‎Gavarni‎

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]; DAUMIER, Honore; VERNIER, Charles; TRAVIES, Charles Joseph‎

‎A fine album of thirty-three superb hand colored lithograph plates heightened with gum arabic‎

‎Paris: Chez Aubert 1837. An Amazing Collection of Thirty-Three Superb Hand Colored Lithographs <br /> By the Best French Caricaturists - From Some of their best Series<br /> <br /> GAVARNI Paul. pseudonym of Guillaume Sulpice Chevallier. DAUMIER Honoré. VERNIER Charles. TRAVIES Charles Joseph. <br /> <br /> A fine album of thirty-three superb hand colored lithograph plates heightened with gum arabic. Comprising 15 by Paul Gavarni; 7 by Honoré Daumier; 4 by Bouchot; 3 by Travies; 2 by Charles Vernier; 1 by Provost and 1 by Pruche. Paris: Chez Aubert ca. 1837-1850.<br /> <br /> Oblong quarto 9 5/8 x 12 7/8 inches; 244 x 237 mm. Thirty-three fine hand colored lithographs all heightened with gum arabic. The fifth plate Les Enfans Terribles slightly shorter at outer margin. Some very occasional marginal soiling otherwise a remarkably fine and clean suite.<br /> <br /> Contemporary quarter green scored calf over dark red cloth boards smooth spine elaborately decorated in gilt yellow endpapers.<br /> <br /> A very fine collection of hand colored lithographs by Gavarni Daumier Bouchot Travies Vernier Provost and Pruche.<br /> <br /> These are from the series Les Étudiens de Paris; Les Domestiques; Contributions Indirectes; Scenes Bachiques; Les Enfans Terribles; Les Debardeurs; Fourberries de Femmes; Le Carnaval; Émotions Parisiennes; Les Rues de Paris; Soins Tyranniques; Chasse et Peche; Les Francais Croqués par eux Mèmes; Ce Que Parler Veut Dire; Les Gamins de Paris; Paris le Soir; and Moeurs Conjugales.<br /> <br /> An amazing collection of thirty-three fine hand colored lithographs by the best artists from some of their best series.<br /> <br /> The Plates:<br /> <br /> 1. LES ÉTUDIANS DE PARIS.<br /> - Combien<br /> - Devine.<br /> - Trente francs.<br /> - Quatre francs!<br /> - Cré nom!<br /> Gavarni<br /> <br /> THE STUDENTS OF PARIS.<br /> - How much<br /> - Guess.<br /> - Thirty francs.<br /> - Four francs!<br /> - Create name!<br /> <br /> 2. LES DOMESTIQUES.<br /> Ah! Madame fait elle même son marche!! Eh bien elle aura la bonté de chercher une cuisinière car je ne veux pas me gâter la main dans une baraque!!! Pruche<br /> THE SERVANTS.<br /> Ah! Madam does her own walking!! Well she will be kind enough to look for a cook because I don't want to spoil my hand in a shack!!!<br /> <br /> 3. CONTRIBUTIONS INDIRECTES.<br /> Quand vous allez au bal n'oubliez pas l'impôt du portier si vous ne voulez pas coucher dans la rue. Bouchot<br /> INDIRECT CONTRIBUTIONS.<br /> When you go to the ball don't forget the porter's tax if you don't want to sleep in the street.<br /> <br /> 4. SCENES BACHIQUES.<br /> C'est ce polisson d'pavé qui est gras comme un moine!!!. Travies<br /> BACHIC SCENES.<br /> It's this prankster who is as fat as a monk!!!.<br /> <br /> 5. LES ENFANS TERRIBLES.<br /> - Décidément mon cher ami vous n'êtes pas de force au piquet: je vous enfonce.<br /> - Oui! Mais comme Papa vous a bien enfoncé aussi pas vrai père Dans l'affaire des suifs!<br /> Gavarni<br /> THE TERRIBLE CHILDREN.<br /> - Certainly my dear friend you are no match for the picket: I will push you down.<br /> - Yes! But as Daddy fucked you too right father In the tallow affair!<br /> <br /> 6. LES DEBARDEURS. <br /> Va dire à ta mère qu'a te mouche. Gavarni<br /> STEVEDORES.<br /> Go tell your mother what's wrong with you.<br /> <br /> 7. LES DEBARDEURS.<br /> Comment Lili ne reconnait pas son Nini! Gavarni<br /> STEVEDORES.<br /> How Lili doesn't recognize her Nini!<br /> <br /> 8. LES DEBARDEURS.<br /> - V'là trois heures Titine; filons! Faut que je sois levé au petit jour.<br /> - Moi dormir si peu! J'aimerais mieux pas.<br /> Gavarni<br /> STEVEDORES.<br /> - It's been three hours Titine; let's go! I have to be up at dawn.<br /> - Me sleeping so little! I'd rather not.<br /> <br /> 9. LES DEBARDEURS.<br /> Monter á cheval sur le cou d'un homme qu'on ne connait pas t'appelle çà plaisanter toi! Gavarni<br /> STEVEDORES.<br /> Riding a horse on the neck of a man you don't know that's a joke you!<br /> <br /> 10. Fourberies de Femmes.<br /> EXPLICATIONS.<br /> - Mais écoulez donc ce que vous avez éerit!. mon Gustave je.<br /> - eh! Bien oui Monsieur eh bien oui! Est-ce ma faute si bous ne comprenez pas tout ce qu'il y a d'amour pour vous dans ce billet écrit á un autre!.<br /> Gavarni<br /> Women's tricks.<br /> EXPLANATIONS.<br /> - But let go of what you have written!. my Gustave I.<br /> - hey! Well yes sir well yes! Is it my fault if you don't understand how much love there is for you in this note written to someone else!.<br /> <br /> 11. Fourberies de Femmes.<br /> DES REPROCHES.<br /> Comment C'est avec moi une amue intime Que tu agis amsi!. comment! Tu as ton Gustave Anatole Barbesau le pantalon garance le grand blond. Gavarni<br /> Women's tricks.<br /> CRITICISMS.<br /> How Is this an intimate affair with me That you act amsi!. how! You have your Gustave Anatole Barbesau the madder pants the tall blond.<br /> <br /> 12. Fourberies de Femmes.<br /> UN CABINET PARTICULIER.<br /> Le garçon a dit un chapeau roe un voile un châle noir. Gavarni<br /> Women's Tricks.<br /> A PRIVATE CABINET.<br /> The boy said a roe hat a veil a black shawl.<br /> <br /> 13. FOURBERIES DE FEMMES.<br /> En matière de Sentiment.<br /> 2e. Serie.<br /> - Comment ma petite je viens de rencontere ton mari avec Monsieur Edouard!.<br /> Gavarni<br /> WOMEN'S TRICKS.<br /> In matters of Feeling.<br /> 2nd. Series.<br /> - What my little one I just met your husband with Monsieur Edouard!.<br /> <br /> 14. FOURBERIES DE FEMMES.<br /> En matière de Sentiment.<br /> 2e. Serie.<br /> - Ce Mosieu Ernest est assez bien.<br /> - Ah! Dieu! Tu troves! Tu aimes donc les grandes barbes.<br /> Gavarni<br /> WOMEN'S TRICKS.<br /> In matters of Feeling.<br /> 2nd. Series.<br /> - This Mosieu Ernest is quite good.<br /> - Ah! God! You find it! So you like big beards.<br /> <br /> 15. Le Carnaval.<br /> - Ah! Mon Dieu!. c'est mon mari ma petite mon vrai mari! Le queux!<br /> - Voyons! Ne va pas le reveiller bête! Allons allons ailleurs.<br /> Gavarni<br /> The carnival.<br /> - Ah! My God!. he's my husband my little one my real husband! The one!<br /> - Let's see! Don't go waking him up stupid! Let's go somewhere else.<br /> <br /> 16. Le Carnaval.<br /> J'vous dis que vot femme a insulte la mienn M'sieu! - Jé vous dis qué noir Mosieu!. Gavarni<br /> The carnival.<br /> I tell you that your wife insulted mine Sir! - I tell you that black Mosieu!.<br /> <br /> 17. ÉMOTIONS PARISIENNES.<br /> Comment à Chaillot!. Mais en montant vous m'avez dit Bercy - vous m'avez payé et je vous ai dit merci!. <br /> - Cré nom de nom!. allons reconduisez-moi. - du tout il est minuit nous ne marchons plus. - Cré nom de nom!.<br /> DR 701 Daumier<br /> PARISIAN EMOTIONS.<br /> - What do you mean: to Chaillot! You wanted me to drive you to Bercy you paid me I thanked you. <br /> - Damned. Drive me back! <br /> - I can't we don't drive past midnight. <br /> - Damned damned.<br /> <br /> 18. LES RUES DE PARIS.<br /> - Ah! - Oh! - Pardon! - Excusez! - Eh bien! - Voyons! - Sapristi! - A la fin! Passerez-vous à droite ou à gauche Travies<br /> THE STREETS OF PARIS.<br /> - Ah! - Oh! - Pardon! - Excuse! - Well! - Let's see! - Sapristi! - At the end! Will you pass to the right or to the left<br /> <br /> 19. LES RUES DE PARIS.<br /> Mon Dieu Monsieur je vous demande mille pardons!. il y a erreur. je croyais faire une plaisanterie à mona mi que voilá! Travies<br /> THE STREETS OF PARIS.<br /> My God Sir I ask you a thousand pardons!. there is a mistake. I thought I was making a joke on my friend that there you go!<br /> <br /> 20. SOINS TYRANNIQUES.<br /> Encore un peu!. Allons donc! - Mais non mais non. - Laissez donc faire c'est bon encore un peu! - Vraiment je vous assure que non cela me fait mal. - Ah! Bah! Pas de façons tenez encore ça. Bouchot<br /> TYRANNIC CARE.<br /> A little more!. Come on! - But no but no. - Let it go it's okay just a little longer! - Really I assure you that no it hurts me. - Ah! Well! No way hold on to that again.<br /> <br /> 21. CHASSE ET PÊCHE.<br /> Votre fusil c'est bien mais j'ai encore besoin de votre bourse. DR 303 Daumier<br /> HUNTING AND FISHING.<br /> Your rifle is already something now I still need your purse.<br /> <br /> 22. LES FRANÇAIS CROQUÉS PAR EUX MÊMES.<br /> Mr. Alfred. ce n'est pas ici mesdames mais c'est égal si vous voulez entrer. Vernier<br /> THE FRENCH PICTURED BY THEMSELVES.<br /> Mr. Alfred. it's not here ladies but that's all the same if you want to come in.<br /> <br /> 23. LES FRANÇAIS CROQUÉS PAR EUX MÊMES.<br /> Effet de mirage. Vernier<br /> THE FRENCH PICTURED BY THEMSELVES.<br /> Mirage effect.<br /> <br /> 24. CE QUE PARLER VEUT DIRE.<br /> Je chante mon oncle parcequé je suis contente. Et que c'est notre signal. Bouchot<br /> WHAT TALK MEANS.<br /> I sing uncle because I am happy. And that is our signal.<br /> <br /> 25. LES GAMINS DE PARIS.<br /> C'est pas'ceque t'as des sabots. q'uien Gugusse prète-moi donc tes sou'iers j'vas lui tremper une soupe!. Provost<br /> THE KIDS OF PARIS.<br /> Don't you have clogs. Hey Gugusse lend me your shoes I'm going to dip some soup into him!.<br /> <br /> 26. CE QUE PARLER VEUT DIRE.<br /> Comment donc Madame mai nous réglerons ça quand vous voudrez. Ah! Si j'avais su je t'aurais fait manquer ta soirée. Bouchot<br /> WHAT TALK MEANS.<br /> So Madam we will sort it out whenever you want. Ah! If I had known I would have made you miss your evening.<br /> <br /> 27. PARIS LE SOIR.<br /> Amanda!. prête-mo ton tire-botte. Gavarni<br /> PARIS IN THE EVENING.<br /> Amanda!. lend me your boot jack.<br /> <br /> 28. PARIS LE SOIR.<br /> Angelique! Angelique!. elle n'y est pas. cependant sapristie! Je vois une paire de bottes. Gavarni<br /> PARIS IN THE EVENING.<br /> Angelique! Angelique!. she's not there. however sapristie! I see a pair of boots.<br /> <br /> 29. MŒURS CONJUGALES.<br /> Et les cinq francs de ce matin - Mais je te les dis: trois livres et demie de tranche au petit os deux sous de foie un ognon brûlé ça nous fait 58; une demi-once à priser un quarteron de sucre; six liards de graine de lin voila donc 3 francs 10 sous. - Eh bien! il reste trente sous - Oui mais les carottes! je connais vos carottes Madame Grimblot - je n'en avalerai plus!. DR 626 Daumier<br /> CONJUGAL MORES.<br /> - And the five francs from this morning <br /> - But I tell you 3 1/2 livres for a cut of a little bone. two sous for liver a burnt onion that makes 58 a half ounce of snuff a quarter pound of sugar six pennies for linseed. hence there is three francs 10 sous. <br /> - Eh well there remain 30 sous. <br /> - Eh but the carrots! <br /> - I know your carrots Madame Grimblot I won't swallow any of those any more. <br /> Note: Play on words. "carottes" means carrots and also to play a trick on someone<br /> <br /> 30. MŒURS CONJUGALES.<br /> Le trépas du caniche. <br /> Oh mon Dieu mon Dieu est il possible!. pauvre zozore ma joie ma consolation je ne le verrai plus!. ah! je vois que je n'y survivrai pas. - Malheureuse épouse! comme le tien mon cœur est navré. Viens sur mon sein nous confondrons nos larmes. Hélas! que veux tu: nous sommes tous mortels! DR 651 Daumier<br /> CONJUGAL MORES.<br /> The Demise of the Poodle. <br /> - Oh my God my God is it possible. my poor Zozore my joy my consolation I shall never see him again. ah! I shan't survive. <br /> - Wretched wife! like yours my heart is saddened. Come to my bosom and we shall mingle our tears. Alas what can we do. we are all mortal!<br /> <br /> 31. MŒURS CONJUGALES.<br /> Oui chère amie jaloux tant que tu voudras!. Mais j'ai quitté le Poste de la Mairie pour voir si personne n'est au mien. DR 633 Daumier<br /> CONJUGAL MORES.<br /> Yes love you may call me overly jealous. But I had to leave the post at City Hall in order to see whether anybody had taken mine here!<br /> <br /> 32. MŒURS CONJUGALES.<br /> C'est ma femme!! oh! scélérate pendant qu'on me fait la barbe elle me fait la queue! DR 645 Daumier<br /> CONJUGAL MORES.<br /> There goes my wife!! Oh the wretch while I'm having a shave she's making a cuckold of me!<br /> <br /> 33. MŒURS CONJUGALES.<br /> Le mari Bobonne veux-tu l'étrenne de ma barbe. <br /> La femme à part Dire que je suis unie à une pareille mâchoire!.<br /> DR 644 Daumier<br /> CONJUGAL MORES.<br /> Husband: My dear how about a first kiss on my chin <br /> The wife aside: To think that I am married to this face! Paris: Chez Aubert, 1837 unknown‎

Référence libraire : 05940

‎Gavarni, Paul‎

‎Alphabet views books displayed on a quay Museum Etching Museum Quality A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2171519

‎Gavarni, Paul‎

‎Alphabet views books displayed on a quay Photo Rag Bright White Premium Quality A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2171518

‎Gavarni, Paul (1804-1866); Lucien Stupulkowski (Engraver).‎

‎Art Collector.‎

‎Paris: French Publisher circa 1841. Book illustration. 196 x 152 mm. sheet. Good a few specks of foxing missing lower left sheet corner.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown‎

Référence libraire : 71-3241

‎Gavarni, Paul‎

‎Beach view with anchor and white pigeon Museum Etching Museum Quality A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 1249201

‎Gavarni, Paul‎

‎Beach view with anchor and white pigeon Photo Matt Fibre A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1841. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 1249199

‎Gavarni, Paul‎

‎Bibliophile views books displayed on a quay Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2171744

‎Gavarni, Paul‎

‎Bibliophile views books displayed on a quay Photo Matt Fibre A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2171745

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer‎

‎Bonjour mon Colonel! comment nous trouvons nous ce matin du coup d'epee d'hier au soir --Mais pas mal et toi mon auteur First edition of the lithograph.‎

‎Paris: Aubert. 1843 . Lithograph sur blanc. 33.3 x 24.5 cm. Armelhault and Bocher no. 242 second state of 3. . Paris: Aubert. 1843 unknown‎

Référence libraire : 16-6138

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer‎

‎C'est vieux et laid mon cher; tu es floué comme dans un bois. from Le Carnaval à Paris. First edition of the lithograph.‎

‎Paris: Chez Bauger 1842. Lithograph sur blanc. 33.3 x 24.5 cm. Armelhault and Bocher no. 247. Paris: Chez Bauger, 1842 unknown‎

Référence libraire : 16-6137

‎Gavarni, Paul‎

‎Catalogue of an Exhibition of Lithographs by ""Gavarni"": Fitzroy Carington October 22nd to November 9th 1923 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 1397365390.G ISBN : 1397365390 9781397365392

‎Gavarni, Paul‎

‎Chambre garnie a furnished room‎

‎Paris: Hetzel 1847. Engraving on light cream wove paper 6 5/8 x 4 5/8 inches 175 x 118 mm margins trimmed. On the verso is a partially trimmed printed image with accompanying text in French referencing the lifestyle of medical students in Paris. A drawing from the series The Students of Paris in Selected Works of Gavarni Studies of Contemporary Manners Hetzel Paris 1847. Hetzel unknown‎

Référence libraire : 1413

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]‎

‎Clichy‎

‎Paris: En vente Au Bureau du Journal Amusant.et au Bureau du Charivari 1840. Gavarni's Memories of his Time in the Debtors Prison 'Clichy'<br /> Depicted in Twenty-One Lithographed Plates<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Clichy. Album par Gavarni. Paris: Au Bureau du Charivari n.d. 1840-1841.<br /> <br /> Large quarto 13 3/4 x 10 1/2 inches; 349 x 267 mm. Publisher's yellow front wrapper with printed title. Twenty-one superb numbered lithographed plates. All plates in first printing second state with printed titles and "Chez Bauger" & "Imp. d'Aubert" with the exception of plates 17 & 19 which are in the third state.<br /> <br /> Modern quarter light blue cloth over light blue cockerel boards smooth spine lettered in gilt. Original yellow lithographed front wrapper bound in as title.<br /> <br /> These plates were initially published in Le Charivari with the exception of the nineteenth plate which was produced for La Caricature.<br /> <br /> "In 1835 Gavarni was arrested for debt and sent to Clichy. Far from being overwhelmed he saw this experience as a fresh opportunity for observation. Indeed he made a lithographic series from his memories: Clichy twenty-one lithographs 1840-1841" Ray The Art of the French Illustrated Book p. 217.<br /> <br /> "So assured did Gavarni's position seem at the end of 1833 that he began to publish the weekly Journal des gens du monde for which he also provided much of the text and illustrations. It failed after twenty numbers only eighteen of which were issued leaving him with obligations which were to embarass him for many years. In 1835 he was arrested for debt and sent to Clichy. Far from being overwhelmed he saw this experience as a fresh opportunity for observation. Indeed he made a lithographic series from his memories: Clichy twenty-one lithographs 1840-1841" Armelhault & Bocher p. 1-25<br /> <br /> On the 23rd of July 1867 the French government abolished the ancient law decreeing imprisonment for debt. In Paris the ninety-seven inmates of the Clichy Debtor's Prison were promptly released.<br /> <br /> Exceptionally rare. According to OCLC & KVK there are no copies in libraries and institutions worldwide. <br /> We have been unable to locate any copies at auction over the past 100 years.<br /> <br /> Armelhault & Bocher nos. 429-448.<br /> <br /> The Plates:<br /> <br /> 1. Enfoncé!!!.<br /> Sunk!!!.<br /> <br /> 2. Je viens déjeuner chez toi. Ah! bon! Et diner chez toi. Ah! bah!! Et coucher chez toi! Ah! fichtre!!!<br /> I'm coming to have lunch with you. Ah! Well! And have dinner at home. Ah! bah!! And sleep at home! Ah! damn!!!<br /> <br /> 3. "Au moins un Dieu sourit encore à la jeunesse et lui rend enc e lieu de ces jours qu'on lui prend. Qui n'aurait pas pitiè des beaux ans qu'elle y laisse"<br /> "At least one God still smiles at youth and gives them back in place those days that are taken from them. Who would not pity the beautiful years she leaves there"<br /> <br /> 4. Vous le voyez le chagrin ne m'aigrit pas! Et je donnerai un conseil à mes créanciers dans leur intèrêt: s'ils veulent me tirer d'ici qu'ils se hâtent car on ne pourrait bientôt plus me passer par la porte.<br /> You see grief does not embitter me! And I will give advice to my creditors in their interest: if they want to get me out of here let them hurry because soon they won't be able to get me out the door.<br /> <br /> 5. Petit homme nous t'apportons ta casquette ta pipe d'ecume et ton Montaigne.<br /> Little man we bring you your cap your meerschaum pipe and your Montaigne.<br /> <br /> 6. Enfin à la fin je l'ai tant mijotè je l'ai tant mijotè qu'il a dit: eh! bien qu'il paye seulement les frais et j'accorderai du tems pour le reste. Et encore il a dit voyez-vous Mademoiselle c'est par consideration pour vous. Le vieux gueux!.j'espère bien que quand tu sortiras tu lui ficheras une pile soignée à celui-là!<br /> Finally at the end I simmered him so much I simmered him so much that he said: hey! Well let him just pay the cost and I'll allow time for the rest. And again he said you see Mademoiselle it's out of consideration for you. The old beggar!. I really hope that when you go out you'll give him a neat pile on that one!<br /> <br /> 7. L'amour est parti V'là l'amitiè.<br /> Love is gone That's friendship.<br /> <br /> 8. Dites donc l'ancien c'est aujourd'ui Dimanche. Ou'est-ce que ça te fait Tiens! Le Dimanche on se fiche du Garde-du-commerce: çà me fait que je pourrais aller me promener si je pouvais sortir.<br /> Say the old one is today Sunday. What does it do to you Here! On Sundays we don't care about the Garde-du-commerce: that makes me think I could go for a walk if I could go out.<br /> <br /> 9. Ne donnez pas d'acomptes! Voyez vous le créancier qu'on ne paye pas n'est qu'un créancier; le créancier qu'on paye est un tigre!<br /> Do not give deposits! You see the creditor who is not paid is only a creditor; the creditor one pays is a tiger!<br /> <br /> 10. Dites donc voisin on a peu boissonné chez vous hier! ça allait rondement! ça va bien ce matin Pas mal et vous<br /> Say neighbour we had a little drink at your house yesterday! it was going smoothly! how are you this morning Not bad and you<br /> <br /> 11. Le portrait du créancier.<br /> The portrait of the creditor.<br /> <br /> 12. Voyons! Pour aller à Tivoli ce soir il faudrait d'abord payer au greffe dix-huit-mille-cinq-cents francs pour le capital et onze-cent-vingt-neuf francs cinquante centimes de frais.et encore non je suis bête! Tivoli coûte trois francs d'entrée et je n'ai que quarante deux sous.<br /> Let's see! To go to Tivoli this evening you would first have to pay the clerk's office eighteen thousand five hundred francs for the capital and eleven hundred and twenty-nine francs fifty centimes for costs.and again no I'm silly! Tivoli costs three francs to go and I only have forty-two sous.<br /> <br /> 13. Aux Gardes-du-Commerce: que le bon Dieu les patafiole!<br /> At the Gardes-du-Commerce: may the good Lord spoil them!<br /> <br /> 14. Quand nous voulons danser Tivoli est là mon cher: Entre Tivoli et nous il n'y que deux murs et un coup de fusil.<br /> When we want to dance Tivoli is there my dear: Between Tivoli and us there are only two walls and a gunshot.<br /> <br /> 15. Mon cher Monsieur je vous laisse la guérite comme je l'ai prise et la consigne comme on me l'a donnée: "de l'amour sur la conscience et du champagne dessous".rien de bon comme ça pour les rhumes de chagrin. Courte et bonne! c'est le mot d'ordre ici comme ailleurs.<br /> My dear sir I leave you the sentry box as I took it and the instructions as they gave it to me: "love on your conscience and champagne underneath".nothing good like that for the colds of sorrow. Short and good! this is the watchword here as elsewhere.<br /> <br /> 16. Moi j'ai signé pour cinq cents francs et je n'en ai eu que trois cents et encore en vin de champagne.et on m'a repris le vin pour les frais. Ils auraient mieux fait de t'amener ici tout de suite; au moins nous aurions les fioles.<br /> I signed for five hundred francs and I only got three hundred and again in champagne wine.and they took the wine back from me for the expenses. They would have done better to bring you here straight away. after; at least we would have the vials.<br /> <br /> 17. Mias comment as-tu pu te laisser prendre comme ça Demande aux Canards sauvages comment ils se laissent prendre!. Il a tire sur moi le premier Mars on m'a ramassé le cinq Avril: voilà comme çà se fait.<br /> Mias how could you let yourself be taken like that Ask the Wild Ducks how they let themselves be caught!. He shot me on the first of March they picked me up on the fifth of April: that's how it is done.<br /> <br /> 18. Voilà un Tilbury Pamela qui nous a menés en moins de trois mois de la rue Saint Jacques à Clichy. Hein le bon cheval!<br /> Here is a Tilbury Pamela who took us in less than three months from rue Saint Jacques to Clichy. Hein the good horse!<br /> <br /> 19. Ici on ne peut pas faire de farce à sa Ninie: v'la ce qui vous chiffonne!<br /> Here you can't prank your Ninie: that's what's bugging you!<br /> <br /> 20. Entends tu; à Tivoli. Il y en a deux ici des cavaliers seuls et qui ne demanderaient pas mieux que de faire la chaîne des Dames.<br /> Do you hear; at Tivoli. There are two here single riders who would like nothing better than to make the chain of Ladies.<br /> <br /> 21. Sans le mur cette boule - là irait loin. Et ton camarade aussi.<br /> Without the wall this ball - there would go far. And your friend too. Paris: En vente Au Bureau du Journal Amusant...et au Bureau du Charivari, 1840 unknown‎

Référence libraire : 05405

‎Gavarni, Paul‎

‎Collector Photo Matt Fibre A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1857. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2177338

‎Gavarni, Paul‎

‎Collector Museum Etching Museum Quality A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1857. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2177340

‎Gavarni, Paul‎

‎Contes Du Chanoine Schmid. French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1248044967.G ISBN : 1248044967 9781248044964

‎Gavarni, Paul et Adolphe Portier‎

‎Douze nouveaux travestissements‎

‎Paris. Au Bureau du Journal les Modes Parisiennes. 1856. Hardcover. Gut. C4 --- Recueil de 12 belles planches en couleurs représentant des femmes en robes gravées par Portier = 12 col. plates = kolorierte Stahlstichtafeln In-4 un peu taché sur les bords = a little stained at the edges = leicht fleckig an den Rändern Titel mit Wasserrand marmorierter Priv.-Hln.-Bd. dabei/avec ca: ALBUM KEEPSAKE des costumes de la cour francaise depuis Charles VII jusqu'a Louis XVI dessines par Compte-Calix sans page de titre juste 20 col. planches In-4 1854 Paris. Au Bureau du Journal les Modes Parisiennes. 1856 hardcover‎

Référence libraire : 008813

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866)‎

‎Encore soif !.ah ! ça Mimie t'as donc le torse assuré contre le champagne " . Original lithograph.‎

‎Paris: Pannier circa 1843. Lithograph sur blanc. 27. 5 x 20cm. Plate no. 33 from the series: "Le Carnaval a Paris." Armelhault and Bocher no. 415 State ii/iii. Paris: Pannier, circa 1843. unknown‎

Référence libraire : 16-5526

‎Gavarni, Paul (1804-1866).‎

‎Faits et Gestes Proprietaire: Mon cedre du Liban. No. 1 from the series ‘Faits et Gestes Propreitarie’.‎

‎Paris: Chez Aubert circa 1847. Lithograph. 33 x 25 cm sheet. Good minor surface soiling light specks of foxing throughout. Paris: Chez Aubert, circa 1847. unknown‎

Référence libraire : 71-8976

‎Gavarni, Paul‎

‎Female walking in the wind with parasol 1840 Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2091139

‎Gavarni, Paul‎

‎Female walking in the wind with parasol 1840 Photo Rag Bright White Premium Quality A2‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 2091141

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]‎

‎Fourberies de femmes Second Series Complete‎

‎Paris: Chez Aubert gal. Véro-Dodat 1837. The Complete Second Series of Fourberies de Femmes<br /> With Fifty-Two Lithograph Plates by Gavarni <br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Fourberies de femmes. Paris: Chez Aubert gal. Véro-Dodat n.d. 1837.<br /> <br /> Second Series Complete. <br /> <br /> Folio 13 1/8 x 9 7/8 inches; 334 x 251 mm. Fifty-two lithograph plates. Eight-page publisher's catalog bound in at end. Plate no. 13 with an expertly and almost invisibly 3 1/8 inches repaired marginal tear. All plates with two small 'unidentified' circular stamps on the lower blank corners. Some occasional light and mainly marginal foxing still an exceptional example.<br /> <br /> Bound ca. 1840 in quarter maroon roan over maroon grained paper boards front cover lettered in gilt smooth spine plain endpapers. Extremities of binding rubbed. A wonderful example. loosely inserted at the end are three duplicate plates nos. 7 23 & 25 all with the same small marginal stamps.<br /> <br /> "In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that 'the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show 'youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation with love intrigues and balls on the one hand and pawnbrokers' shops and debtors' prisons on the other. Their motto is carpe diem and they rarely think of the day or reckoning" Ray p. 217. <br /> <br /> "After the initial success of Caricaturana Philipon proposed to Gavarni that he draw 'Mme. Robert Macaire' for Le charivari. He responded with twelve studies of female deception in which he seems to have adopted Vigny's belief that 'A woman more or less is always Delilah.' They made little impression but three years later Gavarni returned to the theme in a subtler and more amiable way with one of his most searching and amusing series. In no. 37 he offers this exchange: 'How did you know papa that I loved Mr. Leon-Because you always talked to me about Mr. Paul.' Gavarni's playful mastery of female psychology is not the only attraction of the series. If Daumier could not draw a pretty woman as is sometimes alleged Gavarni at this period could hardly draw an ugly one" Ray pp. 220-221. <br /> <br /> Armelhault & Bocher 662-702; Ray The Art of the French Illustrated Book 151. Paris: Chez Aubert gal. Véro-Dodat, 1837 unknown‎

Référence libraire : 06055

‎Gavarni, Paul (Guillaume-Sulpice Chevallier) ; Olson, Nancy‎

‎Gavarni The carnival lithographs‎

‎Gallery. As New. 1979. Paperback. 0894670093 . FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 48 pp. With one text ill. And 18 pls. 26 x 21 cm. -- with a bonus offer-- . Gallery paperback‎

Référence libraire : 64998 ISBN : 0894670093 9780894670091

‎Gavarni, Paul ( Pseudonym of (Hippolyte-Guillaume-Sulpice Chevalier); Edited by Albert Smith‎

‎Gavarni in London: Sketches of Life and Character with Illustrated Essays by Popular Writers‎

‎London: David Bogue 1849. Book. Very Good. Hardcover. First Edition. 4to - over 9¾" - 12" tall. "The illustrations designed and drawn on wood by Gavarni and engraved by Henry Vizetelly". Contains extra pictorial illuminated portrait title page plus 23 other tissue-protected illustrations each at the head of a chapte except for the frontispiece. With armorial bookplate of William L. Scott to front pastedown along with smaller bookplate from the Virginia Warren Collection of Old London Street Cries. Very Good bound in contemporay half calf over marbled boards back with five raised bands black leather label with gilt lettering marbled end pages boards a bit rubbed at edges small chip to board rear cover. Subjects illustrated include Acrobats Thieves The Barmaid The Opera The Casino and The Orange-Girl. The illustrations and interior quite clean and lovely a handsome copy. David Bogue Hardcover‎

Référence libraire : 007768

‎Gavarni, Paul‎

‎Girl haunted by forest creatures Museum Etching Museum Quality A3‎

‎Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1843. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown‎

Référence libraire : 1249211