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"SARTRE, JEAN-PAUL.
La Putain respectueuse. - [PRESENTATION-COPY]
Paris, Nagel, 1946. 8vo. Original printed wrappers. Uncut copy. The spine shows light wear, with a small tear to lower front hinge, but remains fully intact. The corners are slightly bumped, and there is minor edge wear to the covers. Internally clean and well-preserved throughout.
Referenz des Buchhändlers : 61617
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"SARTRE, JEAN-PAUL.
Les Mots. I. - Lire, II. - Écrire. (All). [In: Les Temps Modernes. Revue Mensuelle. 19e année, no 209 + 210. Octobre + Novembre 1963]. - [""THE WORDS"" - THE TRUE FIRST PRINTING]
Paris, 1963. 8vo. Issues 209 & 210 of ""Les Temps Modernes"" in the original printed red and black wrappers. Minor sunning to spines and edges, but otherwise in near mint condition. No 210 slightly bigger than no 209. (No. 209:) pp. 577 + (no. 210): pp. 769-834. [Entire issues: pp. (577) - 768 (+ 8 pp. of advertisements) + pp. (769) - 959 + (1 p, ""Note de la Rédaction), (8 pp. of advertisements) + 2 photographic plates in the text.
Referenz des Buchhändlers : 43485
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"SARTRE, JEAN-PAUL.
Les Mouches. Drame en trois actes. - [ONE OF 15 COPIES - PRESENTATION-COPY - CENSORED BY THE GERMAN MILITARY ADMINISTRATION]
(Paris), Gallimard, (1943). Bound with the original printed wrappers, also the backstrip, in a contemporary (no later than 1955) beautiful, very elegant grey half morocco binding with five raised bands and gilt title to spine (Gemet&Plumbelle). A beautiful, near mint copy.
Referenz des Buchhändlers : 44574
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"SARTRE, JEAN-PAUL.
Nekrassov. Pièce en huit tableaux. - [NEKRASSOV - BOUND BY MIGUET]
Paris, Gallimard, (1956). 8vo. Bound uncut with the original wrappers, also the back-strip, in a beautiful elegant red morocco binding with red and black patterned paper to boards. Top-edge gilt. Title, author and year in gilt lettering to spine, the title vertically in large capitals. Inside of front board with a gilt super ex-libris. Binding signed at bottom of inside of front board: ""C. et J-P. Miguet"". Housed in a Black and red paper slip-case with red morocco edges. An excellent, near mint copy.
Referenz des Buchhändlers : 44578
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"SARTRE, JEAN-PAUL.
Situations, I-III. - [THE MOST ORIGINAL BODY OF ESSAY WRITING OF THE MIDDLE OF THE 20TH CENTURY]
(Paris), Gallimard, (1947-49). 8vo. All three in the orig. decorated black cardboard-bindings w. art deco-inspired decorations to spines and boards, in white and yellow, yellow and grey, and grey and blue. Gilt titles to spines. All three volumes placed in a custom-made black cardboard-cassette. Very minor traces of use to capitals, and the white paper on boards of vol. one w. a bit of brownspotting, otherwise an excellent, nice and clean set.
Referenz des Buchhändlers : 34816
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"SARTRE, Jean-Paul;"
Critique de la raison dialectique, tomeII (inachevé): L'Intelligibilité de l'Histoire.
Paris, Gallimard, 1985 Fort in-8 de 474pp., broché sous couverture rempliée, non coupé.
Referenz des Buchhändlers : CLL-550
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"SARTRE, Jean-Paul;"
La Putain respectueuse. Pièce en un acte et deux tableaux.
Paris, Nagel, 1946 In-12 de 164pp., (2)ff., broché sous couvertures imprimées, non rogné.
Referenz des Buchhändlers : CLL-780
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"SARTRE, Jean-Paul;"
Les Carnets de la drôle de guerre. Novembre 1939 - Mars 1940.
Paris, Gallimard, 1983 Fort in-8 de 438pp. broché sous couverture rempliée, non coupé.
Referenz des Buchhändlers : CLL-527
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"SARTRE, Jean-Paul;"
Les Carnets de la drôle de guerre. Novembre 1939 - Mars 1940.
Paris, Gallimard, 1983 Fort in-8 de 438pp. broché sous couverture rempliée, non coupé.
Referenz des Buchhändlers : CLL-592
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# AUTEUR: Bergeri Jean-Paul
# TITRE: Histoire de Moûtiers capitale de la Tarentaise
# AUTEUR: Bergeri Jean-Paul # ÉDITEUR: La fontaine de Siloé - les savoisiennes - Montmélian # ANNÉE ÉDITION: 2007 # COUVERTURE: Cartonnée blanche illustrée en couleurs - titre rouge - en long au dos # DÉTAILS: Gd in 8° relié 504pp. + 5ff vierges. 51 feuillets d'illustrations photographiques en majorité hors texte. Préface par Jean Nicolas. # PHOTOS visibles sur www.latourinfernal.com
Referenz des Buchhändlers : 2493
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# AUTEUR: Charnay Jean-Paul
# TITRE: La vie musulmane en Algérie d'après la jurisprudence de la première moitié du XXe siècle
# AUTEUR: Charnay Jean-Paul # ÉDITEUR: Presses universitaires de France # COLLECTION: Bibliothèque de sociologie contemporaine # ANNÉE ÉDITION: 1965 # COUVERTURE: Impr. illust. titre noir - cadre rouge # DÉTAILS: In 8° broché XVI + 393pp. Préface de Jacques Berque. L'auteur s'est livré au dépouillement de la jurisprudence des tribunaux algériens en matière dite ”musulmane”. # PHOTOS visibles sur www.latourinfernal.com
Referenz des Buchhändlers : 1505
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# AUTEUR: Goujon Jean-Paul
# TITRE: L'amitié de Pierre Louys et de Jean De Tinan
# AUTEUR: Goujon Jean-Paul # ÉDITEUR: Edition a l'écart - Reims # ANNÉE ÉDITION: 1983 # COUVERTURE: Souple - imprimée - titre rouge # DÉTAILS: In 8° broché 91pp. + 1ff. 6 planches d'illustrations photographiques hors-texte. N° 84 d'un tirage total de 300 exemplaires. # PHOTOS visibles sur www.latourinfernal.com
Referenz des Buchhändlers : 1904
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( CLAIRIN Pierre-Eugène ) - TOULET Jean-Paul.
La Jeune Fille Verte. Bois en couleurs de Pierre Eugène CLairin.
1953 Paris, Le Livre contemporain, 1953 ; in-4°, en feuilles, couverture illustrée d'un grand bois en couleurs, chemise et étui cartonnés beige bordés de percaline verte, titre en noir et rouge au dos de la chemise; (8)pp.( dont le titre illustré), 259, (4)pp. Illustré de très nombreux bois en couleurs dans le texte ou à pleine page étroitement mêlés au texte, par Eugène Clairin.
Referenz des Buchhändlers : 8055
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(Art) PAZ, Octavio; BARBIER, Jean Paul; STIERLIN, Henri; LAALLEE, Daniele; et al
Ritual Arts of the New World: Pre-Columbian America
Milano Italy: Skira 2000. First Edition. Hardcover. Near Fine/Near Fine. 9 1/4 X 12 Inches. 407 PP. Stated "First Edition" on the copyright page. Profusely illustrated pictorial history of Mexican art. Hint of scuffing to DJ. Skira hardcover
Referenz des Buchhändlers : 4371
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(BORES). COLLET (Jean-Paul).
La Vie même.
Un dessin de Borès. P., G.L.M., coll. Cahier des Douze (9), 1935, in-8, br., non paginé. Edition originale. 1/100 ex. num. sur Hélio teinté.
Referenz des Buchhändlers : 22021
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(Collectif)
CAHIERS OZANAM "Jean-Paul II" n° 3/4 1978
Une revue de 173 pages, format 180 x 180 mm, illustrée, brochée, bon état
Referenz des Buchhändlers : LFA00109
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(Collectif)
PARIS-MATCH PARIS MATCH MATCH
N° 2519 - 4 septembre 1997 - numéro complet - bon état
Referenz des Buchhändlers : LFA-126742199
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(DELATTRE, Eugène 1830 - 1897) - JEAN PAUL .
Les Quatorze péchés capitaux selon Jean-Paul; précédé d'une introduction par Eugène Delattre.
1881 Paris, Marpon et Flammarion, Les messageries des journaux et publications populaires , 1881 ; in-8°, broché, couverture rose imprimée en noir; ( 4), 224pp.
Referenz des Buchhändlers : 8044
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(envoi à Jean-Paul SARTRE) - CASAMAYOR
La police - Exemplaire de Jean-Paul Sartre
Gallimard | Paris 1973 | 14 x 20.5 cm | Broché
Referenz des Buchhändlers : 92020
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(envoi à Jean-Paul SARTRE) - Pierre BOST
Un an dans un tiroir. - Exemplaire de Jean-Paul Sartre
Gallimard | Paris 1945 | 11.8 x 18.6 cm | Broché
Referenz des Buchhändlers : 91190
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(FAULKNER, William, Jean-Paul Sartre, Ignazio Silone, Margaret Mead)
Les Temps Modernes. Nos. 63-67 Janvier 1951 - Mai 1951 Five Separate Issues
Paris: Les Temps Modernes 1951. Softcover. Very Good. Nos. 63-67. January 1951 - May 1951. Text in French. Directeur: Jean-Paul Sartre. Printed wrappers. Toned spines with chips and tears pages lightly toned toning on the wraps of three issues overall very good. Five issues each containing a contribution by William Faulkner. Contains "Palmiers Sauvages" the first appearance in French of Faulkner's "Wild Palms" complete in five parts translated into French by M. E. Coindreau; other contributions by Ignazio Silone Margaret Mead Jean Paul Sartre and many more. Les Temps Modernes unknown
Referenz des Buchhändlers : 511232
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(GENET, Jean). SARTRE, Jean-Paul
Saint Genet: Comédien et Martyr Saint Genet: Actor and Martyr
Paris: Gallimard 1952. Softcover. Good. First edition. Printed wrappers. Text in French. Ownership signature of Chilean pianist Claudio Arrau on front fly "New York 1961" pages toned covers slightly soiled and worn with a bit of loss to corners and edges spine moderately toned about good. Volume one only of the five-volume Collection Blanche complete works of Jean Genet. Gallimard unknown
Referenz des Buchhändlers : 501129
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(GUERRE 39-45) SARTRE (Jean-Paul)
Les carnets de la frôle de guerre. Novembre 1939-Mars 1940.
Paris, NRF Gallimard, 1983. In-8 broché, 432 pp.
Referenz des Buchhändlers : 7885
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(inscribed to Jean-Paul SARTRE) - CASAMAYOR
La police - Exemplaire de Jean-Paul Sartre The Police Jean-Paul Sartres Copy
Paris: Gallimard 1973. Fine. Gallimard Paris 1973 14 x 20.5 cm Broché First edition one of the press service copies no deluxe paper copies issued. A dampstain to the lower edge of one textblock edge. Precious signed autograph inscription from Casamayor: ""à Jean Paul Sartre au nom de la réalité concrète avec la fidélité de Casamayor."" Gallimard unknown
Referenz des Buchhändlers : 92020
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(inscribed to Jean-Paul SARTRE) - Pierre BOST
Un an dans un tiroir. - Exemplaire de Jean-Paul Sartre A Year in a Drawer. Jean-Paul Sartres Copy
Paris: Gallimard 1945. Fine. Gallimard Paris 1945 11.8 x 18.6 cm Broché First edition one of the publishers review copies.Spine and boards very slightly and marginally sunned.Fine dated and signed autograph inscription by Pierre Bost: ""à Jean-Paul Sartre qui a connu le tiroir - et qui a même déjà lu ce livre. Avec l'amitié de Pierre Bost dec.45."" Gallimard hardcover
Referenz des Buchhändlers : 91190
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with its protective jacket and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 79985
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui souple et cartonné First edition. Publisher's full brown grained sheep binding orange top edge smooth spine decorated with gilt fillets. Rich iconography. Handsome copy complete with its glassine wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 83325
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's full brown grained sheepskin orange top edge smooth spine decorated with gilt fillets. Richly illustrated. Handsome copy complete with its cellophane wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 67809
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's full brown grained sheepskin binding orange top edge smooth spine decorated with gilt fillets. Richly illustrated. Handsome copy complete with its glassine wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 70263
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with its glassine wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 54074
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with its cellophane wrapper as well as its slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 57178
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur First edition. Richly illustrated. A very good copy complete with plastic wrappers. Gallimard, Bibliothèque de La Pléiade unknown
Referenz des Buchhändlers : 36040
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(Jean-Paul GOUDE) - Jean-Paul GAULTIER - (inscribed to Sonia RYKIEL)
Goudemalion. Jean-Paul Goude une rétrospective Goudemalion. Jean-Paul Goude: A Retrospective
Paris: Editions de la Martinière 2011. Fine. Editions de la Martinière Paris 2011 20 x 25.5 cm Broché First French edition. Profusely illustrated. Text by Edgar Morin Georges Lois Jean-Paul Gaultier Eric Troncy Jérôme Sans. Valuable signed autograph inscription from Jean-Paul Goude to Sonia Rykiel in capital letters: ""POUR SONIA QUE J'AIME."" Editions de la Martinière unknown
Referenz des Buchhändlers : 91753
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(Jean-Paul SARTRE) - Maurice BLANCHOT
Le roman de Jean-Paul Sartre. Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Paysage dimanche 1945. Fine. S. n. Paysage dimanche s. l. • Paris s. d. 1945 11.50 x 22 cm 3 pages 1/2 in-4 Autograph manuscript by the author 3½ pages octavo published in the October 21 1945 issue no. 19 of Paysage dimanche. Complete recto-verso manuscript in very dense handwriting with numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of the first two volumes of Jean-Paul Sartre's trilogy Les chemins de la liberté: ""L'Age de raison"" and ""Le Sursis"". Together with the complete typescript with one deletion and one autograph correction by the author. When this chronicle appeared in autumn 1945 Maurice Blanchot and Jean-Paul Sartre had already demonstrated their mutual interest in each other's respective work in articles that were sometimes critical sometimes laudatory always attentive. Similarly if Les chemins de la liberté aroused Blanchot's admiration it was essentially through the philosopher's skillful use of the influence of two monuments of Anglo-Saxon literature Virginia Woolf and John Dos Passos: « Ce qui nous paraît frappant c'est le caractère d'œuvre d'art qu'en reçoit le livre œuvre extrêmement composée calculée avec un souci infiniment sûr des effets où la confusion reste claire où le désordre est perfection et telle qu'on y reconnaît sans cesse la présence de l'écrivain le plus lucide capable de tout obtenir du langage dont il est maître. » ""What strikes us as remarkable is the character of a work of art that the book receives an extremely composed work calculated with infinitely sure concern for effects where confusion remains clear where disorder is perfection and such that one constantly recognizes the presence of the most lucid writer capable of obtaining everything from the language he masters."" But this ""Roman de Sartre"" was above all an opportunity for Blanchot to raise the question of the links between literature and politics on which the two men would have great difficulty agreeing in the following decades. Thus Blanchot summarized Sartre's vision evoking the problem of commitment: « Il est indéniable que l'art de Sartre atteint son plus grand pouvoir lorsqu'il décrit l'engloutissement des consciences par les choses qui les hantent et les débordent et de laquelle elles coulent comme une pâte pleine d'odeurs. Le monde qu'il sent est celui d'une métamorphose mais cette métamorphose n'est pas changement de forme elle n'est pas la transformation d'un être en un autre être fût-ce d'un homme en une vermine ; elle va plus loin elle est irrémédiable car c'est la conscience même qui devient un matériel c'est la pensée qui se fige en une substance gluante visqueuse sans contour sans apparence un dedans triste et vague que nous ne pouvons saisir et qui pourtant comme tel continue désespérément à penser. Tel est l'univers dans lequel nous sommes jetés tant que nous n'essayons pas de le reprendre par une action qui nous engage. » ""It is undeniable that Sartre's art reaches its greatest power when he describes the engulfing of consciousness by the things that haunt and overwhelm them and from which they flow like a paste full of odors. The world he perceives is one of metamorphosis but this metamorphosis is not a change of form it is not the transformation of one being into another being even of a man into vermin; it goes further it is irreparable for it is consciousness itself that becomes material it is thought that freezes into a sticky viscous substance without contour without appearance a sad and vague interior that we cannot grasp and which nevertheless as such continues desperately to think. Such is the universe into which we are thrown as long as we do not try to reclaim it through an action that commits us."" The third volume of Les Chemins de la liberté not yet published left little doubt in Blanchot's eyes as to its content; and he summarized somewhat sarcastically: « Ce qui suivra est facile à S. n.[ Paysage dimanche] unknown
Referenz des Buchhändlers : 82300
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(Jean-Paul SARTRE) - Maurice BLANCHOT
Le roman de Jean-Paul Sartre - Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Paysage dimanche 1945. Fine. S. n. Paysage dimanche s. l. Paris s. d. 1945 11.50 x 22 cm 3 pages 1/2 in-4 Autograph manuscript by the author of 3½ pages octavo published in the October 21 1945 issue no. 19 of Paysage dimanche. Complete recto-verso manuscript very densely written with numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of the first two volumes of Jean-Paul Sartre's trilogy Les chemins de la liberté: ""L'Age de raison"" and ""Le Sursis"". The complete typescript is included with one deletion and one autograph correction by the author. When this chronicle appeared in autumn 1945 Maurice Blanchot and Jean-Paul Sartre had already demonstrated mutual interest in their respective works in articles sometimes critical sometimes laudatory always attentive. Similarly if Les chemins de la liberté aroused Blanchot's admiration it was essentially through the use the philosopher had made of the influence of two monuments of Anglo-Saxon literature Virginia Woolf and John Dos Passos: « Ce qui nous paraît frappant c'est le caractère d'uvre d'art qu'en reçoit le livre uvre extrêmement composée calculée avec un souci infiniment sûr des effets où la confusion reste claire où le désordre est perfection et telle qu'on y reconnaît sans cesse la présence de l'écrivain le plus lucide capable de tout obtenir du langage dont il est maître. » ""What strikes us is the character of a work of art that the book receives an extremely composed work calculated with infinitely sure concern for effects where confusion remains clear where disorder is perfection and such that one constantly recognizes the presence of the most lucid writer capable of obtaining everything from the language he masters."" But this ""Novel by Sartre"" is above all an opportunity for Blanchot to raise the question of the links between literature and politics on which the two men would have great difficulty agreeing in the following decades. Thus Blanchot summarizes Sartre's vision evoking the problem of engagement: « Il est indéniable que l'art de Sartre atteint son plus grand pouvoir lorsqu'il décrit l'engloutissement des consciences par les choses qui les hantent et les débordent et de laquelle elles coulent comme une pâte pleine d'odeurs. Le monde qu'il sent est celui d'une métamorphose mais cette métamorphose n'est pas changement de forme elle n'est pas la transformation d'un être en un autre être fût-ce d'un homme en une vermine ; elle va plus loin elle est irrémédiable car c'est la conscience même qui devient un matériel c'est la pensée qui se fige en une substance gluante visqueuse sans contour sans apparence un dedans triste et vague que nous ne pouvons saisir et qui pourtant comme tel continue désespérément à penser. Tel est l'univers dans lequel nous sommes jetés tant que nous n'essayons pas de le reprendre par une action qui nous engage. » ""It is undeniable that Sartre's art reaches its greatest power when he describes the engulfment of consciousness by things that haunt and overwhelm it and from which it flows like a paste full of odors. The world he feels is one of metamorphosis but this metamorphosis is not a change of form it is not the transformation of one being into another being even of a man into vermin; it goes further it is irreparable because it is consciousness itself that becomes material it is thought that hardens into a sticky viscous substance without contour without appearance a sad and vague interior that we cannot grasp and which nevertheless as such continues desperately to think. Such is the universe into which we are thrown as long as we do not try to reclaim it through action that engages us."" The third volume of Les Chemins de la liberté not yet published leaves in Blanchot's eyes little doubt as to its content; and he summarizes somewhat sarcastically: « Ce qui suivra est facile à imaginer : nous aurons la guerre l'occupation S. n.[ Paysage dimanche] unknown
Referenz des Buchhändlers : 44941
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(JUSTICE) LACROIX Jean-Paul :
Le palais indiscret.
1965 Julliard Paris 1965. E.O (pas de grand papier). Bel envoi à un célèbre avocat et batonier complété de deux lettres autographes. Reliure in-8 plein chagrin noir, dos à 4 nerfs et fleurons, couvertures conservées, étui
Referenz des Buchhändlers : 10073
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(le CHANOIS, Jean-Paul)
Cover Title: Natural Childbirth Right Before Your Eyes!
New York: Ben Adler Advertising Service Inc 1958. Softcover. Near Fine. First edition. Slim quarto. 31 1 pp. Heavily illustrated in black and white from film stills photographs and drawings. Stapled self-wrappers. Small ownership signature of a noted American psychologist in the corner of one page very slight mustiness staples lightly oxidized near fine.<br /> <br /> An advertising piece for both natural childbirth and French director Jean-Paul le Chanois's film The Case of Dr. Laurent reportedly the first movie to feature natural childbirth. Profusely illustrated with captioned film stills black and white photographs and drawings of preparatory exercises for the mother-to-be and drawings illustrating positions the baby may take in the womb. The final two pages features a 1956 speech by Pope Pius XII on natural childbirth. <br /> <br /> An interesting and we surmise somewhat avant-garde promotional piece for both natural birth and French cinema. Ben Adler Advertising Service, Inc unknown
Referenz des Buchhändlers : 463145
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(POESIE) DADELSEN (Jean-Paul de)
Jonas. Avant-propos par Henri Thomas.
Paris, NRF Gallimard, 1962. Grand in-8 broché (couverture légèrement tâchées), 123 pp.
Referenz des Buchhändlers : 11195
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(Rappeneau, Jean-Paul)
Cyrano de Bergerac; d'après l'uvre d'Edmond Rostand 2 volumes in slipcase
Edition1/Ramsay. Fine in Fine dj. 1990. First Edition. Hardcover. two volumes -- one hardcover w/dust jacket the other an oversize softcover -- contained within a slipcase all components in as-new condition but for extremely minor wear at several corners of the slipcase. color photographs Essentially an elaborate presentation package for the 1990 French film CYRANO DE BERGERAC starring Gerard Depardieu and directed by Jean-Paul Rappeneau. The softcover volume contains the entire script of the film in French; the hardcover volume is a condensed telling of the film's story illustrated with color photos of scenes from the film. A statement in the back of the hardcover volumes states that "One hundred copies of this work were printed numbered from 1 to 100" but there is no sign of numbering or any other limitation-marking present. NOTE that additional postage charges will be assessed for international shipping of this heavy two-volume item; if this concerns you please contact us for a shipping quote before placing your order. As always at ReadInk domestic Media Mail shipping is free. . Edition1/Ramsay hardcover
Referenz des Buchhändlers : 29218
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(RIMBAUD). VAILLANT (Jean-Paul).
Rimbaud tel qu’il fut d’après des faits inconnus et avec des lettes inédites.
P., Le Rouge et le Noir, Galerie Littéraire, 1930, in-12, br., 91 p. Edition originale. 1/55 ex. de tête num. sur pur fil Lafuma, avec un envoi a.s. de l’auteur.
Referenz des Buchhändlers : 21893
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(RIOPELLE, Jean-Paul), GLOZER, Laszlo.
Westkunst. Zeitgenössische Kunst seit 1939.
Köln, DuMont Buchverlag, (1981). 24.5 cm 524 pages, illustrations noir et blanc et couleurs. Broché. Couverture jaunie.
Referenz des Buchhändlers : 1809
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(Sartre, Jean-Paul).
Deux numros spciaux de la Revue Obliques consacrs Sartre.Numro spcial 18-19 Sartre. Numro 24-25 Sartre et les Arts.
Paris 1980-1981. 268x210mm. 320Êpages photos couleurs et n/b broch. Bel exemplaire. 2398 unknown
Referenz des Buchhändlers : 99077
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(Sartre, Jean-Paul]. Vittorini, Elio
LES HOMMES ET LES AUTRES. UOMINI E NO. Signed
Geneva: Editions du Continent 1945. First Edition. Soft cover. First Edition. Soft cover. Signed by Author. First French Edition of 'Uomini e No' Men and not Men a novel of resistance against the German occupation of Italy Inscribed and Signed by the author to Jean-Paul Sartre on the front endpaper. With Cesare Pavese Vittorini an acclaimed translator novelist his Conversations In Sicily was published in the United States with an introduction by Ernest Hemingway editor and anti - fascist was a pioneer in translating English French and American authors into Italian. A bright fresh copy in the original wrappers. Housed in an elegant custom clamshell case black cloth over marbled paper red morocco spine label with gilt titles. A significant Association. Editions du Continent unknown
Referenz des Buchhändlers : 26708
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(Sartre, Jean-Paul)
Les Jeux Sont Faits; . . . Participez au Grand Concours
Paris: France Dimanche 1948. Evenly toned; a few incidental wrinkles and a small bit of shallow wear to two corners. Single leaf approx. 5-1/4 X 8-1/4 in. printed on both sides. Broadsheet entry blank for a contest sponsored by the tabloid journal "France Dimanche" asking for audience response to the film by Jean Delannoy based on a screenplay by Jean-Paul Sartre. The film which premiered at the Cannes Festival in 1947 tells the story of a man and a woman who though unknown to each are destined to be together as life partners. They themselves only meet after both have died but are given a second chance at life if they can return and realize their love in the real world. Once back in life however they find themselves absorbed in unresolved matters from their previous lives and fail in their mission. The contest asks readers of "France Dimanche" two questions: 1. would you have done as Eve and Pierre why or why not and 2. should Jean-Paul Sartre be condemned or offered a chair at the Academie An intriguing ephemeron from a moment of intellectual ferment in post-war Paris. France Dimanche unknown
Referenz des Buchhändlers : 206196
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(Sartre, Jean-Paul]. Urovskaia, ET E T
LES VUES ESTHETIQUES DE JEAN-PAUL SARTRE. Signed
Lenningrad: Leningrad 1969. First Edition. Soft cover. First Edition. Soft cover. Signed by Author. First Edition of this Russian thesis examining the esthetic views of Jean-Paul Sartre. Inscribed by the author to Sartre on the title-page and Inscribed and Signed by Jean-Paul Sartre to close friend Michelle Vian Boris Vian's wife. A fresh bright copy in the original printed wrappers. 16 pp. Housed in an elegant custom clamshell case black cloth over marbled paper red morocco spine label with gilt titles. An uncommon Sartre title. An Important Association Copies as Sartre began a life-long affair with writer & maverick creative force Boris Vian's first wife Michele L'Eglise in the late 40's which lasted until Sartre's death in 1980. L'Eglise & Vian divorced in 1951. Sartre & de Beauvoir loved Boris & promoted him often. Sartre nominated Vian for a celebrated literary prize for the novel L'Ecume. Vian's extraordinary work mirrored his fascinating life. A jazz trumpeter film actor cabaret singer translator record company executive jazz writer inventor of the elastic wheel Vian moved in both the world of Miles Davis & Dizzie Gillespie as well as that of Sartre & de Beauvoir. Leningrad unknown
Referenz des Buchhändlers : 26706
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(Sartre, Jean-Paul)
Photo Album For Sartre from the Kibbutz Lehavot HaBashan
Kibbutz Lehavot HaBashan 1967. 15 vintage black and with photos approximately 180 × 130 mm. Mounted on black album card leaves. With 3 pages of typed text in French about the history of the kibbutz. In blue leatherette album with gilt floral ornament to panel. In fine condition. 15 vintage black and with photos approximately 180 × 130 mm. Mounted on black album card leaves. With 3 pages of typed text in French about the history of the kibbutz. In blue leatherette album with gilt floral ornament to panel. With a dedication in French: “A Jean Paul Sartre en souvenir d’une journee a Lahavot Habachan. 17/3/1967â€. <p>The photos are showing the view the facilities and the daily life of the kibbutz. <p><p><br /> This unique photo album was a gift to Jean-Paul Sartre 1905–1980 the French existentialist philosopher Nobel Prize winner and political activist who visited kibbutz Lehavot HaBashan on March 17 1967. <p><p><br /> Sartre and his wife Simone de Beauvoir arrived to Israel on March 14 1967 after their voyage to Egypt as a month-long visit to the Middle East. The travel was intended to clarify the possibilities of a dialogue between the Arab and Israeli left. A special edition of “Les Temps Modernes†edited by Sartre and published in June 1967 planned to coincide with this voyage wherein Arabs and Israelis could put their views alongside each other. This highly significant dialogue of the time was interrupted by the Six-Day War.<p>. unknown
Referenz des Buchhändlers : 48
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(SARTRE, Jean-Paul). Charles Dullin, directed by
Theater Program: Les Mouches. Mise en scène par Charles Dullin. Théatre de la Cité
Paris: Théatre de la Cité 1943. Softcover. Very Good. Theater program. Slim 24mo. Measuring approximately 4" x 5". Two thin leaves folded and stapled to make eight pages. Illustrated with a portrait of Dullin and an ad for Secours National Entr'aide D'Hiver du Maréchal. Moderate wear very good. Prints a page of text by Dullin an analysis of the play a cast list and material regarding the theater. An interesting piece of theater ephemera from the first production of Sartre's The Flies staged in Nazi-occupied Paris. Théatre de la Cité unknown
Referenz des Buchhändlers : 597082
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(Sartre, Jean-Paul).
Deux numéros spéciaux de la Revue Obliques consacrés à Sartre.Numéro spécial 18-19 Sartre. Numéro 24-25 Sartre et les Arts.
Paris, 1980-1981, 268x210mm, 384 + 320pages, broché. Bel exemplaire.
Referenz des Buchhändlers : 99077
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(THEATRE) SARTRE (Jean-Paul)
Théâtre I.
Paris, NRF Gallimard - Collection "Soleil" n° 48. In-8 reliure d'éditeur sous jaquette rhodoïd, 316 pp. Tirage limité, exemplaire numéroté. - Les mouches - Huis clos - Morts sans sépulture - La putain respectueuse.
Referenz des Buchhändlers : 9458
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(to Francis PONGE) - Jean-Paul MARAT
Textes choisis
Paris: Les Editions de Minuit 1945. Fine. Les Editions de Minuit Paris 1945 12 x 16.50 cm broché First edition of this selection of texts with a preface by Lucien Scheler. Precious autograph inscription from him to Francis Ponge. With a frontispiece portrait of J.P. Marat after a linocut by L. Scheler. Spine slightly sunned a tiny corner loss to the heads of the first pages. Les Editions de Minuit unknown
Referenz des Buchhändlers : 27736
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