‎Sculpture‎

‎DURRE, Stefan.‎

‎SEEMANNS LEXIKON DER SKULPTUR. BILDHAUER / EPOCHEN / THEMEN / TECHNIKEN.‎

‎Leipzig, E. A. Seemann, 2007 Gebunden, hardcover, originale Abdeckung Verlag, 17x24.5 cm., 464 S., Abbildingen in S/W. ISBN 9783865021014.‎

‎Seemanns Lexikon der Skulptur liefert fundierte Informationen uber bildhauerische Sujets im Wandel historischer Stile, erklart Fachbegriffe, Bildthemen und Motive sowie zahlreiche Werkstoffe, Technologien und Werkzeuge aus dem weiten Gebiet der Skulptur. Mit nahezu 1300 Artikelm und rund 1000 Abbildungen ist dieses Lexikon das bisher einzige seiner Art fur den Bereich Skulptur und Plastik. In Kurzbiografien werden 530 Stein- und Holdbildhauer, Ersbildner und Kunsthandwerker, Avantgarde- und Objektkunstler von der Antike bis zur Gegenwart sowie zahlreiche herausragende Werke plastischer Kunst vorgestellt.‎

Referenz des Buchhändlers : 26869

‎DURÁN CAÑAMERAS, Dr. F.‎

‎LA ESCULTURA EN LOS PAÍSES QUE FORMARON PARTE DE LA CORONA DE ARAGÓN Y ESPECIALMENTE CATALUÑA DESDE EL SIGLO V AL XVI - Barcelona 1924‎

‎Barcelona, Edit. Inocente Porcar, 1924. 88 p. 8º mayhor. Tela algo deslucida falta de cubiertas originales.. Buen ejemplar.‎

‎Dutourd, Harouel, Gobry, Haurie, Berthoud‎

‎Daphné du Barry - Femme sculpteur.‎

‎Argus Valentines. 2003. In-4. Relié toilé. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Papier jauni. 143 pages, jaquette conservée, nombreuses photos et reproductions en couleur et en noir et blanc dans et hors texte.. Avec Jaquette. . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Classification Dewey : 730-Arts plastiques. Sculpture‎

Referenz des Buchhändlers : R200138049

‎DUVAL CONSTANT‎

‎LE DESSINS ENSEIGNE PAR L'EXEMPLE - ETUDE DU PAYSAGE N°8‎

‎EDITIONS BORNEMANN. non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 12 pages de dessins.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎La mer aspects divers. Classification Dewey : 730-Arts plastiques. Sculpture‎

Referenz des Buchhändlers : RO30025956

‎DUVERGER J.‎

‎De Brusselsche Steenbickeleren. Beeldhouwers, bouwmeesters, metselaars enz. der XIVe en XVe eeuw, met een aanhangsel over Klaas Sluter en zijn Brusselsche medewerkers te Dijon‎

‎130 + [4] pp., 25cm., originele omslag, goede staat, S86909‎

‎DUVERGER J., ONGHENA M.J. & VAN DAALEN P.K.‎

‎Nieuwe gegevens aangaande XVIde eeuwse beeldhouwers in Brabant en Vlaanderen‎

‎96pp. + 18 buitentekstplaten, 26cm., in de reeks "Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" jg.15 nr.2, originele omslag, goede staat, S73099‎

‎DUVERGER Jos.‎

‎Conrat Meijt (ca. 1480-1551)‎

‎127pp. met buitentekstills., 29cm., in de reeks "Koninklijke Belgische Academie, afdeeling schoone kunsten, verhandelingen, verzameling in-4o, tweede reeks" Boek V Aflevering 2, originele omslag, mooie staat, S65925‎

‎Duvic, Patrice [presented to A E Van Vogt]‎

‎Science Fiction Art Untitled Painting By Patrice Duvic‎

‎Paris Circa 1980 1980. Original Artwork . Unframed. Near Fine. 14 3/8" x 11 1/4. Nicely done nearly abstract oil on card painted in large part with a palette knife. Duvic was a well known SF critic and anthologist. This was a gift to SF writer A E Van Vogt on the occasion of Van Vogt's visit to France; Duvic had edited a collection of Van Vogt's stories. <br/> <br/> unknown‎

Referenz des Buchhändlers : 015947

‎Duvoisin Michel‎

‎Créez et composez votre carnet de voyages‎

‎Fleurus. 2002. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 96 pages. Nombreuses illustrations en couleur, dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Classification Dewey : 730-Arts plastiques. Sculpture‎

Referenz des Buchhändlers : RO30343002

‎Dyer, Angela [Herausgeber/ Editor]‎

‎Sculpture at Goodwood 00/01. British Contemporary Sculpture.‎

‎Goodwood., 2000. 15,5 x 11 cm. 144 S. OPappband., 11304D Erste Auflage. Einbandkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.‎

‎Durchgehend mit Abbildungen zur Skulpturensammlung in Goodwood versehen, darunter Werke von Rachel Whiteread, Eduardo Paolzzi, Tony Crag, Lynn Chadwick, Allen Jones u.a. Text in englischer Sprache.‎

Referenz des Buchhändlers : 11304DB

‎DYPREAU Jean‎

‎Harold, B. Cousins.‎

‎Bruxelles, Galerie Carrefour, 1969. 20 x 25, sans pagination, nombreuses planches en N/B, broché, très bon état.‎

Referenz des Buchhändlers : 106.605

‎Département de l'information et de la com‎

‎La sculpture moderne au jardin des tuileries -Installation mise en oeuvre par Alain Kirili, Paris, décembre 1998‎

‎Ministère de la culture et de la communication. 1998 - 12. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 30 pages. Nombreuses photographies en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Installation mise en oeuvre par Alain Kirili, Paris, décembre 1998 Classification Dewey : 730-Arts plastiques. Sculpture‎

Referenz des Buchhändlers : RO80211511

‎DÉSANDRÉ (Amédée)‎

‎Essai historique sur le Christ d'ivoire de Jean Guillermin et sur la confrérie des Pénitents noirs, dits de la Miséricorde, fondée à Avignon en 1586.‎

‎Avignon, J. Roumanille, 1865 in-16, VIII-168 pp., demi-percaline verte, dos orné de filets à froid (reliure de l'époque).‎

‎Etude érudite de la légende relative au chef-d'oeuvre avignonnais du sculpteur ivoirier. - - ACTUELLEMENT EN CONGÉS, DE RETOUR LE 17 AOÛT - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

Referenz des Buchhändlers : 210927

‎DÍAZ DE ESCOVAR, Joaquín Mª.‎

‎La imagen de Ntra. Sra. de la Victoria, Patrona de Málaga. Estudio histórico.‎

‎Málaga, La Unión Conservadora, 1898, 20,5 x 14 cm., cartulina editorial, portada + 109 págs. + 1 hoja.‎

‎Düsseldorf-Unterrath - KLEIN Karl Heinz‎

‎Der Brunnen in Unterrath. (Gesamtherstellung: Fr. A. Diederichs KG. Düsseldorf. Fotos: Wolfgang Maes.‎

‎Düsseldorf. (1967). 5 Textseiten u. 29 Bildtafeln. Ill. Originalbroschur. 21x15 cm‎

‎* Karl-Heinz Klein wurde am 12. Juni 1926 in Wuppertal-Elberfeld geboren. Seit 1947 lebt er in Düsseldorf, wo er die staatliche Kunstakademie besuchte. Dort war er Meisterschüler bei Professor Enseling, welcher so überzeugt war von der Begabung Kleins, dass er ihn in seinem Atelier arbeiten ließ und ihm Aufträge vermittelte. Die Arbeiten Karl-Heinz Kleins, dessen zentrales Thema die menschliche Gestalt ist, zeichnen sich durch Klarheit und Unmittelbarkeit der Darstellung aus.‎

Referenz des Buchhändlers : 107245

‎E E Escultura‎

‎Scientific Natural Philosophy‎

‎like new. unknown‎

Referenz des Buchhändlers : 37891877 ISBN : 1608057011 9781608057016

‎E Lequesne (Sculpture).‎

‎Charles François Lhomond. B&W engraving.‎

‎Paris: Godard 1800s. Original B&W gravure. 15 x 10.75 inches. Very Good. Some surface wear vertical crease in left half and very light signs of foxing at lower edge. Scarce.Charles François Lhomond French 1727 – December 31 1794 was a French priest grammarian and educator who was a native of Chaulnes Somme. Paris: Godard, [1800s]. unknown‎

Referenz des Buchhändlers : 70-1606

‎E. C. Block‎

‎Corpus of Medieval Misericords, France‎

‎Hardback, 452 pages ., 921 b/w ill., + ills., 215 x 280 mm. English ISBN 9782503512396. The Corpus of Medieval Misericords (XIII-XXVI) consists of five volumes; the first four focus on the misericords and related choir stall carvings in specific regions of Europe. The fifth includes an extensive iconographic index of themes common to various countries as well as themes that are unique to a single country. Volume I of this series, Medieval Misericords in France, covers approximately 300 churches that still contain gothic misericords with carved figures and narratives inspired by oral traditions suh as proverbs and folk tales, as well as by manuscript marginalia, romanesque capitals, illustrated bibles, engravings, playing cards... A vast portrayal of medieval life - rural activities, urban occupations, conjugal relationships, monastic life -- is displayed in these carvings under the seats of choir stalls along with costumes of the times, town and collegiate architecture, mechanical devices. Puns and rebuses are often intertwined with these themes to produce comic and, to twenty-first century eyes, mysterious puzzles. The global view of misericord carvings, generally ignored in studies of medieval art, is here presented as a multidisciplinary basis for further research by sociologists, historians, archeologists and other medieval scholars. Languages: English.‎

‎E. C. Block;‎

‎Corpus of Medieval Misericords, Iberia,‎

‎Turnhout, Brepols , 2005 Hardback, 284 p., + ills., 215 x 280 mm. ISBN 9782503514994.‎

‎The Corpus of Medieval Misericords (XIII-XXVI) consists of five volumes; the first four focus on the misericords and related choir stall carvings in specific regions of Europe. The fifth includes an extensive iconographic index of themes common to various countries as well as themes that are unique to a single country. Volume I of this series, Medieval Misericords in France, covers approximately 300 churches that still contain gothic misericords with carved figures and narratives inspired by oral traditions suh as proverbs and folk tales, as well as by manuscript marginalia, romanesque capitals, illustrated bibles, engravings, playing cards... A vast portrayal of medieval life - rural activities, urban occupations, conjugal relationships, monastic life -- is displayed in these carvings under the seats of choir stalls along with costumes of the times, town and collegiate architecture, mechanical devices. Puns and rebuses are often intertwined with these themes to produce comic and, to twenty-first century eyes, mysterious puzzles. The global view of misericord carvings, generally ignored in studies of medieval art, is here presented as a multidisciplinary basis for further research by sociologists, historians, archeologists and other medieval scholars. Following volumes include misericords in Iberia, Flemish and borthen Europe, Great Britain. This volume examines the medieval choir stalls, especially their misericords, in the Iberian Peninsula: Portugal and Spain, most of which are extraordinarily beautiful. Fourteen churches in Spain and two in Portugal still have sets of Gothic choir stalls. These sixteen cathedrals, churches and monasteries compare with over two hundred churches with medieval choir stalls in France. The Iberian choir stalls are mainly the original sets for that church. Those at Belmonte, however, were moved from Cuenca but they were the original set at Cuenca where they were replaced by Baroque stalls. The set that was destroyed at Tomar has also not been replaced with Gothic stalls. It should also be noted that while fewer churches are surveyed in this second volume, the percentage of narrative carvings is higher in Spain than in France where many of the early carvings are foliate. 750 misericords with narrative motifs have been identified on the Iberian stalls as compared with over one thousand in France. Such comparisons indicate the richness of the Iberian stalls, which have over twice as many narrative carvings per ensemble as the French stalls. This profusion of carvings necessitates a rather lengthy iconographic index in this volume. Most of the motifs on stalls in north and central Europe are repeated on the Iberian stalls. There are, however, fewer examples of some themes and more of others. It is rare in Iberia to find a carving of a New Testament scene. No set is concerned totally with the Old Testament as at Amiens and the former set at St Victor of Paris. However, Aristotle still carries Phyllis on his back, the fox preaches to the barnyard animals, the mermaid carries her mirror and comb and the peasant carries his sack to ease the burden on the donkey. The proverbs in Spain and Portugal are mainly Flemish with some additional local sayings. We see more of Hercules in Iberia and more illness. In addition to carved misericords in Iberia, sculptures adorn the arms, dorsal panels, canopies, and partitions between the seats, arm-rests and other structural components. Some of these elements, such as canopies on the base stalls and canopy dividers (roundels or teardrop-shaped projections at the junction of the canopy with the dorsal panel on both base and high stalls) do not even exist on the choir stalls of other countries. Arm-rests in Iberia are usually elaborate and complement the motifs on the misericords. The profane carvings on these parts of the stalls are listed briefly in this volume since they are usually directly related to the misericord motifs. The battling couple may be seen not only on misericords but also on arm-rests, jouee panels, dorsal friezes and interdorsal roundels. The fable of The Fox and the Stork is repeated no less than four times on different parts of the Oviedo choir stalls. The men who carry the riches from the Promised Land on a Toledo misericord, show their fatigue by dropping their burden on a capping rail frieze. A mermaid swims on a misericord but attacking monsters surround her on a dorsal frieze. The repetition of profane carvings is unusual on choir stalls in other countries. At Hoogstraten in Belgium, however, a man gapes before the oven on a misericord and also on an arm-rest. Languages: English.‎

Referenz des Buchhändlers : 37225

‎E. Mercier, R. De Boodt, P.-Y. Kairis (eds.)‎

‎Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th Century Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015‎

‎Softcover, 484 pages., 230 x 290 mm, Languages: English. Disponible en une seule version avec des articles en français ou en anglais. ISBN 9782930054407. The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.‎

‎E.-R. Labande;‎

‎Devenir fou pour etre sage Construction d'une raison chretienne a l'aube de la reforme gregorienne,‎

‎Turnhout, Brepols, 2004 Paperback, 356 p., 160 x 240 mm. ISBN 9782503515823.‎

‎En 1958 Edmond-Rene Labande donnait, dans les Cahiers de Civilisation medievale qu'il venait de fonder, les grands traits d'un projet ? de recherche sur les pelerins dans l'Europe des XIe et XIIe siecles? . Ce projet allait retenir prioritairement son attention pendant plus de trente ans, s'affiner au cours de nombreux seminaires, de congres, de lectures, de comptes rendus. Son travail l'aura retenu jusqu'a la fin de sa vie, mais il n'aura pu mener jusqu'au bout son dernier ouvrage, puisque les derniers chapitres de sa derniere partie n'auront pas ete rediges. Fallait-il laisser perdre cette longue et patiente recherche dans les chroniques, recits de pelerinage, vies de saints, cartulaires, dans la liturgie, la litterature, etc., et naturellement une considerable masse de lectures ? Ses proches et ses amis se sont longuement et longtemps interroges. La decision a finalement ete de mettre cette riche documentation sur le pelerin chretien a travers les ages a la disposition des chercheurs. Son fils Francois a fait une tres soi gn euse preparation du texte. Marie-Therese Camus, Marie-Helene Debies, Claude Arrignon, Georges Pon et Robert Favreau ont revu le manuscrit pour completer les references, faire toutes les verifications possibles et etablir une liste des sources et une bibliographie. Il restera quelques incertitudes et lacunes, mais elles sont secondaires par rapport a la synthese qui pourra etre ainsi disponible. Travail inacheve, et donc imparfait, mais combien precieux. Tel a ete le sentiment des initiateurs, et la raison de la publication de ce travail d'un homme qui leur fut cher, qui ? traversa cette vie comme un pelerinage, double pelerin qu'il fut de la connaissance et de la foi? (Pierre Bec). Languages : French.‎

Referenz des Buchhändlers : 37351

‎E.K. de Bock - kunsthistoricus.‎

‎Inca's Capac Hucha;‎

‎Brussel, Mercatorfonds / Fonds Mercator/ Wereldmuseum, Rotterdam , 2010 Hardback with dusjacket, 270x235mm, 192p, Dutch (NL) edition . ISBN 9789061539513.‎

‎De afgelopen jaren trok de Incacultuur (1250-1532) wereldwijd de aandacht door spectaculaire vondsten van mummies van geofferde kinderen hoog op de toppen van het Andesgebergte. De mensenoffers bij de Inca's vonden niet elke dag plaats, zoals dat bijvoorbeeld bij de Azteken het geval was, maar op welbepaalde momenten van het jaar. Ze hadden een cruciale betekenis in de kosmologie van de Inca's. Mensenoffers vormden een brug tussen de wereld van de mensen en de wereld van de goden en voorouders. Het mensenoffer zorgde ervoor dat de mens in contact kon komen met de andere wereld. De mens werd dankzij het mensenoffer als het ware geincorporeerd in de wereld van de voorouders. Behalve religieuze doelen, waren ook sociaal-politieke motieven van belang. Het mensenoffer ging uit van het centrale politieke gezag en bevestigde zo de macht van de heersers. Naar aanleiding van de recente vondsten voert deze publicatie een diepgaand onderzoek naar de kosmologische staatsrituelen bij de Inca's en tracht ze de betekenis van de kinderoffers bij de volkeren van de Andes te ontrafelen. Het onderzoek is rijkelijk geillustreerd met nooit eerder gepubliceerd beeldmateriaal over de fascinerende rituelen uit de rijke cultuur van de Inca's.‎

Referenz des Buchhändlers : 25001

‎Eckart, Lissy‎

‎Goethe. 1832-1932. [Medaille, Bronzegussplakette / medal, cast bronze plaque].‎

‎o.J. [4 Warenabbildungen] (Lissy Eckart, geboren am 14. Mai 1891 in München, gestorben am 20. Februar 1974ebenda. Studium an der Kunstgewerbeschul‎

‎Medaille zum 100. Todestag von Johann Wolfgang von Goethe 1932, Bronzeguss mit Medaillen-Patina. Vorderseite mit Porträt von Goethe, darunter Namenszug und Jahresangaben. Rückseite mit Bildnis der "Geburt der Venus" unterhalb der Abbildung monogrammiert EL. Maße, Durchmesser: 8,5 cm. Gewicht: 269g. Sehr guter Zustand. Medal for the 100th anniversary of the death of Johann Wolfgang von Goethe in 1932, cast bronze with medal patina. Front with portrait of Goethe, signature and year below. Back with portrait of the "Birth of Venus" monogrammed EL below the image. Dimensions, diameter: 8.5 cm. Weight: 269g. Very good condition.‎

Referenz des Buchhändlers : 62282BB

‎ECKERT, LAURA.‎

‎Schichtwechsel.‎

‎Reichlich in Farbe illustriert.‎

‎ECOLE NATIONALE DES BEAUX(-ARTS DE BOURGES‎

‎Bernhard Rüdiger‎

‎IMP. TECHNIQUE D'OSMOY./. 8 déc. 1994. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette d'environ 20 pages. Quelques photos en couleurs, dans le texte. Texte en français et en anglais.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Classification Dewey : 730-Arts plastiques. Sculpture‎

Referenz des Buchhändlers : RO80143465 ISBN : 291016408