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DR. SIEGBERT HUMMEL.
Zum ontologischen Problem des Dauismus (Taoismus). Untersuchungen an Lau Dsi, Kapitel 1 und 42.
Good German Paperback. Some stains on pages. Roy. 8vo. (24 x 17 cm). In German. 45, [1] p. Zum ontologischen Problem des Dauismus (Taoismus). Untersuchungen an Lau Dsi, Kapitel 1 und 42.
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Dr. Wilhelm von Kries
Ueber Volks- und Staatshaushalt Chinas
Schanghai und Leipzig, Nössler, 1916. fester Pappband, in Leinen eingeschlagen und vernäht, ohne Beschriftung, ca. DinA 5, XII+293 Seiten, einige Tabellen im Text, 1 auffaltbare Gebirgs- und Flusskarte von China an der letzten Seite, privater Schutzumschlag STARK fleckig und gebräunt, beschabt, berieben und bestoßen, durch den festen Umschlag ist der Einband durch uns nicht zu beurteilen, Buchblock löst sich leicht vom Rückeneinband, Schnitt und Seiten papierbedingt stärker gebräunt, wenige Seiten minimal fleckig, wenige Bleistift-Einträge, Name auf dem Titelblatt, eine Seite fleckig und mit kleinem Loch (ohne Textverlust), trotz der deutlichen Gebrauchs- und/oder Altersspuren ausreichender Zustand / used [5 Warenabbildungen]
Bookseller reference : 33668as
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Drag, China
Gender-Defying Chinese Performer Mei Lanfang Archive 1930s-80s
1930. Drag Performance China Mei Lanfang 1894–1961 was the most celebrated performer of dan female roles in the history of Peking Opera and is regarded as the single most important figure in modern Chinese theatre. Born into a family of performers in Beijing Mei became renowned for his ability to embody femininity on stage with stylized movements elaborate costuming and exquisite vocal technique. Archive of 4 books on the career social influence and life of Mei Lanfang and Chinese theater. His career coincided with the collapse of the Qing dynasty the Republican period Japanese occupation and the founding of the People’s Republic of China making him not only a theatrical innovator but also a cultural and political symbol. In 1935 he refused to perform for Japanese officials an act that elevated him to the status of national hero. Internationally he introduced Western audiences to Chinese opera through tours in the Soviet Union and the United States in the 1930s. Mei’s performances of female identity were not simply convention but deliberate aesthetic choices that made drag and gender play central to both his fame and his enduring cultural significance. Archive includes:<br /> <br /> 1 Buss Kate. Studies in the Chinese Drama. New York: Jonathan Cape & Harrison Smith 1930. One of the earliest English-language works on Chinese theatre introducing Western readers to dan roles before Mei’s international tours. Buss contextualizes Chinese drama as ritual and symbolic performance laying groundwork for later recognition of Mei’s artistry.<br /> <br /> 2 Scott A. C. Mei Lan-Fang: Leader of the Pear Garden. Hong Kong: Hong Kong University Press / Oxford University Press 1959. First edition. Written after direct encounters with Mei in Beijing Scott provides the first full-length English-language biography of the performer framing him as heir to the imperial “Pear Garden†tradition and a cultural ambassador whose gendered artistry bridged East and West.<br /> <br /> 3 Mei Lanfang. 梅兰芳尚腔集 Mei Lanfang Shangqiang Ji. Shanghai: Shanghai Literature and Art Publishing House ca. 1960s. First edition. Illustrated with numerous plates including several vivid color portraits. This state-published collection documents Mei’s unique performance style and includes essays and calligraphy canonizing him as both national icon and master of gendered stage performance.<br /> <br /> 4 Mei Lanfang. 梅兰芳 Mei Lanfang. Beijing: China Theatre Press 1984. First edition. Published posthumously this official biography traces Mei’s life and repertoire with photographs spanning both traditional opera roles and modern-dress performances. It situates his drag artistry within narratives of national identity and resistance especially his refusal to perform for Japanese occupiers.<br /> <br /> Historically Mei’s artistry symbolized China’s cultural resilience but his greater significance lies in how his performances of femininity reframed drag from a theatrical convention into an artistic and political statement. Minor wear to each with dust jackets binding and pages in tact pages are clean with minor toning to some. Overall very good condition. Together these works chart the transformation of Mei Lanfang from a domestic cultural figure into a global icon of theatre diplomacy and performance. unknown
Bookseller reference : 22667
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DRAMA - CHINA
SCENES FROM CHINESE PLAYS SERIES I.
19. DRAMA - CHINA. SCENES FROM CHINESE PLAYS SERIES I. N.p. n.d. circa 1920. Painted manuscript volume of traditional Chinese plays with 12 illustrations. Chinese and English language title on the cover and English language captions under the illustrations. 12 ff. Traditionally bound: paper wrappers with a blue cloth backstrip sewn with red string. 16 x 16.5 cm. Some of the scenes illustrated include are "A Fisherman Catches a Golden Tortoise" "A Spendthrift Son" "General T'sao Tsao Nearly Being Killed in an Inn" and "A Boy Sweeps Snow." Colorful scenes from dramas in very good condition. unknown
Bookseller reference : 90329
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Draper, Theodore.
THE ROOTS OF AMERICAN COMMUNISM.
pp. x, 498 + Plus photographs. 8vo. Original full cloth binding. Original dust jacket. First edition. Coldwar/Economics 4
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Dressler, Fritz und Johnny Erling
China. Fotogr. Fritz Dressler. Text Johnny Erling.
München : Bucher, 1997. 159 S. : überw. Ill., graph. Darst., Kt. ; 31 cm; fadengeh. Orig.-Pappband m. farb. illustr. OUmschlag.
Bookseller reference : 1183339
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Dressler, Fritz, Kai Ulrich Müller und Johnny Erling
China.
München, Verlag C. J. Bucher GembH, 1995. 180 S. 4° Quart, Hardcover/Pappeinband
Bookseller reference : 86224
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Drewes, Frauke
Orientalisiert - kriminalisiert - propagiert? Die Position von Muslimen in Gesellschaft und Politik der Volksrepublik China heute.
Würzburg : Ergon, 2016. 422 S. Originalbroschur.
Bookseller reference : 1052002
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Dreyer, Heinz Theo
In einem chinesischen Theater. Charakterstück. Für Salonorchester. (Yoshitomo).
Berlin, Birnbach, 1931. 4°. Einzelstimmen ohne Umschlag. (Klavier leicht fleckig. Gestempelt). - Ansonsten gut erhalten und ohne Eintragungen. = Preciosa Nr. 909.
Bookseller reference : 3629AB
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Dreyfus Paul
Matteo Ricci. Uno scienziato alla corte di Pechino
8vo, ril.ed. sovrac. L'avventura del grande gesuita innamorato della Cina e della espansione cristiana in Oriente. Un libro che guida il lettore nel profondo della cultura cinese del XVI secolo, attraverso gli usi e i costumi dell'epoca in una dimensione esotica lontanissima dal mondo occidentale di allora.
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Driesch, Hans und Margarete
Fern-Ost. Als Gäste Jungchinas.
Leipzig, Brockhaus, 1925. 314 S. Zahlr. ( teils farb.) Abb. auf 51 Tafeln. 1 Plan und 1 Karte. 8°. OHLwd.
Bookseller reference : 2794
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Driscoli, Lucy; Toda, Kenji
CHINESE CALLIGRAPHY
New York: Paragon Book Reprint Corp. Very Good. 1964. Second Edition. Hardcover. One corner bumped; 8vo 8" - 9" tall; vii 75 pages . Paragon Book Reprint Corp. hardcover
Bookseller reference : 19209
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Driscoli, Lucy; Toda, Kenji
CHINESE CALLIGRAPHY
One corner bumped; 8vo 8" - 9" tall; vii, 75 pages
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DROCHON (Jean-Emmanuel)
Un Chevalier Apôtre Célestin-Godefroy Chicard, Missionnaire du Yun-nan
Paris, Maison de la Bonne Presse, sans date. 1 volume in-8, III-432 pp., reliure moderne plein cuir bordeaux, couvertures conservées, papier uniformement jauni, illustré d'un frontispice et de quelques gravures in texte, bon état général.
Bookseller reference : 2553
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DROUOT
COLLECTION ESSAYAN. 23 ET 25/04/1977. (146 grams)
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DROUOT RICHELIEU
ART D' EXTREME-ORIENT. CERAMIQUES DE LA CHINE, DU JAPON. FLACONS TABATIERES. PIERRES DURES. BIJOUX. VERRES. IVOIRES. NETSUKE EN IVOIRE ET EN BOIS PROVENANT DE LA COLLECTION PARISEL. INRO. LAQUES. TONKOTSU. ARMES. TSYBA. ESTAMPES. ..21/06/2000. (234 grams
QUELQUES RESULTATS DE LA VENTE
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DROUOT RICHELIEU
ART DU GANDARA, ARCHEOLOGIE MEDITERRANEENNE, ART ISLAMIQUE. 22/05/2000. (136 grams)
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DROUOT RICHELIEU
ART DU GANDHARA. ARCHEOLOGIE MEDITERRANEENNE. 18/10/1999. (160 grams)
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DROUOT RICHELIEU
ARTS DE LA CHINE ET DU JAPON. 24/02/1992. (120 grams)
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DROUOT RICHELIEU SALLE 12
ARCHEOLOGIE CHINOISE. ARTS D'ASIE. CIVILISATIONS DE L'INDUS. ART DU GANDHARA. INDE. BIRMANIE. CAMBODGE. LAOS. VIETNAM. TIBET. NEPAL. BOUTHAN. INDONESIE. ESTAMPES JAPONAISES. [BACTRIANE. MAHRGARH. NINDOWARI. BAJAUR. CHARSADDA…]. 13/04/2010. (66 grams)
ESTIMATIONS
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DROUOT RICHELIEU SALLE 14
ARTS D'ASIE.[CERAMIQUE DE LA CHINE. EPOQUE NEOLITHIQUE. EPOQUE HAN. MING. KANGXI. YONGZHENG. QIANLONG. XIXE SIECLE. CERAMIQUE DU JAPON. FLACONS TABATIERES. PIERRES DURES. PIPES A OPIUM. IVOIRES. NETSUKE ET INRO. LAQUES…]. 11/06/2010. (358 grams)
ESTIMATIONS
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DROUOT RICHELIEU SALLE 16
ARCHEOLOGIE CHINOISE. ARTS D'ASIE. CIVILISATIONS DE L'INDUS. ART DU GANDHARA. INDE. BIRMANIE. LAOS. THAILANDE. TIBET. NEPAL. MONGOLIE. PHILIPPINES. ESTAMPES JAPONAISES. 24/05/2008. (56 grams)
ESTIMATIONS
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DROUOT RICHELIEU SALLE 2
ARCHEOLOGIE CHINOISE. ARTS D'ASIE. CIVILISATIONS DE L'INDUS. BACTRIANE. MEHRGARH. BAJAUR. CHARSADDA. ART DU GANDHARA. PERSE. LOURISTAN. INDE. CEYLAN. TIBET. NEPAL. THAILANDE. CAMBODGE. INDONESIE. ESTAMPES JAPONAISES. 23/12/2009. (68 grams)
ESTIMATIONS
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DROUOT RICHELIEU SALLE 2
CIVILISATIONS DE L'INDUS. ART DU GANDHARA. INDE. BIRMANIE. CAMBODGE. LAOS. THAILANDE. ESTAMPES JAPONAISES. [MAHRGARH. CHARSADDA. ART GRECO-BOUDDHIQUE. JAPON. ARCHEOLOGIE CHINOISE. RAYAUMES COMBATTANTS. ORDOS ART DES STEPPES…].15/02/2010. (64 grams)
ESTIMATIONS
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DROUOT RICHELIEU SALLE 4
ART D'ASIE. [ART OCEANIEN. CERAMIQUE DE LA CHINE. DE LA COREE. DU JAPON. DIVERSE. CORNES DE RHINOCEROS. PLACONS TABATIERES. PIERRES DURES. IVOIRES. NETSULE EN IVOIRE. EN BOIS. INRO. LAQUES. KIZERUZUTSU. MASQUE. ARME JAPONAISE. TSUBA…].28/04/2010. (302 gra
ESTIMATIONS
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DROUOT RICHELIEU SALLE 6
ARCHEOLOGIE CHINOISE. ARTS D'ASIE. CIVILISATIONS DE L'INDUS. BACTRIANE. ART DU GANDHARA. BIRMANIE. CAMBODGE. TIBET. NEPAL. ESTAMPES JAPONAISES. [MAHRGARH. BAJAUR. CHARSADDA. ART GRECO-BOUDDHIQUE DU GANDHARA. LAOS. ROYAUMES COMBATTANTS…]. 12/05/2010. (62 g
ESTIMATIONS
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DROUOT RICHELIEU SALLE 6
COLLECTION EMMANUEL DE MONBRISON ET A DIVERS. ARTS D'ASIE. ART DU GANDHARA. INDE. JAPON. ESTAMPE JAPONAISE. EGYPTE. ART PRECOLOMBIEN. ART PREMIER. [CHINE. VASE. BRULE-PARFUM. STATUETTE. STATUETTE DE GHANDI…]. 07/06/2010. (174 grams)
ESTIMATIONS
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DROUOT RICHELIEU SALLE 6
EXTREME-ORIENT. CERAMIQUE DE LA CHINE DES MING AU XXE. CERAMIQUE DU JAPON. PIERRES DURES. IVOIRES JAPONAIS. LAQUES. ESTAMPES JAPONAISES. PEINTURES. BRONZES ET EMAUX CLOISONNES CHINOIS ET JAPONAIS. BOIS. SCULPTURES. MOBILIER. TEXTILES…] 14/04/2010. (142 gr
ESTIMATIONS
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DROUOT RICHELIEU SALLE 7
ARTS D'ASIE. [COLLECTION D'UN DIPLOMATE ET A DIVERS. CHINE. COMPAGNIE DES INDES. EMAUX. OBJETS D'ART. CHINE. BIRMANIE. STYLE THAILANDE. NEPAL. INDONESIE. ART SINO-TIBETAIN. MEUBLES. CHINE. ASIE DU SUD-EST. PEINTURES. INDE. ASIE MINEURE…]. 03/11/2010. (448
ESTIMATIONS
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DROUOT RICHELIEU, SALLE 7
ARTS D'ASIE. [MING. SONG. HUAN. KANGXI. TUILE FAITIERE. SHUNZHI. PLAT CIRCULAIRE. GRANDE VERSEUSE A VIN. FIGURINE JIAQING. QAINLONG PLAT ROND. BRONZES. LAOS. BOUDDHA MING. SINO-THIBETAIN. THAILANDE. COUPE EMAUX DE CANTON. ROULEAUX PEINTURE.]. 07/11/2011.
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 11
ART D' EXTREME-ORIENT, ANCIENNE COLLECTION CORBIN. 10/11/1999. (230 grams)
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DROUOT RICHELIEU. SALLE N° 11
ART D'ASIE. CERAMIQUES DE LA CHINE. JAPON. CORNE DE RHINOCEROS. TABATIERES. PIERRES DURES. VERRE DE PEKIN. IVOIRES. NESTKE. INRO ET KIZETUZUTSU. LAQUES. ARMES. TSUBA. ESTAMPES. BRONZES. BOIS SCULPTE ET LAQUE. PARAVENTS..16/06/2006. (356 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 11
ART DE LA CHINE. CERAMIQUES, PORCELAINES , MEUBLES ET TAPIS. 04/04/1993. (82 grams)
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DROUOT RICHELIEU. SALLE N° 11
TABATIERES CHINOISES. 25/04/1990. (100 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 12
ARCHEOLOGIE ET ART D'ASIE. COLLECTION EGYPIENNE DE MADAME X… BRONZES EGYPTIENS. CERAMIQUE DE LA CHINE. TRES RARE ENSEMBLE DE SEIZE OBJETS DU LETTRE EN CALCEDOINE. [ZHEN WU. OUSHEBTI. CHAOUABTI. PHARAON AGENOUILLE. GRAND PLAT CELADON..]. 15/6/2010. (228 gr
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 2
ART D'ASIE. CERAMIQUE DE LA CHINE DES EPOQUES HAN. YUAN. MING. KANGXI. QING. CERAMIQUE DE LA COREE. CERAMIQUE DU JAPON. FLACONS TABATIERES. PIERRES DURES. ETC.. 27/03/2002. (176 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 2
ORIENT ET EXTREME-ORIENT. 13/12/1993. (158 grams)
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DROUOT RICHELIEU. SALLE N° 4
ART DE LA CHINE ANCIENNE. 03/06/1994. (98 grams)
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DROUOT RICHELIEU. SALLE N° 4
OBJETS D'ART D'EXTREME-ORIENT. 16/04/1999. (224 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 5
ART D'EXTREME-ORIENT. PROVENANT DES COLLECTIONS DE MONSIEUR X, DE MONSIEUR Y ET A DIVERS AMATEURS. CERAMIQUE DE LA CHINE DES EPOQUES NEOLITIQUE, TANG, TONG, MING ET QING. CERAMIQUE DU JAPON. CERAMIQUE DIVERSE. FLACONS TABATIERES. ETC.. 20/10/2000. (244 gr
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N° 8
PREHISTOIRE ET ARCHEOLOGIE, ART PRECOLOMBIEN ET ART DU GANDHARA. 07/06/2001. (80 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°1 ET 7
DESSINS, TABLEAUX ANCIENS ET DU 19e SIECLE. EXTREME-ORIENT. BIJOUX-ARGENTERIE. MEUBLES ET OBJETS D'ART DES 18e ET 19e SIECLES. TAPIS. 09/02/1992. (182 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°11
ART D'ASIE. CERAMIQUES DE LA CHINE, DU JAPON ET DU VIETNAM. FLACONS TABATIERES. PIERRES DURES. IVOIRES ET NETSUKE. SAGEMONO ET LAQUES. MASQUES DE NO. ARMES JAPONAISES ET GARNITURE DE SABRE. PEINTURES ET EVENTAILS. ETC.. 15/10/2003. (236 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°11
ART D'ASIE. CERAMIQUES. ARMES. IVOIRES. ESTAMPES. EMAUX. TEXTILES. MEUBLES. DOCUMENTATION. SCULPTURES. [CERAMIQUE CHINE. JAPON. FLACONS TABATIERES. IVOIRES. NETSUKE. INRO. LAQUES. MASQUES. GARNITURES DE SABRE. ESTAMPES. ALBUMS JAPONAIS. ETC.]. 16/12/2002.
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°11
ART D'EXTREME-ORIENT. PORCELAINES DE CHINE ET EMAUX DE CANTON. OBJETS DECORATIFS EN BRONZE DU JAPON DU XIXe SIECLE. STELE SHINTO DU XVIIIe SIECLE. SUZURI-BAKO ET BOITES EN LAQUE DU JAPON DU XIXe SIECLE. OBJETS RITUELS. ETC.. 10/11/1978. (68 grams)
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DROUOT RICHELIEU. SALLE N°11
ARTS D'ASIE. 06/11/2013. (348 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°11
EXTREME-ORIENT. 04/12/2013. (172 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°12
ART EXTREME-ORIENT. 17/11/1994. (92 grams)
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°12
EXTREME-ORIENT. ART D'ORIENT. [BOL EN PORCELAINE BLANCHE "KRAAK" COUPE EN GRES EMAILLE, LONGQUAN. ALBUMS D'ESTAMPES JAPONAISES PAR HIROSHIGE, SADAHIDE, KUNISADA, YOSHIIKU, KUNICHIKA, YOSHIKAZU, KUNITSUNA, YOSHITORA, KUNIHISA KUNIYOSHI, ETC..]. 15/11/2003.
ESTIMATIONS
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DROUOT RICHELIEU. SALLE N°15
ARCHEOLOGIE CHINOISE, ARTS D'ASIE, BIRMANIE, INDOCHINE, GOA, NEPAL, TIBET, ESTAMPES JAPONAISES, ART GRECO-BOUDDHIQUE DU GANDHARA, CIVILISATION DE L'INDUS. 03/03/2007. (56 grams)
ESTIMATIONS
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