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[ARTS & CRAFTS -- MISSION STYLE]. STICKLEY, Gustav
The Craftsman Volume XV Nos. 1-6 October-March; Volume XVI Nos. 1-6 April-September. . . ; XVII Nos. 1-6 October-March; Vol. XIX Nos. 1-6 October-March; Vol. XX Nos. 1-6. . . .
New York NY: Gustav Stickley 41 West 34th St. 1908-1911. Thirty issues bound-in five thick vols. 4to. iv 10 748 28; iv 10 716 ix-xviii; iv 10 728; iv 10 648; 4a 10 636 10 supplemental sheets pulled from Vol. XXI bound-in at end of 5th vol. pp. With 100’s of text illustrations plates throughout photos floor plans diagrams illustrated ads historiated initials colour frontisp. in 4th volume. Uniformly bound in contemporary gray-green linen printed spine labels each No. 1 issue Arts & Crafts covers bound into each volume fore-edges rough cut as originally issued minor bumping to corners slightly shaken at inner hinges minor sunning to spines edgewear still a VG set. First editions of 30 original issues bound in five volumes of Stickley’s famed and influential “The Craftsman†magazine which from its inception in 1901 significantly contributed to the general consumer’s understanding of the his Arts & Crafts aesthetic and the philosophy attached to the movement. Stickley 1858-1942 was a key force in bringing the Arts & Crafts movement to the United States at the beginning of the 20th-Century and envisioned furniture furnishings art objects and decorative arts to be admired for its simple and beautiful construction as opposed to the subpar quality of mass-produced furnishings from industrialization. Focused on quality simplicity transparency and practicality and embracing quality and beauty Stickley’s Craftsman magazine focused on everything from garden design and the use of minimal water as well as poetry carving textiles dyeing the Craftsmen’s Guild book bindings and design textiles ornamental needlework sculpture Medieval crafts and much more. The architectural designs and plans had been launched initially by Harvey Ellis d. 1903 and contributed to The Craftsman Home Builders Club which provided Arts & Crafts-inspired architectural plans for bungalows cottages farmhouses and rural buildings harmonizing them with the landscapes and paved the way for Art Deco and inspired Frank Lloyd Wright and his Prairie School. Gustav Stickley, 41 West 34th St., unknown
Référence libraire : 63051
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[ARTS AND CRAFTS MOVEMENT BINDING]; [BOURNVILLE SCHOOL OF ART]; INGOLDSBY, Thomas; illustrated by RACKHAM, Arthur:
THE INGOLDSBY LEGENDS
London: William Heinemann. 1929. Reprint. Quarto 20 x 26cm. Handsomely bound in contemporary full blue morocco with sinuous gilt borders and gilt foliate decoration incorporating red morocco onlays representing berries to the boards the spine with five raised bands ruled in gilt and with titles in gilt. Gilt dentelles incorporating red morocco onlays. Binder's signature in gilt to the bottom turn-in of the lower board: "ML 1930". All edges gilt. Attractive colour woodblock-printed floral endpapers. Binder's inscription in pencil to the front endpaper: "Bournville School of Art 1930 M. Laud Oct / '30". Illustrated with 24 tipped-in colour plates with captioned tissue-guards 12 full-page tinted illustrations and numerous black and white in-text illustrations by Arthur Rackham. 549pp. A very good copy the binding square and tight with fading to the spine and some minor scuffs to the raised bands. The contents remain clean and crisp throughout. An appealing copy of Arthur Rackham's edition of 'The Ingoldsby Legends' splendidly bound in the Arts and Crafts Movement style by a student or teacher at the Bournville School of Art Birmingham.</p><p>The grand hall which housed the Bournville School of Art was the first public building in Bournville the model village founded by the Cadbury family. In line with typical Arts and Crafts Movement ideals and with a specific aim to further the ideas and principles of John Ruskin the school was originally conceived as a social centre for the village offering a practical and artistic education for the community. It became more formalised as a 'School of Arts and Crafts' in 1911 later becoming an art college in the 1920s.</p><p>As a city Birmingham served as an important centre of the Arts and Crafts movement with the 'Birmingham Group' of artist-craftsmen cultivating their own distinct style. Predominantly based around the Birmingham School of Art and the Birmingham Guild of Handicraft the leading figures of the group included Joseph Southall Arthur and Georgie Gaskin Bernard Sleigh Maxwell Armfield and Charles Gere.</p><p>An uncommon example of a bookbinding emanating from the dynamic atmosphere of Birmingham's Arts and Crafts Movement. London: William Heinemann. hardcover
Référence libraire : 1302
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[ARTS OF INDIA].
Cultural News from India.
New Delhi.: Indian Council for Cultural Relations. 1968- 1982. A broken run of 59 issues. All in lightly worn original wrappers many have the volume and issue number handwritten on the spines. Vol 9 Nos 3 5 & 6 1968; Vol 10 Nos 1 2 3 4 5 & 6 1969; Vol 11 Nos 1 2 3 4 5 & 6 1970; Vol 12 Nos 1 2 5 & 6 1971; Vol 13 Nos 1 2 3 4 5 & 6 1972; Vol XIV Nos 1 2 3 4 5 & 6 1973; Vol XV Nos 1 2 3 & 4 1974; Vol XVI Nos 1 2 3 & 4 1975; Vol XVII Nos 1 2 3 & 4 1976; Vol XVIII Nos 1 2 3 & 4 1977; Vol XIX Nos 1 2 3 & 4 1978; Vol XX Nos 1 & 2 1979; Vol XXI Nos 2 & 4 1980; Vol XXII Nos 2 & 3 1981; Vol XXIII Nos 1 & 2 1982. Good overview of the arts in India with contributions from around the country in each issue. . Indian Council for Cultural Relations. unknown
Référence libraire : 15
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[Arts]
Valuable Secrets in Arts Trades &c. Selected from the Best Authors. And Adapted to the Situation of the United States
New York: Published by Evert Duyckinck 1809. Hardcover. 380pp 18pp index. Contemporary full sheepskin with red leather label lettered in gold on the spine. Includes sections on the art of engraving; on metals; on the composition of varnishes; on manufacturing glass; on colors and painting; on gilding; on casting in moulds; on the secrets of wine liquors and essential oils; on the confectionary business; on the art of preparing snuff; on taking out spots and stains; on distilling and on brewing. Also includes essays on domestic and rural economy agriculture medical receipts and more. Lacks title page. Several owners' names on endpapers and flyleafs leather is well worn text block is foxed throughout. A fair copy. Sabin 98401. ; Octavo. Published by Evert Duyckinck hardcover
Référence libraire : 37112
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[ASIE] -
Chefs-d'oeuvre d'Asie.
1969 Paris, Direction des Musées de France, 1969, in 4°, relié pleine toile marron amateur ; nombreuses illustrations.
Référence libraire : 11667
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[AUVERGNE] - [ISSOIRE].-
1er Salon d'Art régional. La vie quotidienne en Auvergne.
1970 Issoire, Aout 1970, in 4° broché ; illustrations in et hors-texte ; couverture illustrée.
Référence libraire : 82447
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[AUVERGNE] - VITOUX (Georges).-
L'Auvergne artistique et littéraire.
Issoire, Caffard, P., Lechevalier, 1888, grand in 8° broché, 352 pages ; couverture imprimée ; rares rousseurs.
Référence libraire : 70091
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[BARRAULT (Emile)]
Aux artistes. Du Passé et de l'avenir des beaux-arts. (doctrine de Saint-Simon)
Paris, Alexandre Mesnier [Imprimerie de Lachevardière], 1830 in-8, 84 pp., cartonnage Bradel de papier marine, dos orné de filets dorés (Laurenchet). Bon exemplaire.
Référence libraire : 207825
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[BARRAULT (Emile)].
Aux artistes. Du Passé et de l'avenir des beaux-arts. (doctrine de Saint-Simon)
Paris, Alexandre Mesnier [Imprimerie de Lachevardière], 1830 in-8, 84 pp., broché sous couverture noisette imprimée. Rousseurs.
Référence libraire : 232537
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[BANDE DESSINEE] - COUPERIE (Pierre) - DESTEFANIS (Proto) - FRANCOIS (François) - HORN (Maurice) - MOLITERNI (Claude) - GASSIOT-TALABOT (Gérald).-
Bande dessinée et figuration narrative. Histoire / Esthétique / Production et Sociologie de la Bande dessinée mondiale, procédés narratifs et structure de l'image dans la peinture contemporaine. Présentation graphique Claude Le Gallo.
1967 Paris, Musée des Arts Décoratifs / Palais du Louvre, 1967, grand in 4° broché, 256 pages ; innombrables illustrations ; couverture rouge illustrée.
Référence libraire : 83684
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[BAYERN] - BILLER (Joseph H.) -
BAYERISCHER BAROCK.
Munchen, Bruckmann, 1965 ; in-4, 104 pp., cartonnage de l'éditeur. (texte en all, eng, fran, ital.) avec 24 planches en couleurs, 18 en noir et 10 gravures avec jaquette.
Référence libraire : 200710671
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[BANDE DESSINEE] - WEBER (Nicholas Fox)
L'art de Babar, l'oeuvre de Jean et Laurent de Brunhoff.
Paris, Éditions Nathan, 1989 ; in-4 (232 x 306 mm), 192 pp., relié pleine toile d'éditeur illustrée, dos lisse, sous jaquette illustrée. Adaptation de Danielle Michel-Chich. Superbe livre sur le travail de Jean et Laurent de Brunhof. État neuf.
Référence libraire : H0202
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[BASILIQUE, MAURIAC] - MOULIER (Pierre) -
La Basilique Notre-Dame des Miracles de Mauriac.
Nonette, Editions Creer, 2006 ; in-4, 143 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
Référence libraire : 202004268
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[BANDE DESSINEE] - FABIANI / BERCOVICI (Jean-Noël / Philippe)
L’Incroyable Histoire de la Médecine.
Paris, Les Arènes BD, 2018 ; in-8 (179 x 254 mm), 240 pp., broché, couverture illustrée à rabats. Scénario: Jean-Noël FABIANI. Dessin: Philippe BERCOVICI. Couleur: Isabelle LEBEAU.
Référence libraire : _202501118
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[BARRAULT (Emile)]
Religion saint-simonienne. Prédication. L'art.
Paris, au bureau du Globe et de l'Organisateur [Imprimerie dEverat], 1831 in-8, 23 pp., cartonnage Bradel de papier marine, dos orné de filets dorés, couverture bleue imprimée conservée (Laurenchet). Petite réparation angulaire de papier à la page de titre, mais bon exemplaire.
Référence libraire : 207829
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[BASEL] - MEIER (Eugen A.) -
VOGEL GRYFF geschichte und brauchtum der drei ehrengesellschaften kleinbasels.
Basel, Litera Buch und verlag aktiengesellschaft, 1986 ; in-4, 216 pp., cartonnage d'éditeur. Comme neuf- mit photographien von Peter Armbruster und Felix Hoffmann avec jaquette.
Référence libraire : 201011325
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[Ballets Russes de Monte-Carlo].
11 autograph letters signed and 1 telegram. Paris, Le Mans, Barcelona, Vaison-la-Romaine, Kolbsheim, and no place, 1933-1934.
In French and Russian. Various formats. Altogether 14 pp. Together with an autograph letter by Jean Françaix's father Alfred, 1 typed draft for a letter to Aleksandr Shervashidze, the carbon copies of 11 typed letters and 1 telegram, and a copy of the first page of a contract between Leonide Messine and Wassily de Basil. Correspondence of five artists with Wassily de Basil, director of the famous ballet company and his office: André Derain (1 letter), Jean Françaix (2 letters), André Masson (1 letter), Nicolas Nabokoff (2 letters, one of which incomplete), and Pedro Pruna (5 letters). Carbon copies of answers and requests addressed to the artists complete the collection. - André Derain confirms the receipt of a cheque for his stage designs for the ballet "La Concurrence" (Competition) and photographs from the production as announced in an undated letter from the office (Paris, 26 July 1933). "La Concurrence" had successfully premiered on 12 April 1932. - In January 1933 Jean Françaix sold his ballet "Scuola di Ballo" with music based on themes by Luigi Boccherini to the company and later had a disagreement concerning an outstanding payment. A letter from the office was sent with the contract, asking for the signature of Jean’s father Alfred Françaix, as the young composer was not yet of age, prohibiting ballet productions with other companies until the premiere. Jean Françaix responded within a week: "You will find the contract signed by my father, as you requested, attached to this letter. Concerning the letter that you sent me, my father has reminded me that it is important to set the latest possible date for the premiere of our ballet in Paris. This date should be 1 July 1933. Before that date I naturally commit not to have another ballet performed. I would be willing to give you an option for the commission of a new ballet under the condition that I receive the binding commission no later than 1 January 1934 and that the terms of the new contract are established by mutual agreement [...]“ (Le Mans, 17 January 1933). Apparently, Françaix's offer led to the commission of the musical "Beach" mentioned in the telegram from 16 June 1933: "Urgent tell me date first performance Beach". The more successful premiere of "Scuola di Ballo" was on 9 June 1933 at the Théâtre du Châtelet. - In February 1933, André Masson received two letters from the office ahead of the premiere of "Les Présages" on 13 April 1933 at the Théâtre de Monte Carlo, concerning a meeting with Wassily de Basil and a stay in Monte Carlo for the execution of stage designs. "Les Présages" was a plotless ballet choreographed by Léonide Massine based on symphonic music from Tchaikovsky’s Symphony No. 5 with costumes and stage designs by Masson. On 10 June 1933 Masson sent a pneumatic post to de Basil, underlining the absolute necessity to repair a damaged frieze: "It is necessary to repair the second frieze that was damaged. I absolutely want to. Please give me notice so that I can go where it needs to be done. Yesterday’s soiree was completely to the honour of the Ballets de Monte-Carlo. Decidedly, it is what is really good that ultimately triumphs over snobism and free advertisement". This intervention probably occurred during the production of "Les Présages" in Paris. - Both letters from Nicolas Nabokov are in Russian. The complete letter from 20 March 1934 concerns his ballet "Union Pacific, composed for the Ballets Russes de Monte Carlo that premiered in Philadelphia and New York with resounding success. - The correspondence with the Spanish painter and Picasso student Pedro Pruna concerns stage and costume designs for the revival of "Les Matelots" (The Seamen) in Monte Carlo, which had originally premiered in Paris on 17 June 1925. In a letter to de Basil from 15 February 1933, Pruna accepts the commission: "I agree to redo the sets for the Ballet 'the Matelots' under the conditions indicated in your kind letter from the 12th February inst. In three days I will have the documents that will serve me for this reconstruction, and I will start immediately. Please be so kind and tell me until when you will be in Paris, as well as the dimensions in which I need to do the designs. Is it 12 by 18 meters? I forget [...]". Pruna's set designs were to be complemented by decorations by the scenographer and painter Prince Aleksandr Shervashidze. In a letter from 27 March 1933 an impatient Wassily de Basil asked Pruna for two additional costume designs for the premiere on 11 April. In later letters Pruna asks for the final payment and confirms sending his sets to Shervashdize after the production, as the company needed them for an exhibition in New York: "I have asked you several times please to return to us Pruna's designs in your possession. Mr Pruna himself confirmed to us by letter and verbally that these designs will be sent us by you. As we cannot wait any longer, being obliged to send them to New York for the exhibition, I ask you to have them sent to me as soon as you receive this letter [...]. Do you have the model for your design for Swan Lake? If you want it to be shown in New York, please provide us also with the same [...]" (draft for a letter to Shervashdize). - All but one of the letters and all carbon copies with filing holes occasionally touching the text. Some rust stains and small holes from paper-clips and staples. Minor browning and tears to some of the letters; carbon copies with creases, tears and brownstains but no loss to text.
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[BANDE DESSINEE] - WEBER (Nicholas Fox)
L'art de Babar, l'oeuvre de Jean et Laurent de Brunhoff.
Paris, Éditions Nathan, 1989; in-4 (232 x 306 mm), 192 pp., relié pleine toile d'éditeur illustrée, dos lisse, sous jaquette illustrée. Adaptation de Danielle Michel-Chich. Superbe livre sur le travail de Jean et Laurent de Brunhof. État neuf.
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[BEETHOVEN] - LUDWIG (Emile).-
Beethoven. Vie d'un conquérant. Traduit par Jean Longeville.
1945 P., Flammarion, 1945, in 8° broché, 300 pages ; illustrations hors-texte.
Référence libraire : 58322
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[BELGIQUE, BRUGES] - ABEELE (Andries Van Den), MAERTENS (Hugo) -
BRUGES aux cent visages.
Alleur, Editions du Perron, 1994 ; in-4, 219 pp., cartonnage de l'éditeur. En superbe état - avec sa jaquette.
Référence libraire : 201317728
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[BERTHOLD-MAHN].-
Jean-Berthold Mahn, 1911-1944. Témoignages et lettres.
P., Club bibliophile de France, 1950, grand in 8° broché, couverture rempliée, 167 pages, illustrations hors-texte et in-texte, nombreux portraits ; infimes défauts à la couverture.
Référence libraire : 18680
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[BERRY] - CROZET (René).-
L'art roman en Berry.
1932 Paris, Leroux, 1932, in 4° broché, XII-436 pages ; non coupé ; 156 figures et une carte dépliante.
Référence libraire : 83545
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[BEARN] - RECROIX (X.).-
Les peintures du Narthex de la chapelle de Garaison.
P., 1981, in 8° broché, 175 pages ; illustrations en couleur.
Référence libraire : 36346
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[BEETHOVEN] - MASSIN (Jean et Brigitte).-
Ludwig Van Beethoven.
1977 Paris, Fayard, 1977 (1985), in 8° reliure toile bleue de léditeur, jaquette illustrée, 851 pages.
Référence libraire : 21040
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[BEETHOVEN] - BUENZOD (Emmanuel).-
Pouvoirs de Beethoven.
P., Corréa, 1936, in 12 broché, 243 pages ; illustrations.
Référence libraire : 38980
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[BEAUX PAYS] - COLOMBIER (Pierre du ) -
Sienne.
Paris, ARTHAUD, 1955 ; in-8, broché, couverture illustr. Bel état avec sa carte.
Référence libraire : 201903747
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[BERANGER] - COQUELIN (C.).-
Un poète national. Béranger.
P., Ollendorff, 1884, in 12 broché, 86pp.
Référence libraire : 12546
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[BERLIOZ] - GUILLEMOT-MAGITOT (G.).-
Un grand musicien romantique. BERLIOZ. Illustrations d'André Michel.
1958 Paris, Editions de l'Amitié, Rageot, 1958, in 8° carré, 184 pages, cartonnage orange illustré de l'éditeur, jaquette rodhoid, étui avec un disque 33 tours ajouté ; infimes frottis.
Référence libraire : 74853
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[BEETHOVEN] - ROLLAND (Romain).-
Vie de Beethoven suivie de ses carnets intimes et dun choix de textes, lettres et pensées. Introduction dEdmond Buchet.
P., Club Français du Livre, 1949, relié pleine toile de léditeur, 8-187 pages.
Référence libraire : 38423
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[Bengston, Billy Al] Contemporary Arts Museum, Houston
Billy Al Bengston
New. New. Satisfaction Guaranteed or your money back. unknown
Référence libraire : 0877014736 ISBN : 0877014736 9780877014737
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[Bezalel National Museum].
Yehiel Shemi. [Jerusalem, Bezalel National Museum, 1957].
4to. (12) pp. In English and Hebrew. With 8 black-and-white photographic prints, 4 of which full-page. Original printed wrappers. Illustrated catalogue of an exhibition of contemporary sculpture at the Bezalel National Museum. The exhibition showcased 30 works by the Israeli sculptor Yechiel Shemi (1922-2003), whose art "attempts, within a thoroughly modern idiom, to appeal to all of the senses" by employing traces of hammer and solder marks, coarse surfaces, and the suggested raw smell of fused metals, as well as sharp projections, piercing pieces of metal, and unfinished, raw and interesting textures. - Prepared by the American art historian Karl Katz (1929-2017), the catalogue gives the titles and measurements of the displayed pieces, seven of which are pictured. It concludes with a portrait photograph of the sculptor in his mid-thirties. - In mint condition. OCLC 728344929.
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[BIOGRAPHIE] - LECOMTE (Georges) -
A. BESNARD.
Paris, Editions Nilsson, 1926 ; in-8, 140 pp., br. Bon état - rousseurs.
Référence libraire : 201105831
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[BIBLIOPHILIE] - DELTEIL (Léo) -
ANNUAIRE des VENTES de LIVRES Manuscrits Reliures Armoriees-oct.1927 juillet 1928.
Paris, En vente chez L. Maurice, 1929 ; in-4, 446 pp., cartonnage. Pleine toile verte en bon état - guide du bibliophile et du libraire continué par L. Maurice Lang.
Référence libraire : 201602395
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[Bibliothèque des Sciences et des Beaux Arts 1754].-
Bibliothèque des Sciences et des Beaux Arts pour les mois de Juillet, Aout, Septembre 1754. Tome second, première partie.
1754 Paris, Duchesne, 1754, in 12 relié plein veau brun de l'époque, dos lisse orné, 239 pages + Catalogue de livres ; une planche dépliante ; petit frottis.
Référence libraire : 86393
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[Bibliothèque des Sciences et des Beaux Arts 1754].-
Bibliothèque des Sciences et des Beaux Arts pour les mois de Avril, May, Juin 1754. Tome premier, seconde partie.
1754 Paris, Duchesne, 1754, in 12 relié plein veau brun de l'époque, dos lisse orné, 2 feuillets - 213 pages - 10 feuillets ; une planche dépliante ; petit frottis.
Référence libraire : 86394
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[BIBLIOTHEQUE] - PASTOUREAU (Mireille) -
Bibliothèque nationale , paris.
Paris, Albin Michel, 1992 ; in-4, 127 pp., cartonnage de l'éditeur. Avec jaquette.
Référence libraire : 201204976
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale de France-Eté 1994-N° 2.
Paris, Armand Colin, 1994 ; in-4, 86 pp. + 2 pp. d'annexe, broché. État neuf.
Référence libraire : A3622
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-Automne 1993-N° 49.
Paris, Armand Colin, 1993 ; in-4, 96 pp., broché. État neuf.
Référence libraire : A3620
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-7ème Année-Printemps 1987-N° 23.
Paris, Bibliothèque Nationale, 1987 ; in-4, 84 pp., broché. État neuf.
Référence libraire : A3610
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-7ème Année-Hiver 1987-N° 26.
Paris, Bibliothèque Nationale, 1987 ; in-4, 88 pp., broché. État neuf.
Référence libraire : A3613
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-7ème Année-Eté 1987-N° 24.
Paris, Bibliothèque Nationale, 1987 ; in-4, 80 pp., broché. État neuf.
Référence libraire : A3611
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-7ème Année-Automne 1987-N° 25.
Paris, Bibliothèque Nationale, 1987 ; in-4, 72 pp., broché. État neuf.
Référence libraire : A3612
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-6ème Année-Printemps 1986-N° 19.
Paris, Bibliothèque Nationale, 1986 ; in-4, 84 pp., broché. État neuf.
Référence libraire : A3608
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-6ème Année-Mars 1981-N° 1.
Paris, Bibliothèque Nationale, 1981 ; in-4, 56 pp., broché. État neuf.
Référence libraire : A3596
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-6ème Année-Juin 1981-N° 2.
Paris, Bibliothèque Nationale, 1981 ; in-4, 68 pp., broché. État neuf.
Référence libraire : A3597
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-6ème Année-Eté 1986-N° 20.
Paris, Bibliothèque Nationale, 1986 ; in-4, 80 pp., broché. État neuf.
Référence libraire : A3609
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-5ème Année-Printemps 1985-N° 15.
Paris, Bibliothèque Nationale, 1985 ; in-4, 80 pp., broché. État neuf.
Référence libraire : A3604
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-5 Année-Mars 1980-N° 1.
Paris, Bibliothèque Nationale, 1980 ; in-4, 48 pp. + 8 pp. d'annexe, broché. État neuf.
Référence libraire : A3592
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-5ème Année-Juin 1980-N° 2.
Paris, Bibliothèque Nationale, 1980 ; in-4, 48 pp. + 8 pp. d'annexe, broché. État neuf.
Référence libraire : A3593
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[BIBLIOGRAPHIE] - COLLECTIF
Bulletin de la bibliothèque nationale-5ème Année-Hiver 1985-N° 18.
Paris, Bibliothèque Nationale, 1985 ; in-4, 80 pp., broché. État neuf.
Référence libraire : A3607
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