point of view, as a testimony of late Anglo-Saxon language, and also as a sign of continental influence on Anglo-Saxon culture and of a change in literary taste in England on the eve of the Norman Conquest. It is preceded by a full introduction dealing with the history of the text, from Greece to Western Europe and the context of its translation into Old English. The text is accompanied by copious notes dealing with difficult passages and it is made more accessible by a Modern English translation. The edition is completed by a 12th century Latin version which seems to be the closer to its Old English counterpart. The edition is completed by an Anglo-Saxon glossary. TABLE OF CONTENTS Introduction Old English Text and Translation Commentary Latin text Bibliography‎

Référence libraire : 64178

‎Camilla Caporicci (ed)‎

‎Song of Songs in European Poetry (Twelfth to Seventeenth Centuries). Translations, Appropriations, Rewritings‎

‎, Brepols, 2024 Paperback, 295 pages, Size:156 x 234 mm, Illustrations:8 b/w, 4 col., 14 tables b/w., 10 Musical Examples, Language: English. ISBN 9782503608174.‎

‎Summary Traditionally attributed to King Solomon and defined by Rabbi Aqiva as the Holy of Holies among the sacred Scriptures, the Song of Songs is one of the most fascinating and controversial biblical books. Celebrated as a key to the supreme mystery of the union between God and the faithful, this ambivalent book, which combined a sensual celebration of love with a well-established tradition of allegorical interpretation, was a text crucial to both the Middle Ages and the Renaissance, and held a particular appeal for poets. Indeed, the Song of Songs played a significant role in the development of European poetry from its very beginning, creating an exceptional convergence of sacred and secular languages and horizons of meaning. Written by a group of distinguished international scholars, this volume explores the complex and multifaceted processes through which the Song of Songs entered, influenced, and interacted with medieval and Renaissance European poetry (twelfth to seventeenth centuries). Focusing on both individual authors - including Peter Riga, Dante Alighieri, Richard Rolle, and George Herbert - and particularly relevant poetic traditions - including Hebrew liturgical poetry and the Tristan and Ysolt tradition, Middle English and Petrarchan lyric, Renaissance verse versions and seventeenth-century musical compositions, dissident and prophetic texts - the volume unveils the relevant role played by the biblical book in the development of European poetry, thought and spirituality, highlighting its ability to contribute to different poetic genres and give voice to a variety of religious, political, philosophical, and artistic intentions. TABLE OF CONTENTS Introduction Camilla Caporicci Part I. A Many-Faced Influence: Medieval Voices Chapter 1. 'The Song of Songs, gaze upon her': Antique Hebrew Liturgical Poetry from the Medieval Mainz Rite Leor Jacobi Chapter 2. Versifying the Cantica canticorum in the Context of Peter Riga's Aurora Greti Dinkova-Bruun Chapter 3. 'Like an apple tree among the trees of the forest is my beloved among the young men': Revisiting the Song of Songs with Tristan and Ysolt Brindusa Grigoriu Chapter 4. The Song of Songs' Lyricism in Late Medieval England Denis Renevey and Christiania Whitehead Part II. Poetry and Music: The Italian Tradition Chapter 5. The Good Sorrow: The Song of Songs in Dante's Comedy and Contemporary Popular Piety Lino Pertile Chapter 6. The Song of Songs in Sixteenth-Century Italian Lyric Poetry Matteo Navone Chapter 7. Laetitia et solatio: Singing the Canticles and Female Spirituality in the Early Seventeenth Century Marina Toffetti Chapter 8. Motets on the Song of Songs in the Collection Symbolae diversorum musicorum (Venice, 1621) edited by Lorenzo Calvi Gabriele Taschetti Part III. Rewriting and Appropriating the Song of Songs in the British Isles Chapter 9. A Corpus-Based Analysis of the Song of Songs' Early Modern Translations (1535?1611) Fabio Ciambella Chapter 10. William Baldwin's Canticles or Balades of Solomon and the Beginnings of English Petrarchism Rachel Stenner Chapter 11. A Reading of Joseph Hall's Paraphrase of the Song of Songs (1609) Tibor Fabiny Chapter 12. From the 'broken Altar' to 'The Banquet' of Love: The Song of Songs in George Herbert's The Temple (1633) Carmen Gallo Chapter 13. The Allure of Canonical Fleshliness: The Song of Songs as Hermeneutic interm diaire for Ranter Libertarianism and Counter-Ethics Simone Turco Chapter 14. Women Prophets, Dissent, and the Song of Songs in Seventeenth-Century England Adrian Streete ***‎

Référence libraire : 64254

‎Dabney A. Bankert‎

‎Philology in Turbulent Times. Joseph Bosworth, His Dictionary, and the Recovery of Old English‎

‎, Brepols, 2023 Hardback, xxx + 314 pages, Size:152 x 229 mm, Language: English. ISBN 9780888449108.‎

‎Summary This book situates Joseph Bosworth's A Dictionary of the Anglo-Saxon Language (1838) and its revised 1898 version in their cultural context, reconstructing their history from a wealth of archival materials. It opens up a larger investigation into the central role played by Bosworth's work in the birth and growth of Old English studies in the nineteenth century. And it examines the challenges faced by T. Northcote Toller in completing the revision of the Dictionary after Bosworth's death, as well as his compilation of its Supplement in 1921. Overall, this study aims to rectify widespread disciplinary ignorance of the Dictionary's conception, compilation, and publication, and to examine its impact on the development of the discipline. TABLE OF CONTENTS List of Figures Abbreviations Chronology PREFACE Recovering Bosworth-Toller INTRODUCTION Building a Lexicographical Empire in Turbulent Times CHAPTER 1 Dictionary Bosworth: The Making of a Lexicographer CHAPTER 2 Beginning: Origins, Sources, and Method of A Dictionary of the Anglo-Saxon Language (1838) CHAPTER 3 Compiling: Antiquarian Foundations CHAPTER 4 Collaborating: The Bosworth Syndicate, the New Philology, and the Battle over Method CHAPTER 5 Revising: Expanding the Lexicon, 1840-1876 CHAPTER 6 Ending: An Anglo-Saxon Dictionary Based on the Manuscript Collections of the Late Joseph Bosworth (1898) CHAPTER 7 Supplementing: T. Northcote Toller's An Anglo-Saxon Dictionary Supplement (1921) APPENDIX 1 The Bosworth Donation APPENDIX 2 Sources: A Dictionary of the Anglo-Saxon Language (1838) APPENDIX 3 Bodleian Library Entry Books, 1813-1875 APPENDIX 4 Holograph Drafts of A Dictionary of the Anglo-Saxon Language (1838) Bibliography Index of Manuscripts and Archival Collections General Index‎

Référence libraire : 64342

‎Georgiana Donavin‎

‎John Gower's Rhetoric. Classical Authority, Biblical Ethos, and Renaissance Receptions‎

‎, Brepols, 2023 Hardback, 432 pages, Size:156 x 234 mm, Illustrations:6 b/w, 5 col., Language: English. ISBN 9782503595771.‎

‎Summary This is the first book-length study in decades to offer in-depth readings of a variety of late medieval poems across Gower's trilingual corpus. Identifying Gower's rhetorical cornerstones in Aristotelian pathos, the theology of the Word, and the execution of a plain style, it provides fresh interpretations of poems in Latin, French, and Middle English that arise from an enhanced understanding of Gower's literary methods. It explores the classical and medieval rhetorical traditions that informed Gower's craft, the biblical personae through which the poet achieved his rhetorical aims, and the Renaissance publishers and authors who valued and imitated his strategies for composition. Gower adapted his rhetorical theory from the principles of Aristotelian texts, Augustinian theology, exemplars of Ciceronian style, and the dictates of various artes poetriae; from the latter, John of Garland's Parisiana Poetria is especially important for outlining practices of Marian rhetoric. Modelling virtuous female speakers on the Virgin and prophetic narrators on John the Baptist and John the Evangelist, Gower gave extra-scriptural voice to members of the extended Holy Family and in so doing, achieved unimpeachable expressions inside classically informed structures of discourse. The epistolary structure, proceeding from Ciceronian rhetoric and the artes dictaminis, is one among Gower's favoured rhetorical forms for projecting singular voices. His straightforward, reiterative style in Middle English and his virginal speakers compelled Renaissance publisher Thomas Berthelette and celebrated authors Ben Jonson and William Shakespeare to praise Gower's rhetoric in prefaces and imitate it on the stage. TABLE OF CONTENTS List of Illustrations, Acknowledgements, Abbreviations Introduction Chapter One. Gower's 'Rethorique' Chapter Two. My Name is John: Biblical Ethos and Apocalyptic Narrative Chapter Three. Virgo Bona Dicendi Perita: The Good Maiden Speaking Well Chapter Four. Epistles and Rhetorical Experimentation, Part I: Contexts and Practices Chapter Five. Epistles and Rhetorical Experimentation, Part II: Music and Letters in the Trentham Manuscript Chapter Six. The Hortus Conclusus in Gower's Poems Coda. Renaissance Receptions of Gowerian Repetitio Bibliography Index‎

Référence libraire : 64506

‎Marlene Hennessy‎

‎Scottish Manuscripts & English Manuscripts in Scotland. Fascicle I: National Library of Scotland, Edinburgh‎

‎, Brepols - Harvey Miller, 2022 Paperback, 182 pages, Size:210 x 270 mm, Illustrations:50 col., Language: English. ISBN 9781915487018.‎

‎Summary This is the tenth volume in a continuing series of publications listing and identifying all illustrations contained in English manuscripts from the time of Chaucer to Henry VIII. This was an important period in the history of book production in Britain, and the range of subject-matter illustrated is of significance to historians of art, religion, literature, costume, natural science, and social custom. The present volume extends the survey to Scotland and catalogues not only English but also Scottish and Gaelic manuscripts from the collections of the National Library of Scotland, Edinburgh, as well as manuscripts made on the Continent for English and Scottish book-owners. The catalogue contains entries for 112 manuscripts and notes the subject-matter of every illustration in each manuscript, from full-page miniatures and historiated initials to marginalia, added drawings and nota bene signs. A comprehensive index of pictorial subjects provides readers with complete references to the visual material with thematic groupings making the following categories easily accessible: animals, architecture, birds, Christ, costume, furniture, kings, musical instruments, occupations/professions, plants, saints, Virgin Mary, weapons, and women. The volume also includes a user's guide, an extensive glossary of subjects and terms, and indexes of authors/texts, manuscripts with coats of arms, and Scottish and English names. TABLE OF CONTENTS Introduction Users' Manual I. Scope of the Search II. Cataloguing the Manuscripts III. Principles of Pictorial Description IV. The Template: Opening Headings V. The Template: Pictorial Information VI. The Template: Costume of Specialized Interest VII. The Template: Headings under 'Other Information' List of Manuscripts Catalogued Other Manuscripts Examined List of Abbreviations Catalogue of Manuscripts The Template Edinburgh, National Library of Scotland Glossary of Subjects and Terms Index of Authors and Texts Index of Incipits Index of First Words of Acephalous Texts Index of Pictorial Subjects Index of Manuscripts with Coats of Arms Index of Scottish and English Names List of Illustrations Illustrations‎

Référence libraire : 64555

‎Wendy Scase‎

‎Visible English. Graphic Culture, Scribal Practice, and Identity, c. 700-c. 1550‎

‎, Brepols, 2022 Hardback, xix + 408 pages, Size:156 x 234 mm, Illustrations:4 b/w, 24 col., Language: English. ISBN 9782503598420.‎

‎Summary Visible English recovers for the first time the experience of reading and writing the English language in the medieval period through the perspectives of littera pedagogy, the basis of medieval learning and teaching of literate skills in Latin. Littera is at the heart of the set of theories and practices that constitute the 'graphic culture' of the book's title. The book shows for the first time that littera pedagogy was an 'us and them' discourse that functioned as a vehicle for identity formation. Using littera pedagogy as a framework for understanding the medieval English-language corpus from the point of view of the readers and writers who produced it, Visible English offers new insights on experiences of writing and reading English in communities ranging from those first in contact with Latin literacy to those where print was an alternative to manuscript. Discussing a broad range of materials from so-called 'pen-trials' and graffiti to key literary manuscripts, Visible English provides new perspectives on the ways that the alphabet was understood, on genres such as alphabet poems, riddles, and scribal signatures, and on the different ways in which scribes copied Old and Middle English texts. It argues that the graphic culture underpinned and transmitted by littera pedagogy provided frameworks for the development and understanding of English-language literacy practices and new ways of experiencing social belonging and difference. To be literate in English, it proposes, was to inhabit identities marked by Anglophone literate practices. TABLE OF CONTENTS Introduction: Visible English Chapter One: Graphs, Alphabets, and Scripts Chapter Two: Graphic Models Chapter Three: Graphic Play Chapter Four: Graphic Display Chapter Five: Reprographics Conclusion: Medieval English Literacy Index‎

Référence libraire : 64585

‎Laetitia Sansonetti, R mi Vuillemin (eds)‎

‎Language Commonality and Literary Communities in Early Modern England. Translation, Transmission, Transfer‎

‎, Brepols, 2022 Hardback, 297 pages, Size:156 x 234 mm, Illustrations:12 b/w, 2 tables b/w., Language: English. ISBN 9782503598147.‎

‎Summary In the early modern period, the humanist practice of translation of sacred as well as secular texts created new readerships in the vernacular for authoritative texts, religious or classical. As the circulation of languages within Europe reshuffled hierarchies between classical languages and vernacular tongues, transmission via translation was not only vertical, but also horizontal, and the contacts between European languages enabled the expansion of local lexicons from sources other than Latin or Greek. This volume focuses on the role of translation and lexical borrowing in the expansion of specific English lexicons (erudite, technical, or artisanal) as evidenced in printed texts from the early modern period. It considers how language shapes identity in social, religious, philosophical, artistic, and literary contexts, and is in turn shaped by claims of social, religious, philosophical, artistic, and literary identity. TABLE OF CONTENTS Acknowledgments, List of Illustrations, Contributors Introduction ? Laetitia Sansonetti and R mi Vuillemin Roots, Germanic and Latinate: English as a Hybrid Language An Expanding or a Fragmenting Lexicon? Some Possible Approaches to Loanwords, Lexical Change, and Multilingual Practices in Early Modern English ? Philip Durkin 'A little mint where you may coin words for your pleasure': Cant and Linguistic Currency in Dekker's Rogue Pamphlets ? Jean-David Eynard Strange Roots in Roman Shakespeare ? Iolanda Plescia Language and Universality: The Transmission of Religious Dogma and Philosophical Concepts Writing Catholic, Translating Protestant: English Translations from French in the Sixteenth Century ? Susan Baddeley Bacon's English and Latin Expositions of the Doctrine of Idols: Their Common Features and Differences ? lodie Cassan A Universe over the Channel: The Circulation of John Wilkins's Universal Language Scheme in Early Modern Europe ? Fabien Simon Transnational Poetic Communities: Appropriating Continental Models Petrarchism as the European Language of Poetry: The Example of 'Chi vuol veder quantunque p natura' ? Enrica Zanin and R mi Vuillemin Traducing Ronsard: Larceny and the Poet in English Love-Lyrics, 1582-1591 ? P draic Lamb) Echo's 'repercussive voix': Ovidian Echo Poems in Early Modern England ? Agn s Lafont The Languages of Artistic Transfer: Music and the Visual Arts 'Their ditties Englished': Naturalizing French Lyrics ? Chantal Sch tz Miniatures in Translation: Words for a Gentle Art ? Anne-Val rie Dulac Index‎

Référence libraire : 64867

‎David R. Carlson‎

‎Gower and Anglo-Latin Verse‎

‎, Brepols, 2022 Hardback, 358 pages, Size:152 x 229 mm, Language: English. ISBN 9780888442260.‎

‎Summary This study offers a novel paradigm for explaining the late-medieval Anglo-Latin verse, by analyzing the development of the writings of the English poet John Gower (ca. 1330-1408), who made major contributions to English- and French-language poetry, in addition to being the pre-eminent Latin poet of the ?Age of Chaucer.? In addition to translating amongst the three languages in which he worked, Gower invented a plain style for Latin ?public poetry? that was like his better-known English-language Confessio amantis in emphasizing regular prosodic simplicity; and his plain style was emulated by other Anglo-Latin poets. Gower's Latin public poetry contradicts the other kinds of Latin verse in use in England at the time: on the one hand, the demotic accentual-syllabic rhymed verse in use amongst clerical controversialists and other kinds of social polemicists, characterized by language-mixing and prosodic fluidity within individual poems; and on the other, the hyper-sophisticated poetria nova of the schoolmen. At the end of his career, however, Gower rejected his own plain-style Latin-verse invention to take up instead the late scholastic style, but only at the moment of its decadence, when the humanist neo-classicism that disdained scholasticism would already have begun to arrive in England.‎

Référence libraire : 64922

‎Carolyn Twomey, Daniel Anlezark (eds)‎

‎Meanings of Water in Early Medieval England‎

‎, Brepols, 2021 Hardback, 289 pages, Size:156 x 234 mm, Illustrations:16 b/w, 2 col., Language: English. ISBN 9782503588889.‎

‎Summary Water is both a practical and symbolic element. Whether a drop blessed by saintly relics or a river flowing to the sea, water formed part of the natural landscapes, religious lives, cultural expressions, and physical needs of medieval women and men. This volume adopts an interdisciplinary perspective to enlarge our understanding of the overlapping qualities of water in early England (c. 400 - c. 1100). Scholars from the fields of archaeology, history, literature, religion, and art history come together to approach water and its diverse cultural manifestations in the early Middle Ages. Individual essays include investigations of the agency of water and its inhabitants in Old English and Latin literature, divine and demonic waters, littoral landscapes of church archaeology and ritual, visual and aural properties of water, and human passage through water. As a whole, the volume addresses how water in the environment functioned on multiple levels, allowing us to examine the early medieval intersections between the earthly and heavenly, the physical and conceptual, and the material and textual within a single element. TABLE OF CONTENTS List of Figures Abbreviations Acknowledgements Colour Plates Introduction: Worlds of Water Carolyn Twomey and Daniel Anlezark The Sacred Nature of Rivers, Wells, Springs, and Other Wetlands in Anglo-Saxon England Della Hooke Rivers and Rituals: Baptism in the Early English Landscape Carolyn Twomey Swimming in Anglo-Saxon England Simon Trafford Sensing the Sea: Sounds of Sailors in Anglo-Saxon Literature Rebecca Shores The Sailors, the Sea Monster, and the Saviour: Depicting Jonah and the Ketos in Anglo-Saxon England Elizabeth A. Alexander Pearls before Paradise: Considering the Material Associations of Heavenly Water/s, Precious Stones, and Liminality in the Art of the Medieval West Megan Boulton 'Streams of Wholesome Learning': The Waters of Genesis in Early Anglo-Saxon Exegesis John J. Gallagher Aquas ab Aquis: Aqueous Creation in Andreas Michael Bintley Water, Wisdom and Worldliness in the Anglo-Saxon Prose Lives of Guthlac Helen Appleton Drawing Alfredian Waters: The Old English Metrical Epilogue to the Pastoral Care, Boethian Metre 20, and Solomon and Saturn II Daniel Anlezark Modor is monigra m rra wihta: Watering the World Jill Frederick Index‎

Référence libraire : 65297

‎Charles D Wright, Thomas Hall, Thomas D. Hill‎

‎New Commentary on the Old English 'Prose Solomon and Saturn' and 'Adrian and Ritheus' Dialogues‎

‎, Brepols, 2024 Hardback, 435 pages, Size:156 x 234 mm, Illustrations:8 tables b/w., Language: English. ISBN 9782503603278.‎

‎Summary Who was not born, was buried in his mother's womb, and was baptized after death? Who first spoke with a dog? Why don't stones bear fruit? Who first said the word 'God'? Why is the sea salty? Who built the first monastery? Who was the first doctor? How many species of fish are there? What is the heaviest thing to bear on earth? What creatures are sometimes male and sometimes female? The Old English dialogues The Prose Solomon and Saturn and Adrian and Ritheus, critically edited in 1982 by J. E. Cross and Thomas D. Hill, provide the answers to a trove of curious medieval 'wisdom questions' such as these, drawing on a remarkable range of biblical, apocryphal, patristic, and encyclopaedic lore. This volume (which reprints the texts and translations of the two dialogues from Cross and Hill's edition) both updates and massively supplements the commentary by Cross and Hill, contributing extensive new sources and analogues (many from unpublished medieval Latin question-and-answer texts) and comprehensively reviews the secondary scholarship on the ancient and medieval texts and traditions that inform these Old English sapiential dialogues. It also provides an extended survey of the late antique and early medieval genres of 'curiosity' and 'wisdom' dialogues and florilegia, including their dissemination and influence as well as their social and educational functions. TABLE OF CONTENTS Introduction Sourcing Wisdom: Commentary as Dialogue Organizing Wisdom: The Compilatory Structure of the Prose Solomon and Saturn (SS) and Adrian and Ritheus (AR) Transmitting Wisdom: Encyclopaedic Notes, Dialogues, and Florilegia Disputing Wisdom: Medieval Lore Masters and Modern Scholars List of Texts I. Latin Curiosity Dialogues II. Latin Wisdom Dialogues III. Latin Commonplace Dialogues ad Florilegia IV. Latin Hybrid Dialogues and Florilegia V. Vernacular Dialogues VI. Greek Dialogues VII. Slavonic Dialogues VIII. Encyclopaedic Notes Commentary I. The Prose Solomon and Saturn including Items Shared with Adrian and Ritheus II. Items Unique to Adrian and Ritheus Works Cited Indices I. Biblical and Apocryphal Citations II. Manuscripts III. Primary Sources IV. Subjects‎

Référence libraire : 65406

‎Laure Rioust‎

‎Manuscrits enlumin s d'origine germanique. XVe si cle‎

‎, Brepols, 2021 Hardback, 364 pages, Size:210 x 300 mm, Illustrations:0 b/w, 155 col., Languages: French, German. ISBN 9782503577906.‎

‎Summary Plus d'une centaine d'ouvrages ex cut s au XVe si cle rappellent les constantes et les volutions des productions des pays de langue allemande et d'Europe centrale avant et apr s l'essor de l'imprimerie. Recueils sommairement orn s dans les scriptoria monastiques, livres illustr s en s rie dans des ateliers professionnels urbains ou chefs-d'oeuvre de peintres la cs itin rants t moignent de la multiplicit des formes et des modes de d coration du manuscrit au cours de cette p riode de transition. Tous laissent percevoir le dynamisme des changes artistiques et de la circulation des motifs entre des r gions parfois tr s loign es, la faveur des partages de mod les, de la mobilit des enlumineurs, des liens monastiques, voire des collaborations entre ma tres juifs et chr tiens. Ce corpus tr s vari fait pour la premi re fois l'objet d'un catalogue raisonn exhaustif et richement illustr , organis selon un classement g ographique puis chronologique. Au sein de la s rie Manuscrits enlumin s de la Biblioth que nationale de France et fid le aux principes de la collection, ce catalogue offre une description approfondie et contextualis e des oeuvres, sans n gliger l' tude des provenances et des biblioth ques anciennes qui les ont conserv es. Avec la collaboration de : Marie-Blanche Cousseau, Isabelle Delaunay, Ilona Hans-Collas, Olga Karaskova, Dominic Olariu, Claudia Rabel. Conseillers scientifiques : Fran ois Avril et Claudia Rabel. TABLE OF CONTENTS Pr face Introduction Avertissement Abr viations I. Nord de l'Allemagne, Rhin inf rieur II. Sud-Ouest de l'Allemagne, Rhin moyen, Rhin sup rieur, Suisse III. Boh me, Autriche, Sud-Est de l'Allemagne IV. Centre de l'Allemagne V. Manuscrits non localis s ou d'origines diverses Table de concordance (cotes de la BnF, notices et planches) Index des manuscrits dat s Index des manuscrits et des incunables cit s Index des oeuvres d'art cit es Index des auteurs et des oeuvres Index des copistes Index des artistes Index des noms de personnes Index des lieux Index des reliures Index des armoiries Index iconographique Bibliographie Table des mati res Planches‎

Référence libraire : 65494

‎Olivia Robinson‎

‎Contest, Translation, and the Chaucerian Text‎

‎, Brepols, 2020 Hardback, 232 pages, Size:156 x 234 mm, Illustrations:3 b/w, 6 col., Languages: English, French. ISBN 9782503546636.‎

‎Summary This sophisticated volume sheds new light on the transmission of texts in the medieval period by drawing into dialogue a study of medieval translation between English and French with questions concerning the Chaucerian canon and its reception. The author takes as a focus point three Middle English translations of French-language works - The Romaunt of the Rose, the Belle Dame Sans Mercy, and An ABC to the Virgin - and assesses the way in which these works respond to and reconfigure their source material, while at the same time questioning how the connection of these translations with Chaucer has influenced our critical understanding of them. In this book, these three translations are therefore removed from their habitual place on the fringes of the English Chaucer canon, and are instead analysed in the context of late-medieval literary and cultural hybridity. The result is a fascinating reconceptualization of these works as creative, cross-channel participations in late- medieval debates, and simultaneously a call for the reappraisal of 'the Chaucerian' as a critical category.‎

Référence libraire : 65663

‎Marleen Cr , Diana Denissen, Denis Renevey (eds)‎

‎Late Medieval Devotional Compilations in England‎

‎, Brepols, 2020 Hardback, xii + 464 pages, Size:156 x 234 mm, Illustrations:3 col., Language: English. ISBN 9782503574776.‎

‎Summary Devotional compilations were the staple spiritual food for lay and religious readers in the late medieval period. As well thought-out assemblages of texts or extracts of texts, they provided readers with material from basic catechetic instruction to advice and tools for the practice of contemplation. Their exploration enables a more sophisticated understanding of the authorial roles played by compilers, the reading practices of their recipients, and the patronage of compilations carried out by religious and secular individuals and communities. It also offers a new window into late medieval English religiosity as well as demonstrating the complexity and creativity associated with compiling activity. In this volume, leading scholars in the field of medieval English literature consider the role and impact of a substantial number of devotional compilations, offering new evidence about the manuscripts, sources, and contexts that frame this important corpus. TABLE OF CONTENTS Introduction - MARLEEN CR , DIANA DENISSEN, AND DENIS RENEVEY Part I: The Dynamics of Devotional Compilations Building a Bestseller: The Priest, the Peartree, and the Compiler - VINCENT GILLESPIE Compilation: The Gift that Keeps on Giving - RALPH HANNA Theorizing the Miscellaneous and the Middle English Biblical Paratext - IAN JOHNSON A Talkyng of the Loue of God: The Art of Compilation and the Compiled Self - ANNIE SUTHERLAND Reading Late Medieval Devotional Compilations in the Fifteenth and Sixteenth Centuries - MARGARET CONNOLLY Part II: Compiling the Compilation: Manuscript Transmission Form and Fluidity: Reshaping The Pore Caitif and Contemplations of the Dread and Love of God in Oxford, Bodleian Library, MS Bodley 423 and Oxford, Bodleian Library, MS Bodley 938 - DIANA DENISSEN Suffering for Love: Compilation and Asceticism in Life of Soul - SARAH MACMILLAN Compilers' Voices in Cambridge, University Library MS Ii. 6. 40 - MARLEEN CR Part III: Compilation and Devotional Practice A Hagiographic Compilation of Medieval Native Women in the South English Legendaries: Oxford, Bodleian Library, MS Bodley 779 - MAMI KANNO Devotional Compilations and Lollard Sanctity in a Fifteenth-Century Anthology - NICOLE RICE 'When is a man proude. Whe[n] he wol not beknowen suche as he is': Knowing oneself in London, British Library, MS Additional 27787 - SHERI SMITH Resignation or Rebuttal?: Three Biblical Exempla in Richard Whitford's Dyuers Holy Instrucyons and Teachynges - BRANDON ALAKAS Part IV: Mystics Compiled 'Desyrable is thi Name': Fashioning the Name of Jesus in Some Devotional Compilations - DENIS RENEVEY The Scale of Perfection in Devotional Compilations - MICHAEL G. SARGENT The Liber Specialis Gratiae in a Devotional Anthology: London, British Library, MS Harley 494 - NAOE KUKITA YOSHIKAWA Part V: Texts, Images and Affect The Living Book of Cambridge, Trinity College MS B.15.42: Compilation, Meditation, and Vision - LAURA SAETVEIT MILES The Desert of Religion: A Textual and Visual Compilation - ANNE MOURON What Grace in Presence: Affective Literacies in The Chastising of God's Children - A.S. LAZIKANI Afterword The Terminology and Ethos of Vernacular Compilatio - NICHOLAS WATSON *** Index of Manuscripts General Index‎

Référence libraire : 65822

‎Anonymous, Ariane Lain (ed)‎

‎Late Fifteenth-Century Commonplace Book. Edited from Cambridge University Library MS Gg.6.16‎

‎, Brepols, 2019 Paperback, 261 pages, Size:156 x 234 mm, Illustrations:13 tables b/w., Languages: English, Middle English. ISBN 9782503582917.‎

‎Summary This edition presents the full text of a personal collection of temporale Middle-English sermons, compiled by a parish priest for his own use (preserved in Cambridge University Library MS Cg.6.16). It also includes the notes and fragments of sermons or exempla found at the beginning of the manuscript with a purpose of giving insight into the way a parish priest would compile materials. This manuscript has attracted attention because it perserves versions of these sermons' early stages. The current edition is therefore complementary to editions of later versions of the same sermons. The introduction provides a discussion of these sermons' textual history and the circumstances in which they were possibly preached. Explanatory notes, a glossary, and indexes complete the edition. TABLE OF CONTENTS Acknowledgements Manuscripts and Sigla Abbreviations Bibliography Unprinted Primary Sources: Manuscripts Printed Primary Sources Unprinted Editions of Primary Sources Secondary Sources Recapitulary Tables Recapitulary Table of the Contents of the Manuscripts (1) Recapitulary Table of the Contents of the Manuscripts (2) Recapitulary Table of the Contents of the Manuscripts (3) Recapitulary Table of the Contents of the Manuscripts (4) Introduction Description of the Manuscripts Language Layout and Watermarks Quire 1 Quires 2 and 3 Two Sermons for a Wedding Ceremony Quires 4 and 5 Conclusion: A Preaching Tool Editorial Principles and Procedures Quire 1. Ff. 1r-7v [1] [The Three Maries] [2] [Note on Octavian and the Sybil] [3] [Note on the Temple in Rome] [4] [The Apostles' Creed and Citations from the Prophets] [5] [Exemplum of Longinus] [6] [Easter Day Sermon] [7] [Outline of sermon & Citations] [8] [Sermon for Lent 1] [9] [Exemplum of the Bloody Letters and the Lady who Killed her Own Child] [10] [Extract from the Exemplum of St Dunstan's mother] [11] [A Note on the How and Why one Should Say a Pater Noster and an Ave] [12] [A Note on the Letters of Ihesu Crist] [13] [A Note on the Law at the Court of King Arthur] [14] [Exemplum of Three Philosophers] [15] [An Extract from an Exemplum about Two Cripples and a Precious tree] [16] [A Note on Bad Christians Likened to Swine] [17] [Sermon-Like Note on the Three Apostles John, Peter, and Judas and the Sins of Pride, Gluttony and Envy] Quires 2 and 3. Ff. 8r-30v [18] [? Sermon on Mt, 22:37] [19] [? Sermon on 1 Ptrr, 4:7] [20] [? Sermon on Ps, 40:5] [21] [? Sermon on Lc, 19:15] [22] [? Sermon on Io, 11:25] [23] [? Sermon for All Saints Day and All Souls Day] [24] [? Sermon for a Wedding Cermony] Quires 4 and 5. Ff. 32r-59v [25] In Solemnizacione matrimonij [26] Dominica Prima Aduentus Domini [27] In Die Natalis Domini Nostri Ihesu Cristi [28] In Die Circumcicionis Domini Nostri Ihesu Cristi [29] In Die Epiphanie Domini Nostri Ihesu Cristi [30] Dominica Septuagesime Euaungelium [31] Dominica in Sexagesima [32] Dominica in Quinquagesima [33] In die Cinerum et in Capite Ieiunij [34] Domnica Prima Quadragesime [35] Dominica Secunda Quadragesime [36]Dominica iija Quadragesime Euaungelica Luc xjm Explanatory Notes Glossary Index of Proper Names Index of Biblical Quotations Index of Non-Biblical Quotations Index of Exempla‎

Référence libraire : 65885

‎Tamara Atkin, Laura Estill (eds)‎

‎Early British Drama in Manuscript‎

‎, Brepols, 2019 Hardback, xvi + 376 pages, Size:156 x 234 mm, Illustrations:45 b/w, 10 tables b/w., Language: English. ISBN 9782503575469.‎

‎Summary This collection of essays examines medieval and early modern drama in the context of a rich and varied manuscript culture. Focusing on the production, performance, and reception of dramatic documents made in Britain between 1400 and 1700, the essays in this book shed new light on the role of dramatic manuscripts in a range of different social and literary spheres. From extant manuscripts of England's mystery cycles to miscellanies kept by seventeenth-century readers, the documents discussed in this volume reflect a culture of producing and using drama in ways that have been overlooked by the recent critical focus on drama and print by theatre historians and literary critics. By showing the various continuities, exchanges, lendings, and borrowings between medieval and early modern scribal practices, as well as between manuscript and print practices, this volume interrogates accepted critical narratives about the way that drama has been historicized. TABLE OF CONTENTS List of Abbreviations List of Figures Introduction - TAMARA ATKIN AND LAURA ESTILL Production The Brome Abraham and Isaac and Impersonal Compilation - JOE STADOLNIK The Coventry Playbooks - PAMELA M. KING The Towneley Plays: Huntington Library MS HM 1 - ALEXANDRA F. JOHNSTON Un-dating the Chester Plays: A?Reassessment of Lawrence Clopper's 'History and Development' and MS?Peniarth 399 - MATTHEW SERGI Noting Baiazet, the Raging Turk - MARY POLITO AND KIRSTEN INGLIS John of Bordeaux: Performance and the Revision of Early Modern Dramatic Manuscripts - JAMES PURKIS James Compton and Cosmo Manuche and Dramatic Manuscripts in the Interregnum - WILLIAM PROCTOR WILLIAMS Performance The Play of Wit and Science: Evidence for the Performance of a Choir School Manuscript - LOUISE RAYMENT Sixteenth-Century Courtly Mumming and Masking: Alexander Montgomerie's The Navigatioun - SARAH CARPENTER Speech and Silence in an Actor's Part - JAKUB BOGUSZAK 'In witnes here of I set to my hand': Early Modern Actors' Offstage Textual Rituals - KARA J. NORTHWAY Comedy, Clowning, and the Caroline King's Men: Manuscript Plays and Performance - LUCY MUNRO Unfolding Action: Locked Letters as Props in the Early Modern Theatre - DANIEL STARZA SMITH AND JANA DAMBROGIO Reception Remediating Sixteenth-Century Drama: Gismond of Salerne in Script and Print - TAMARA ATKIN The Early Manuscript Reception of Shakespeare: The Formation of Shakespearean Literary Taste - JEAN-CHRISTOPHE MAYER Comedies and Tragedies 'read of me' and 'not yet learned': Dramatic Extracting in Bodleian Library MS?Rawlinson D 952 - BEATRICE MONTEDORO Seeing is Believing: External vs. Internal Evidence in the Controversy over the Ireland Forgeries - ANTONIA FORSTER The Macro Plays in Georgian England - GAIL MCMURRAY GIBSON Unseen things seen': Digital Editing and Early Modern Manuscript Plays - MATTEO PANGALLO Mongrel Forms: Print-Manuscript Hybridity and Digital Methods in Annotated Plays - REBECCA MUNSON Index‎

Référence libraire : 65966

‎Boethius(auth), Brian Donaghey, Noel Harold Kaylor, Philip Edward Phillips, Paul E. Szarmach (eds)‎

‎Remaking Boethius. The English Language Translation Tradition of 'The Consolation of Philosophy'‎

‎, Brepols, 2019 Hardback, xxviii + 496 pages, 156 x 234 mm, Language: English. ISBN 9782503584676.‎

‎Summary This volume is a reference work, organized chronologically in its sections, with a separate entry for each translator's work. The sections are defined by the type of translations they comprise, whether complete, partial, meters only, etc. The plan of the book is encyclopedic in nature: some biographical material is provided for each translator; the translations are described briefly, as are their linguistic peculiarities, their implied audiences, their links with other translations, and their general reception. Sample passages from the translations are provided, and where possible these are two of the most well-known moments in the Consolatio: the appearance of Lady Philosophy, narrated by the Prisoner, and the cosmological hymn to the Deus of the work, sung by Lady Philosophy. TABLE OF CONTENTS Preface Acknowledgments Prologue: The Foundation of the Tradition: The Latin De consolation philosophiae Part I: Complete Translations into English of De consolation philosophiae Part II: Partial or Abridged Translations into English of De consolation philosophiae Part III: Translations into English of the Meters or Selected Meters of De consolation philosophiae Part IV: Spurious, Mislabeled, or Lost Translations of De consolation philosophiae Part V: Modern English Translations of Old English Prose and Verse Translations of De consolation philosophiae Part VI: An Early Adaptation of Chaucer's Translations into English of De consolation philosophiae with Commentary Interspersed Part VII: Some Minor Uses of Translations or Adaptations of Passages from De consolation philosophiae Part VIII: Two Early Discussions on De consolation philosophiae translation Epilogue: Some Relevant Definitions: Samuel Johnson's Dictionary Notes on the Editors‎

Référence libraire : 65980

‎Matthias Egeler (ed)‎

‎Landscape and Myth in North-Western Europe‎

‎, Brepols, 2019 Hardback, viii + 263 pages, Size:156 x 234 mm, Illustrations:18 b/w, 3 tables b/w., 3 maps b/w, Language: English. ISBN 9782503580401.‎

‎Summary This volume explores the intersection of landscape and myth in the context of north-western Atlantic Europe. From the landscapes of literature to the landscape as a lived environment, and from myths about supernatural beings to tales about the mythical roots of kingship, the contributions gathered here each develop their own take on the meanings behind 'landscape' and 'myth', and thus provide a broad cross-section of how these widely discussed concepts might be understood. Arising from papers delivered at the conference Landscape and Myth in North-Western Europe, held in Munich in April 2016, the volume draws together a wide selection of material ranging from texts and toponyms to maps and archaeological data, and it uses this diversity in method and material to explore the meaning of these terms in medieval Ireland, Wales, and Iceland. In doing so, it provides a broadly inclusive and yet carefully focused discussion of the inescapable and productive intertwining of landscape and myth. TABLE OF CONTENTS Introduction: 'Landscape', 'Myth', and the North-Western European Perspective - MATTHIAS EGELER Myth and Real-World Landscapes Spaces, Places, and Liminality: Marking Out and Meeting the Dead and the Supernatural in Old Nordic Landscapes - TERRY GUNNELL Aesthetic Appreciation of Landscape in the Sagas of Icelanders - REINHARD HENNIG Landscape Meditations on Death: The Place-Lore of the Hvanndalur Valley in Northern Iceland - MATTHIAS EGELER Myth and the Creation of Landscape in Early Medieval Ireland - GREGORY TONER Codal and riu: Feeding the Land of Ireland - GRIGORY BONDARENKO with NINA ZHIVLOVA) Finn's Wilderness and Boundary Landforms in Medieval Ireland -ELIZABETH FITZPATRICK 'Here, Finn? Take This and Give him a Lick of it': Two Place-Lore Stories about Fi(o)nn Mac Cum(h)aill in Medieval Irish Literature and Modern Oral Tradition - TIZIANA SOVERINO The M lusine Legend Type and the Landscape in Insular and Continental Tradition - GREGORY R. DARWIN Myth and the Landscapes of Literature King Sverrir's Mythic Landscapes - NICOLAS MEYLAN Mythologizing the Conceptual Landscape: Religion and History in Imago mundi, Image du monde, and Delw y byd - NATALIA PETROVSKAIA The Road Less Travelled: C Chulainn's Journey to Matrimony and the Dindshenchas of Tochmarc Emire - MARIE-LUISE THEUERKAUF 'If we settled in the forest?': Tracing the Function of Wooded Spaces from Old Irish Literature to Contemporary Poetry - EDYTA LEHMANN‎

Référence libraire : 66077

‎Patrizia Cavazzini, Pierre Curie, Maria Cristina Terzaghi‎

‎Artemisia. H ro ne de l'art‎

‎, Fonds Mercator/ Mercatorfonds, 2025 Hardback with dust jacket, 208 pages, Dimensions 300 x 240 mm, 120 Illustrations 120 col.ill.Language(s) Fr. edition. *new. ISBN 9789462303935.‎

‎Le Personnalit au destin hors norme, Artemisia Gentileschi (1593-v. 1656) est l'une des rares artistes femmes de l' poque moderne ayant pu vivre de sa peinture, gr ce une renomm e internationale. N e Rome, cette protagoniste de la peinture caravagesque tait tout particuli rement c l br e pour ses figures d'h ro nes et ses portraits.Mus e Jacquemart Andr , Paris‎

Référence libraire : 66616

‎MATTHEW (James E.)‎

‎A POPULAR HISTORY OF MUSIC - Musical instruments ,Balletand Opéra from ST.AMBROISE To MOZART‎

‎LONDON H.GREVEL 1888-IN4 toile dec.ed.-319p.-ill.in et ht gravées/bois - tete dorée‎

‎Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

Référence libraire : 77

‎ELIOT T.S / HOELLERING George‎

‎THE FILM OF MURDER IN THE CATHEDRAL -‎

‎LONDON FABER&FABER 1952IN8 toile ed.-48 ill.ht.‎

‎jacquette effrangée Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

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