‎Peinture‎

‎Fore edge Painting. Signed Miss C. B. CURRIE CHARNWOOD Godfrey Benson 1st Baron Lord 1864 1945.‎

‎Abraham Lincoln.‎

‎London:: Constable & Company Ltd. 1916. 1916. Series: Makers of the nineteenth century edited by Basil Williams. Crown 8vo. viii 479 1 pp. Frontispiece portrait of Abraham Lincoln at Springfield index large folding map. Specially bound for Sotheran by Riviere & Son in full black gilt-stamped morocco all edges gilt; neatly rebacked preserving the original spine. Preserved with the original chemise and cloth slipcase with gilt-stamped calf spine label: "ABRAHAM LINCOLN - LORD CHARNWOOD - 1916 - FORE-EDGE PAINTING". This is also a very rare specimen with the original chemise and box extant. Provenance: ownership names of R. Joseph Rich Margaret Rich Carr; Joseph Sampsell Carr. Fine. WITH A FORE-EDGE PAINTING BY MS. C. B. CURRIE showing "a view of Harper's Ferry W. Virginia." "This is No. 145 of the Books with Fore-edge Paintings by Miss Currie. . . " Painted ca. 1928/9. See: Weber p. 341 #145 was previously unknown. Currie painted a scene of Harper's Ferry on the Life of John Brown See Weber A8 p. 348. SIGNED IN INK AT FOOT OF LIMITATION PAGE BY C. B. CURRIE. / In all about 172 Currie fore-edge painting were painted. Each is numbered in consecutive order with her known active period of painting fore-edges from c.1909/10-1929/33. All Currie fore-edge paintings are rare. / Miss Caroline Billin Curry aka "Miss. C.B. Currie" 1849-1940 was famous for painting both ivory miniatures and on fore-edge paintings exclusively for Sotheran's and strictly on Riviere bindings. Currie is important as being the only known artist to have signed all her work and numbered the pieces. She was highly touted in her lifetime as an artist who was singled-out for her skill and exquisite artistry that she thereby became the first artist so-named by Sotheran prominently in their catalogue series. Indeed she was a close associate and friend of the shop manager Mr. John Harrison Stonehouse and his wife Currie was named in their will. Even despite her prominence Currie's correct full name was a mystery until very recently. See Weber. This particular specimen was 1 previously unknown to myself 2 preserved the most-frequently missing chemise and 3 a clear provenance to this copy is noted the only one so located by myself. / PROVENANCE: Oddly this is the first known Currie fore-edge painting with provenance that is understood to be after the painting of the Harper's Ferry scene. The importance of that is the relationship of the ownership of a book to the date of the painting or otherwise owning a book before a fore-edge painting is applied to the book. In this case the ownership is surely after the work of Currie. Three persons' names are found in the volume: Joseph Sampsell Carr may have lived in Chicago Illinois. Margaret Rich Carr may have been Margaret Lee Smith Rich Carr 1917-1981 buried in Lubbock Lubbock County Texas. R. Joseph Rich may have been associated with Jefferson Medical College Hospital Philadelphia. REFERENCE: Jeff Weber Annotated Dictionary of Fore-edge Painting & Binders 2010. JWRB Constable & Company, Ltd., 1916. hardcover books‎

Référence libraire : FF2441

‎FORE EDGE PAINTING; BOOK OF COMMON PRAYER‎

‎Book of Common Prayer The‎

‎Oxford: Printed at the Clarendon Press by J. Cooke and S. Collingwood 1820. With A Fore-Edge Scene of Oxford<br/><br/>FORE-EDGE PAINTING. CHURCH OF ENGLAND. The Book of Common Prayer And Administration of the Sacraments. And Other Rites and Ceremonies of the Church According to the Use of the United Church of England and Ireland; Together with the Psalter or Psalms of David Pointed as They are to be Sung or Said in Churches; and the Form and Manner of Making Ordaining and Consecrating of Bishops Priests and Deacons. Oxford: Printed at the Clarendon Press by J. Cooke and S. Collingwood 1820.<br/><br/>Bound with <br/><br/>BRADY Nicholas and Nahum Tate. A New Version of the Psalms of David Fitted to Tunes Used in Churches. Oxford: Printed at the Clarendon Press by Samuel Collinwood 1822.<br/><br/>Octavo 8 1/4 x 5 1/8 in; 210 x 130 mm. Unpaginated A-Rr8 Ss4; A-F8. Calendar and tables.<br/><br/>Contemporary full crimson straight-grain morocco with triple fillet border in blind and panel with large gilt corner-pieces of volutes curls and roundels enclosing a central masonic sunburst emblem in gilt with dove and Tetragrammaton to both covers. Heavily gilt tooled compartments and spine head and tail. Gilt rolls to edge corners. Gilt fillets to turn-ins. All edges gilt. With the crimson morocco bookplate of Christ's Church - Middlesex dated 1825. Housed in an early twentieth century red cloth slipcase.<br/><br/>With a splendid early twentieth century fore-edge painting by an unknown hand depicting Folly Bridge and Bacon's Tower at Oxford. <br/><br/>Folly Bridge is a stone bridge over the River Thames carrying the Abingdon Road south from the center of Oxford England. It was erected 1825-27 to designs of a little-known architect Ebenezer Perry died 1850 who practiced in London. The bridge is in two parts separated by an island. The origin of the name is uncertain although it has been suggested that it originated about 1650 after a tenant of Bacon's study. Oxford: Printed at the Clarendon Press by J. Cooke and S. Collingwood, 1820 unknown books‎

Référence libraire : 02226

‎fore edge painting; Gray Sir Thomas‎

‎The Poetical Works of Thomas Gray‎

‎London: William Pickering 1853. The Aldine Edition of the British Poets. Hardcover. Very Good. Ornately gilt-ruled red morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands inside gilt dentelles a.e.g. with a fore-edge painting of a 19th-century cock fighting ring the "sport" was a favorite of Gray's; 16mo 100 x 160 mm; pp. xvi cxxiv 223. Just a little light scuffing at spine tips and along edges of boards. Internally bright and clean with handsome armorial bookplate Ex Libris John Train on front paste-down. A lavish copy. <br/><br/> William Pickering hardcover books‎

Référence libraire : D7142

‎FORE EDGE PAINTING; SCOTT Sir Walter‎

‎The Poetical Works of Sir Walter Scott Bart‎

‎Edinburgh: Printed for Arch. Constable and Co. 1822. Two Fine Early-to-Mid Twentieth Century Fore-Edge Paintings<br/>Depicting Two Scottish Castles<br/><br/>FORE-EDGE PAINTING. SCOTT Sir Walter. The Poetical Works of Sir Walter Scott Bart. The Lady of the Lake & The Bridal of Triermain & Harold the Dauntless. Edinburgh: Printed for Arch. Constable and Co. <br/><br/>Each volume with a fine early-to-mid twentieth century fore-edge painting depicting Craigmillar Castle in Edinburgh and Loch Leven Castle.<br/><br/>Two octavo volumes 6 1/2 x 3 7/8 inches; 166 x 99 mm. iv 1-9 10-380; iii-vi 1-3 4-384 1 1 blank pp.<br/>Some light water-staining to preliminary and final leaves.<br/><br/>Full contemporary dark blue straight-grain morocco front and back covers with elaborate gilt vignette. Spines with four raised bands decoratively tooled and lettered in gilt in compartments decorative gilt turn-ins gray end-papers.<br/><br/>Volumes IV & V of The Poetical Works of Sir Walter Scott.<br/><br/>"The Scene from the following Poem is laid chiefly in the vicinity of Loch-Katrine in the Western Highlands of Perthshire. The time of Action includes Six Days and the transactions of each day occupy a Canto."<br/><br/>These two volumes were sold in 1965 by Dawson's Book Shop in Los Angeles Catalog 355 item 113.<br/><br/>Craigmillar Castle is a ruined medieval castle in Edinburgh Scotland. It is three miles 4.8 km south-east of the city center on a low hill to the south of the modern suburb of Craigmillar. The Preston family of Craigmillar the local feudal barons began building the castle in the late 14th century and building works continued through the 15th and 16th centuries. In 1660 the castle was sold to Sir John Gilmour Lord President of the Court of Session who made further alterations. The Gilmours left Craigmillar in the 18th century and the castle fell into ruin. It is now in the care of Historic Environment Scotland as a scheduled monument. Craigmillar Castle is best known for its association with Mary Queen of Scots. Following an illness after the birth of her son the future James VI Mary arrived at Craigmillar on 20 November 1566 to convalesce. Before she left on 7 December 1566 a pact known as the "Craigmillar Bond" was made with or without her knowledge to dispose of her husband Henry Stuart Lord Darnley. Craigmillar is one of the best-preserved medieval castles in Scotland. The central tower house or keep is surrounded by a 15th-century courtyard wall with "particularly fine" defensive features. Within this are additional ranges and the whole is enclosed by an outer courtyard wall containing a chapel and a doocot<br/><br/>Loch Leven Castle is a ruined castle on an island in Loch Leven in the Perth and Kinross local authority area of Scotland. Possibly built around 1300 the castle was the location of military action during the Wars of Scottish Independence 1296-1357. In the latter part of the 14th century the castle was granted by his uncle to William Douglas 1st Earl of Douglas and remained in the Douglases' hands for the next 300 years. Mary Queen of Scots was imprisoned here in 1567-68 and forced to abdicate as queen before escaping with the help of her gaoler's family. In 1588 the Queen's gaoler inherited the title Earl of Morton and moved away from the castle. It was bought in 1675 by Sir William Bruce who used the castle as a focal point in his garden; it was never again used as a residence. Edinburgh: Printed for Arch. Constable and Co., 1822 unknown books‎

Référence libraire : 04889

‎FORE-EDGE PAINTING.; DOUBLE-LINE PAINTER; BIBLE IN ENGLISH‎

‎Book of Common Prayer The‎

‎Oxford: Printed by W. Jackson and A. Hamilton 1790. The Expulsion of Adam and Eve from the Garden of Eden<br /> A Superb Fore-Edge Painting by the 'Double-Line Painter'<br /> <br /> FORE-EDGE PAINTING. DOUBLE-LINE PAINTER artist. BIBLE IN ENGLISH. The Book of Common Prayer And Administration of the Sacraments and other Rites and Ceremonies of the Church According to the Use of The Church of England: Together with the Psalter or Psalms of David… Oxford: Printed by W. Jackson and A. Hamilton 1790. <br /> <br /> With a very fine early twentieth century fore-edge painting by the "Double-Line Painter" depicting the Expulsion of Adam & Eve from the Garden of Eden.<br /> <br /> Large quarto 11 1/2 x 9 1/8 inches; 292 x 231 mm. 206 un-numbered leaves including title-page. Some occasional and very minor toning otherwise near fine.<br /> <br /> Full contemporary dark blue straight-grain morocco covers panelled in gilt with gilt corner fleurons. Smooth spine elaborately ruled decorated and lettered in gilt in compartments decorative gilt board-edges and turn-ins marbled endpapers all edges gilt. Silk ties missing otherwise near fine. Housed in an early twentieth century fleece-lined blue cloth slipcase spine lettered in gilt. <br /> <br /> Ink notation on front blank "Eugene Field/Chicago Dec. 6th. 1893". Ink notation on verso of rear blank leaf: This book came from the library/of my father Eugene Field./Nov 9-1931/ Eugene Field II."<br /> <br /> The "Double-Line Painter" was an English artist name unknown possibly active in the 1920s. The most identifiable feature of this artist's work is the label for the painting. The artist labels his own paintings on the the front fly-leaf. If you look carefully you will see a neat light penciled double-line above and below the written title like an architect would do. The painting title itself is also neatly written in tiny letters. This artist is highly skilled painter with high productivity." Jeff Weber. Annotated Dictionary of Fore-Edge Painting Artists & Binders pp. 95-96. Jeff Weber cites eight example of the "Double-Line" artist in his book on pp. 96-97.<br /> <br /> Provenance: Eugene Field Sr. 1893; Eugene Field II 1931; Swann Galleries April 18th 1991 lot 79 - Randall Moscovitz Oxford: Printed by W. Jackson and A. Hamilton, 1790 unknown‎

Référence libraire : 05158

‎FORE-EDGE PAINTING.‎

‎Landscape Series of Poets. Gleanings From the Sacred Poets With Biographical Notices of the Authors. WITH A LOVELY FORE-EDGE PAINTING SHOWING POSSIBLY MOCCAS COURT.‎

‎Gall & Inglis. Edinburgh. No date c.1885. Gall & Inglis. Reprint. WITH BEAUTIFULLY BORDERED FORE-EDGE DISPLAYING MOCCAS COURT AND CHURCH. No date c.1885. Original decorated brown cloth gilt extra decorated in gilt to spine with coloured sunken floral embossed emblem to upper board. All edges gilt. Each page of text has a variety of coloured illustrated borders. Endpapers marked long prize presentation inscription ink blots to prelims title page and frontis. clean. generally a very clean and sound copy. hardcover‎

Référence libraire : 98024

‎FORE-EDGE PAINTING; SCOTT, Sir Walter‎

‎Marmion: A Tale of Flodden Field…‎

‎Edinburgh: Archibald Constable and Company 1811. Day set on Norham's castled steep.<br /> And Tweed's fair river broad and deep… "<br /> Bound by Taylor & Hessey and with a Fine Fore-Edge Painting <br /> by the "Double-Line Painter"<br /> <br /> FORE-EDGE PAINTING. TAYLOR & HESSEY binder. DOUBLE-LINE PAINTER artist. SCOTT Sir Walter. Marmion: A Tale of Flodden Field… The eighth edition. Edinburgh: Archibald Constable and Company 1811. <br /> <br /> With a very fine early twentieth century fore-edge painting by the "Double-Line Painter" showing a view of Norham Castle in Northumberland depicting the opening lines of the poem.<br /> <br /> Octavo 8 1/4 x 5 1/4 inches; 210 x 133 mm. viii 1-377 1 blank i-cxxviii pp. Additional engraved vignette title-page and nine engraved plates. The title-page and plates with old water stain at top left corner some occasional and light spotting otherwise near fine.<br /> <br /> Handsomely bound ca. 1811 by Taylor and Hessey Booksellers London. Stamp-signed in gilt on the fore-edge of the front board "Bound by Taylor & Hessey". Full dark blue straight-grain morocco covers elaborately paneled in gilt spine with five raised bands three of them double elaborately decorated and lettered in gilt in compartments decorative gilt board-edges and turn-ins ochre watered silk liners and endleaves all edges gilt. With the engraved bookplate of Isabel Beckwith Closson on front blank. A lovely example.<br /> <br /> The "Double-Line Painter" was an English artist name unknown possibly active in the 1920s. The most identifiable feature of this artist's work is the label for the painting. The artist labels his own paintings on the the front fly-leaf. If you look carefully you will see a neat light penciled double-line above and below the written title like an architect would do. The painting title itself is also neatly written in tiny letters. This artist is highly skilled painter with high productivity." Jeff Weber. Annotated Dictionary of Fore-Edge Painting Artists & Binders pp. 95-96. Jeff Weber cites eight examples of the "Double-Line" artist in his book on pp. 96-97.<br /> <br /> 'Norham Castle' is in Northumberland England overlooking the River Tweed on the border between England and Scotland. In the nineteenth century Norham Castle became well known far and wide from the paintings of J. M. W. Turner. He first painted the castle in 1797 but returned to paint it many times.<br /> <br /> “Taylor & Hessey were busy throughout these fifteen years 1808-1823 not only in publishing and in binding but also in re-binding books published by others. They issued among other works Pope's translation of the Iliad and Thomson's Seasons; but they also put fine bindings upon books by Milton Crabbe Cowper Scott and others published by Johnson or by Sharpe or by Hatchard or by Reeves or by Longman… Taylor & Hessey usually bound their fine books in morocco—red blue brown crimson green—and "signed" their bindings by stamping their name in gilt in the fore-edge of the binding not the leaves note whenever the boards inside the leather were thick enough to carry the name of the firm… C.J. Weber Fore-Edge Painting pp. 106-7.<br /> <br /> Provenance: Isabel Beckwith Closson 1907-2004; Weber. 1001 Fore-Edge Paintings. Maine 1949. P. 152; Randall Moscovitz. Edinburgh: Archibald Constable and Company, 1811 unknown‎

Référence libraire : 05168

‎FORE-EDGE PAINTING; [EDWARDS OF HALIFAX, binder]; COWPER, William‎

‎Poems by William Cowper‎

‎London: Printed for J. Johnson and Co 1812. Two Superb Edwards of Halifax 'Etruscan' Bindings <br /> With Two Fine Early Twentieth Century Fore-Edge Paintings<br /> <br /> FORE-EDGE PAINTING. EDWARDS OF HALIFAX binder. COWPER William. Poems by William Cowper Of the Inner Tempe Esq. In Two Volumes. A New Edition. London: Printed for J. Johnson and Co. 1812.<br /> <br /> Each volume with a fine early twentieth century fore-edge painting most likely by Joseph Clayton Clark a.k.a. KYD.<br /> <br /> Two small octavo volumes 6 1/4 x 3 3/4 inches; 158 x 95 mm. 2 x 1-368; viii 1-368 pp. Each volume with a small typed label on the verso of the front free endpaper describing the fore-edge scene. Each volume with an ink inscription on the verso of the title-page presenting the book "To St. Mary of -the-Woods College from Gladys M. Moloney.<br /> <br /> Contemporary matching "Etruscan Calf" bindings by Edwards of Halifax each with a fore-edge painting. Covers with gilt pentaglyph and metope border stenciled frame of palmettes central panel enclosed by a stenciled border enclosed is a stenciled device of a fan–like shape with tulips on a pointillé background and other geometric shapes spine with five raised bands elaborately tooled in gilt in compartments two red morocco gilt lettered labels gilt board edges and turn ins marbled endpapers all edges gilt. Joints expertly and almost invisibly repaired. Housed in a specially made full red morocco vertical slipcase two spines with five raised bands decoratively ruled and lettered in gilt in compartments. The case is stamped in gilt "Made by Sangorski & Sutcliffe London England / For Marshall Field and Company."<br /> <br /> The superb fore-edge paintings were executed in the early twentieth century and are of the highest quality. They are possibly the work of Joseph Clayton Clark a.k.a. KYD. The paintings depict "Berkhampsted. Cowper's Birthplace" & "East Dereham Churchyard. Cowper's Burial Place"<br /> <br /> Two very Fine examples of Edwards of Halifax bindings with two exceptionally fine early twentieth century fore-edge paintings.<br /> <br /> Edwards of Halifax was distinguished English Yorkshire family of bookbinders and booksellers of whom William Halifax 1723-1808 and his son James 1756-1816 were the most famous. William Halifax was known for his revival of the fore-edge painting and Etruscan calf bindings the latter which if not evolved by William were successfully adopted by him. He also redeveloped the art of painting under transparent vellum. All three specialities seem to have been carried on both in the Edwards' home town of Halifax where Thomas 1762-1834 another son was in business until 1826 and in London where James and John 1785-c 1791 opened a book store in 1784. <br /> <br /> Gladys McKenney Molony 1907-1996. Born in Toledo Ohio she received her B.A. at Saint Mary-of-the-Woods College in Terre Haute Indiana. In 1930 she married William R. Molony Jr. M.D. and moved to Los Angeles CA. She was a patroness of the Los Angeles Museum of Art and the Los Angeles Civic Light Opera. She donated her fine collection of Fore-Edge Paintings to Saint Mary-of-the-Woods College in 1967. A catalog of The Gladys McKenney Molony collection of fore-edge paintings in the Rare Book Room Saint Mary-of-the-Woods College Library was apparently issued in 1973.<br /> <br /> Provenance: William E. Henzel Chicago Ill; Valentine Miller; Mrs. Philip D. Sang; Gladys McKenney Molony presented to the Saint Mary-of-the-Woods College Library Indiana November 1986. London: Printed for J. Johnson and Co, 1812 unknown‎

Référence libraire : 06245

‎FORE-EDGE PAINTING; HAYWOOD, Helen, artist; BURNS, Robert‎

‎Poetical Works of Robert Burns; The‎

‎London: Printed for John Bumpus Walker and Co.… 1822. With Two Very Fine Fore-Edge Paintings by Helen R. Haywood<br /> Depicting Burns Cottage with a Portrait of Robert Burns <br /> and a Fine View of the Bridges on the River Ayr<br /> <br /> FORE-EDGE PAINTING. HAYWOOD Helen artist. BURNS Robert. The Poetical Works of Robert Burns; Including the Pieces Published in his Correspondence and Reliques: With his Songs and Fragments. To which are prefixed a history of the poems by his brother Gilbert Burns and a sketch of his life. In two volumes. London: Printed for John Bumpus Walker and Co.… 1822. <br /> <br /> Two small octavo volumes 6 1/8 x 4 inches; 157 x 101 mm.i-xxx 1-268; i-xii 1-262 pp. <br /> <br /> Contemporary full dark blue straight-grain morocco covers elaborately decorated in gilt and blind spines with four shallow raised bands decoratively tooled and lettered in gilt in compartments decorative gilt board-edges and turn-ins pale blue endpapers all edges gilt. Housed in an early blue cloth slipcase. A fine pair of Helen Haywood Fore-Edge Paintings.<br /> <br /> With two very fine early twentieth century fore-edge paintings by Helen R. Haywood. The first volume with a fine view of Burns Cottage with a portrait of Robert Burns on the left side; The second volume with a fine view of Ayr River Bridges.<br /> <br /> These fore-edge paintings were done by Helen Haywood sometime between 1927 and 1940. Front flyleaf of volume one with "Burns" and "The Birthplace"; volume two with "Ayr" all in the hand of Helen Haywood. <br /> <br /> Helen R. Haywood 1908-1995 was an English writer and illustrator of children's books. She was born in England in 1908 but was taken as a child to Chile where her father an engineer worked on the trans-Andean railway. She remained in Chile until she was approximately 15 years old. Her experiences were recounted in an unpublished novel"Childhood in Chile." Miss Haywood was a keen student of science and an amateur naturalist and anthropologist. Many of the books she illustrated for the publisher Hutchinson & Co. London were keenly observed and scrupulously accurate depictions of plants birds and animals. When commissioned to do illustrations for a children's book on dinosaurs her research into the skin colors she subsequently chose for her dinosaur illustrations was cited by the Royal Academy of Sciences. Haywood was also a practitioner of the art of fore-edge painting. She became acquainted with the art form through an uncle who was associated with the Bayntun-Riviere Bindery of Bath. She did several fore-edge and double fore-edge paintings on commission every year from the 1930s to the 1970s for Inman's Books an antiquarian book dealer in New York City. She died in Bournemouth England in 1995.<br /> <br /> Provenance: Christie's New York December 8th 1989 lot 202 to Randal Moscovitz. London: Printed for John Bumpus, Walker and Co.…, 1822 unknown‎

Référence libraire : 05161

‎FORE-EDGE PAINTING - SCOTT, Sir Walter.‎

‎The Lay of the Last Minstrel.‎

‎London: printed for Longman Hurst Rees and Orme and A. Constable and Co. Edinburgh by James Ballantyne & co. Edinburgh 1806. Royal associations and vanishing paintings Early edition prettily bound by Queen Charlotte's bookbinder and with a modern double fore-edge painting by Martin Frost MBE who was listed in the 2019 New Years Honours for maintaining the "critically endangered" art. The fore-edge paintings depict two scenes of the work's setting of St Mary's Abbey Melrose and further scenes showing Scott's home of Abbortsford and Portinscale Bridge in the Lake District. The binder Charles Meyer d. 1809 was the appointed bookbinder of Queen Charlotte and the princesses. He moved from Germany to England in 1797 and established himself at St Martin's Lane London. Meyer bound this copy for the royal apothecary Everard Augustus Brande 1776-1868. Like his father Brande was the appointed "Apothecary to the Person" in George III's royal household tasked with dispensing medicines for George III and Queen Charlotte and tending to their health. Brande left the position on the king's death but was later reappointed by William IV. Brande's bookplate is on the front pastedown. This fourth edition follows the phenomenally successful first by one year. Octavo 213 x 128 mm. Contemporary green straight-grain morocco by Charles Meyer spine lettered in gilt and with central device in compartments covers bordered in gilt with fillets and wide roll board edges and turn-ins ruled in gilt brown coated endpapers binder's ticket on rear free endpaper verso. Gilt edges with gauffered border and double-sided colour fore-edge painting depicting four views by Martin Frost signed and dated 1977 on his authentication ticket on rear free endpaper recto. Housed in a green morocco folding box by Frost. Spine darkened gilt remaining bright tiny chip to headcap inner hinges split but firm 4 cm closed tear to head of rear free endpaper occasional browning but clean overall. A very good copy. Ramsden p. 106. unknown‎

Référence libraire : 175659

‎Forge, Andrew‎

‎British painting '74: [catalogue of an exhibition held 26 September-17 November 1974)‎

‎This is an almost very good softcover copy with some cover wear. The covers are toned, spine darkened. Completely clean inside. This catalog was prepared to accompany the exhibition at the Arts Council in 1974. This was the second exhibition in the series. Introduction by Andrew Forge. Illustrated in black & white with reproductions of 203 works. Includes work by over 130 British painters. 10" high X 8" wide. Corrigenda sheet laid in. This book will be securely packed and shipped with tracking.‎

‎Fornari Schianchi, Lucia ; Battisti, Eugenio‎

‎Rivedendo Correggio l'Assunzione del Duomo di Parma / Como si Fabbrica un Paradiso‎

‎Contains 8 folding maps of dome and one large scale folding image of Parma's Cathedral dome. 36x26cm. 78 pages. Softcover laid in hardcover portfolio. Portfolio slightly stained, curved and yellowing. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.‎

‎Fort, Ilene Susan‎

‎The Flag Paintings of Childe Hassam. Exhibition Los Angeles County Museum of Art, August 21 - October 30, 1988 [a.o.]‎

‎Harry N. Abrams Publishers, New York, 1988. 128 S. ; 24,5 x 22,5 cm ; Leinen.‎

‎Englischsprachige Hardcoverausgabe mit Schutzumschlag, Leineneinband mit goldgeprägtem Rückentitel, 128 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw562 ISBN: 0810911698‎

Référence libraire : 122750

‎FORTUNE ; [ HUGER, Francis ]‎

‎3007 Ressemblances. Album g(r)atinais. [ Caricatures extraites de l'Eclaireur du Gâtinais, de la République du Centre, du Parisien libéré, de la revue "The Lion" et du journal "Lion-Centre" ]‎

‎1 vol. in-4 cartonnage éditeur illustré, Pharmapost, Montargis, Novembre 1987, 286 pp. Etat très satisfaisant (un choc sur coiffe en queue, bon état par ailleurs) Français‎

‎Fortuny, Marià‎

‎DESTINO nº 1935. 2 noviembre 1974 - A LOS CIEN AÑOS DE LA MUERTE DE FORTUNY - Ilustrado‎

‎Barcelona, Destino, 1974. 70 p. Folio. Rústica editorial ilustrada rozada. Buen ejemplar. Especial sobre Marià Fortuny. Largo reportaje de Néstor Luján muy ilustrado. Además, artículos de Dionisio Ridruejo, Francisco Umbral, Josep Pla sobre Portugal, Baltasar Porcel, Alvaro Cunqueiro, Ricard Salvat y Jaume Sobrequés sobre Pere Bosch Gimpera, Pere Gimferrer sobre Ionesco, etc.‎

‎FOSCA (François) -‎

‎Claude Monet -‎

‎Paris : Cahiers de la Quinzaine, 1927 - In-8 broché de 102 pages illustrées de hors texte en noir et en couleurs - Edition originale : 1/3300 exemplaires numérotés sur alfa - bon état -‎

‎Tous nos livres sont visibles sur notre site : https://www.livrepoesie.com/‎

Référence libraire : 34044

‎FOSCA (François)‎

‎Courbet. Texte de François Fosca. XIXème siècle. Coll. Les trésors de la Peinture Française,‎

‎Paris, Ed. Albert Skira, Coll. Les trésors de la Peinture Française, 1940 – in-folio, 20 pp. – en feuilles, superbes reproductions quadrichromie contrecollées (dont L'homme à la pipe, Les Demoiselles des bords de la Seine, Mer orageuse, etc. ).‎

‎Très bel ouvrage consacré au célèbre Gustave Courbet rédigé par François Fosca. Excellent ex. de cette mythique collection skira, qui fait date dans l'histoire de l'édition d'art.‎

Référence libraire : 5360

‎Fosca, François.‎

‎La Peinture française au XIXe siècle 1800-1870.‎

‎Paris, Tisné, 1956. In-8, pleine toile éditeur sous rhodoïd et étui, plat supérieur illustré en couleurs, titre doré au dos et sur le plat supérieur, 151 pp. Ouvrage contenant de nombreuses illustrations contrecollées en couleurs. Collection "Pictura". Rhodoïd et toile un peu salis, quelques rousseurs.‎

Référence libraire : DEZ-5558

‎FOSCA, François:‎

‎La peinture, qu'est-ce que c'est?‎

‎Porrentruy, Aux Portes de France, 1947, in-8°, 293 p. illustrées de 15 planches + 6 p., table des matières, brochure originale.‎

Référence libraire : 9678aaf

‎FOSSIER FRANCOIS‎

‎LA NEBULEUSE NABIE , LES NABIS ET L' ART GRAPHIQUE‎

‎PARIS EDITIONS DE LA REUNION DES MUSEES NATIONAUX 1993 Un volume in-4 de 303 pages , couverture à rabats , importante iconographie en noir et blanc et en couleurs , bon exemplaire . Bon Couverture souple‎

Référence libraire : 009779

‎FOSCA François‎

‎Le Dix-Huitième Siècle. De Watteau à Tiepolo.‎

‎Magnifiques et nombreuses reproductions en couleurs : qualité Skira ! cartonnage d'éditeur sous jaquette illustrée Très bon Genève Skira 1952 1 fort volume in-4°‎

‎édition originale‎

Référence libraire : 13069

‎FOSCA FRANCOIS.‎

‎LE DIX-HUITIEME SIECLE. DE WATTEAU A TIEPOLO. (DE LA COLLECTION "LES GRANDS SIECLES DE LA PEINTURE").‎

‎GENEVE - PARIS - NEW-YORK. SKIRA. 1952. IN-4 CARRE (25,5 X 28,5 X 3 CENTIMETRES ENVIRON) DE 145 + (3) PAGES, RELIURE DE L'EDITEUR A LA BRADEL PLEINE PERCALINE VERTE, TITRE DORE SUR DOS LISSE ET SUR LE PLAT SUPERIEUR, SOUS JAQUETTE ILLUSTREE EN COULEURS ET ETUI CARTONNE. ILLUSTRE DE 67 REPRODUCTIONS EN COULEURS CONTRECOLLEES. COMPLETE PAR DES NOTICES BIOGRAPHIQUES ET BIBLIOGRAPHIQUES, ET PAR UN INDEX DES NOMS CITES. BON EXEMPLAIRE.‎

Référence libraire : 2824

‎FOSCA François‎

‎Le dix-huitième siècle. De Watteau à Tiepolo.‎

‎Reliure toile de l'éditeur sous jaquette et étui carton, 28X25 cm, 1952, 146 pages, nombreuses illustrations en couleurs contre-collées, collection les grands siècles de la peinture, éditions Skira. Très bon état.‎

Référence libraire : 22504

‎FOSSÉ D'ARCOSSE (Maxime).‎

‎Le Retable du Palais de Justice.‎

‎Paris, Malet, 1912 in-8, 24 pp., agrafé, sous couverture. Couverture usée, rousseurs.‎

‎- - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

Référence libraire : 226844

‎Fosca, François‎

‎Les Cahiers Romands no 11 : Portrait d'Alexandre Cingria‎

‎Payot In-12 Couverture souple Lausanne 1930‎

‎Très bon 107 pages. Exemplaire non coupé. Monographie sur le peintre suisse Alexandre Cingria (1879-1945).‎

Référence libraire : 6079