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Barth, Josef
Muskellehre nach den zwey Hauptverhältnissen, ihrer Lage und Verbindung untereinander, wie auch nach ihren allgemeinen und besonderen Verrichtungen. 2. Aufl. Mit 53 nach der Natur auf das genaueste entworfenen Kupfertafeln.
Wien, Michael Lechner, 1819. XX, [96] Text-S. u. [45] Taf. Mit insgesamt 61 Radierungen, davon 45 auf Taf. u. 16 im Text. Folio. 35,5 cm. Pp. d. Zt. m. RSch.
Referenz des Buchhändlers : 97430
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Bartkowiak, Heinz Stefan (with original SIGNED prints by Carla Bertola, Nils Burwitz, Kirsten Heitkamp, HFK, Francis van Maele,
Bartkowiaks FORUM BOOK ART. Compendium of Contemporary Fine Prints Artists' Books Broadsides Portfolios and Book Objects.
Hamburg: Heinz Stefan Bartkowiak 2004-2005. A comprehensive guide to book arts in Germany with biographies of the artists and detailed descriptions of their work. 636 3 original prints bound in 10 original signed prints in a separate folder. ONE OF ONLY 110 NUMBERED COPIES OF THE DELUXE EDITION WITH TEN PENCIL-SIGNED PRINTS BY CONTEMPORARY GERMAN BOOK ARTISTS: Carla Bertola Nils Burwitz Kirsten Heitkamp HFK Francis van Maele Emilio Sdun Felix Reidel Tamar Mason Alberto Vitaccio and Gerd J. Wunderer. Includes a monotype linoleum cuts typographical prints etc. 8vo. Book in original wraps prints in separate folder. Housed in a cloth slipcase. FINE AND BRIGHT WITH NO DEFECTS. <br/><br/> Heinz Stefan Bartkowiak paperback
Referenz des Buchhändlers : 38649
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Bartlett, Bo,
Heartland: Paintings By Bo Bartlett
Exhibition catalog for a show held at the publisher's gallery. Pamphlet ( 6" x 11") is in excellent condition, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 8 pages with 4 full color prints from the artist.
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Bartlett, Bo,
Heartland: Paintings By Bo Bartlett
Exhibition catalog for a show held at the publisher's gallery. Pamphlet ( 6" x 11") is in excellent condition, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 8 pages with 4 full color prints from the artist.
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Bartlett, Bo,
Heartland: Paintings By Bo Bartlett
Exhibition catalog for a show held at the publisher's gallery. Pamphlet ( 6" x 11") is in excellent condition, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 8 pages with 4 full color prints from the artist.
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Bartlett, W. H. / Vilnay, Zev [Intr.]
Jerusalem Revisited
Contains b&w plates. 240X170 mm. 202 pages. Softcover. Cover corners slightly wrinkled. Spine slightly worn. Pages yellowing. Else in good condition.
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Bartlett, William Henry. Engraved by E. Smith.
[Syria, Holy Land, Asia Minor] Bazzar at Jaffa, the Ancient Joppa (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. C. Bentley.
[Syria, Holy Land, Asia Minor] Approach to Antioch, the Ancient Anathoth, from Aleppo (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some marginal spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. H. Kernot.
[Syria, Holy Land, Asia Minor] Ruins of Soli, or Pompeiopolis - Asia Minor (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. P. Heath.
[Syria, Holy Land, Asia Minor] Castle Near Pambouk (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots, not affecting image.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Redaway.
[Syria, Holy Land, Asia Minor] Turkish Burying Ground at Sidon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Redaway.
[Syria, Holy Land, Asia Minor] Village of Brumhanna, in Mount Lebanon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Light spot or two.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Tingle.
[Syria, Holy Land, Asia Minor] Zarephath or Zarapha, the Ancient Sarepta (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. W. Lowry.
[Syria, Holy Land, Asia Minor] Ferry Over the Orontes (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by R. Dawson.
[Syria, Holy Land, Asia Minor] Djebel Sheich and Mount Hermon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Convent of Mount Carmel (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Encampment at Ras-El-Ain, Near Balbec (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by T. Turnbull.
[Syria, Holy Land, Asia Minor] Seleucia (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. F. Starling.
[Syria, Holy Land, Asia Minor] Castle Near Tripoli, On the River Kadesha (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. Hill.
[Syria, Holy Land, Asia Minor] Halt of a Caravan in the Desert of Girgola, Near Mt. Amanus (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. J. Cooke.
[Syria, Holy Land, Asia Minor] The Ladder of Tyrus - A Pass "On the Sea Coast. Near Tyre" (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963)
6 litografie di Bartolini
Cartella contenente 6 litografie originali a colori, eseguite da Luigi Bartolini nel laboratorio delle Edizioni d'Arte il Bisonte a Firenze, tra il dicembre 1961 e il marzo 1962, ed un frontespizio litografico inciso dall'Autore. Titoli delle opere: "Villa in Sabina", "Strada di Villa Madama", "Il davanzale in fiore", "Anna nei boschi", "Fonte di campagna", "Le fioraie" (cm 65x46 - 46x65 c.ca). Le litografie sono numerate, titolate e firmate da Bartolini a matita. Con due poesie dell'Autore: "La passeggiata" e "Gli uccelli" Esemplare 6/30. Cm 66x48. pp. 4 + 7. . Molto buono (Very Good). . Prima edizione di 100+XXX es. numerati. .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Fonte Canapina
Acquaforte originale stampata per il volume ''La Nencia da Barberino'' di Lorenzo de Medici, Bucciarelli, Ancona 1965. La tiratura dell'acquaforte è del 1961 Firma e titolo a matita (Firma e data sulla lastra: Bartolini 1959). Esemplare p.d.a.. Cm 12,5x18,5 (Foglio 35x51). . . Ottimo (Fine). . 100 + alcune pda. .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963)
Il cavallino di Monte Mario
Acquaforte originale di Luigi Bartolini (cm 4x4,6) non firmata. Opera allegata al periodico "L'Incisione" n. 16 che contiene altra acquaforte originale, numerata e firmata, di Walter Piacesi (Omaggio a Piero Della Francesca, cm 18,3x16,3). Testo inedito di Dino Garrone . 4to. pp. 20. . Perfetto (Mint). . . . Sarà questa una delle lastre incise da Luigi Bartolini rincorrendo il cavallini di Monte Mario? Consegnatami dal grande Artista, con piacere ora la dono agli amici di questa rivista che porta il titolo da lui stesso suggerito. L'autenticità dell'acquaforte è convalidata dal timbro a secco - il cui disegno è stato delineato da Bartolini nel 1962 - delle edizioni Bucciarelli (Nota dell'Editore Brenno Bucciarelli)
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Senza titolo
Acquaforte originale. Una delle 4 acqueforti che illustrarono la raccolta di versi dell'A. ''Poesie 1960'', pubblicata da Bucciarelli Firma a matita (L.B.). Esemplare p.d.a.. Cm 6,8x3,6 (Foglio 17x25,5). . . . . Tiratura 100 + alcune p.d.a. .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Senza titolo
Acquaforte inclusa nella cartella ''Cinquanta incisioni di artisti italiani'', pubblicata da Prandi nel 1963 Firma e numerazione a matita (Firma e data sulla lastra). Esemplare 37/75. Cm 24,5x17 (Foglio 45x32). . . Ottimo (Fine). . . .
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BARTOLINI, Luigi (Cupramontana, 1892 - Roma, 1963),
Senza titolo
Acquaforte. Opera appartenete alla cartella ''Testamento per Luciana'', contenente l'incisione ed un testo dell'Artista Disponibile senza la cartella. Esemplare p.d.a.. Cm 10,5x5 (Foglio 35x25). . . . . Tiratura 100 + alcune p.d.a.. .
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Bartolini, Sigfrido
Mario Sironi. L'Opera Incisa
This is a very good hardcover copy in a very good dust jacket. Completely clean inside and very clean outside as well, just a small piece chipped out of the top edge of the front jacket panel. Text in Italian. Introduction by Alfonso Gatto. Illustrated in color and black & white. 12" high X 10" wide, 213 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Bartolomeo Pinelli
Nuova raccolta di Cinquanta costumi pittoreschi incisi all’acqua forte ... dedicati a sua eccellenza il cavaliere Hitroff
In-4° oblungo; frontespizio inciso e 50 tavole incise all’acquaforte da Pinelli (1781-1835), raffiguranti scene di costume ambientate nella campagna romana; i personaggi sono dediti a giochi, lavori, attività varie della vita quotidiana, anche a Roma e nel regno di Napoli; le ambientazioni sono in Ciociaria, Cerbara, Tivoli, Albano, Fracati, Pietra Terrazzana, Roma. L’indicazione di responsabilità presente su quasi tutti i rami è “Pinelli Fece 1815 Roma”. Buona copia.
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Bartolomeo Pinelli - Giuseppe Berneri
Il Meo Patacca o vero Roma in feste nei trionfi di Vienna poema giocoso nel linguaggio romanesco Edizione seconda arricchita di num. 52 tavole
In4° grande oblungo, legatura solida in mezza pelle rossa con angoli, fregi dorati al dorso, tasselo con titolo in oro al piatto superiore. Seconda edizione la prima completa con tutte le tavole. PP. (6), 170, più 52 tavole. Buon esemplare. I dodici canti del poema eroicomico, in dialetto romanesco, che diede la notorietà a Giuseppe Berneri (1637-1701) pubblicato insieme alle famose incisioni all’acquaforte di Pinelli (1781-1835) che ritraggono vivide scene popolari, con personaggi e costumi contemporanei, iconografia della Roma ottocentesca.
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Bartolomeo Vitturi - Bartolozzi
La serenata di Ciapino e il lamento della ghita. Stanze rusticali
In-4°; pp. (32), con 2 tavole f.t. incise da Francesco Bartolozzi (1727-1815), una vignetta incisa su rame al frontespizio, una testatina e 3 grandi finalini, di cui due da invenzioni di Piazzetta, incise da Fiorenza Marcello e Felicita Sartori. Sonetto introduttivo di Gasparo Gozzi, al termine una poesia di Giovanni MArsili. Legatura in cartonato colorato. Gamba p. 613.
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Bartsch, Adam
Le peintre graveur
Würzburg : Verlagsdruckerei Würzburg 1920-22. <p>22 volumes in8 en 19 1920-22 Nouvelle édition  illustrations facsimiles de monogrames avec tables et index portrait ; 23 cm Rel demi-toile avec légers accrocs aux dos et plats généralement bel ex ex-libris MKG</p><p>v 1-5 Niederlaender --</p><p>v 6-11 Les vieux maiÌ‚tres allemands --</p><p>v 12 Les clair-obscurs des maiÌ‚tres italiens --</p><p>v 13 Les vieux maiÌ‚tres italiens --</p><p>v 14 Å’uvres de Marc-Antoine et de ses deux principaux eÌleÌ€ves Augustin de Venise et Marc de Ravenne --</p><p>v 15 Estampes de diffeÌrents graveurs anonymes qui semblent eÌ‚tre de l'eÌcole de Marc-Antoine Raimondi --</p><p>v 16-18 Peintres ou dessinateurs italiens: MaiÌ‚tres du seizieÌ€me sieÌ€cle --</p><p>v 19-21 Peintres ou dessinateurs italiens: MaiÌ‚tres du dix-septieÌ€me sieÌ€cle</p><p>v 22 zusatze zu Adam Bartsch's Le peintre graveur von Joseph Heller; Supplémentspar Rudolph Weigel</p><br /><br /><br /> Verlagsdruckerei Würzburg unknown
Referenz des Buchhändlers : biblio650
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Bartsch, Friedrich Ritter von
Die Kupferstichsammlung der K. K. Hofbibliothek in Wien. In einer Auswahl ihrer merkwürdigsten Blätter.
Wien, Braumüller 1854. XIII, 312 S. HLdrBd. d. Zt. mit Rückengoldpräg.
Referenz des Buchhändlers : EEzz2582
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Baruch, Adam [Ed.]
Peter Z. Malkin: Silkscreens Portfolio
15x21 cm. 31 pages. Paperback in dust jacket. In good condition.
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Bassaget, Pierre Numa (dit Numa)
Dieu fit l’homme à son image - Lithographie originale en couleur sur Velin blanc.
Lithographie - Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 3, 12 avril 1832, (Planche n°153 bis)Dimensions Hauteur: 27cm x Largeur: 35.6cm - Image : Hauteur: 18.4cm x Largeur: 23.8cm .- Inscription - Titre en bas au centre : « Dieu fit l’homme à son image. » ; indications, en ht au centre : « La Caricature (Journal) »Inscription - Dans la lettre : « Lith. de Delaporte » [imprimeur], « On s’abonne chez Aubert, Galerie véro dodat » [éditeur] ; dans l’image, en bas à gche, signature : « Numa »Inscription - Titre de l’ouvrage lu par Mahieux : « BIBLE »Dans un intérieur, un curé sous les traits de Mayeux lit la Bible à deux femmes élégamment vêtues assises sur un canapéPersonne / Personnage représenté:Mayeux (personnage littéraire)
Referenz des Buchhändlers : 25274
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Basel.- Schweizerischer Schriftstellerverein (Hrsg.):
E Majeli vo dr Liechtete im Rhyfälderhof fir d'Dailnämmer a dr Johresversammlig vom Schwyzerische Schriftstellerverain am 29. Mai 1921 z'Basel.
(Basel, o. Vlg.), 1921. Gross-8°. 20 S. Mit 3 signierten Lithographien von Burckhard Mangold, Otto Plattner u. ?, 1 mont. Linolschnitt nach Theodor Barth sowie 2 Lithographien nach Willi Wenk u. Dürrwang. Marmoriertes Heft d. Zt. mit mont. Deckelillustr. (mit mehreren kl. Randläsuren).
Referenz des Buchhändlers : 5925BB
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Basan
Emmanuel Theodose de La Tour
Épreuve sur beau papier filigrané. en feuille Très bon Paris 16 x 12 cm
Referenz des Buchhändlers : 15178
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BASELITZ (Georg).
GRÜNE PUNKTE, 1992. Gravure originale.
1992 Paris, Atelier Tanguy Garric, 1992. Un feuillet double (275 X 216 mm).
Referenz des Buchhändlers : 005640
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Bassaget, Pierre Numa (dit Numa)
Monsieur Budget et Mademoiselle Cassette se promenant aux Tuilleries [Tuileries].Lithographie originale coloriée sur Velin blanc.
1832 Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 3, 2 février 1832, (Planche n°133);taches en marges.-Lithographie- Œuvre: Hauteur: 27cmx Largeur: 35.6cm - Image: Hauteur: 18.7cmx Largeur: 22.5cm - Titre en bas au centre : « Monsieur Budget et Mademoiselle Cassette / se promenant aux Tuilleries [Tuileries] » ; indications, en ht au centre : « La Caricature (Journal) / N°66. », en ht à dte : « Pl. 133. »- Dans la lettre : « Lith. de Delaporte » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur]Inscription - Sur la robe de la femme, une série de chiffres correspondant à des sommes mirobolantes- « Ces deux être abstraits, gras de la maigreur de tous, et dont chacun, même le Sans-Culotte, retrouve toujours la main dans un coin de son gousset ». Il s’agit d’une représentation caricaturale de Louis-Philippe, figuré extrêmement gros, comme engraissé par l’argent que "La Caricature" lui reproche de prendre aux Français par le biais des taxes et impôts. Il est représenté de dos (mais est reconnaissable au toupet et aux favoris). Il donne le bras à une femme, incarnation de la « Cassette », c'est-à-dire du budget, voire même de la liste civile du roi. Sa robe est tricolore (bleu, blanc et rouge). Elle aussi de dos, elle tourne la tête vers le spectateur. Les deux obèses personnages se promenent dans le jardin des Tuileries. La pl. critique l’amour de l’argent, voire l’avarice du roi des Français. A l’arrière-plan à gche, le pavillon des Tuileries, surmonté du drapeau tricolore.
Referenz des Buchhändlers : 25611
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based Noah Webster, illustrated with 670 engravings, blank endpapers former owner name, preface Charles Walter Brown
Donohues Websters Handy American Dictionary of English Language comprehensive Lexicon containing over 32000 words & phrases Correctly defined to which is added a list of foreign words phrases & quotations from ancient & modern languages Re
M. A. Donohue Chicago. HB NODJ No Date Early Vintage 1st edition Thus Purple with Black decorated cloth Cover minor rub & Wear & tiny Chips Extremities NF/VG NODJ back cover couple stains . First Thus. Hard Cover. M. A. Donohue Chicago hardcover
Referenz des Buchhändlers : 9248
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Baselitz, Georg
Baselitz. Peintre-Gaveur. Werkverzeichnis der Druckgrafik. In Zusammenarbeit mit Johannes Gachnang. 2 Bände. 1. Band: Werkverzeichnis der Druckgrafik 1963-1974. 2. Band: Werkverzeichnis der Druckgrafik 1974-1982.
Bern, Berlin, Verlag Gachnang und Springer, 1983-1987. 4°. 34,5 x 25cm. 228 und 265 Seiten. Original-Leinenbände mit Original-Schutzumschlägen. Band 2 mit Pappschuber.
Referenz des Buchhändlers : 45344AB
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Basil King
COSMOPOLITAN MAGAZINE JUNE 1920 FRANK F.X. LEYENDECKER 4-PAGE ILLUSTRATIONS GAY INTEREST The Everlasting Doors
Good. 1920. Magazine. Rare. Contains a story by Basil King with 4 pages of F. X. Leyendecker illustrations of semi-nude men and and a semi-nude woman. Magazine cover is soiled along right edge and pink damp staining. Pages are lightly toned with a rust stain on the inner margins from the staples otherwise clean and very good. Some of the pages are detached or loose and one page has been partially trimmed. No address label. . . unknown
Referenz des Buchhändlers : 17238
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Basil Taylor
Stubbs
New York NY: Harper & Row Publishers 1971. Stated First U.S. edition. Cloth hardcover is VG clean no writing tight and square minor wear to normal spots on cover. Jacket is VG minor wear to spine/corners no tears marks or writing original price intact. Introduction List of exhibited works A critical note on the Stubbs literature The Turf Review portraits Plates Notes to the plates Index of works illustrated Index of names. 220pp with 138 plates including 16 in color and 19 comparative illustrations. . First U.S. Edition. Hardcover. Very Good /Very Good. Harper & Row Publishers Hardcover
Referenz des Buchhändlers : 004202
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Baskin, Lisa Unger [CURATOR]
The Gehenna Press: The Work of Fifty Years 1942-1992
28x21.5 cm. 238 pages. Softcover. Spine slightly wrinkled. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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BATAILLE Georges
L'Archangélique
Paris Nouveau Cercle parisien du livre 1967 In-2 En feuilles, couverture illustrée, emboitage éditeur
Referenz des Buchhändlers : 013650
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BATEM (Luc Collin)
Signierter Comic-Druck als Weihnachtsgabe von Heinzelmännchen's Bücherstube in Stuttgart. * Eigenhändig signiert und numeriert. Hier die Nummer 11 / 150.
Stuttgart 1992. Ein Blatt im Format 12,5x15 cm in orangerotem Umschlag "Frohe Weihnachten und ein gutes Neues Jahr". Neuwertig 21x15 cm
Referenz des Buchhändlers : 147107
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BATES H. E.
Through the Woods.. The English Woodland - April to April. With Engravings by Agnes Miller Parker. [Second Edition] NEAR FINE COPY IN UNCLIPPED DUSTWRAPPER
8vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.
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Bates, H E and Agnes E Bates (Wood Engravings)
Through the Woods: the English Woodland-April to April
London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. <br/> <br/> Frances Lincoln Publishers hardcover
Referenz des Buchhändlers : 20053005
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Bates, HE., Wood Engravings by Agnes Miller Parker H. E.
Through the Woods; The English Woodland April to April
London: Victor Gollancz 1936 1st edition. Cloth 142pp. Very good plus. Terracotta boards with gilt lettering to spine. Small sticker on front end-paper otherwise near fine. Victor Gollancz Hardcover
Referenz des Buchhändlers : 112903
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Batlle Planas, Juan [Batle]
El Barrio de San Telmo - Cincografias Originales de Juan Batlle [Batle] Planas. [SERIES]: Laminas de la Ciudad de Buenos Aires, 8.
LIMITED EDITION - COPY No.338. RARE collection of 12 b&w silkscreen (serigraph) prints by an eminent Argentinian artist Juan Batlle Planas (1911-1966) belonging to the surrealist school, but orienting in his later phases to romanticism. Many of his works, while obscure, were sombre in feeling, influenced by social unrest and economic and political problems in Argentina. Batlle Planas was an influence on numerous Latin American painters, including Roberto Aizenberg and Dalila Puzzovio, who studied under him. The prints depict San Telmo ("Saint Pedro González Telmo") - the oldest barrio (neighborhood) of Buenos Aires characterized by its picturesque colonial buildings. 390x280mm. 12 separate plates & 12 text pages (6 unbound double pages) laid in Hardcover folder with cloth spine and string-tie closure. Prints actual size: 26x16cm printed on white framing background. Title sticker mounted on folder front cover. Folder curved. Folder strings tattered. Folder edges and corners bumped and worn/peeling. Folder front board dirty. Folder rear board and spine stained. Folder flaps detached. Spine edges tattered/peeling. [SUMMARY]: Only the folder of this extremely rare collection of unique silkscreen prints has sustained some wear. All plates are in very good condition and ready for framing!
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