‎Barbier‎

‎Garzon PhD CPNP-PC PMHS FAANP FAAN, Dawn Lee; Starr MS APRN BC (PNP) CPNP-PC, Nancy Barber; Brady PhD RN CPNP-PC, Marga‎

‎Burns' Pediatric Primary Care‎

‎Elsevier 2019-12-02. paperback. Good. 8x1x10. Normal wear from daily use. May include markings or highlighting. Elsevier paperback‎

Référence libraire : F09027R04564U ISBN : 032358196X 9780323581967

‎Garzon PhD CPNP-PC PMHS FAANP FAAN, Dawn Lee; Starr MS APRN BC (PNP) CPNP-PC, Nancy Barber; Brady PhD RN CPNP-PC, Marga‎

‎Burns' Pediatric Primary Care‎

‎Elsevier 2019-12-02. paperback. Good. 8x1x10. Normal wear from daily use. May include markings or highlighting. Elsevier paperback‎

Référence libraire : R03108F00141U ISBN : 032358196X 9780323581967

‎GASTINEL P. / FASQUELLE R. / BARBIER P.‎

‎Eléments d'immunologie Générale.‎

‎MASSON & Cie. 1955. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. 335 pages.. . . . Classification Dewey : 610-Sciences médicales. Médecine‎

‎Les protéines plasmatiques - Etude analytique des antigènes et des anticorps - Phénomènes de sensibilisation - Immunité... Classification Dewey : 610-Sciences médicales. Médecine‎

Référence libraire : RO20053956

‎Gaston Barbier‎

‎Thèse pour le Doctorat en Médecine Présentée Et Soutenue le 4 Mars 1892 À 1 Heure: De la Périnéorrhaphie; Pratiquée Immédiatement Après la . Classic Reprint French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 033200192X.G ISBN : 033200192X 9780332001920

‎Gauchet Jean-Yves Barbero Cyndi‎

‎ADOPTE UN CHAT‎

‎RUSTICA 2016 80 pages 18x19x1cm. 2016. Broché. 80 pages.‎

‎French édition - Livre issu de déstockage JAMAIS LU présentant des marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée depuis la France‎

Référence libraire : 100095945

‎GAUTHIER, Theophile; BARBIER, George (illustrator).‎

‎Le Roman de la Momie. Compositions de George Barbier Gravées sur Bois par Gasperini.‎

‎Paris A & G Mornay Éditeurs 1929. . Limited edition one of 67 copies on Japon this numbered 37; 8vo 21 x 17.5 cm; 325pp. 36 compositions in colour after Barbier including the printed wrappers title-page and vignette printed on wood by Gasperini with an additional suite of illustrations of the same composition but in a simplified outline design printed in red black grey or purple pages cut and in various sizes blue marbled endpapers minor age toning but otherwise very fresh; bound in contemporary quarter crushed dark blue morocco over marbled boards with the original wrappers bound in spine in six parts with raised bands and gilt title to second in fine condition.<br /> Théophile Gauthier's novel was undoubtedly inspired by the 'Orientalism' which dominated French culture in the middle of the XIX century. The text first appeared in parts in Le Moniteur universel between March and May 1857 and was published in book form in 1858. Set in the Valley of Kings a young English aristocrat and a German Egyptologist find a sarcophagus with a perfectly preserved mummy of a pharaoh named Tahoser inside. After this discovery the novel recounts the life of beautiful Tahoser and her lovers. <br /> Paris, A & G Mornay, Éditeurs, 1929. hardcover‎

Référence libraire : 102348

‎Gavarni; Granville Bertail; Cham; Dantan; Clerget; Balzac; Alfred de Musset; George Sand; Stahl; Auguste Barbier; Sue; Soulie; N‎

‎Le diable a Paris. Paris a la plume et au crayon. 1000 dessins 550 scenes et types avec legendes. 2 volumes.‎

‎J. Hetzel et Cie. 1868. Hardcover. Very Good. . 2-volume set complete. uniformly rebound in modern boards with leather spines with raised bands plain boards. pages lightly tanned and clean. profusely illustrated. J. Hetzel et Cie. hardcover‎

Référence libraire : mon0004062863

‎GAZETTE du BON TON & BARBIER (Georges).‎

‎Vichy (I) ou Soyez tous bien sages.‎

‎Eté 1915. 212 x 320 mm.‎

‎Belle et grande planche gravée et finement coloriée au pochoir, avec rehauts d'or, présentant dix modèles de robes : 1. Robe de bébé en tulle blanc, veste de taffetas bleu. Costume de Paquin. 2. Batiste jaune disposée en bouillonnés, des épaules au bas des hanches. Les pans de la redingote sont incrustés de dentelle blanche et dégagent une jupe plissée très finement. Costume de Doucet. Chapeau de Georgette. 3. Robe de linon blanc, très ample, incrustée de fonds de bonnets au point de Beauvais. Boléro de soie grasse bleu marine à revers de velours bleu. Costume de Beer. Chapeau de Lewis. Bottes de Greco. 4. Redingote en satin ivoire à godets exagérés sur les côtés, une ceinture en pareil. Col de petit gris. Costume de Chéruit. 5. Taffetas bleu ciel très ample, avec plis cerceaux sur les côtés seulement. Le corsage s'échancre en rond sous un col Franz Hals en linon brodé à jours. Costume de Martial et Armand. Chapeau de Camille Roger. Bottes de Ducerf. 6. Aube de tulle et mousseline, brodés et plissés sur un fond de taffetas bleu passé. Costume de Chéruit. 7. Chemise de Marceline chair brodée d'argent. Costume de Chéruit. 8. Robe de lingerie blanche en mousseline brodée à la main ; la jupe est à deux étages rayés de ganses blanches. Ceinture en ruban pékiné de trois tons. Costume de Premet. Chapeau de Maria Guy. 9. Robe de lingerie blanche sur fond de satin bleu. Les deux volants de la jupe sont faits d'applications sur tulle et le corsage de tulle uni. Costume de Callot. 10. Robe-chemise en tussor rose incrusté de broderies blanches. Chapeau de Callot. La Gazette du Bon Ton est la plus belle et la plus rare des revues de modes Arts Déco, illustrée par les artistes les plus célèbres de l'époque : Barbier, Lepape, Brunelleschi, Marty, Benito, Dufy, Jacovleff, etc. Bel exemplaire.‎

Référence libraire : LBW-6169

‎GAZETTE DU BON TON. BARBIER (George), CHASTEL (Roger), DEMACHY (Jacques), GOUDIACHVILI (Lado) , LEPAPE (Georges), MARTY (André-Edouard), RUEG (Madeleine)...‎

‎La Gazette du Bon Ton. Art, Modes et Frivolités. Revue Mensuelle.‎

‎Paris VOGEL 1924 1 in-4 Paris, Librairie Centrale des Beaux-Arts, Lucien Vogel Directeur, 1924-1925, N°5, 7ème année, petit in-4, en feuilles, sous chemise éditeur illustrée.‎

‎Cette revue de mode du début du XXème siècle est considérée comme la plus remarquable et est devenue la plus recherchée. Les couturiers " les plus exquis (...) lui réserveront la primeur de leurs créations" : Les Chéruit, Doeuillet, Doucet, Lanvin, Paquin, Poiret, Redfern, Vionnet, Worth... Les auteurs et les chroniqueurs en vue participent à sa rédaction, tels Gérard Bauër, Faure-Biguet, Jason, Georges-Armand Masson... Leurs rubriques concernent tant la mode, que les spectacles, les chroniques mondaines... Les illustrations, pour beaucoup réalisées au pochoir, sont l'oeuvre des plus grands artistes, tels Barbier, Chastel, Demachy, Goudiachvili, Lepape, Marty, Rueg ... "A côté de sept planches hors-texte, qui sont des modèles créées par les couturiers, trois planches sont des modèles inventés par les artistes". Petites usures à la couverture. "La plus importante et recherchée des revues de modes contemporaines". "La Gazette du Bon Ton, tant par ses illustrations que par ses articles, constitue la meilleure représentation que nous ayons de la période Art Déco" (in l'introduction "Gazette du Bon Ton"). (In Jeanne Laffitte, 50 revues 1890/1930) ; "Le plus important et le plus intéressant pour les modes contemporaines" (in Carteret IV, 180) ; "Luxueuse revue de mode vestimentaire tout en couleurs dans laquelle les dessinateurs sortent de leur style habituel pour aller vers l'illustration" (in Dico Solo, 332).‎

Référence libraire : 25051

‎GAZETTE DU BON TON. BARBIER (George), CHASTEL (Roger), LEPAPE (Georges), MARTY (André-Edouard), MARTIN (Charles), MOURGUE (Pierre), THAYAHT.‎

‎N°8-Avril 1924, 6ème année. La Gazette du Bon Ton. Art, Modes et Frivolités. Revue Mensuelle.‎

‎Paris VOGEL 1924 1 in-4 Paris, Librairie Centrale des Beaux-Arts, Lucien Vogel Directeur, 1924, petit in-4, en feuilles, sous chemise éditeur illustrée.‎

‎Cette revue de mode du début du XXème siècle est considérée comme la plus remarquable et est devenue la plus recherchée. Les couturiers "les plus exquis (...) lui réserveront la primeur de leurs créations" : Les Lanvin, Max Leroy, Poiret, Vionnet, Worth... Les auteurs et les chroniqueurs en vue participent à sa rédaction, tels Marcel Astruc, George Celio, Julien Ochsé, James de COQUET, Georges-Armand MASSON, Vaudreuil... Leurs rubriques concernent tant la mode, que les spectacles, les chroniques mondaines... Les illustrations, pour beaucoup réalisées au pochoir, sont l'oeuvre des plus grands artistes, tels George BARBIER, Roger Chastel, Georges LEPAPE, Charles MARTIN, André-Édouard MARTY, Pierre MOURGUE, THAYAHT, VAN MOPPÈS... "A côté de sept planches hors-texte, qui sont des modèles crées par les couturiers, trois planches qui sont des modèles inventés par les artistes". Fines restaurations à la couverture, de très légères usures et jaunissures internes. Les pages 322-323 "Chroniques" sont détachées. "La plus importante et recherchée des revues de modes contemporaines". "La Gazette du Bon Ton, tant par ses illustrations que par ses articles, constitue la meilleure représentation que nous ayons de la période Art Déco" (in l'introduction "Gazette du Bon Ton"). (In Jeanne Laffitte, 50 revues 1890/1930) ; "Le plus important et le plus intéressant pour les modes contemporaines" (in Carteret IV, 180) ; "Luxueuse revue de mode vestimentaire tout en couleurs dans laquelle les dessinateurs sortent de leur style habituel pour aller vers l'illustration" (in Dico Solo, 332).‎

Référence libraire : 23400

‎GAZETTE DU BON TON. BARBIER (George).‎

‎"Atours simples".‎

‎1915 1 Encre de Chine et mine de plomb, signé du monogramme en bas à gauche, 1915, 8,4 x 26,7 cm.‎

‎George BARBIER (Nantes 1882-1932), peintre et illustrateur, a beaucoup travaillé pour la mode et le théâtre, composant des dessins de costumes et des décors. L'artiste a également illustré de nombreux ouvrages. Il a exposé régulièrement au Salon des Artistes Décorateurs de 1912 jusqu'à sa mort. En 1920 il participait à l'exposition du Musée des Arts Décoratifs à Paris: "La mode au XXème siècle vue par les peintres", représentant ce qu'on a nommé par la suite "l'Art Déco". On montre encore ses dessins aujourd'hui lors d'expositions sur cette époque, ce fut le cas en 1971 à Minéapolis aux U.S.A., et à Paris en 1973 (Bénézit, I, p.432). Une grande rétrospective salua son oeuvre au Palais Fortuny de Venise en 2008-2009 accompagné d'un livre "George Barbier-La nascita del déco". Encre de Chine et mine de plomb illustrant l'article "Atours simples" de La Gazette du Bon Ton numéro 8-9 Eté 1915. Au verso, esquisse à l'encre de Chine représentant une élégante à chapeau.‎

Référence libraire : 23404

‎Gehring, Verna V (Editor)/ Barber, Benjamin R (Contributor)/ Dumas, Lloyd J (Contributor)/ Fullinwider, Robert K (Contributor)/‎

‎War After September 11‎

‎Rowman & Littlefield Pub Inc 2003. Hardcover. New. 99 pages. 9.00x6.00x0.50 inches. Rowman & Littlefield Pub Inc hardcover‎

Référence libraire : x-0742514676 ISBN : 0742514676 9780742514676

‎Geo F Barber and Co‎

‎Modern Dwellings: A Book of Practical Designs and Plans for Those Who Wish to Build or Beautify Their Homes Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 0656032111.G ISBN : 0656032111 9780656032112

‎Geoffrey Barbier‎

‎Provenance Data in Social Media‎

‎new. unknown‎

Référence libraire : 44545658-n ISBN : 303100776x 9783031007767

‎Geoffrey Baker Richard Barber David Preest‎

‎The Chronicle of Geoffrey Le Baker of Swinbrook‎

‎Boydell & Brewer Group Limited pp. xxvii 155 Maps . Hardback. New. Boydell & Brewer Group, Limited hardcover‎

Référence libraire : 697484344 ISBN : 1843836912 9781843836919

‎George BARBIER‎

‎Le Journal des Dames et des Modes‎

‎Reliure postérieure pleine basane racinée pour 3 tomes et 1 volume en plein bradel vélin à petit recouvrement. Chaque fascicule est illustré d'une, deux ou trois planches coloriées au pochoir, gravées sur papier fort. Les couvertures de livraison ont été reliées à la fin des volumes.L'ensemble est orné de 186 figures hors texte gravées sur cuivre et finement aquarellées à la main d'après George Barbier, Léon Bakst, Bernard Boutet de Monvel, Umberto Brunelleschi, Étienne Drian, Marie-Madeleine Franc-Nohain, Paul Iribe, Pierre Legrain, Charles Martin, Fernand Simeon, Armand Vallee et Gerda Wegener, entre autres.Les chroniques sont signées Robert de Montesquiou, Robert de Flers, Marcelle Tinayre, René Boylesve. On y trouve également des poèmes de Jean Cocteau, Anna de Noailles, Lucie Delarue-Mardrus.‎

‎Paris Bureau du Journal 1912-1914 1er Juin 1912-1er Août 1914 In-8. Reliés. Complet des 79 fascicules de cette charmante publication. 4 tomes. TIRAGE LIMITÉ. Celui-ci un des 1 250 exemplaires numérotés sur papier de Hollande.Bien complet des réclames pour les maisons de luxe insérées dans chaque fascicule et des couvertures bleues pour les reliures en 4 volumes.‎

Référence libraire : 51747

‎George BARBIER‎

‎"Coromandel"". Manteau et robe du soir pl.12 La Gazette du Bon ton 1914 n°2‎

‎Paris: Lucien Vogel éditeur 1914. Fine. Lucien Vogel éditeur Paris Février 1914 19 x 24.50 cm une feuille Original colour engraving richly heightened with gold printed on laid paper signed in the plate lower right. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Référence libraire : 89405

‎George BARBIER - (Jeanne PAQUIN)‎

‎"Voici des fleurs des fruits des feuilles et des branches."". Robes du soir de Paquin pl.10 La Gazette du Bon ton 1913 n°12‎

‎Paris 1913. Fine. Paris Octobre 1913 19 x 24.50 cm une feuille Original colour print heightened in palladium printed on laid paper and signed at the bottom right outside the plate. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910Â’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artistsÂ…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur dÂ’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustratorÂ’s conception of the fashion of the day.    The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so onÂ… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown‎

Référence libraire : 89500

‎George BARBIER - (Charles-Frederick WORTH)‎

‎A Palm Beach. Tailleur de Worth pl.40 La Gazette du Bon ton 1921 n°5‎

‎Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille original print in color printed on laid paper signed lower left on the board. Original content produced for the illustration of The Gazette fashionable one of the finest and most influential twentieth century fashion magazines celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920 due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication these luxury publications ""are for bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""good Gazette of tone"" in the fashion dictionary 2016. Printed on fine laid paper they use a typeface created specifically for the magazine by Georges Peignot the Cochin character taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff John's sister the father of Babar Gazette good tone in which the subtitle is then ""Art fashions and frivolities."" Georges Charensol quotes the editor: ""In 1910 he observed there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists . I was certain of success because no country for fashion can compete with France. """" A great art editor. Lucien Vogel ""in Literary News No. 133 May 1925. The success of the magazine is immediate not only in France but also the US and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Edward Halouze Alexander Iacovleff Jean Emile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel appealed to them will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless some of Illustrations contained no real model but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit it brings together for the first time the great talents of the world of arts literature and fashion and imposed by this alchemy a new image of women slender independent and bold also driven by the new generation of designers Coco Chanel Jean Patou Rochas Marcel . Recovery in 1920 by Condé Montrose Nast Gazette fashionable modeled for the new composition and the aesthetic choices of the ""little dying newspaper"" that Nast had bought a few years ago: the Vogue magazine. Lucien Vogel éditeur hardcover‎

Référence libraire : 57545

‎GEORGE BARBIER‎

‎Art Deco Costumes Poster art series‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1851701559.G ISBN : 1851701559 9781851701551

‎George Barbier‎

‎Casanova‎

‎like new. unknown‎

Référence libraire : 43203777 ISBN : 1914311000 9781914311000

‎George Barbier‎

‎Casanova‎

‎<p>Original Barbier pochoir of Casanova with a parrot on his hand adorned in floriated attire. Pochoir from Panorama Dramatique in white red pink blue orange black silver gold brown and grey. Pink trim surrounds image. Dated 1918. Recent beveled gilt fronted wooden frame. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel‎

Référence libraire : 6641

‎George BARBIER‎

‎Costumes parisiens. Blouse japonaise en soie sur une jupe plissée. Marin de toile blanche pl.105 Journal des Dames et des Modes 1913 n°47‎

‎Paris: S. n. 1913. Fine. S. n. Paris 1913 14 x 22.50 cm une feuille original print in color printed on laid paper signed on the top left of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn in 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown‎

Référence libraire : 57771

‎George BARBIER‎

‎Dix-sept dessins de George Barbier sur Le cantique des cantiques - Traduction française de 1613 • Seventeen drawings by George Barbier on the Canticle of Canticles‎

‎Paris: A la belle édition 1914. Fine. Copy on Japan A la belle édition Paris 1914 22.50 x 23.50 cm broché First edition totalling 240 numbered copies ours one of 10 copies on japon à la forme the deluxe issue complete at the end of the volume with its additional complete suite of illustrations in black as stated in the limitation.   Illustrated with 17 splendid pochoir plates in black white and gold by George Barbier.   A rare and handsome deluxe copy of this George Barbier masterpiece. A la belle édition unknown‎

Référence libraire : 89054

‎George BARBIER - (Charles-Frederick WORTH)‎

‎Eros. Robe et Manteau pour le soir de Worth pl.51 La Gazette du Bon ton 1924 n°9‎

‎Paris: Lucien Vogel éditeur 1924. Fine. Lucien Vogel éditeur Paris 1924 18 x 24 cm une feuille Original color print heightened with palladium printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Référence libraire : 55097