‎Hugo victor‎

‎[HUGO (Victor)] - FROMENT-GUIEYSSE (Georges).-‎

‎Victor Hugo. Avec 2 portraits et 14 reproductions hors-texte.‎

‎1948 Paris, Editions de l'Empire Français, 1948, 2 volumes petit in 8° brochés, 230 et 251 pages ; couvertures illustrée.‎

‎...................... Photos sur demande ...................‎

Référence libraire : 74716

‎[HUGO (Victor)].-‎

‎Victor Hugo de la jeunesse. Petit Paul. Les pauvres gens. La légende du beau Pécotin. L'épopée du lion. Illustrations de A. Brun, Adrien Marie, A. Lançon, C. Julien, J. Ferat, Ludovic Mouchot, Rochegrosse, Wogel.‎

‎Paris, Marpon et Flammarion, sans date, grand in 4°, cartonnage pleine toile rouge décoré et doré de l'éditeur, tranches dorées, 275 pages ; quelques rousseurs.‎

‎...................... Photos sur demande ...................‎

Référence libraire : 88098

‎[HUGO (Victor)] - LACRETELLE (Pierre de).-‎

‎Vie politique de Victor Hugo.‎

‎1928 Paris, Hachette, 1928, in 12 broché, 254 pages.‎

‎Exemplaire enrichi d'un envoi autographe signé à Albert Thibaudet. ...................... Photos sur demande ...................‎

Référence libraire : 4152

‎[HUGO (Victor) et DROUET (Juliette). - GUIMBAUD (Louis).‎

‎Victor Hugo et Juliette Drouet. D'après des lettres inédites de Juliette Drouet à Victor Hugo et avec un choix de ces lettres. Dessins inédits de V. Hugo, Pradier, Gavarni, etc.‎

‎Paris, Auguste Blaizot, 1927. In-8, broché, couverture rempliée, 504 pp. Portrait en frontispice et planches hors-texte, bel exemplaire.‎

‎[HUGO FRANCISCUS VAN HEUSSEN], [ H VAN RIJN] TR,‎

‎Batavia sacra of Kerrelyke historie en oudheden van Batavia behelzende de levens van onze eerste geloofsverkondigers; mitsgaders van de Utregtsche bisschoppen en van de voornaamste personen die hier te lande in geleerdheit of heiligheit uytgemunt hebben. Met kopere plaaten. In 't Latijn beschreeven door den Heer T.S.F. H.H.H. etc. Vertaald en met aantekeningen opgehelderd door H.F.R.‎

‎Antwerpen 1715-1716 Christianus Vermey 8vo. 3 volumes two full leather bindings with ribbed spine goldtooling and sprinkled edges one full parchment spitsel binding with handwritten title on spine I 3215566529pp. II 265647pp. III 254226pp. The leather bindings are worn with cracks along the hinges the parchement binding is in better condition with all spitsels intact. There are some 60 engravings the ones in volume III fold out all show clear printwork. hardcover‎

Référence libraire : #[70616]

‎[HUGO V]. - LOTE Georges.‎

‎En préface à " Hernani " - Cent ans après -‎

‎Paris, Librairie Universitaire J. Gamber, 1930. Grand in-8, broché, 200 pp.‎

‎[Hugo von Hofmannsthal] Pauget, Michele‎

‎L' interrogation sur l'art dans l'oeuvre essayistique de Hugo von Hofmannsthal.‎

‎1984. Frankfurt am Main/Bern/New York Lang 1984. 8°. 527 Seiten/pages. Softcover / Broche. Tres bon etat. Avec un dedication de l'auteur/ Widmungsexemplar signiert von Michèle Pauget. Kartoniert. Sehr guter Zustand mit nur geringen äusserlichen Gebrauchsspuren. KEINE Anstreichungen. KEIN Mängelexemplar. Analysen und Dokumente ; Bd. 16 paperback‎

Référence libraire : 24692AB ISBN : 3820479872 9783820479874

‎[HUGO, Richard]‎

‎No Bells To Believe‎

‎No place: No publisher no date. Unbound. Fine. First edition. Broadside. 8.5" x 11". Photographic illustration. Fine. Scarce. No publisher unknown‎

Référence libraire : 315853

‎[HUGO, Victor].‎

‎Théatre. Gravures sur soie.‎

‎Paris 1885. 4to ca. 27 x 24.5 cm. J. Lemmonyer G. Richard and Cie E. Testard Contemporary gold-tooled red morocco with the title and author lettered in gold on the spine gold-tooled board edges and turn ins marbled end papers. Bound by the French bookbinder Louis Guétant 1848-1936 signed in the bottom turn in of the front board. With 30 full-page engravings on silk. 30 silk ll. Remarkable suite of plates for the plays of Victor Hugo 1802-1885 printed on silk and luxuriously bound. The engravings are beautifully drawn and capture the light in an entrancing way because of the sheen of the silk. The work starts with a portrait of Hugo by Achille Devéria 1800-1875 a painter and lithographer known for his portraits of famous authors. The other plates illustrate all 13 of Hugo's plays including his unfinished Les jumeaux and were made by various different artists.The plates were engraved for the "Edition nationale" a 43 volume work containing Hugo's complete oeuvre printed between 1885-1895. Five of the volumes were dedicated to his plays. This national edition was illustrated by some of the most important French artists of the time including Maurice Leloir 1853-1940 Adrien Moreau 1843-1906 and Georges Antoine Rochegrosse 1859-1938. The work was limited to a 1000 copies only available to subscribers. This included a luxury edition printed on Japanese paper which was limited to just 250 copies and came with an extra suite of plates printed on silk. The present work is most likely this extra suite of plates from the theatre volumes of the luxury edition.Victor Hugo was a French poet novelist and dramatist of the Romantic movement. He is considered one of the greatest and best-known French writers. His most well-known works are the novels Les Misérables 1862 and Notre-Dame de Paris 1831. He also earned respect as a campaigner for social causes such as the abolition of capital punishment.The present work comes from the library of Henry Baudet 1891-1921 a Dutch mathematician and chess player.With the bookplate of Henry Baudet mounted at the head of the front pastedown. The corners of the boards are very lightly scuffed the leather on the front and back is lightly scratched. The silk leaves are frayed at the head and foot margin not affecting the images the first engraving of the play Hernani has somewhat browned some engravings are slightly creased mostly in the margins. Otherwise in very good condition. ABE CAT Art History hardcover‎

Référence libraire : ABC_48556

‎[HUGO, William Marks]‎

‎History of the First Bushmen's Club in the Australian Colonies established at Adelaide South Australia. Compiled from various sources and furnishing in detail its origin and progress up to the present year 1872; also miscellaneous readings letters etc.‎

‎Adelaide: 'published by Superintendent of Club' 1872. First Edition. Hardcover. Very Good. Adelaide 'published by Superintendent of Club' 1872. Octavo viii 9-408 pages the last 8 being advertisements plus 2 frontispiece lithographs 'Present Bushmen's Home' and 'Proposed Bushmen's Home'. Original flush-cut dark green cloth with the short title in gilt on the front cover; cloth lightly marked and rubbed at the extremities with slight wear in a couple of places; spine a little sunned; inner hinges cracked but firm; endpapers a little marked with some scuffing and silverfish damage to the front flyleaf; small stain to the bottom edge bleeding very slightly into some bottom margins; very occasional foxing; three smallish areas on pages 167-70 lost to silverfish with two patches affecting some 25 words of text now supplied on an insert; a very good copy. A note dated January 1879 in pencil on the flyleaf gives some details of the anonymous author a cousin of the somewhat more famous Victor. Ferguson 10643 recording only 'blue morocco cloth boards'. 'By 1866 a ravaging northern drought accelerated the need to succour bush workers who were often victims of their own excesses and were preyed upon between jobs. Hugo pressed for a "bushmen's home" like a seamen's home as a quiet sober refuge. Opposition came from those who saw it as a squatters' movement but his canvassing bushmen's subscriptions and philanthropic support enabled the home to open in Whitmore Square Adelaide in May 1870' 'Australian Dictionary of Biography'. Provenance: P. Curzon Clement with his armorial bookplate on the pastedown. Peake 'Australian Personal Bookplates' 983 recording John Shirlow as the artist. 'published by Superintendent of Club' hardcover‎

Référence libraire : 80725

‎[HUGO] Auguste VACQUERIE‎

‎Nice portraits of the poet in a seated position leaning on a table in Marine Terrace‎

‎<p><strong>HUGO VACQUERIE Auguste 1819-1895</strong></p><p>Period albumen prints in stereoscopic view<br />Jersey c. 1853-1855 75 x 65 cm on thick cardboard 85 x 175 cm<br />Nice contrasts despite some stains and flaws on prints see scans<br />Some flaw on cardboard<br />Pencil annotations on verso</p><p><strong>Nice portraits of the poet in a seated position leaning on a table in Marine Terrace</strong></p><p>These two prints show Victor Hugo seated leaning on a table on which a few scattered sheets can be seen. Behind him the wall of his house in Marine Terrace in Jersey where the exiled poet lived with his family from August 1852 to October 1855. We observe a slightly different pose of the subject on each of the two prints. Hugo seems more questioning on the first while he gives the impression of a more determined look on the second.</p><p>Attributed to Auguste Vacquerie these photographs could just as well have been taken by the poet's son Charles Hugo 1826-1871.</p><p>Two similar prints are kept in the collections of the Maison de Victor Hugo.</p><p>Nice contrasts. Rather uncommon for this era.</p><p>These prints do not appear in any of the works devoted to the poet's iconography.</p><p><u>Provenance:</u><br />Private collection</p> hardcover‎

Référence libraire : Hugo-Vacquerie

‎[HUGO] QUINET, Alexandre (1836-1900)‎

‎Victor Hugo’s only period print portrait at Veules-les-Roses at his friend’s Paul Meurice‎

‎<p><strong>HUGO QUINET Alexandre 1836-1900</strong></p><p>Original photography of Victor Hugo by Alexandre Quinet<br />Veules-les-Roses c. 1882 118 x 164 cm<br />Period albumen print mounted on yellow carton<br />Some light stains low contrasts</p><p><strong><u>From the Paul Meurice archives</u></strong></p><p><strong>Victor Hugo's only period print portrait at Veules-les-Roses at his friend's Paul Meurice</strong></p><p>This portrait can be dated to the year 1882 when the poet was 80 years old. Despite the great age the pose is both full of energy and derision. Hugo with his white beard and crossed arms appears more than ever as an unshakable patriarch.</p><p>Paul Meurice's house was located on the coast of Veules-les-Roses in Normandy. During his stays at his friend's house Victor Hugo stayed below the house in a small pavilion directly adjacent to the beach. This photo is taken on the promenade along the staircase of that same pavilion.</p><p>French novelist and playwright Paul Meurice 1818-1905 was one of Victor Hugo's loyal friends. When the latter died Meurice and the other great friend Auguste Vacquerie were named as his executors. In 1902 he set about building up a collection around his friend drawings manuscripts photographs in preparation for the opening to the public of his house on the Place des Vosges in Paris which was inaugurated on 30 June 1903.</p><p>Photographer's stamp on the back: Adre Quinet / Photographe / 42 rue Cadet Paris</p><p><u>Provenance:</u><br />Archives Paul Meurice</p><p><u>Iconography:<br /></u><em>Victor Hugo devant l'objectif </em>éd. Jean-Marc Gomis L'Harmattan 2018 p. 349 n°249</p>‎

Référence libraire : Hugo15

‎[HUGO] Juliette DROUET‎

‎Superb unpublished letter to her lover Victor Hugo passionately evoking the reading that the latter gave her the previous evening of a chapter of his novel Les Misères which fifteen years later would become Les Misérables‎

‎<p><strong>HUGO DROUET Juliette 1806-1883</strong></p><p>Autograph letter signed " Juliette " to<u> Victor Hugo</u><br />N.p Paris 9th December 1846 " Wednesday morning " 10 h ½ " 4 p. in-4°<br />Central fold reinforced with Japan paper two letters affected two words crossed off by Juliette Drouet<br />Dry stamp "BR" on top left corner</p><p><strong>Superb unpublished letter to her lover Victor Hugo passionately evoking the reading that the latter gave her the previous evening of a chapter of his novel <em>Les Misères</em> which fifteen years later would become <em>Les Misérables</em></strong></p><p><em>" Bonjour mon cher bien aimé bonjour mon adoré petit Toto bonjour mon amour comment vas-tu ce matin as-tu eu bien froid cette nuit en rentrant chez toi j'ai bien regretté d'avoir éteint mon feu hier par distraction et dans un but d'économie. Si j'avais pu penser que tu rentrerais avec tes pauvres pieds mouillés j'aurais fait tout le contraire au risque de mettre le feu à la maison. Je te promets que la nuit prochaine tu auras du bon feu. <strong>Mon</strong> <strong>Dieu que c'est beau ce que tu m'as lu hier soir. J'en ai encore le cœur tout ému. Tu n'as jamais rien fait de plus grand de plus vrai de plus douloureux de plus doux de plus généreux et de plus consolant que ces premières pages de ton Jean Trejean. Tout y est</strong>. Depuis les plus grandes choses de la nature jusqu'aux plus petits détails de la toilette empire de Mlle Sylvanie depuis la dureté de cœur des bourgeois jusqu'à l'ineffable bonté du vieil évêque </em>M. Myriel<em> depuis les féroces préjugés du monde jusqu'à la morale si généreuse et si douce de Jésus-Christ</em>1<em>. <strong>Tu n'as rien omis rien oublié rien dédaigné. Et tout cela dans ton plus beau style et</strong> de ta <strong>plus sublime poésie</strong>… pardon mon Victor adoré pardon pour la ridicule page d'admiration que je viens de t'écrire. Il est permis au ciron</em> espèce d'acarien. Pascal dans sa pensée sur " Les deux infinis " le prend comme exemple de l'infiniment petit <em>d'admirer Dieu dans sa petite âme de ciron mais il n'est donné qu'aux aigles de s'en approcher parce qu'ils ont des ailes. J'aurais dû me borner ce matin à t'exprimer ma reconnaissance pour le bonheur immense que tu m'as donné cette nuit sans chercher à te traduire tout ce que j'ai éprouvé en t'écoutant </em>…<em>. Il y a une sorte d'ivresse du cœur qui fait que l'âme et l'esprit ont leur vertige comme le corps. C'est ce qui m'arrive dans ce moment-ci. </em>…<em> Laissez-moi donc vous dire en toute hâte que vous êtes mon cher petit toto que j'aime et que j'adore. Que je baise sur toutes les coutures que je désire et que j'attends de toutes mes forces et à qui je recommande de m'être bien fidèle de venir tout de suite et de m'aimer toujours.<br />Juliette. "</em></p><p>This letter allows us to fully appreciate the emotion experienced by Juliette following the visit the previous evening of her lover Victor who came to give her a reading of what was still only <em>Jean Tréjean</em> the novel that she has been recopying since the previous year. We can also guess at certain characters whose names were later changed. Thus without the final version of the novel Mademoiselle Sylvanie sister of Monseigneur Myriel here the "old bishop" becomes Mademoiselle Baptistine: "Mademoiselle Sylvanie sweet thin frail a little taller than her brother dressed in a puce silk dress a fashionable color in 1806 which she had bought at the time in Paris and which still lasted her …. Mademoiselle Sylvanie's dress was cut according to the 1806 patterns short waist narrow sheath sleeves with epaulettes with tabs and buttons."<br />As for Juliette if the analogies between her own youth and the character of Fantine are speculative we know with more certainty that she sensitized the writer to the question of poverty. She also contributed to collating the manuscripts copying them and participated in documenting Hugo particularly on life in convents. It was also Juliette who on December 13 1851 just a few days after Napoleon III's coup d'état joined Victor in Brussels with the famous "manuscript trunk" which contained all of the writer's works including the future <em>Les Misérables</em> two-thirds of which were completed.</p><p>The development of <em>Les Misérables</em> is well documented. Victor Hugo began the first drafts a year earlier in November 1845. The first title considered by the writer was then <em>Jean Tréjean</em> taken from the name of the main character who later became Jean Vlajean then Jean Valjean. In December 1847 the novel already largely written became <em>Les Misères</em>. The events of 1848 Hugo's activity as a politician during the Second Republic and the tribulations of exile were all obstacles to the completion of the work. Hugo was at the same time in the middle of writing<em> Les Contemplations</em>. Twelve years later in 1860 while he was in exile in Guernsey Hugo took up his pen again to complete his novel. Moreover there are no two different versions between the manuscript before the Revolution of 1848 and that of exile. The manuscript of <em>Les Misérables</em> is in this respect a manuscript of<em> Les Misères</em> corrected and expanded. The first volume was published on March 30 1862 by Albert Lacroix Verboeckhoven et Cie and four days later in Paris. Parts two and three were published on May 15 parts four and five on June 30. Although reactions were mixed success was immediate.</p><p>1 The bourgeois of Senez mock Monseigneur Myriel who rides a donkey. "Mr. Mayor" said the bishop "and gentlemen bourgeois I see what scandalizes you you find that it is indeed pride for a poor priest to ride a mount that was that of Jesus Christ." Monseigneur Myriel invents examples and "parables going straight to the point with few sentences and many images which was the very eloquence of Jesus Christ convinced and persuasive." <em>Les Misères</em></p><p><u>Provenance:<br /></u>Private collection</p><p><u>Sources:<br /></u><em>Les Misérables </em>éd. Maurice Allem Pléiade 1951 VIII-XVII<br /><em>Les Misères</em> éd. de Guy Rosa consultée sur son site à <em>groupugo.div.jussieu.fr</em></p><p>We thank Florence Naugrette for the information she kindly provided to us.</p>‎

Référence libraire : DrouetHugo1

‎[John F Kennedy] Stransky, Rabbi Dr Hugo‎

‎Eulogy for President John F. Kennedy delivered by Rabbi Dr. Hugo Stransky at the Memorial Service Monday November 25 1963‎

‎New York: Congregation Beth Hillel of Washington Heights 1963. Wraps. Good. Stapled wraps. 4 pages. Light soil to the covers. Staples are rusted. Printed inside the back cover - "This publication was made possible by Mr. August Bauer in memory of his late brother Ludwig Louis Bauernfreund co-founder and president 1948-53 of Congregation Beth Hillel of Washington Heights New York. Scarce 3 copies in printed in English located in OCLC one printed in German. Congregation Beth Hillel of Washington Heights unknown‎

Référence libraire : 34550

‎[Kissing, Hugo]:‎

‎Chronik der Festung Oscarsborg.‎

‎Drøbak 1944. Stor 8vo. 78 s. 24 plansjer. Illustr. kart. Orig. noe slitt pappryggb. Øvre kapitél med sår. Spesielt gaveeksemplar med inskripsjon på flybl. . unknown‎

Référence libraire : 95796

‎[L'ART DU MONDE] - MUNSTERBERG (Hugo) -‎

‎Le domaine indien.‎

‎Lausanne, Editions rencontre, 1971 ; in-8, 263 pp., cartonnage de l'éditeur.‎

‎.‎

Référence libraire : 201406299

‎[La Revue Fédéraliste]‎

‎LA REVUE FEDERALISTE - 10e année - 102e Cahier - Octobre 1927‎

‎Revue mensuelle de 80 pages, format 120 x 190 mm, illustrée, brochée, bon état‎

‎Au sommaire : L'Arlésienne ; Les manuscrits de Victor Hugo (la Fin de Satan) ; En Bourgogne transjurane, visites à Edmond Gilliard ; Rivarol politique, etc.‎

Référence libraire : LFA-126746640

‎[Le Français Aujourd'hui]‎

‎LE FRANCAIS AUJOURD'HUI - N° 72 - Décembre 1985‎

‎Revue de l'Association Française des Enseignants de Français : 126 pages, format 140 x 240 mm, illustrée, brochée, bon état‎

‎Dossier "Victor Hugo"‎

Référence libraire : LFA-126737229

‎[LE BAS-RHIN] - HUGO (Abel), DIDOT (Firmin) -‎

‎Le bas- rhin.‎

‎Aix, Les editions du bastion, 1990 ; in-4, 108 pp., cartonnage d'éditeur avec jaquette. Exemplaire n°952 - reprind broché en superbe état.‎

‎Exemplaire n°952 - reprind broché en superbe état.‎

Référence libraire : 201504965

‎[LES SCORPIONS DU DESERT] PRATT (Hugo).‎

‎Les Scorpions du dsert.‎

‎Tournai Casterman 1977 In-4, broch, couverture illustre.Edition originale (imprime en noir) de ce premier volet de la srie des Scorpions du dsert, qui a t cre par Hugo Pratt en 1969. Les Scorpions du dsert ont rellement exist: il s'agit de la section spciale britannique du Long Range Desert Group qui menait des reconnaissances sur les fronts dAfrique. Hugo Pratt en aurait connu quelques membres comme le lieutenant Koinsky, personnage principal de cette srie qui, aprs la capitulation de son pays, la Pologne, stait engag dans l'arme britannique. Etat de conservation: neuf pour l'intrieur et trs bon pour le cartonnage.‎

Référence libraire : 51546

‎[LITTERATURE] - HUGO (Victor) -‎

‎Avant l exil 1841-1851.‎

‎, s.d. ; in-4, cartonnage de l'éditeur. Belle reliure pas d editeur : photos sur demande.‎

‎Belle reliure pas d editeur : photos sur demande.‎

Référence libraire : 201311421

‎[LITTERATURE] - HUGO (Victor)‎

‎Bug-Jargal, roman.‎

‎Paris, J. Hetzel, Libraire-Éditeur, s.d. (vers 1880) ; in-12 (118 x 181 mm), 4-216 pp., relié demi-cuir à coins, coloris rouge foncé, dos à 5 nerfs, pièces de titre et d'auteur brunes, tête dorée. Édition ne varietur, des oeuvres complètes de Victor Hugo.‎

Référence libraire : _202100048

‎[LITTERATURE] - HUGO (Victor) -‎

‎Bug-jargal.‎

‎Paris, Nouvelle edition illustrée , s.d. ; in-4, 168 pp., broché. 1791.‎

‎1791.‎

Référence libraire : 201000537

‎[LITTERATURE] - BACKHOUSE (Hugo ) -‎

‎Chez les gauchos.‎

‎Paris, Corréa , 1953 ; in-8, 222 pp., broché, couverture illustr .‎

‎.‎

Référence libraire : 200915148

‎[LITTERATURE] - HUGO (Victor) -‎

‎Choses vues.‎

‎Paris, Eugène hugues editeur , s.d. ; in-4, 284 pp., broché. Pret a relier victor hugo illustré.‎

‎Pret a relier victor hugo illustré.‎

Référence libraire : 201000528