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LOLITA ASIL.
Hayat çizgileri.= Infinite life.
Fine English Paperback. Pbo. Good. B/w and color ills. 1000 copies were printed. In Turkish and English. Hayat çizgileri.= Infinite life.
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Lomarti
LOMARTI. Pintura. Escultura - Tarragona 2006 - Il·lustrat
Tarragona, Museu d'Art Modern de Tarragona, 2006. 35 p. 8è apaisat. Rústica editorial. Molt bon exemplar. Catàleg de l'exposició celebrada al Museu d'Art Modern de Tarragona del 9 de febrer al 12 de març.
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LOMBARDO (S.)
AU DELA DU MIROIR... Jacobo BORGES, romantique et baroque
NOIR ET BLANC 1992 Un volume in-8° oblong, 43 (1) pp., couverture illustrée à rabat. (couverture tâchée et faiblement marquée). Reproductions en couleurs d'oeuvres de Jacobo Borges.
Riferimento per il libraio : 027835
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LOMPRET Marcel de
"Tableaux et collectionneurs; causerie."
Anvers, Editeurs-Imprimeurs V. van Dieren, 1962. 17 x 25, 40 pp., quelques illustrations en N/B, broché, bon état.
Riferimento per il libraio : 65285
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London
British Historical Portraits. A selection from the National Portrait Gallery with biographical notes.
Cambridge, Univ. Press 1957. 8°, 265(1) S., m. 382 Abb., OLn. m. ill. OU., an diesem etliche Gebrauchsspuren, sonst sehr schönes Expl.
Riferimento per il libraio : EEzz5998
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Longacre, James Barton (engr) (1794 - 1869), after a painting by Pine
George Read.
Philadelphia PA: Longacre 1822. Engraving. 8 x 9.7 cm. Very Good with minor foxing. [Philadelphia, PA]: Longacre, [1822]. unknown
Riferimento per il libraio : 68-8400
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Longacre, James Barton (1794 - 1869) after a painting by Pine; T B Welch (engr).
Robert Morris.
Philadelphia PA: Longacre ca. 1850. Engraving. 8 x 11.5 cm. Very Good with minor foxing. [Philadelphia, PA]: Longacre, [ca. 1850]. unknown
Riferimento per il libraio : 68-8395
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Longacre, James Barton (1794 - 1869) after a painting by Pine; George B Ellis (engr).
Thomas Stone
Philadelphia PA: Longacre ca. 1850. Engraving. 8 x 9.5 cm. Very Good with minor foxing. [Philadelphia, PA]: Longacre, [ca. 1850]. unknown
Riferimento per il libraio : 68-8390
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Longaretti, Trent
LONGARETTI
1st Edition. Original Green Wrappers. 8vo. 11 pages ; 22 cm. A very scarce exhibition catalog from Trento Longarettis 1-man show at the Monza Museo Civic Dellarengario from November 23rd through December 5th in 1968. Includes a brief introduction from the artist and 9 plates of Longarettis work (mostly black and white with one plate in color) . Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) OCLC lists no copies worldwide. Slight wear to wrappers and very faint toning to inside pages but overall in very good condition. Rare. (ITART-1-44) xx
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Longaretti, Trento
GALLERIA TRENTADUE: DAL 27 MAGGIO AL 25 GIUGNO 1983
1st Edition. Original Illustrated Wrappers. 8vo. 18 pages ; 23 cm. In Italian. Title translates into English as, Galleria Trentadue. From May 27th TO June 25th, 1983. Rare Catalog from Longarettis 1983 exhibition in Milan. Includes reproductions in color and black and white throughout. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists no copies worldwide. Very good condition. (ITART-1-57) xx
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Longaretti, Trento
TRENTO LONGARETTI: ARCHIVAL LOT 2 [9 ILLUSTRATED CATALOGS]
This lot includes nine 1st edition illustrated exhibition catalogs from the prolific 20th century Italian artist Trento Longaretti. Includes 8 exhibition catalogs from: 1) Treviglio: Galleria Ferrari, 1967. 2) Paris: Gallerie Bernheim, 1971. 3) Treviglio: Gallerie Ferrari, 1972. 4) Munich: Kunstsalon Rose Lörch, 1976. 5) Lombardy (Usmate Velate) : Villa Borgia, 1989. 6) Eschenz: Galerie Zur Krone, 1991. 7) Turin: Societa Promotrice delle Belle Arti, 2002. Also includes a copies of Longaretti Cinquant'anni di Pittura, published by the Galleria Ferrari in 1980 as well as a brief illustrated biography of Longaretti published by the Comanducci Edition DArte Milano. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) Items have some edgewear and a few markings throughout but all are between About very good and very good condition. (ITART-1-55)
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Longaretti, Trento
TRENTO LONGARETTI: ARCHIVAL LOT 3 [CORRESPONDENCES AND DRAWING]
Includes several pieces of Longarettis correspondence, including two lengthy hand-written postcards, a two-page letter, an inscribed brochure from the Artists 1979 show in Zurich, and a warmly inscribed business card. Most of these correspondences are between Longaretti and a New York City based art gallery owner. Also includes several items from Longarettis trip to New York for his first public exhibition in the United States (at Columbia University in 1968) . These items include: 1) a drawing of a man in red pen that Longaretti doodled while in New York. 2) a set of 4 type-written drafts of Longarettis biography for the exhibition and two official invitations for the exhibition, and 3) The original price-guide for the 38 works that Longaretti showed at Columbia. This lot also includes 4 illustrated postcards of Longarettis Madre con Babino Davanti al Monastero, all unsigned. ARTIST BIOGRAPHY: Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) Paper is toning and slightly worn for the Columbia University Materials which are otherwise in good condition. The hand-written correspondence and postcards are in about very good to very good condition. (ITART-1-56)
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Longaretti, Trento
WORKS BY TRENTO LONGARETTI
1st Edition. Original Wrappers. 8vo. 2 pages ; 20 cm. Scarce exhibition brochure from Longarettis show at the Artists Own Gallery on 26 Kingsley St. In London in 1966. He shared the space with Virgilio Ciminaghi. Includes a brief introduction from Carlo Pirovano, one plate of Longarettis work and a list of the 20 works that were on display in London. OCLC lists no copies worldwide. Slight toning. Overall very good condition. (ITART-1-54) xx
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Longaretti, Trento ; Galleria L'Approdo
LONGARETTI: [MOSTRA PERSONALE DI TRENTO LONGARETTI, DIPINTI, ACQUARELLI, DISEGNI; DAL 15 MAGGIO AL 6 GIUGNO 1976]
1st Edition. Original Illustrated Wrappers. 8vo. [10] pages ; 20 cm. In Italian. Title translates into English as, Longaretti: [Exhibition Of Trento Longaretti Paintings, Watercolors, And Drawings: From May 15th To June 6th 1976]. Scarce exhibition catalog from Galleria LApprodo. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists 2 copies worldwide. Very good condition. (ITART-1-51) xx
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Longaretti, Trento; De Santi, Floriano
LONGARETTI: PAESAGGI E NATURE MORTE [INSCRIBED BY THE ARTIST]
1st Edition. Original Illustrated Wrappers. 8vo. 94 pages ; 25 cm. In Italian. Title translates into English as, Longaretti: Landscapes and Natural Death. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists just 4 copies worldwide (Bib Nazionale Ctr Vittorio Emanuele Ii, Rovereto Civica, Univ Cattolica Del Sacro Cuore, University Of Parma-Arts & Theatre Library) and none outside of Italy. Inscribed by the author on the title page. Very good+ condition. (ITART-1-49)
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Longaretti, Trento; Mascherpa, Giorgio
LONGARETTI. ACQUAFORTI. [INSCRIBED BY THE ARTIST]
1st Edition. Original Paper Wrappers. 4to. 65 unnumbered pages with; 28 cm. In Italian. A brief Italian Introduction by Giorgio Mascherpa followed by 56 plates of drawings by Longaretti. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an "elixir for long life", and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the "Chair of Painting" and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) OCLC lists no copies of this collection worldwide. Inscribed by Longaretti on the first inside page. A beautiful copy. Very good+ condition. (ITART-1-7)
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Longaretti, Trento; Pirovano, Carlo
LONGARETTI [INSCRIBED BY THE ARTIST]
1st Edition. Original Boards with Original Dust Jacket. 4to. 189 pages ; 29 cm. In Italian. Introduction by Art Historian Carlo Pirovano who served as Scientific Director of the publishing house Electa. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) Includes 237 plates of Longarettis work. OCLC listings are a bit unclear but there are at least 2 copies worldwide (MART, Bibliothek Der Universitat Der Kunste) and possibly 10-15 more between this edition and a later edition published in the following year. This copy is inscribed by the artist on the title page. Dust Jacket has some edgewear but overall both the book and jacket are in very good condition. Important. (ITART-1-45)
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Longaretti, Trento; Pirovano, Carlo
MOSTRA ANTOLOGICA DI TRENTO LONGARETTI
1st Edition. Original Wrappers with Original Illustrated Dust Jacket. 4to. [7], [60] pages with XXX plates ; 28 cm. In Italian. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists 3 copies worldwide (Getty Museum, Frick Museum, Kunsthistorisches Institut In Florenz) . Some wear to Jacket and slight toning but overall both Jacket and Book are about very good condition. (ITART-1-50) xx
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LONGHI (Roberto).
Le Caravage.
1952 Milan, Martello,1952; grand in-4 pleine verte éditeur plastifiée, titre doré sur fond noir 1er plat et dos; 49pp. de texte illustrées de 47 figures en noir et 50 planches H.T. en couleurs.
Riferimento per il libraio : cROU-96
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Longhi, Roberto
Disegno della pittura italiana. A cura di Carlo Volpe.
Firenze, G. C. Sansoni Editore, 1979. Vol. I: Da Cimabue a Giovanni Bellini. - Vol. II: Da Leonardo al Canaletto. VIII, 326 S., 254 s/w Taf.; 343 S., 248 s/w Taf. 4°, Original-Kunstledereinbände mit Original-Schutzumschlägen. - Original faux leather bindings with original dust jackets. [2 Warenabbildungen]
Riferimento per il libraio : 24483
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Longhi, Roberto
Piero Della Francesca: La Legense de la Croix - Le mur de gauche des fresques de S. Francesco a Arezzo [Exemplaire No. 442]
36x28 cm. 9+34 pages. Hardcover with dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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LONGOBARDI
Xavier Longobardi. Peintures 1972 à 1984.
Broché. 18 pages. Cachets.
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LONGPERIER Adrien de (DELACROIX Eugène)
Lettre autographe signée sur le plafond de Eugène Delacroix à la galerie d'Apollon du palais du Louvre
- 13 septembre 1852, 12,2x19cm, une feuille. - Longue lettre autographe signée de l'archéologue et conservateur des antiques du musée du Louvre, Adrien de Longpérier, à un journaliste, 4 pages sur une feuille rempliée. Dans cette passionnante lettre sur Eugène Delacroix, le conservateur des antiquités égyptiennes Longpérier fustige un journaliste, auteur d'une dure critique du plafond du peintre à la galerie d'Apollon du Louvre : "mais quand il s'agit seulement d'un plafond, fait pour une galerie roccoco, quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités avec un véritable talent, je ne vois pas la nécessité d'aller attaquer très vivement très rudement non seulement l'oeuvre mais encore la personne de l'artiste". Delacroix avait réalisé composition intitulée Apollon terrassant Python pour la galerie construite sous Louis XIV et nouvellement restaurée sous la seconde République. En pleine querelle des romantiques, Longpérier cite également Jean-Auguste Dominique Ingres, auteur lui-même d'un plafond au Louvre (L'apothéose d'Homère) : "Comme vous avez l'imprudence de mettre le plafond d'Homère en parallèle avec celui d'Apollon, vous n'eussiez pas pu empêcher que, dans la discussion, on ne s'en prit à votre vénérable ami. Croyez vous que si Ingres, qui aime si peu la discussion, vous eu su un bien grand gré de ces horizons que vous lui eussiez procurés ? [...] Imaginez-vous que vous ayez fait le sacrifice d'une somme assez considérable pour fonder un journal, et que je vous apporte un article violent contre M. Ingres ? (Je dis : imaginez, car je suis, moi, un admirateur de M. Ingres et n'ai en aucune manière envie de le critiquer) [...] Iriez-vous donner aide à celui qui voudrait le combattre ?". Ingres, peintre représentant l'école classique avait sa préférence, à la différence de Delacroix le romantique, dont il n'apprécie pas le style mais reconnaît malgré tout les qualités humaines :"J'ai reconnu que c'est un homme très doux, très poli, fort instruit et fort modeste [...] Je parle de l'homme ; quant à ses oeuvres, elles sont plus ou moins bonnes. Il y en a même de fort mauvaises" . Longpérier parle longuement des travaux de restauration au Louvre menés par l'architecte Félix Duban, qui supervisait la rénovation de la galerie d'Apollon et d'autres chantiers majeurs : " Je verrais avec grand plaisir que vous fissiez sentir le mérite de la restauration de la galerie d'Apollon, de la façade du jardin de l'infante, de la façade d'Henri IV sur le quai et du plafond de la Salle des sept cheminées décoré, avec tout de goût, de figures peintes. Le public, dirigé par des journalistes peu instruits, a critiqué bien à tort l'emploi de ces grandes figures si harmonieusement colorées". [ENGLISH DESCRIPTION ON DEMAND]
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LONGPERIER Adrien de.
Note sur la forme de la lettre E dans les légendes de quelques médailles gauloises
- In la Revue numismatique, Bruxelles 1856, 16,5x25,5cm, broché. - Edition originale imprimée à petit nombre de ce tiré à part. Quelques légères rousseurs sinon agréable exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
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Loos, v
Kirche von Aeschi am Niesen [Thuner See], rechts unten datiert (1866) und signiert, verso auf dem Keilrahmen so bezeichnet. Öl auf Leinwand, 30 x 41 cm.
1866. [Im Bereich des Himmels Craquele, vier kleine Farbabplatzer und zwei kleine Fleckchen, noch nicht restauriert oder gereinigt]. [4 Warenabbildungen]
Riferimento per il libraio : 32678-yb6
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LOOS, Wiepke; JANSEN, Guido en KLOEK, Wouter;
HET GALANTE TIJDPERK. SCHILDERIJEN UIT DE COLLECTIE VAN HET RIJKSMUSEUM,
Amsterdam/ Zwolle, Rijksmuseum / Waanders, 1995 Softcover , 215 x 270mm., 104pp., uitgebreide kleurillustratie. ISBN 9040097178.
Riferimento per il libraio : 34466
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LOOS-HAAXMAN, J. de:
Verlaat Rapport Indië. Drie eeuwen westerse Schilders, Tekenaars, Grafici, Zilversmeden en Kunstnijveren in Nederlands-Indië.
Uitgevers & 'S-Gravenhage, Mouton & Co, 1968, in-4to, XIV + 230 p., 101 illustr., Orig. cloth, with DJ.
Riferimento per il libraio : 72875aaf
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LOOSLI, C.-A.
HODLER.
Paris, Gres, 1931 Broche, couverture carton illustree a l'impression du titre en rouge, 140 x 195mm., 16pp. et 32 planches n/b.
Riferimento per il libraio : 24864
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LOPEZ André
Slabbinck. Casino Kursaal Oostende. Juli-Augustus 1994.
Oostende (Belgique): Casino Kursaal Oostende, 1994 in-8, 48 pages, 34 ills. coul. Broché. Texte français, néerlandais, anglais, allemand. Exposition d'oeuvres de Rick Stabbinck peintre brugeois (1914-1991).
Riferimento per il libraio : 13977009
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Lopez Blazquez, Manuel
Botero [IN SPANISH] [SERIES]: GRANDES PINTORES DEL SIGLO XX
IN SPANISH. 31x24.5 cm. Unpaginated. Hardcover. In good condition.
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LOPEZ VAZQUEZ, M.
M. LOPEZ VAZQUEZ (SALA DE EXPOSICIONES DE LA CAJA DE AHORROS Y MONTE DE PIEDAD DE GRANADA, JARDINES DEL TRIUNFO, MARZO 1989).
Textos de Joaquin Moreno Garcia, Jose Fernandez Castro, Ignacio Henares Cuellar, Ramon Fernandez Espinar y del propio autor.
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LOPEZ-REY (José)
Velazquez
Cologne, Taschen - Wildenstein Institute, s.d. 2 parties en 1 vol. in-folio, 328 pp., cartonnage éditeur gris, jaquette originale illustrée (quelques petits frottements).
Riferimento per il libraio : 18263
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LOPEZ-REY, José
VELAZQUEZ - Catalogue raisonné (Complet 2 tomes en 1 volume)
Taschen / Wildenstein Institute, 1999 - In-4 - Cartonnages d'éd. sous jaquette illustrée en couleurs- 2 Tomes en 1 volume - 260 & 328 pages (erreur de pagination les 32 pages du T. II se trouvent in-fine) - Importante iconographie en couleurs, certaines reproductions PP - Bel exemplaire - Parfait état.
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LOPEZ-REY, José
VELAZQUEZ - Catalogue raisonné (Complet 2 tomes en 1 volume)
Taschen / Wildenstein Institute, 1999 - In-4 - Cartonnages d'éd. sous jaquette illustrée en couleurs- 2 Tomes en 1 volume - 260 & 328 pages (erreur de pagination les 32 pages du T. II se trouvent in-fine) - Importante iconographie en couleurs, certaines reproductions PP - Bel exemplaire - Parfait état.
Riferimento per il libraio : 20896
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LOPPO MARTINEZ ; BOHBOT, Michel (texte)
Loppo Martinez
1 vol. in-8 carré cartonnage éditeur sous jaq. illustrée couleur, ill. couleurs, Enrico Navarra, Paris, 1989, text in both French and English. Bon état (lég. rouss. sur les 3 premières pages, très bon état par ailleurs) / Nice copy (light foxings on the first 3 pp., otherwise a very nice copy) Français
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Lorber, Christiane
Ohne Titel. 2001. [Signierte Original-Malerei, Collage.]
o.J. [2 Warenabbildungen] (Christiane Lorber, geb. 24.03.1959 in Wetter/Ruhr, deutsche Künstlerin. 1986 Diplom an der Gesamthochschule Universität
Riferimento per il libraio : 66536CB
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LORCK, Carl Emil von:
Nacktheit als Lebensausdruck in der bildenden Kunst. Band 1: Malerei und Skulptur.
Berlin, Imago, 1935, in-4to, 188 S., ill. + XVI Farbtafeln, Halb-Leinenband.
Riferimento per il libraio : 69164aaf
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Lord Byron [Fore-edge Painting]
The Poetical Works Of Lord Byron; Reprinted From The Original Editions With Explanatory Notes &c. Steel Portrait And Original Illustrations
London: Frederick Warne and Co 1880. Chandos Poets Edition. Full leather. Very good. Chandos Poets edition of The Poetical Works of Lord Byron with a fore-edge painting depicting a golfing scene. Octavo viii 720pp. Full green morocco gilt embellishments on covers. Title stamped in gilt on front cover and spine raised bands with decorative gilt compartments. All edges gilt. Decorative gilt turn-ins. Extremities and spine rubbed corners and spine tips lightly worn. Upper corner of front cover slightly bowed. Scratch to leather on back cover. Endpapers cracked at hinges but binding is solid. Marginalia primarily in the section with the poem "Don Juan." Frontispiece portrait with tissue cover plus 12 illustrated plates. Features a fore-edge painting of two golfers and their caddies out on the course. A nice example. Frederick Warne and Co unknown
Riferimento per il libraio : 13753
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LOREAU Max
Dubuffet et le voyage au centre de la perception. Planches hors-texte.
Broché. 98 pages.
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LOREAU Max
Jean Dubuffet, délits, déportements, lieux de haut jeu.
Suisse, Weber Editeur, 1971. 25 x 31, 606 pp., très nombreuses illustrations en couleurs et en N/B, repères biographiques et tableau généalogique des travaux de Jean Dubuffet, reliure d'édition pleine toile, bon état (couverture légèrement défraîchie).
Riferimento per il libraio : 67301
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Loreau, Max
Alechinsky
Galerie Lelong, collection Repères, Cahiers d'art contemporain, n° 17, Paris, 1984. In-4, broché sous couverture rempliée et illustrée en couleurs, 32 pp. Le mythe amplifié, par Max Loreau - Planches.
Riferimento per il libraio : 5656
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LOREAU, Max.
Dubuffet et le voyage au centre de la perception (De Paris-Circus au Grand-Art l’Hourloupe). Edition agrementee de quatre-vingt quatre hors-textes.
in-8°, 96 pages, broche, couverture illustree. Bel exemplaire. [DV-8]
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LORENT (Claude)
Millénaire exilé - Marco Del Re.
Texte du critique d'art belge Claude LORENT sur les oeuvres du peintre italien Marco Del Re, avec 8 reproductions couleurs; expositions. Plaquette réalisée à l'occasion de l'exposition présentée en 1990 à la Galerie Art actuel (Liège); exemplaire accompagné de l'invitation illustrée au vernissage. Français
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LORENT (Claude)
Millénaire exilé - Marco Del Re.
Liège, Galerie Art Actuel, 1990 1 volume 22 x 28cm En feuilles sous portefeuille au 1er plat illustré. 15p.; 10 illustrations couleurs, vignettes, pleines et double pages. Bon état sauf 2nd plat un peu sali.
Riferimento per il libraio : 9298
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LORENT Claude
Daniel Fauville : peintures, sculptures.
Paris, Galerie Lacourière-Frélaut, 1990. 21 x 27, 29 pp., illustrations en couleurs, broché, très bon état.
Riferimento per il libraio : 106.343
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LORENTE, Manuel - Adaptation de Jean RIVERAIN
Madrid - Le Prado - II
PARIS, Lib. Larousse - 1965 - Coll. "Musées et monuments d'Europe" - In-4 - Reliure éditeur sous jaquette illustrée en couleurs - Très nombreuses illustrations NB et en couleurs, dans le texte et hors texte, certaines pleine page - 160 pages - Léger accroc en jaquette sinon très frais, très bel exemplaire
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LORENTE, Manuel.
Museos y Monumentos. Prado. Madrid. Tomo II.
Barcelona, Salvat, 1964, 27,5 x 20,5 cm., tela original, 160 págs. con profusión de ilustraciones intercaladas y a toda página, algunas a color.
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Lorenz Eitner
Neoclassicism and Romanticism 1750-1850 - 1)Enlightenment / revolution - 2)Restoration / Twilight of Humanism
Ref 46756. Prentice Hall, 1970. Format 15x23 cm, 174 et 165 pages. Ouvrage en langue anglaise;
Riferimento per il libraio : 46756
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Lorenz, A
Das deutsche Familienbild in d. Malerei d. 19. Jh.
Darmstadt, Wiss. Buchges. 1985. M. 91 Taf. X, 306 S. OLwd.
Riferimento per il libraio : 128494
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Lorenzetti - BORSOOK, Eve
AMBROGIO LORENZETTI - Barcelona 1967 - Muy ilustrado
Barcelona, Edit. Toray, 1967. 79 ilustraciones en color fuera texto. 39p. de texto. 8º. Rústica editorial ilustrada. Algunas páginas desprendidas. Buen ejemplar.
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