|
GABRIL NICOL au pays de George Sand
LES CONTES DE LA LIMOUSINE
P.-V STOCK EDITIEUR. 1903. In-16. Broché. Etat passable, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 99 pages. Ouvrage deboitée. Manque dos.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
Référence libraire : R160118255
|
|
|
GACHONS (Jacques des)
Une journée de George Sand. Le grand voyage de Mme Dudevant de son chateau de Nohant à sa maison de Gargilesse, suivi d'un hommage à George Sand.
Chateauroux, Société d'Imprimerie, d'Edition et des Journaux du Berry, 1930, broché, 19x24 cm, 91 pages. Tirage à 553 exemplaires numérotés. Cet exemplaire ne fait pas mention du numéro mais de la mention manuscriste "exemplaire spécial pour Mr Roze" signé de l'éditeur.
Référence libraire : 4220
|
|
|
GALLET VILLECHANGE, Maguy
Brèves de Panthéon. Sarah Bernhardt et George Sand.
Paris, éd. Société des écrivains, 2012, in-8, cartonnage souple, couv. ill. en coul. éd., 156 pp., bibliographie, notes au crayon de l'écrivaine française Michèle Laurent, « Chère Madame, Vous me voyez bien ennuyée avec ces idées farfelues – soi-disant “modernes” – qui veulent m’empêcher, désormais, de reposer en paix dans ma vallée noire, là où je suis toujours revenue déposer mes soucis, mes ennuis, mes déceptions, là où je me réfugiais pour travailler, m’évader de la ville, dans la paix des champs, près des gens simples et authentiques. Voilà, en quelques lignes, de quoi il s’agit : il est question de mon transfert à Paris et, bien que je n’aie plus mon mot à dire, j’aimerais, néanmoins, avoir votre avis sur la question ». En se basant sur la question du transfert de la sépulture de George Sand au Panthéon, l'auteur imagine une correspondance entre cette dernière et une autre immense figure féminine du dix-neuvième siècle : Sarah Bernhardt. On suit avec bonheur l'évolution de leur relation épistolaire, où chacune livre, parfois avec émotion, souvent avec humour, ses états d'âme. Cette double biographie maquillée en correspondance fantomatique est des plus intéressante, extrêmement fidèle et parfaitement documentée. Un splendide hommage à deux artistes talentueuses, mais surtout à deux femmes pleines de vie." Pas courant Très bon état
Référence libraire : 70129
|
|
|
GALZY Jeanne.-
George Sand.-
Paris. Julliard. 1950. In-8 (143 x 194mm) broché, couverture bleue illustrée d'un portrait de George Sand en médaillon, 334, (1) pages. Bon exemplaire.
Référence libraire : ORD-14498
|
|
|
GANDON Pierre - SAND George.
La Mare au diable illustrée de trente-neuf illustrations par Pierre Gandon gravées sur bois par Gilbert Poilliot. Deux desso
1942 Paris, Ferroud, 1942; in - 8 de (4) - (IV) - 176pp. - (2)ff. Illustrations dans le texte en couleurs; couverture rempliée crème illustrée sur les plats, titre en grenat au 1er plat et dos. Exemplaire numéroté sur papier velin de Lana. Quelques rousseurs à la couverture sinon bon état.
Référence libraire : 11645
|
|
|
GARDES (Jean-Marc).
L'ARDECHE A LA PAGE.Florian, Victor Hugo, George Sand, Stendhal, A. De Musset, Haussman, Charles Maurras, Frédéric Mistral, Simone de Beauvoir, Jules Michelet, Prosper Mérimée, Stéphane Mallarmé, Henri Lefebvre, Onésime Reclus.
Privas, Fédération des Oeuvres Laïques de l'Ardèche, 1986, 1 broché, couverture illustrée. in-8 de 159 pages, illustrations (Claude Madier, Philippe Burnot, Chièze, V. Fonfreide), carte ;
Référence libraire : 16464
|
|
|
Gaskin, Catherine
Wie Sand am Meer
Stuttgart: Stuttgarter Hausbücherei, 1956. 588 Seiten , 22 cm Gewebeeinband mit Schutzumschlag
Référence libraire : 15261
|
|
|
Gavarni - SAND, George) - etc.
Le diable à Paris. Paris et les parisiens. Moeurs et coutumes, caractères et portraits des habitants de Paris, tableau complet de leur vie privée, publique, politique, artistique, littéraire, industrielle. Précédé d’une histoire de Paris par Théophile Lavallée. Illustrations "les gens de Paris, séries de gravures avec légendes par Gavarni. Paris comique, vignettes par Bertall.
Hetzel 1845 2 volumes grand in-8, plein maroquin bleu nuit, dos à nerfs richement orné, plats encadrés de filets, roulette et d'une large dentelle, roulette sur les coupes et en contreplat, tranches dorées reliure anglaise de l'époque, 380- 364 pp.. Illustrations in & hors-texte en noir. Infimes rousseurs. Bel exemplaire.
Référence libraire : 12486
|
|
|
GAVARNI [George] [SAND, George; LAVALLE, Theophile].
Le Diable a Paris: Paris et les Parisiens. Moeurs et Coutumes Caracteres et Portraits des Habitants de Paris Tableau Complet de leur Vie Privee Publique Politique Artistique Litteraire Industrielle etc. etc.
Paris:: J. Hetzel 1845-1846. First edition. old half green morocco over marbled boards; gilt spines. A few minor scuffs to bindings; clean tight and sound. An attractive set. . Large 8vo. Illustrations throughout by Gavarni and others. J. Hetzel, hardcover
Référence libraire : 55923
|
|
|
GAVARNI-GRANDVILLE-DANTAN-BERTALL-CHAM- CLERGET.
Le Diable à Paris.
Le Diable à Paris. Paris à la plume et au crayon. 10 centimes la livraison, 1000 dessins, 550 scènes de types avec légendes de GAVARNI soit 350 dessins de plus de GAVARNI que dans les éditions précédentes. 450 dessins par GRANDVILLE-DANTAN-BERTALL-CHAM- CLERGET. Textes par BALZAC, Alfred de MUSSET, GEROGE SAND, STAHL, Auguste BARBIER, Eugène SUE, SOULIE, NODIER, GOZLAN, Gustave DROZ KAEMPEEN, Henri ROCHEFORT, Edmond TEXIER, Auguste VILLEMOT etc. etc. Préface et prospectus, prologue-228 pages, dans prologue, texte de STAHL comment il se fit qu’un diable fait à Paris ce qui s’ensuivit 72 dessins par GRANDVILLE (36) – GAVARNI- BERTALL. En un volume pleine toile noire registre, titre et filets dorés, 185x175mm. Premier volume. Environ 260 illustrations. Hetzel éditeur sans date.
Référence libraire : 13997
|
|
|
Gay Smith George Sand Gay Manifold
George Sand's Gabriel
ABC-Clio Incorporated pp. 166 . Hardback. Used. ABC-Clio, Incorporated hardcover
Référence libraire : 63142456 ISBN : 0313283907 9780313283901
|
|
|
Geoge Sand
La Filleule Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0656857625.G ISBN : 0656857625 9780656857623
|
|
|
GEOGES SAND
LA MARE AU DIABLE, SUIVIE DE QUELQUES BONNES PAGES DE LA PETITE FADETTE
EDITION SPECIALE DE CHEFS-D'OEUVRE LITERAIRES. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 286 pages.. . . . Classification Dewey : 840.091-XX ème siècle
Référence libraire : RO30112883
|
|
|
George SAND
Album Sand
Reliure d'éditeur cuir pleine peau, sous jaquette illustrée et Rhodoïd. Dos lisse entièrement orné avec titre doré sur fond rouge. Tête teintée. Intérieur très frais avec une riche iconographie choisie et commentée par Georges Lubin, 480 illustrations. Petit choc au centre de la couverture.
Référence libraire : 77186
|
|
|
George SAND
Cosima ou la haine dans l?amour.
Reliure plein maroquin janséniste rouge. Dos à nerfs. Tête dorée. Filets et fines roulettes fleuronnées dorés sur les coupes. Reliure signée Antoine JOLY.
Référence libraire : 75120
|
|
|
George SAND
François Le Champi
Reliure postérieure demi-chagrin rouge à coins. Dos à nerfs avec date dorée en queue. Couverture et dos conservés. Reliure signée P. GOY et C. VILAINE. Illustré d'eaux-fortes d'après les dessins d'ALCIDE ROBAUDI: 33 compositions gravées par Henri Manesse, soit 2 sur les couvertures, 26 hors texte et 5 dans le texte.
Référence libraire : 52260
|
|
|
George SAND
Gabriel
Reliure demi-maroquin long grain vert bronze à petits coins. Dos lisse finement orné de fers rocailles et chiffré en pied. Tête dorée. Couverture beige conservée. Grandes marges. Reliure signée de l'atelier "E. et A. Maylander". Intérieur propre et blanc. Mors supérieur abîmé.
Référence libraire : 34765
|
|
|
George SAND
L'autre.
Reliure demi-chagrin havane à coins. Tête dorée. Dos à nerfs très fins avec titre doré. Couverture et dos conservés. Reliure signée HONNELAITRE. Photo de l'auteur collée en page de garde. Intérieur très frais.
Référence libraire : 36905
|
|
|
George SAND
Oeuvres autobiographiques
Sous Rhodoïd. Avec jaquette. Tranche de tête bleue. Textes établi présentés et annotés par Georges Lubin. Tome I : Histoire de ma vie.Tome II : Histoire de ma vie. Lettres d'un voyageur. Un hiver à Majorque. Journal intime destiné à Musset. Etc.
Référence libraire : 80847
|
|
|
George SAND
"Je suis bien d'âge à être votre mère car j'ai 55 ans et j'ai de bonnes mains bien adroites mais pas belles du tout."" Signed autograph letter addressed to Ernest Feydeau
Nohant Nohant-Vic 1859. Fine. Nohant Nohant-Vic 16 août 1859 13.50 x 20.90 cm 4 pages sur un double feuillet Autograph letter signed by George Sand addressed to Ernest Feydeau. Four pages written in blue ink on a double sheet bearing at the head of the first page the sender's blind stamp. This letter was published in the complete correspondence of George Sand established by Georges Lubin. Fine and lengthy letter discussing literature and friendship between writers. Initially a stockbroker and specialist in Antiquity Ernest Feydeau launched himself late into fiction. Anxious to occupy a literary space in which he did not feel justly appreciated he used his connections and maintained a regular epistolary relationship with illustrious correspondents such as Gustave Flaubert Sainte-Beuve and George Sand to whom he sent drafts of his novels and whose opinions he sought. This letter forms Sand's response after having just finished reading Daniel Feydeau's second novel. George Sand then at the height of her literary career describes herself thus: ""I am quite old enough to be your mother for I am 55 years old and I have good hands quite skillful but not beautiful at all. I have earned the right to no longer be coquettish I have been quite reproached for never having been so. I will tell you anything about myself that you wish."" As was her habit much solicited by her peers she delivers a very detailed critique of the text her colleague submits to her: ""I am not against sentences that jar where they need to jar but I am not for harmony being sacrificed to rhythm. Nor am I for the contrary. Understand me well I only blame what is too noticeable what reveals the technique. Do not touch the passages you speak of they are excellent. And in sum I will not insist furiously on the question of form in style seeing that if the qualities of yours should disappear with what sometimes seems to me a flaw I would be in despair at having pointed out the flaw."" Herself very close to Flaubert whom she nicknamed her ""leaden bottom"" Sand seems delighted that the two men know each other: ""I do not have time. But I will have time to receive you when you are free you must come with Flaubert who also has in me an enchanted reader and a wholehearted literary friend. I did not know he was your friend and I am pleased that he is."" The friendship goes so far that Sand soon brings the two writers together placing them on complete equal footing: ""It is no misfortune for you any more than for Flaubert to belong to the race of seers."" A form of solidarity then establishes itself in the face of critical adversity: ""All this is felt better than it can be said and that is why criticism loses its reason three-quarters of the time."" For criticism has had the misfortune of labeling Feydeau as it did with Flaubert a realist: ""People have taken it upon themselves to baptize your manner and his as realism. I do not know why; unless realism is something entirely different from what the first adherents attempted to explain to us. I suspect indeed that there is a way of envisaging the reality of things and beings which is great progress and you bring triumphant proof of it. But the name realism does not suit because art is a multiple infinite interpretation. It is the artist who creates reality within himself his own reality and not that of another. Two painters paint the portrait of the same person. Both create a work that represents the person if they are both masters. And yet the two paintings do not resemble each other. What has become of reality"" This long diatribe - a true manifesto - forms a powerful testimony to the repulsion of George Sand and Flaubert for theorists obsessed with the idea of classifying literature according to a ""system that . blinds"". unknown
Référence libraire : 76839
|
|
|
George SAND
"Je suis toujours enfermée pour écrire ou sortir pour me promener."" Signed autograph letter addressed to Léon Curmer
Paris 1840. Fine. Paris jeudi 7 mai 1840 13.60 x 20.90 cm une page sur un double feuillet Autograph letter signed by George Sand addressed to publisher Léon Curmer. One page written in black ink on a double sheet. This letter was published in the complete correspondence compiled by Georges Lubin. ""Monsieur J'ai parcouru votre recueil avec beaucoup d'intérêt et j'accepte la collaboration que vous m'avez offerte mais je ne pourrais m'occuper de vous satisfaire que dans six semaines ou deux mois. Si cette époque vous convient veuillez bien me le faire savoir ainsi que les conditions de la rédaction."" ""Sir I have perused your collection with great interest and I accept the collaboration you have offered me but I could not undertake to satisfy you for six weeks or two months. If this timing suits you please let me know as well as the conditions of the writing."" The ""recueil"" ""collection"" in question here is none other than Les Français peints par eux-mêmes. Sand would not however collaborate on this monumental compendium of types preferring instead several years later Le Diable à Paris published under the direction of her close friend publisher Hetzel. unknown
Référence libraire : 77244
|
|
|
George SAND - (to Gustave FLAUBERT)
"Je t'écris en courant ce matin ."" Signed autograph letter addressed to Gustave Flaubert
Nohant Nohant-Vic 1876. Fine. Nohant Nohant-Vic 6 mars 1876 13.20 x 20.70 cm deux pages sur un feuillet remplié Autograph letter signed by George Sand addressed to Gustave Flaubert. Two pages written in black ink on a double sheet bearing at the head of the first page the sender's dry stamp. This letter was published in the complete correspondence of George Sand established by Georges Lubin. Fine letter written by George Sand a few months before her death and addressed to her lifelong friend Gustave Flaubert. The writer wishes to offer her friend a seat so he may attend the revival of her play Le Mariage de Victorine : ""Je t'écris en courant ce matin parce que je viens de recevoir de Mr Perrin avis de la 1ère représentation de la reprise du Mariage de Victorine une pièce de moi au théâtre français. Je n'ai ni le temps d'y aller ni l'envie de partir comme cela au pied levé mais j'aurais voulu y envoyer quelques amis et il ne m'offre pas une seule place. Je lui écris une lettre qu'il recevra demain et je le prie de t'envoyer au moins un orchestre."" ""I'm writing to you hurriedly this morning because I've just received notice from Mr Perrin of the first performance of the revival of Le Mariage de Victorine a play of mine at the Théâtre Français. I have neither the time to go nor the desire to leave like that at a moment's notice but I would have liked to send some friends and he doesn't offer me a single seat. I'm writing him a letter which he will receive tomorrow and I ask him to send you at least an orchestra seat."" Letters from the correspondence between George Sand and Gustave Flaubert are renowned and highly sought after. unknown
Référence libraire : 76872
|
|
|
George SAND
"N'y changez rien. Relisez-en vous même et vous seul l'épreuve"" Autograph letter signed to François Buloz
1838. Fine. Sand publishes her response to Lerminier s. d. 23 février 1838 11 x 20.40 cm 1 page sur feuillet Autograph letter signed by George Sand addressed to François Buloz. One page in black ink on a single sheet. Fold marks sheet reinforced with paper on verso. Published in her correspondence ed. Georges Lubin vol. IV pp. 331-332. Exasperated by the attitude of the Revue des deux mondes of her friend Buloz George Sand decides to defend the progressive thinker Félicité Lammenais targeted by a scathing critique published in the review. She takes up her pen here and orders Buloz to publish her response article without changing a single line. Mon cher Buloz voici la lettre à M. Lerminier n'y changez rien. Relisez-en vous même et vous seul l'épreuve. Corrigez les fautes de typographie. Veuillez à la ponctuation et aux guillemets. Il va sans dire que les blancs de mon manuscrits sont le résultat de coupures et de transcriptions que j'ai faites et ne demandent que de simples alinéas. Bonjour et amitié George ""My dear Buloz here is the letter to M. Lerminier change nothing. Proofread it yourself and yourself alone. Correct the typographical errors. Mind the punctuation and quotation marks. It goes without saying that the blanks in my manuscript are the result of cuts and transcriptions I have made and require only simple paragraphs. Good day and friendship George"" This letter perfectly illustrates the stormy yet fruitful collaboration that united François Buloz and George Sand. The latter gave Sand for many years a platform and a means to live by her pen. She published in the Review a great number of masterpieces including Lettres d'un voyageur 1834-1836 Mauprat 1837 Spiridion 1839 Gabriel 1839 Mademoiselle La Quintinie 1863 Césanne Dietrich 1870. Through his mediation she also actively participated in the political debates of her time. In 1838 Buloz was the great orchestrator of an ideological duel when Sand ""decided to take on the critic Lerminier who had just made a very critical analysis of the Livre du peuple in the review. Buloz out of desire for publicity allowed his two collaborators to publicly exchange blows in the review. Through Lerminier and his superior tone the review then revealed its rather misogynistic vision of literature and philosophy: 'the time has come for you to give your philosophical opinions more consistency and scope because you are entering a new phase of life and talent. Inspiration and fantasy have raised you to a height where they would not suffice to maintain you. Draw now madam new strength from reflection and science'"" Marie-Eve Thérenty George Sand François Buloz et la Revue des Deux Mondes. Sand reacted immediately and sent her response article accompanied by this peremptory missive ordering Buloz to publish her text as it stood. Lamennais was very touched by her gesture: ""I shall always count among the happy circumstances of my life where I don't count many to have been defended by you. In publishing my last book I knew well that it would shock almost everyone legitimists juste-milieu Catholics even republicans those at least who want neither God nor liberty and their number is great and they have a terrible faith in themselves. I have hoped only in the people who do not make systems and who under the influence of primitive and imperishable human instincts judge by the heart and judge alone infallibly. Without them I don't know what would become of liberty on earth. M. Lerminier and many others imagine that I speak at random according to whatever idea of the moment occurs to me. They are mistaken"" Yves Chastagnaret George Sand Lerminier et le Livre du Peuple de Félicité Lamennais. Flying to the rescue of a defender of the people Sand writes this scathing missive at a key moment in her tumultuous relationship with Buloz. unknown
Référence libraire : 86632
|
|
|
George SAND
"On n'est jamais plus heureux et inspiré que quand on croit n'avoir pas le temps de l'être."" Signed autograph letter addressed to René Biémont
Nohant Nohant-Vic 1863. Fine. Nohant Nohant-Vic 14 mars 1863 13.40 x 20.60 cm 3 pages sur un double feuillet Autograph letter signed by George Sand addressed to René Biémont. Three pages written in blue ink on a double sheet bearing at the head of the first page the blind stamp of Sand's initials. Envelope included. Folds inherent to mailing. This letter was published in the complete correspondence of George Sand established by Georges Lubin. Fine letter of congratulations addressed to René Biémont after sending his work Le Petit Fils d'Obermann: ""Your little book is very original and you show qualities of talent that will develop if you look ahead."" As an attentive reader much solicited by her young peers Sand develops her literary criticism: ""Obermann and his grandson the monk belong to the past. They are true and the timid Jean is well drawn. There is grandeur and truth in this exceptional type. But Constant d'Heurs is too passive to events. He should react against this powerless man and cure him or pity him more ."" Sententiously she thus concludes her letter: ""Do not complain of thankless work and accept it as a good thing three-quarters of life sacrificed to some duty makes the last quarter very strong and very alive. It is very good to be attached to poetry and thwarted in the possession of a beautiful dream. As soon as one can savor it without respite it fades or becomes troubled. I speak to you from experience. One is never happier and more inspired than when one believes one does not have time to be so."" Very fine testimony to the leading role that George Sand played on the literary scene of the Second Empire. unknown
Référence libraire : 76837
|
|
|
George SAND
"Étroniforme est le mot sublime qui classe cette espèce de végétaux merdoïdes"" Autograph letter to Gustave Flaubert
Nohant Nohant-Vic 1867. Fine. Nohant Nohant-Vic 21 décembre 1867 13.40 x 20.70 cm deux feuillets sous chemise et étui Autograph letter from George Sand to Gustave Flaubert dated December 21 1867 8 pages on two lined leaves. Published in Sand's Correspondance XX pp. 642-645. From one of the finest literary correspondences of the century this letter written on Christmas Eve 1867 is a sublime testament to the frank friendship between George Sand the old troubadour and Gustave Flaubert christened cul de plomb leaden ass after declining his invitation to Nohant to complete L'Éducation sentimentale. Despite their seventeen year-age gap opposing temperaments and divergent outlooks on life the reader is gripped by the tenderness and astonishing verve of George Sand's long confession to Flaubert. At the height of her literary fame and enjoying her theater in Nohant Sand talks at length about politics their separation their conception of the writer's work and life itself. In this stream-of-consciousness letter Sand naturally and freely sets down on paper eight pages of conversations with Flaubert who made only too rare and brief appearances in Nohant: But how I chat with you! Do you find all this amusing I'd like a letter to replace one of our suppers which I too miss and which would be so good here with you if you weren't a cul de plomb leaden ass who won't let yourself be dragged along to life for life's sake whereas Flaubert's motto then busy writing L'Éducation sentimentale was rather art for art's sake. In the end of 1867 Sand grieved the death of an almost brother François Rollinat which Sand appeased with letters to Flaubert and lively evenings at Nohant: This is how I've been living for the last 15 days since I stopped working . Ah'! . Ah! when you're on vacation work logic and reason seem like strange swings. Sand was quick to criticize him for working tirelessly in his robe the enemy of freedom while she was running up and down mountains and valleys from Cannes to Normandy even to Flaubert's own home which she had visited in September. On this occasion Sand had happily reread Salammbô where she picked up a few lines for her latest novel Mademoiselle Merquem. Their literary and virile friendship similar to Rollinat's defied the old guard of literati who declared the existence of a sincere affair between man and woman utterly impossible. Sand who has been described in turn as a lesbian a nymphomaniac and made famous for her resounding and varied love affairs began a long and intense correspondence with Flaubert for whom she was a mother and an old friend. She called herself in their letters old troubadour or old horse and no longer even considered herself a woman but a quasi-man recalling her youthful cross-dressing and formidable contempt for gender norms. To Flaubert had compared the female writers as Amazons denying their femininity: To better shoot with the bow they crushed their nipples Sand replied in this letter: I don't share your idea that you have to do away with the breast to shoot with the bow. I have a completely opposite belief for my own use which I think is good for many others probably for the majority. A warrior yes but a peaceful warrior Sand willingly adopted the customs of a world of misogynistic intellectuals while remaining true to herself: I believe that the artist should live in one's nature as much as possible. To the man who loves struggle war; to the man who loves women love; to the old man who like me loves nature travel and flowers rocks great landscapes children too family everything that moves everything that fights moral anemia she then adds. A fine evocation of her green period this passage marks the time of Sand's country novels when mellowed by the years she gave herself over entirely to contemplation to write François le Champi La Mare au diable and La Petite Fadette. But her love of nature didn't stop unknown
Référence libraire : 71232
|
|
|
George SAND
A moving letter one of the very last less than 10 days before her death
<p><strong>SAND George 1804-1876</strong></p><p>Autograph letter signed "GSand" to Paul Porel Dry monogrammed G S initial on letterhead Nohant May 28 1876 1 page in-8 in black ink</p><p><strong>A moving letter one of the very last less than 10 days before her death</strong></p><p><em>"Merci de cette bonne nouvelle mon cher enfant. J'écris tout de suite à mon gros</em> Léopold<em> Barré combien je suis heureuse. Tu es bien gentil de me l'avoir annoncée. J'espère toujours aller à Paris avant la fermeture de l'Odéon pour t'applaudir et te renouveler l'injonction de venir nous voir aux vacances d'été. </em> <em>GSand</em> <em>Nohant 28 mai 76″</em></p><p>This moving letter is one of George Sand's last. After the three letters written on 28 May one to Miss Marguerite Thuillier the other to her doctor Henri Favre and finally this one and a note in the Agenda on 29 May she will take up the pen one last time on the 30th to write to her nephew Oscar Cazamajou Corr. XXIV p. 638</p><p>George Sand who died on 8 June 1876 of an intestinal obstruction was already suffering of stomach pain on 28 May as evidenced by her letter to Dr. Henri Favre: "<em>I wonder where I am going and whether to expect a sudden departure one of these mornings. I'd rather know right away than by surprise.</em>" Her condition will deteriorate on May 30 before the symptoms worsen significantly on June 3. On June 7 in agony she whispers to her daughter Solange who is caring for her and to her daughter-in-law Lina Calamatta: "<em>Goodbye farewell I am dying.</em>" She died on June 8 at 10:00 a.m. in her 72nd year.</p><p>Paul Porel 1843-1917 is a French actor director and theater director. He was married to the actress Réjane and was close to literary and musical circles notably attending Alphonse Daudet Emile Zola Léon Hennique George Sand Gabriel Fauré etc.</p><p>This letter unpublished in the correspondence edited by Lubin will appear in the next volume of <em>Nouvelles lettres retrouvées</em>.</p><p>Provenance: René Vallet Archives</p>
Référence libraire : Sand2
|
|
|
George Sand
A Rolling Stone Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0265506115.G ISBN : 0265506115 9780265506110
|
|
|
George Sand
A Rolling Stone Classic Reprint
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1334115133.G ISBN : 1334115133 9781334115134
|
|
|
George Sand
A Rolling Stone
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reprint of the original first published in 1871. hardcover
Référence libraire : ria9783368123857_inp ISBN : 3368123858 9783368123857
|
|
|
George Sand
A Rolling Stone
<p>ii pp. 3-113. Very Good copy of the first American edition of George Sand's A Rolling Stone. Some wear and discolouration to the green fabric covering the boards particularly on the bottom edge. Front cover especially has a large dent. Blind tooled green cover with gilt titles and ornamentation on the cover and spine. Long tear or cut in front endpaper. Pencil notations on front endpaper. Water staining to the bottom corner of pages. Slight cracking to hinges</p><p>George Sand 1804-1876 is the penname for Aurore Dupin a French Romantic and feminist author best known for her "rustic novels."</p><p>A Rolling Stone published in 1871 follows the adventures of Solange a peripatetic musician and singer who defies the social norms expected of her gender at the time. As with Sand's other works this text includes social commentary engaging with the contemporary class and gender expectations of her day.</p><p>This is the firs American edition translated into English by Carroll Owen.</p> James R. Osgood and Company hardcover
Référence libraire : 459
|
|
|
George Sand
A Rolling Stone And Handsome Laurence Classic Reprint
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1334141606.G ISBN : 1334141606 9781334141607
|
|
|
George Sand
A Rolling Stone And Handsome Laurence Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0331248255.G ISBN : 0331248255 9780331248258
|
|
|
George Sand
A Rolling Stone 1871
New. unknown
Référence libraire : B9781164688747 ISBN : 116468874x 9781164688747
|
|
|
George Sand
A Rolling Stone
Hardback. New. hardcover
Référence libraire : B9783368123857 ISBN : 3368123858 9783368123857
|
|
|
George Sand
A Rolling Stone
James R. Osgood and Company 1871. Book. Fine. Decorative Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Fine copy in Decorative Cloth.First Edition Excellent Copy. James R. Osgood and Company Hardcover
Référence libraire : 008609
|
|
|
George Sand
A Winter in Mallorca
Classic Collection Carolina Meudt Germany 2003-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Classic Collection Carolina, Meudt, Germany paperback
Référence libraire : Q-8489983526 ISBN : 8489983526 9788489983526
|
|
|
George Sand
A Winter in Majorca
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1899865373.G ISBN : 1899865373 9781899865376
|
|
|
George Sand
A Woman's Version of the Faust Legend: The Seven Strings of the Lyre
Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; George Sand's The Seven Strings of the Lyre is a philosophical play written in poetic prose and never intended for perfomance on stage. Completed in 1838 during the early stages of Sand's romantic involvement with Frederic Chopin it is paperback
Référence libraire : ria9780807857397_inp ISBN : 0807857394 9780807857397
|
|
|
George Sand
Adriani
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0266102905.G ISBN : 0266102905 9780266102908
|
|
|
George Sand
Adriani
Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
Référence libraire : ria9783752478785_inp ISBN : 3752478780 9783752478785
|
|
|
George Sand
Adriani
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
Référence libraire : ria9783752478792_inp ISBN : 3752478799 9783752478792
|
|
|
George Sand
Adriani Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 026630947X.G ISBN : 026630947X 9780266309475
|
|
|
George Sand
Adriani Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0483680389.G ISBN : 0483680389 9780483680388
|
|
|
George Sand
Adriani Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0260357375.G ISBN : 0260357375 9780260357373
|
|
|
George SAND
André
Paris: Félix BonnaireVictor Magen 1835. Fine. Félix Bonnaire Victor Magen Paris 1835 13 x 20.50 cm relié First edition. Half shagreen two corners slightly bumped contemporary binding. A little light spotting library label to pastedown. Félix BonnaireVictor Magen unknown
Référence libraire : 60346
|
|
|
George Sand
André Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0266309615.G ISBN : 0266309615 9780266309611
|
|
|
George Sand
André Classic Reprint French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1332654819.G ISBN : 1332654819 9781332654819
|
|
|
George Sand
Antonia
Boston MA: Robert Brothers 1892. Not Indicated . Half-Leather. Very Good. Some rubbing on the leather edges otherwise in very nice condition. <br/> <br/> Robert Brothers hardcover
Référence libraire : 055555
|
|
|
George SAND
Antonia
Paris: La Revue des deux mondes 1862. Fine. La Revue des deux mondes Paris 15 octobre au Ier décembre 1862 15.50 x 25 cm 4 volumes brochés Published before the first edition. Softcover as issued. La Revue des deux mondes paperback
Référence libraire : 15359
|
|
|
George Sand
Antonia Classic Reprint French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 1334855919.G ISBN : 1334855919 9781334855917
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
