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Goerdeler, Pearl Pomeroy
Wool Animals: Instructions in the New Art of Wool Sculpture
A book for the 'handicraft enthusiast'. Numerous illustrations. Pictorial board covers, design repeated on dust jacket. Dust jacket has small loss and tear to lower front edge, tear to lower back edge, also small tear to top front edge; generally rubbed and slightly soiled.
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Guseva, Natalya and Catherine Phillips
Treasures of Catherine the Great
Published to coincide with the exhibition "Treasures of Catherine the Great", which marked the opening of the Hermitage Rooms at Somerset House 21 November 2000. With quality illustrations. 255 pages. Includes a number of related pieces of ephemera.
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Steinbach Haim
Haim Steinbach
Testi: Froment Jean-Louise, Steinbach Heim et al. F.to: 22x28; pagg. 88; COL e BN; rileg. brossura. Editore: Capc Musée d’art contemporain, Bordeaux , 1989.
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Sonsbeek ‘66
F.to: 17X23; pagg. 110; BN; rileg. brossura. Editore: Vada Druk, Wageningen, 1966.
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Artisti: Still Clyfford, Wheeler Douglas, Wegman William, Valentine DeWain, Ruppersberg Allen, Nordman Maria, Turrel Jim, Burden Chris, Nauman Bruce
Painting and sculpture in California. The Modern Era
Testi: Hopkins Henry T.. F.to: 22x26,5; pagg. 270; BN; rileg. brossura. Editore: Museum of Modern Art, San Francisco, 1977.
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Andre Carl
Carl Andre, Sculpture 1959-1977
Testi: Bourdon David, Rose Barbara. pagg. 88; BN; rileg. brossura. Editore: Paula Cooper, Inc., New York, 1978.
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Andre Carl
Carl Andre
Catalogue raisonné published in conjunction with show held at the Haags Gemeentemuseum, The Hague, Netherlands, January 9 - March 3, 1987, and the Stedelijk Van Abbemuseum, Eindhoven, Netherlands, January 11 - March 1, 1987. Includes a brief preface by the artist, numerous black-and-white photographs of Andre's work along with a list of works included in the shows. Also includes solo exhibition history, selected group exhibition history, and bibliography. — F.to: 21,5X28,5; pagg. 178; COL e BN; rileg. brossura. Editore: Haags Gemeentemuseum, Den Haag, 1987.
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Kopf Willi
Willi Kopf. Skulpturen 1985-1991
Testi: Bechtler Cristina, Szeemann Harald et al. F.to: 21x29,5; pagg. 92; 7 ill. BN e 44 Col; rileg. rigida. Editore: Hatje Cantz Verlag, Ostfildern, 1992.
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Ray Charles
Charles Ray
Testi: Ferguson Bruce W.. F.to: 21X25,5; pagg. 96; COL; rileg. rigida con sovracoperta. Editore: Rooseum, Malmö, 1994.
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Opie Julian
Julian Opie
In this first comprehensive publication on Opie, extensively and lavishly illustrated, five eminent authorities on art examine all aspects of his work, from his early painted sculptures of ordinary objects to his architecture-related constructions. — Testi: Cooke Lynne, Roberts James et al. F.to: 26,5x23; pagg. 128; 155 ill. COL e 50 BN; rileg. brossura. Editore: Thames & Hudson, London, 1994.
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Burden Chris
Chris Burden. Beyond the Limits
The first comprehensive catalogue of Chris Burden's work. Over the past twenty-five years, Burden has used technology to subert the hegemony of the machine in the industrial age. — Testi: Noever Peter, Schröder Johannes Lothar et al. F.to: 21x28; pagg. 230; COL e BN; rileg. brossura. Editore: Hatje Cantz Verlag, Ostfildern, 1996.
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Wilson Richard
Richard Wilson. Jamming Gears
Born in London in 1953 to a family of builders and artists, Richard Wilson creates works that often come closer to engineering or even architecture than to traditional sculpture. Typically he transforms the viewer's environment into something unsettling and strange through interventions that not only alter the physical space but also interfere with our perception of it. Perhaps his best-known work is <I>20:50</I>, currently on view at the Saatchi Gallery in London. A room is flooded with oil that has a highly reflective surface. Into the oil is built a kind of narrow pier down which one person can walk, the oil perilously close to their body. So reflective is the oil that the room induces a strong feeling of disorientation. In addition to such large-scale pieces, Wilson makes films and sculpture, takes photographs, and stages performance events. He has been a formative influence on a generation of younger artists. <BR><BR>This book is part of a Tate Publishing series focused on living artists. Generously illustrated, accessible, and affordable, the Modern Artists series will build to become an essential reference for all those interested in contemporary visual culture. <em>--This text refers to an alternate <a href='/dp/1854375709/ref=dp_bookdescription?_encoding=UTF8&n=283155'>Paperback</a> edition.</em> — Testi: Wilson Andrew, Cotter Suzanne et al. F.to: 25x35,5; pagg. 46; COL; rileg. brossura. Editore: Serpentine Gallery, London , 1996.
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Landy Michael
Michael Landy. The Making of Scrapheap Services
Testi: Jaques Alison. F.to: 23,5x30; BN; rileg. brossura. Editore: Waddington Galleries, London, 1996.
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General Idea
General Idea
Testi: Trescher Stephan. F.to: 28x21; pagg. 290; COL e BN; rileg. rigida. Editore: Verlag für Moderne Kunst, Nürnberg, 1996.
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Artisti: Armleder John M., Artschwager Richard, Balka Miroslaw, Baranek Frida, Baselitz Georg, Bleckner Ross, Borofsky Jonathan, Bustamante Jean-Marc, Byars James Lee, Cabrita Reis Pedro, Cavenago Umberto, Clegg & Guttmann, Daniëls René, Davenport Ian,
Metropolis
Testi: Joachimides Christos M., Tannert Christoph et al. F.to: 23x28; pagg. 340; 84 ill. BN e 206 Col; rileg. brossura. Editore: Rizzoli International, New York, 1991.
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Ontani Luigi
Luigi Ontani. BacCasco
Testi: Borgogelli Alessandra, Levi Corrado. F.to: 17x24; pagg. 92; 61 COL; rileg. brossura. Editore: Charta, Milano, 1993.
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Artisti: Arcangeli Maurizio, Art Orienté objet, Beecroft Vanessa, Bernardi Francesco, Cattelan Maurizio, Collishaw Mat, Donegan Cheryl, Gonzalez-Foerster D., Green Renée, Hepworth Stephen, Lane Abigail, Marisaldi Eva, Moro Liliana, Orozco Gabriel, Parreno
Soggetto Soggetto. Una nuova relazione nell’arte di oggi
Testi: Pasini Francesca, Russo Antonella et al. F.to: 23x31; pagg. 140; 111 COL e 41 B/N; rileg. brossura. Editore: Charta, Milano, 1994.
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Quinn Marc
Marc Quinn. Incarnate
Quinn's first publication explores sculptures that have extended the boundaries of 'appropriate' materials, starting with a self-portrait cast from his own frozen blood. With a short story by Will Self, an interview with Brian Eno and texts by Mark Gisbourne and David Thorp. — Testi: Thorp David, Eno Brian et al. COL; rileg. rigida con sovracoperta. Editore: Booth - Clibborn, London , 1998.
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Portikus. 1987-1997
The Portikus is one of the most important alternative exhibition spaces in the world. This catalogue studies it's role in the art world, and the seminal exhibitions which have been held there. — Testi: König Kaspar, Cook Peter. F.to: 21,5x28; pagg. 336; COL e BN; rileg. rigida con sovracoperta. Editore: Portikus, Frankfurt am Main , 1997.
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Artisti: Demming Dagmar, Denda Elke, Eichhorn Maria, Fritsch Katharina, Genzken Isa, Gröting Asta, Horn Rebecca, Karrenberg Katharina, Sander Karin, Siem Wiebke, Stadtbäumer Pia, Trockel Rosemarie, Weiss-Leder Ute, Yufen Qin
Il logos del corpo vivente
Testi: Block René, Haerdter Michael et al. F.to: 24x33,5; pagg. 176; COL; rileg. brossura. Editore: Castello di Rivoli, Rivoli, 1995.
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Artisti: Cadieux Geneviève, Collyer Robin, Genzken Isa, Graham Rodney, Miller Bernie, Nordman Maria
Crossroads
Testi: Yarlow Loretta, Storr Richard et al. F.to: 15x24; pagg. 88; COL e BN; rileg. brossura. Editore: Art Gallery of York University, Toronto, 1992.
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Artisti: Abramovic Marina, Bausch Pina, Bijns Anna, Bourgeois Louis, Guy Alice, Hölzky Adriana, Hoover Nan, Kiel Edith, Lasker-Schüler Else, Lockwood Annea, Moesen Simonne, Schiaparelli Elsa, Sherman Cindy, Stoop Monique, Woutiers Michaelina
An unexpected journey - woman and art
An Unexpected Journey" takes us to a world of women artists from times past and present, from all over the world, who created their work sometimes under easy circumstances, most often though in great hardship. — Testi: Linden Riet van der, Vanderbroeck Paul et al. F.to: 25x31; pagg. 320; COL e BN; rileg. rigida con sovracoperta. Editore: Gynaika, Antwerpen, 1997.
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Schütte Thomas
Thomas Schütte. Scenewright Gloria in Memoria In Medias Res
Thomas Schütte is a catalog of works by this contemporary German artist. Schütte studied under Gerhard Richter, Benjamin Buchloh, and Bernd and Hilla Becher at the Düsseldorf Academy in the 1970s. He comes from that strong conceptual background, but as his career matured the emotional content of his work evolved and became much more potent. Schütte's work is incredibly eclectic: ceramic figures, architectural models, drawings, outdoor sculptures, photographs, and installations. A recent work, Big Spirits (1996), is a collection of larger-than-life-size aluminum figures that seem to be morphing before one's eyes. They are at once ghost, human, and machine. Also riveting is The Innocents (1994), a series of photographs of the heads of handmade figurines, and United Enemies, A Play in Ten Scenes (1993)--offset lithographs, also of figurines wrapped in Schütte's clothes. His watercolors are beautiful, ranging from drawings of fruit to portraits of women. Whatever the project, Schütte is tapped in to a particular humanity. Included in the book are essays by Julian Heynen and Angela Vettese, an interview with James Lingwood, and an essay by Roman philosopher Seneca, chosen by the artist. There is also a story by Schütte--printed in English for the first time. — Testi: Cooke Lynne, Schütte Thomas et al. F.to: 28x24; pagg. 160; 174 COL 4 bicromie 6 BN; rileg. rigida con sovracoperta. Editore: Dia Foundation, New York, 2001.
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Demand Thomas
Thomas Demand
Testi: Bürgi Bernhard, Morgan Stuart. F.to: 41x26; pagg. 40; 13 COL e 4 BN; rileg. rigida. Editore: Kunsthalle Zürich, Zürich, 1998.
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Sculpture projects muenster 07
Been to enough biennials? Skulptur Projekte Munster only happens every 10 years. This, its fourth iteration (following 1977, 1987 and 1997), invites artists from all over the world--many of whom are returning to the city and the event--to create new site-specific works. Thus Michael Asher brings back his trailer and parks in sites he first sussed out in 1977, continuing to explore the conflicts between rigid form and mobile space, and to document the dramatic transformation of the urban environment over four decades. Guy Ben-Ner equips bicycles with screens and places them around the city; by pedaling, participants control the speed and direction of a film of the artist doing the same. Guillaume Bijl mocks up an archaeological site 25 feet square and 18 feet deep, whose steep walls imitate layers of soil. Visitors climb a grassy hill to peer into the pit from a balustrade; in the pit, a 14-foot, shingle-roofed spire topped by a weathercock preens. This extensive book inspired by and documenting the festival opens on 35 sections between 4 and 16 pages long, each designed by the artist and illuminating his or her work in text and images. Its second half comes in the form of a glossary of more than 100 key concepts linked to the subject of art in public spaces; artists, art historians, philosophers, urbanists, architects, sociologists and other writers weighing in with definitions from their respective disciplinary perspectives. Participants include Francis Alys, Isa Genzken, Mike Kelley, Rosemarie Trockel, Bruce Nauman, Martha Rosler and Pae White. — Testi: Konig Kasper, Plath Carina et al. F.to: 19x26; pagg. 558; COL; rileg. rigida. Editore: Buchhandlung Walther König, Köln, 2007.
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Artisti: Cohen Ronald, McCoy Richard, Porter Katherine, Sanderson Douglas, Steir Pat
Six Visions
Testi: Delehanty Susan. F.to: 23x20; BN; rileg. brossura. Editore: ICA Pennsylvania, Philadelphia , 1973.
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Artisti: Piene Otto, Baumann Herbert, Kraemer Dieter, Reichert Josua, Gerresheim Bert
Junge Künstler 66/67
Testi: Strelow Hans, Ladendorf Heinz et al. F.to: 20,5x25,5; pagg. 120; BN; rileg. rigida. Editore: Verlag M. DuMont Schauberg, Köln, 1966.
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Artisti: Andre Carl, Artschwager Richard, Bacon Francis, Colombo Gianni, Duchamp Marcel, Fontana Lucio, Hamilton Richard, Indiana Robert, Johns Jasper, Judd Donald, Kelly Ellsworth, Pistoletto Michelangelo, Smith Tony
Documenta-Dokumente 1955-1968
Testi: Westcker Dieter, Müller Erich et al. F.to: 21,5x25; pagg. 220; COL e BN; rileg. rigida con sovracoperta. Editore: Georg Wenderoth Verlag, Kassel, 1972.
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Artisti: Altoon John, Bell Larry, Diebenkorn Richard, Harrison Newton, Hendler Maxwell, Irwin Robert, McLaughlin John, Nauman Bruce, Price Kenneth, Ruscha Edward, Wegman William
11 Los Angeles Artist
Testi: Tuchman Maurice, Livingstone Jane. F.to: 21x29,5; pagg. 64; BN; rileg. brossura. Editore: The Arts Council of Great Britain, Londra, 1971.
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Artisti: Bell Larry, Bill Max, Boccioni Umberto, Brancusi Constantin, Calder Alexander, Caro Anthony, Castellani Enrico, Duchamp Marcel, Haacke Hans, Judd Donald, Klein Yves, Medalla David, Moore Henry, Smith Tony
Beyond Modern Sculpture. The effects of science and technology on the sculpture of this century
A pioneering critical study of the origins of modern sculptural form--the works that blink, move, create sound, and otherwise make new demands on space. Some 134 black-and-white photographs illustrate the ample text. Burnham, a sculptor with both art and engineering training, is a fellow at MIT's Center for Advanced Visual Research. He sees technological innovation as the ""controlling force"" in contemporary sculpture. — Testi: Burnham Jack. F.to: 20x24; pagg. 402; BN; rileg. rigida con sovracoperta. Editore: Georg Braziller, New York, 1967.
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Artisti: Rauschenberg Robert, Morris Robert, Stella Frank, Warhol Andy, Andre Carl, Bell Larry, Caro Anthony, Chamberlain John, Dine Jim, Flavin Dan, Indiana Robert, Judd Donald, LeWitt Sol, Martin Agnes, Noland Kenneth, Oldenburg Claes, Segal George
Definitive Statement . American art 1964-66
Testi: Plante Michael, Ebong Ima et al. F.to: 21,5x21,5; pagg. 180; BN; rileg. brossura. Editore: Brown University, Providence, 1986.
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36 Biennale di Venezia - Grafica d’oggi
F.to: 15,5x23; pagg. 370; BN; rileg. brossura. Editore: Biennale di Venezia, Venezia, 1972.
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Artisti: Flavin Dan, Judd Donald, Celentano Francis, Bill Max, Balla Giacomo, Gabo Naum
Plus By Minus. Today’s Half-Century
F.to: 23x30,5; pagg. 48; BN; rileg. brossura. Editore: Albright-Knox Art Gallery, Buffalo, 1968.
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Burri Alberto
Alberto Burri
Testi: Wember Paul. F.to: 23,5x32; pagg. 16; BN; rileg. brossura. Editore: Museum Haus Lange, Krefeld, 1959.
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Content. A Contemporary Focus 1974-1984
Testi: Fox Howard N., Rosenzweig Rosanna et al. F.to: 29,5x22; pagg. 184; COL; rileg. rigida con sovracoperta. Editore: Hirshhorn Museum, Washington D.C., 1984.
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Morellet François
François Morellet
Testi: Gassiot-Talabot Gérard. F.to: 15,5x15,5; pagg. 48; COL e BN; rileg. brossura. Editore: Scheiwiller, Milano, 1971.
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Artisti: Alexander Marsia, Aycock Alice, Berlant Tony, Davis Michael, Dennis Donna, Ewoing Lauren, Fine Judd, Grant Joe Edward, Hicks Mary, Lere Mark, McMillen Michael, Miss Mary, Nauman Bruce, Oppenheim Dennis, Peterson John, Pinto Jody, Reiss Roland,
Projects. Architectural Sculpture
F.to: 23x30; pagg. 64; BN; rileg. brossura. Editore: Los Angeles Institute of Contemporary Art, Los Angeles, 1980.
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Acconci Vito
Vito Acconci. Public Places
Testi: Shearer Linda. F.to: 30x21; pagg. 32; COL e BN; rileg. brossura con sovracoperta. Editore: MoMA Museum of Modern Art, New York, 1988.
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Artisti: Amino Leo, Zelenak Edward, Nevelson Louise, McGowin Ed
A Plastic Presence [2 voll]
This was a landmark show of 49 American artists working with plastic materials. This show travelled to the San Francisco Museum of Art, and the Jewish Museum in New York. Ex-library item. — F.to: 26x20,5; pagg. 108+20; COL e BN; rileg. brossura. Editore: Milwaukee Art Center, Milwaukee, 1969.
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Skulptur. Ausstellung in Münster 1977
F.to: 23x26; BN; rileg. brossura. Editore: Westfälisches Landesmuseum, Münster, 1977.
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Dubuffet Jean
Dubuffett. Edifices
F.to: 17x27; pagg. 48; COL e BN; rileg. brossura. Editore: MOMA, Nea York, 1968.
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Nauman Bruce
Bruce Nauman
Testi: Leering J., Livingstone Jane. F.to: 20x24; pagg. 168; BN; rileg. brossura. Editore: Van Abbemuseum, Eindhoven, 1973.
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Man Ray
Man Ray
Testi: Breton André, Tzara Tristan et al. F.to: 21x28; pagg. 80; COL e BN; rileg. brossura. Editore: Galleria Vivita, Firenze, 1986.
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Picasso Pablo
Pablo Picasso. Opere dal 1912 al 1972
F.to: 21x30; pagg. 40; COL e BN; rileg. brossura. Editore: Marlborough Galleria d’Arte, Roma, 1974.
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Schwitters Kurt
Merz. Kurt Schwitters
Si tratta di un catalogo edito dalla Marlborough Gallery di New York (febbraio 1973) in occasione di un'esposizione tenutasi anche a Londra (ottobre 1972) e Zurigo (novembre 1972). pagine 108, rilegatura in brossura, così composta: sezione di 32 pp. su carta colorata: Introduzione di C. Giedion-Welcker, Cronologia, Didascalia di tutte le opere esposte. sezione di 72 pp su carta patinata: illustrazioni in bn e col delle 105 opere esposte sezione di 4 pp su carta colorata: colophon tecnico e indicazioni dei musei coinvolti testi in inglese e tedesco, mancanza angolo destro superiore in copertina, segni e annotazioni a biro nella prima sezione. — Testi: Giedion-Welcker C.. F.to: 21,5x30; pagg. 108; COL e BN; rileg. brossura. Editore: Marlborough, New York, 1973.
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Artisti: Endo Toshikatsu, Muraoka Saburo
Giappone. la biennale di Venezia 1990.
Testi: Tatehata Akira. F.to: 23,5x32; pagg. 56; BN; rileg. brossura con scatola. Editore: The Japan Fondation, , 1990.
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Artisti: Acconci Vito, Baldessari John, Beuys Joseph, Buren Daniel, Calzolari Pierpaolo, Chiari Giuseppe, Gillette Frank, Jonas Joan, Kaprow Allan, Kounellis Jannis, Lucier Alvin, Luthi Urs, Otth Jean, Palestine Charlemagne, Paolini Giulio, Pirelli
Americans in Florence. Europeans in Florence
F.to: 22x23; BN; rileg. cartelletta in cartone. Editore: Centro Di, Firenze, 1974.
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Oppenheim Dennis
Dennis Oppenheim
Testi: Amman Jean-Christophe. F.to: 28x21,5; pagg. 50; COL e BN; rileg. brossura. Editore: Kunsthalle, Basel, 1979.
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Sonsbeek ‘58
Testi: . F.to: 16X16; pagg. 96; BN; rileg. brossura. Editore: Vada Druk, Wageningen, 1958.
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Oppenheim Dennis
Dennis Oppenheim.Retrospective de l’oeuvre/ works 1967 - 1977
Testi: Parent Alain, Kahane Lisa et al. F.to: 28X30,5; pagg. 95; COL e BN; rileg. brossura. Editore: Musée d’Art Contemporain, Montreal, 1978.
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