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L'AVANT-SCENE CINEMA-N°86-NOVEMBRE 1968-RENE CLAIR/ENTR'ACTE/A NOUS LA LIBERTE
62 PAGES-RENE CLAIR/PICABIA, SATIE ET LA PREMIERE D'ENTR'ACTE-BIOFILMOGRAPHIE RENE CLAIR-A NOUS LA LIBERTE ET LA PRESSE-TRACE D'HUMIDITE EN MARGE INFERIEURE
Référence libraire : ABE-4428939236
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SPECTATEUR-N°100-29 AVRIL 1947
8 PAGES FORMAT 43X56-EN UNE: PHOTO 16,5X20,5 DE MURIEL CHANEY DANS "L'AMOUR DES 3 ORANGES" AU THEATRE MONTPARNASSE-LES VALETS DE LA LIBERTE,PAR ANDRE ROUBAUD-CLIMATS D'ALSACE,COUPS DE SOLEIL ET PARAPLUIES,PAR DUSSANE-ENTRE L'OUVRIER ET LE POETE LE SCENARISTE,PAR ALEXANDRE ARNOUX-THEATRE DE L'ATHENEE,"LES BONNES","L'APOLLON DE MARSAC",CARICATURE DE JOUVET PAR GEORGES BASTIA-DANSE:LA LEGENDE DU LAC DES CYGNES-JE SUIS MAINTENANT UN VIEIL HOMME.M'A DECLARE MAURICE CHEVALIER-CHARLES FRIANT N'EST PLUS-BERNARD NAUDIN,PAR A VIALATTE,AUTOPORTRAIT-UNE LETTRE DE M.RABANI A BERNARD GAVOYT,EDITH PIAF-JEAN DELANNOY TOURNE "LES JEUX SONT FAITS" DE J.P.SARTRE-(042013)
Référence libraire : ABE-10074789345
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( TAPUSCRIT) - GSELL Paul (1870 - 1947, écrivain, critique d'art, scénariste.
Diogène-le-Chien, pièce en 3 actes - Le Mistère (!) de Sainte Jeanne d'Arc, huit vitraux - L'Unique amour : Scènes de Fersen , Scènes de Marie-Antoinette.
Ensemble de 3 tapuscrits ou copies de tapuscrits de Paul Gsell, en 5 dossiers. Diogène le Chien. Pièce en Trois actes. Tapusctit in-4° sous chemise ocre ou beige formant couverture, titre manuscrit au 1er plat par l'auteur, broché par ruban. 2 exemplaires, un de 144pp. , l'autre non paginé. Les 2 avec nombreuses ratures et corrections autographes de l'auteur. Cette comédie a été radiodiffusée en 1937, avec une musique de Henri-Emile Sauveplane (cf. BNF). Déchirures aux couvertures, on a joint des pages volantes d'un 3ème exemplaire incomplet. /
Référence libraire : 9761
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[Adult films] Marilyn Chambers (starring); Artie Mitchell (director, screenwriter); Jim Mitchell (director)
Behind the Green Door Original typescript short story basis for the 1972 adult film
N.p.: N.p. 1970. Vintage eleven-page ribbon copy typescript short story later serving as the basis for the 1972 adult film.<br /> <br /> An explicit short story penned by an anonymous author sometime before or during World War II circulated underground in typescript or carbon typescript copies during the 1940s. Basis for the successful 1972 adult film notable as one of of the first American hardcore pictures to receive widespread release in the US one of the first heterosexual pornographic films to feature an interracial sex scene and a breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. <br /> <br /> Eleven leaves last page of text not numbered. Ribbon copy typescript on onionskin stock rectos only. Pages Good or better bound with two staples on the top edges. N.p. unknown
Référence libraire : 168509
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[African American Interest] [Film scripts] Norman Jewison (director); John Ball (novel); Stirling Silliphant (screenwriter); Sid
In the Heat of the Night Original screenplay for the 1967 film
Los Angeles: The Mirisch Corporation 1966. Revised First Draft script for the 1967 film. Laid in is a Call Sheet from the production dated Tuesday November 29 1966. <br /> <br /> Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. Winner of five Academy Awards including Best Picture and Best Actor for Rod Steiger nominated for two others. After the success of the film version the characters were developed further for a police procedural television series in 1988 developed by James Lee Barrett and starring Carroll O'Connor and Howard Rollins which aired on NBC then CBS from 1988 to 1995.<br /> <br /> Set in the fictional town of Sparta Mississippi and shot largely on location in Illinois. Poitier insisted the movie be filmed in the North because of a 1964 incident in Mississippi in which he and Harry Belafonte had been run off the road and almost killed by Klansmen while in the state to support the SNCC Student Non-Violent Coordinating Committee.<br /> <br /> Goldenrod titled wrappers noted as REVISED FIRST DRAFT on the front wrapper rubber-stamped copy No. 84 dated July 1 1966. Title page present dated July 1 1966 noted as REVISED FIRST DRAFT with credits for screenwriter Stirliing Silliphant. 134 leaves with last page of text numbered 140. Mimeograph duplication rectos only with blue pink and white revision pages throughout dated variously between 7/27/66 and 8/10/66. Pages with damp stain on top right of last several pages else Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Call Sheet 8.5 x 14 inches folded horizontally. Near Fine<br /> <br /> National Film Registry. Criterion Collection 959. Penzler 101 Greatest Films of Mystery and Suspense. The Mirisch Corporation unknown
Référence libraire : 152454
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[African American Interest] Lillian Smith (novel); Seth Pinsker (director); Stephen B. Katz (screenwriter); Wendell Wright, Mich
Strange Fruit Original screenplay for the 1979 short film actor Charles Hutchins' working copy
N.p.: N.p. 1978. Revised Draft script for the 1979 short film. Copy belonging to uncredited actor Charles Hutchins with his name and role "The Court Clerk" in manuscript ink on the title page and his annotations in manuscript ink indicating scenes on three pages. <br /> <br /> The first film adaptation of the 1944 novel by Lillian Smith about a Black painter in 1940s Georgia whose attempt to register to vote culminates in his murder by a lynch mob. Nominated for an Academy Award for Best Short Film.<br /> <br /> Set in Georgia.<br /> <br /> Self wrappers. Title page present dated Feb. 20 1978 noted as Revised Draft with credits for screenwriter Stephen B. Katz director Seth Pinsker and novelist Lillian Smith. 36 leaves with last page of text numbered 33. Xerographic duplication rectos only. Pages Very Good plus lightly edgeworn partially bound at the top left corner with three staples. N.p. unknown
Référence libraire : 160757
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[African American Interest] [Film] [Photography] Marc Connelly (director, screenwriter, play); William Keighly (director); Roark
The Green Pastures Collection of nine original photographs from the 1936 film
Burbank CA: Warner Brothers 1936. Collection of nine vintage oversize photographs from the 1936 film. Each with a mimeo snipe on the verso. <br /> <br /> Based on the 1930 Pulitzer Prize winning play by Marc Connelly itself based on "Ol' Man Adam an' His Chillun" a 1928 collection of pseudo African American folk tales by Roark Bradford. One of only a handful of films to feature an all-Black cast made by a major Hollywood studio during the Golden Age becoming the highest grossing such film and remaining so until surpassed by "Carmen Jones" in 1954. <br /> <br /> 14 x 11 inches. Very Good with light edgewear and light vertical creasing down the center. Warner Brothers unknown
Référence libraire : 147033
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[Anthony Perkins] Joseph Anthony (director); Bill Avery (photographer); N. Richard Nash (screenwriter); Burt Lancaster, Katharin
Original photograph of Anthony Perkins on the set of "The Rainmaker" circa 1953
N.p.: N.p. 1953. Vintage oversize borderless reference photograph of actor Anthony Perkins barefoot on the set of "The Rainmaker" circa 1953. The original penciled notations on the verso indicate that Perkins was on the set to visit Wendell Corey. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso. <br /> <br /> Shot early in his career before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." <br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br /> <br /> Shot partially on location in Kanab Utah. <br /> <br /> 8.5 x 13.5 inches. Near Fine. N.p. unknown
Référence libraire : 150345
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[Benjamin Franklin] Dennis Whelan (screenwriter)
Franklin in France Original treatment script for an unproduced film
N.p.: N.p. 1986. Treatment script for an unproduced film. <br /> <br /> The true story of Benjamin Franklin traveling to France after the American Revolution where he acts as a diplomat from the newly-established United States of America and he makes sure to throw around the new weight of this budding country. <br /> <br /> Set in Paris. <br /> <br /> Clear untitled wrappers. Title page present dated 1986 with credits for screenwriter Dennis Whelan. 53 leaves with last leaf of text numbered 50. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with two staples. N.p. unknown
Référence libraire : 141902
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[Blaxploitation] [Exploitation] Frank Saletri (screenwriter)
Archive of eight original screenplays for six unproduced Blaxploitation and exploitation films written between 1974 and 1979
N.p.: N.p. 1979. Archive of eight Draft scripts for six unproduced Blaxploitation and exploitation films written by screenwriter Frank Saletri between 1974 and 1979. <br /> <br /> Saletri a criminal defense lawyer in Los Angeles harbored a lifelong interest in exploitation films especially Blaxploitation. He worked as a part-time screenwriter and producer founding FRSCO Productions headquartered in the Hollywood General Services Studios until Frances Ford Coppola bought the lot in 1980. Saletri's screenwriting work was largely unproduced with the exception of the 1973 film "Blackenstein" and the possible exception of "Black the Ripper" a questionably apocryphal film whose existence has been debated for decades among grindhouse fans. Saletri would be murdered in 1982 in a mysterious and still-unsolved shooting widely attributed to the mob. <br /> <br /> Scripts represented include:<br /> <br /> One Draft script for "Black the Ripper" 1974<br /> <br /> First Draft Second Draft and Third Draft scripts for "The Secret of the Maltese Falcon" 1975<br /> <br /> One Draft script for "Sherlock Holmes in the Adventure of the Golden Vampire" Circa 1977-1978<br /> <br /> One Draft script for "The Big Sleep of the Casablanca Falcon" 1978<br /> <br /> One Second Draft script and one Third Draft script for "The Skid Row Slasher" 1979<br /> <br /> Scripts range from Near Fine to Very Good plus. N.p. unknown
Référence libraire : 158050
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[Blaxploitation] Roland Cutler (screenwriter); Cecil Brown (novel)
Mister Jiveass Original screenplay for an unproduced film
Hollywood: Turman-Foster 1975. First Draft script for an unproduced film. <br /> <br /> Based on noted African American writer and academic Cecil Brown's 1969 debut novel. A cynical silver-tongued black man from the rural south makes a living through scamming and stealing which he considers informal reparation for the injustices he has faced. Fed up with the quality of life in the US he decides to leave for Sweden where he spends his days with other black expatriates and his nights with beautiful Swedish women. <br /> <br /> Set in New York and Stockholm Sweden. <br /> <br /> Blue titled wrappers. Title page present dated March 21 1975 noted as FIRST DRAFT with credits for screenwriter Roland Cutler and novelist Cecil Brown. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Turman-Foster unknown
Référence libraire : 146241
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[Cyd Charisse] Joseph Pevney (director); Ernest K. Gann (novel, screenwriter); Rock Hudson, Cyd Charisse (starring)
Twilight for the Gods Original double weight photograph from the set of the 1958 film
Universal City CA: Universal Pictures 1958. Vintage double weight photograph on the set of the 1958 film showing Cyd Charisse getting her hair styled after a swim while Rock Hudson films with moment in the background. With a mimeo snipe on the verso. <br /> <br /> With a screenplay by Ernest K. Gann based on his 1958 novel about the captain and passengers of a rundown boat caught in a storm and struggling to survive. <br /> <br /> Filmed on location in Hawaii. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
Référence libraire : 143074
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[Director] Gordon, Michael; [Screenwriter] Pozner, Vladimir; [Starring], O'Brien, Edmond; et al.
Another Part of thr Forest Post-production Screenplay for the 1948 Drama
Universal City: Universal-International 1947. First Edition. Very good. Continuity and dialogue script here under the working title "Destiny of a Woman;" 11 x 8 1/2; textured yellow wraps bound at the top edge with two large brads; "Continuity and Dialogue / Master Copy / Prod. # 115125 / Charge # 563" to front wrap; several light penciled-in annotations throughout; mimeographed text to rectos only; a few minor spots to upper margin of front wrap; several leaves with creases to bottom corners; in very good condition. Based on playwright screenwriter and political activist Lillian Hellman's 1905 - 1984 1946 Broadway play of the same name and prequel to her "The Little Foxes" the drama took place in post-Civil War Alabama and centered around the wealthy ruthless racist Hubbard family. Vladimir Pozner 1905 - 1992 who would adapt Hellman's play for the future film was a French author of Russian-Jewish descent. His "Les etats desunis. Reportage" The Disunited States. A Reportage in essence - a leftist travelogue and one of his most famous works would document racism inequality everyday life and its characters the gangsters the starlets and the poor workers in the United States in the early 20th century. Universal-International paperback
Référence libraire : 003375
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[Ellery Queen] Robert Pirosh (screenwriter); Seymour Robbie (director); Frederic Dannay, Manfred Bennington Lee writing as Eller
Ellery Queen Original photograph from Season 1 Episode 9 of the 1975-1976 television series
Burbank CA: National Broadcasting Company NBC 1975. Vintage reference photograph from "The Adventure of Veronica's Veils" season 1 episode 9 of the 1975-1976 television series. With detached mimeo snipe. <br /> <br /> Loosely based on the 1929 novel "The Roman Hat Mystery" by Frederic Dannay and Manfred Bennington Lee under their joint pseudonym Ellery Queen. The series follows a detective solving various absurd crimes. In this episode a producer who works a t burlesque club has a heart attack and dies. He left a tape before he died asking someone to find his murderer. <br /> <br /> Set in New York City. <br /> <br /> 7 x 9 inches. About Fine. National Broadcasting Company [NBC] unknown
Référence libraire : 159736
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[Experimental Film] [Archives] Robert Frank (director); Rudolph Wurlitzer (screenwriter)
Vernacular concept journal for Energy and How to Get It
N.p.: N.p. 1981. Handmade vernacular conceptual journal documenting the shooting of Robert Frank's 1981 film "Energy and How to Get It" circa 1980-1981. <br /> <br /> Includes tipped in ephemera drawings business cards and 46 Polaroids of Wurlitzer Robert Frank June Leaf and “Lightning†Bob. Annotations and captions throughout by Wurlitzer. Also included are 4 reference photos all likely unique from the shooting of the film: two showing both Wurlitzer and Frank one showing Wurlitzer and one of the "Enola Gay" aircraft in the film. <br /> <br /> Mead Memo notebook spiral bound. Green wrappers. 4.25 x 6 inches Very Good overall tipped in photos Near Fine. Reference photos 8 x 10 inches Near Fine. N.p. unknown
Référence libraire : 142842
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[Film scripts] Dashiell Hammett (novel, screenwriter)
Screenplay for The Thin Man Sequel After the Thin Man Original screenplay Hammett's copy with holograph correction
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Dashiell Hammett's original submitted Treatment script for the first sequel to "The Thin Man" here referred to only as "Thin Man Sequel" and ultimately titled "After the Thin Man." With a single manuscript correction by Hammett and letter of provenance from Hammett's daughter Josephine Hammett Marshall regarding the discovery of the treatment in the family's estate. <br /> <br /> The first "Thin Man" film released in 1934 and based on Hammett's novel was a smash hit and is today a key film in the American screwball comedy cycle. Five sequels were made between 1936 and 1947 all starring the original acting team of William Powell and Myrna Loy and this previously unknown attempt at a sequel by Hammett was clearly commissioned by MGM but never produced making this script an entire unpublished Hammett work. The story is a completely original one never reworked for the other films very much written in Hammett's trademark style and reading a bit more like a story treatment i.e. a novel than a final screenplay which is likely as far as the story got on the road to production. <br /> <br /> The piece is dated Sept. 17 1935 at the lower right corner of the front panel along with Hammett's name and Hammett's name is noted in pencil next to the title label though not in Hammett's hand. There is only one single-word correction to the entire text at page 83 in Hammett's hand where the word "compact" is replaced with "cigarette case." <br /> <br /> Accompanying the screenplay is a typed letter signed from Hammett's daughter who edited a recently published collection of Hammett's letters on her personal stationery stating that the screenplay was discovered by Hammett's wife in 1980 and that it had been a part of the family's estate until that time. Probably one of only 2-3 copies that could have been produced and very possibly the only copy extant. To our knowledge no other copy of this story in any form has ever been recorded at auction or sold on the market. <br /> <br /> Light blue titled wrappers with the white MGM studio label present manuscript pencil notation of Hammett's name secretarial rubber-stamped COMPLETE dated September 17 1935 with a single credit for Hammett. 115 leaves mimeograph duplication. Pages and wrapper Very Good plus bound with two gold brads. In a custom clamshell box. <br /> <br /> Full pagination available upon request. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 124528
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[Film Westerns] Cowan, Will (director); Joseph O'Donnell (screenwriter); Tristam Coffin, Marshall Reed (starring)
Cactus Caravan Original screenplay for the 1950 short film
Universal City CA: Universal Pictures 1949. Final shooting script for the 1950 film. Copy belonging to actor Marshall Reed who here plays the role of the villain with his name in black manuscript ink on the front wrapper. <br /> <br /> A ruthless man attempts to rekindle a settled feud between two rancher families in order to take both their lands when they kill each other off. Luckily the town has a good sheriff and a standup rancher gal to help save the day. An odd short musical western with a good crop of the genre's favorite themes bar brawls ambushes sharpshooters to help round out the plot. <br /> <br /> Red titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper production No. A7 dated November 2 1949. Title page present with credits for screenwriter Joseph O'Donnell. 47 leaves with last page of text numbered 46. Mimeograph duplication. Pages Fair wrapper Fair bound with three gold brads. Foxing and dampstaining to much of the wrappers and extremities. Universal Pictures unknown
Référence libraire : 137478
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[Film] [Art] Harold Adler (letterer); Alfred Hitchcock (director); Daphne Du Maurier (story); Evan Hunter (screenwriter); Tippi
The Birds Archive of three original title card maquettes for the 1963 film
Universal City CA: Universal Pictures 1986. Archive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters both elaborately designed and executed in a calligraphic style from Adler to author illustrator and editor Fridolf Johnson relating to Adler's work with Hitchcock. <br /> <br /> Harold Adler was a calligrapher who created hand lettered titles on over 100 films worked frequently with Alfred Hitchcock and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" 1963 his credits include "Comanche!" 1956 "The Man with the Golden Arm" 1955 "The Seven Year Itch" 1955 "Carmen Jones" 1954 "Psycho" 1960 "In the Heat of the Night" 1967 and "Justine" 1969. <br /> <br /> In 2012 an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation Kansas City. <br /> <br /> In the first letter dated May 16 1986 Adler describes after touching on other topics meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill stating that Hitchcock "was amazed" by this answer and after that would "request 'to be sure to bring that nice young man along" meaning Adler whenever he had a job for Adler's firm. <br /> <br /> The second letter dated June 10th 1986 focuses almost exclusively on Adler's work on "The Birds" going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did knew what he wanted and smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. <br /> <br /> The letters themselves are works of art executed in a variety of inks in Adler's detailed penmanship with Johnson's name on each in particular receiving full calligraphic treatment. <br /> <br /> Also included are draft title cards for the film stylistically similar to each other but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil with titles executed in white paint on black board. The third card photo stat on black paper which accompanied the June 10th letter has been annotated by Adler on both the recto and verso explaining the in more detail the technical process of putting the lettering on film. <br /> <br /> Overall a significant collection of material illuminating a little explored aspect of film design with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. <br /> <br /> Each letter 19 x 24 inches single leaf rectos only. May 16th letter folded twice for mailing June 10th letter folded. Two long diagonal creases to the May 16th letter else both are Fine. Original mailing envelope for the May 16th letter included. <br /> <br /> "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. <br /> <br /> National Film Registry. Clover Men Women and Chainsaws. Godard Histoires du cinema. Universal Pictures unknown
Référence libraire : 132794
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[Iron Eyes Cody] William C. Edwards (screenwriter)
The Amulet Original screenplay for an unproduced Western film copy belonging to Iron Eyes Cody
Las Vegas: Nevada Film Productions 1954. Draft script for an unproduced Western film. Copy belonging to actor Iron Eyes Cody who was apparently considered for a role in the film with his annotations in manuscript ink on the front wrapper and throughout providing commentary on the representation of Native Americans.<br /> <br /> In the 1970s there were few faces more ubiquitous than that of Iron Eyes Cody owing largely to his memorable appearance as the “crying Indian†in the Keep America Beautiful public service announcement originally released on Earth Day 1971 and aired throughout the 1970s. Cody identified publicly and privately as Native American throughout his entire adult life despite it being revealed in the mid-1990s that he was in fact a second-generation Italian American. <br /> <br /> Cody appeared in more than 200 films and over a hundred television programs from the 1920s through the 1980s. Originally taking the name "Iron Eyes" for the 1948 Western comedy film "The Paleface" Cody maintained the moniker for the rest of his career and would frequently wear his Hollywood costumes in his day-to-day life. In 1936 Cody married Native-American archaeologist Bertha Parker Pallan and the pair adopted two children of Dakota-Maricopa descent. <br /> <br /> In 1996 New Orleans newspaper "The Times-Picayune" would publish an article revealing that Cody was born Espera Oscar de Corti in Kaplan Louisiana the child of Sicilian immigrants. The story was corroborated by Cody’s half-sister May Abshire and by several legal documents including baptismal records. Cody would nevertheless insist that he was Native American and deny his Italian heritage until his death in 1999. <br /> <br /> Red titled wrappers. Title page present undated with credit for screenwriter William C. Edwards. 90 leaves with last page of text numbered 89. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Nevada Film Productions unknown
Référence libraire : 167991
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[Jack Kerouac] Nick Nolte, Sissy Spacek, John Heard, Ray Sharkey (starring); John Byrum (director, screenwriter)
Heart Beat Five original lobby cards for the 1980 film
Beverly Hills CA: Orion Pictures 1980. Collection of five lobby cards for the 1980 film. <br /> <br /> Based Carolyn Cassady's 1976 book about the lives of and relationships between Neal Cassady Carolyn and Jack Kerouac with some focus on Kerouac's writing his novel "On the Road." One of the earliest feature films about central Beat figures. <br /> <br /> Shot on location in San Francisco. Orion Pictures unknown
Référence libraire : 141121
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[Jim Jarmusch] Alfred Molina, Marianne Faithfull (starring); Sara Driver (director, screenwriter); Ray Dobbins (screenwriter); J
When Pigs Fly Original screenplay for the 1993 film
N.p.: N.p. 1991. Draft script for the 1993 American-German-Dutch film. Single numeric annotation in manuscript pencil on the title page. Text in English.<br /> <br /> A struggling jazz musician provides music lessons to make ends meet although his students are ambivalent at best while maintaining a romance with a bartender at a local Irish bar. One of two feature films directed by Sara Driver known for producing the first two films of her longtime partner director Jim Jarmusch. <br /> <br /> Shot on location in Hamburg.<br /> <br /> Mylar front wrapper black rear wrapper. Title page present dated 1991 with credits for screenwriter Ray Dobbins and story writer Sara Driver. 91 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a black Velo binding. N.p. unknown
Référence libraire : 167974
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[Jimi Hendrix] Fabio della Sala (screenwriter); Jean Gennis (translator)
Messengers of Love Original treatment script for an unproduced film
N.p.: N.p. 1984. Treatment script for an unproduced film. Laid in is a signed letter from the screenwriter to the Walter Kohner dated January 31 1985. <br /> <br /> An interpretation memorialization dedication and history of Jimi Hendrix told through art and collages made by the screenwriter which are in this screenplay as well as a fantasy meeting between della Sala and Hendrix. <br /> <br /> Yellow titled wrappers noted as Treatment on the front wrapper dated 1984 with credits for screenwriter Fabio della Sala and translator Jean Gennis. 61 leaves with last leaf of text numbered 51. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with three staples. N.p. unknown
Référence libraire : 141901
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[John Knox] Allan Sloan (screenwriter)
The Winds of Change The Times of John Knox Original screenplay for an unproduced film
New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. <br /> <br /> Presumed the only screen treatment on Knox the leader of the Protestant Reformation. <br /> <br /> Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
Référence libraire : 132008
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[Johnny Crawford] Hayden Carruth (novel); Eric Bercovici (screenwriter)
Track's End Original screenplay for an unproduced film
N.p.: N.p. 1985. First Draft script for an unproduced film. With a brief handwritten note clipped to the first leaf on PanArts letterhead dated 9/7/89 addressed to actor Johnny Crawford from Robert Crawford introducing the script. <br /> <br /> Based on the nineteenth-century novel by Hayden Carruth. A young boy finds himself lost in a snowstorm in the northwestern prairie and must struggle to survive aided by his cat Pawsy and his dog Kaiser. <br /> <br /> Set in the Dakota Territory. <br /> <br /> Self wrappers. Title page present dated February 28 1985 noted as FIRST DRAFT with credits for novelist Hayden Carruth and screenwriter Eric Bercovici. 124 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus overall bound with two gold brads. N.p. unknown
Référence libraire : 152106
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[Laserdisc, LD] Mick Jagger, Anita Pallenberg (starring); Nicholas Roeg (director); Donald Cammell (director, screenwriter)
Kenji Mizoguchi: The Complete Daiei Films 1935-1944 Laserdisc LD
Japan: Shochiku Home Video SHV 1996. Laserdisc collection consisting of Kenji Mizoguchi's filmography with Daiei Studios 1935-1944. Complete with 9 films on 10 discs. Includes a 44-page oversize booklet.<br /> <br /> Films with Japanese audio no subtitles. Booklet text and titles in Japanese. Catalog No. PILD-7030.<br /> <br /> Discs and sleeves Fine. Housed in publisher's decorative clamshell box .Near Fine.<br /> <br /> LaserDisc Database link: https://www.lddb.com/laserdisc/41815/LSK-0003/Kenji-Mizoguchi:-Collection-vol.1---1935-44<br /> <br /> Oversize volume shipping billed at cost. Shochiku Home Video [SHV] unknown
Référence libraire : 165023
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[LGBTQ] Christopher Monger (director); Monica Jay (novel); Nick Evans (screenwriter); Julie Walters, Adrian Pasdar, Paul Freeman
Just Like a Woman Original flyer for complimentary screenings of the US release of the 1992 British film
Santa Monica: NuWilshire Theater 1994. Vintage flyer advertising two screenings of the US release of the 1992 British film Thursday July 7 and Monday July 11 1994 at the NuWilshire Theater in Santa Monica California.<br /> <br /> Based on the 1985 novel "Geraldine For the Love of a Transvestite" by Monica Jay. Gerald an American banker who is secretly a cross-dresser is thrown out of his house when is wife discovers women's undergarments in their bedroom. Gerald takes up lodgings with Monica a 50-year old recently divorced housewife smitten with Gerald who slowly discovers Gerald's secret his alter-ego Geraldine and learns to accept and appreciate and support Gerald.<br /> <br /> Set and shot on location in London.<br /> <br /> 8.5 x 11 inches on lilac paper. Some light edgewear else Near Fine. NuWilshire Theater unknown
Référence libraire : 159660
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[Madness] Dave Robinson (director, screenwriter); Phil McDonald (screenwriter); [Madness] Gerard Kelly, Keith Bell, Suggs, Alfie
Take It or Leave It Original press kit for the 1981 film
London: GTO Films 1981. Vintage pressbook from the 1981 British film. Kit includes one full-color bifold booklet and three studio still photographs. <br /> <br /> A comic documentary film following the exploits of British pop group Madness following their rise to fame from their humble pub-band origins. <br /> <br /> Booklet: 11.5 x 8.5 inches. Very Good plus with a light vertical crease on the fore-edges.<br /> <br /> Photographs 8 x 10 inches. Very Good plus one with annotations in manuscript ink on the recto. GTO Films unknown
Référence libraire : 157696
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[Mark Twain (original novel); Edwin S. Porter (director); Hugh Ford (screenwriter); Marguerite Clark (starring)].
The Prince and the Pauper
<p>Mark Twain original novel; Edwin S. Porter director; Hugh Ford screenwriter; Marguerite Clark starring. The Prince and the Pauper. New York: Capitol Theatre August 13th 1922. Original handbill for a week-long run of the second silent adaptation of The Prince and the Pauper originally released in 1915. Octavo 7 x 9.125 inches; 175 x 232 mm. Single leaf printed both sides with screening information on the recto and a collage with three images from the film and a quote from S. L. "Roxy" Rothafel on the verso. Margins a little wrinkled with a couple soft creases in the corners; two faint fox marks on the recto and just a hint of soiling on the verso. Near fine.<br /><br />The Prince and the Pauper was initially adapted as a two-reel Edison production in 1909. Famous Players Lasky revisited the source material in 1915 releasing a five-reel feature that November when feature-length film making was less than two years old in the United States. It starred Marguerite Clark in a dual role. By 1922 the conventional shelf-life of a silent film made in 1915 would have long expired likely to be melted down for silver why most films form the silent era are lost. Many of the films from major studios that survived did so because they were hits continuously in demand or because they were forgotten about by the end of their distribution runs either could have been reason enough to book something for a theatre manager as creative as Roxy Rothafel who later opened the Roxy and Radio City Music Hall in New York. The Capitol Theatre opened in October 1919. "Progressive Silent Film List" silentera.com. #10289.</p> Capitol Theatre, paperback
Référence libraire : 10289
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[Marquis de Sade] Larry Crane (director); Walter M. Berger (screenwriter); Edmund Nightwood, Bernard Gilmore, Peter Bradford (st
The Devil in Velvet Three original photographs from the 1968 film
N.p.: Boxoffice International 1968. Three vintage studio still photographs from the 1968 sexploitation film. All three photographs with provenance stamps on the versos. <br /> <br /> A fanciful account of the Marquis de Sade and the women who are irresistibly drawn to him. <br /> <br /> 8 x 10 inches. Very Good plus. Boxoffice International unknown
Référence libraire : 161669
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[Michelangelo] Fredric March (starring); Richard Lyford (director); Norman Borisoff (screenwriter)
The Titan: Story of Michelangelo Original photograph from the 1950 German documentary film
Beverly Hills CA: United Artists 1950. Vintage studio still photograph from the 1950 German documentary film.<br /> <br /> A re-edited version of a German-Swiss film originally released in 1938 directed by Curt Oertel. Winner of the Academy Award for Best Documentary.<br /> <br /> 8 x 10 inches. Very Good plus. United Artists unknown
Référence libraire : 168155
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[Monument Catulle Mendès] Romain Coolus (1868-1952), écrivain, scénariste.
Pièce autographe signée - souscription pour le monument Catulle Mendès
[Monument Catulle Mendès] Romain Coolus (1868-1952), écrivain, scénariste. P.A.S., mai 1909, 1p in-8 oblong. Billet de souscription pré-imprimé pour la soirée de Gala pour l'érection du monument Catulle Mendès (1841-1909), mort le 8 février 1909. Lors de cette soirée, au théâtre Sarah-Bernhardt, la grande actrice joua le rôle de Cyrano de Bergerac et le sculpteur Emile Guillaume (1867-1954) y présenta son buste du poète (il avait aussi fait un masque mortuaire). [341]
Référence libraire : 014295
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[Monty Python] Terry Jones (director, screenwriter, starring); Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Michael Pa
Monty Python's The Meaning of Life Original screenplay for the 1983 film
N.p.: N.p. 1982. Draft script for the 1983 British comedy film. Noted as copy No. 58 in manuscript ink on the title page. Bound in with the script are ten pages of Xerographically duplicated storyboards for the short film-within-the-film "The Crimson Permanent Assurance." <br /> <br /> The final Monty Python film to star actor and writer Graham Chapman before his death in 1989 and a return to the sketch comedy format which characterized the group's earlier television series. <br /> <br /> Shot on location in Queensway Strathblane and Lancashire England. <br /> <br /> Red untitled wrappers with a die-cut title window in the British style. Title page present dated March 1982. 115 leaves with last page of text numbered 115. Mimeograph duplication on eye-rest green stock rectos only with five pink revision pages laid in at the rear of the script dated 26/5/82. Pages Very Good plus wrapper Very Good plus with light foxing throughout bound internally with two silver brads. N.p. unknown
Référence libraire : 166556
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[Neal, Patricia] Rand, Ayn (novel, screenwriter); King Vidor (director); Gary Cooper, Patricia Neal (starring)
The Fountainhead Five original promotional photographs from the 1949 film
Burbank CA: Warner Brothers 1949. Five vintage promotional photographs four of which are in color from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead." Each photo with the film's title logo at the bottom margin. One photo framed to look like a "book" to tie in with the popularity of the novel.<br /> <br /> In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. <br /> <br /> 8 x 10 inches. Near Fine. Warner Brothers unknown
Référence libraire : 161625
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[Neal, Patricia] Rand, Ayn (novel, screenwriter); King Vidor (director); Gary Cooper, Patricia Neal (starring)
The Fountainhead Four original reference photographs from the 1949 film
Burbank CA: Warner Brothers 1949. Four vintage reference photographs from the landmark 1949 film adaptation of Ayn Rand's 1943 novel "The Fountainhead."<br /> <br /> In approaching the film adaptation of Rand's iconoclastic work Vidor dispensed with typical Hollywood production techniques and focused on creating an expressionistic film one that literally echoed the architectural underpinnings of its characters' philosophies motives and ambitions. Unusual choices included modernist cinematography expressionistic set designs and wardrobe and having Ms. Rand herself write the heady screenplay. <br /> <br /> 8 x 10 inches. Near Fine. Warner Brothers unknown
Référence libraire : 161624
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[Nixon, Richard] Stone, Oliver (director, screenwriter); Christopher Wilkinson, Stephen J. Rivele (screenwriters); Anthony Hopki
Nixon Original press kit for the 1995 film
Burbank CA: Buena Vista Pictures 1995. Vintage press kit for the 1995 film. Press kit includes 11 black and white photographs and a pamphlet of production information housed in a titled pictorial studio folder. <br /> <br /> The second of director Oliver Stone's trilogy of films about US Presidents a semi-biographical film chronicling Nixon's impeachment with flashbacks to his life before the presidency. Director Oliver Stone received some criticism for depicting Nixon in typical dramatic flair as an alcoholic and a fallen hero though the film was well-received. Nominated for four Academy Awards including Best Musical Score and Best Actor. <br /> <br /> Photos 10 x 8 inches. Production pamphlet 35 pages saddle stapled housed in a 9 x 12 inch folder. Photos and production pamphlet Fine in a Very Good plus folder. Buena Vista Pictures unknown
Référence libraire : 142143
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[Polanski, Roman] - [Brach, Gérard] - Folon, Jean-Michel (1934-2005)
[Photographie originale] Roman Polanski et Gérard Brach pendant le tournage de "Che ?" ("Quoi ?"), 1972, photographiés par Jean-Michel Folon
1972 16,9 x 25,9 cm, tirage gélatino-argentique d'époque, sans autre mention qu'un "F" au verso de la main du tireur.
Référence libraire : 3500
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[Polanski, Roman] - Folon, Jean-Michel (1934-2005)
[Photographie originale] Roman Polanski pendant le tournage de "Che ?" ("Quoi ?"), 1972, photographié par Jean-Michel Folon
1972 25,5 x 16,4 cm, tirage gélatino-argentique d'époque, sans autre mention qu'un "F" au verso de la main du tireur.
Référence libraire : 3501
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[Rome - Sydne] - Folon, Jean-Michel (1934-2005)
[Photographie originale] Deux portraits de Sydne Rome pendant le tournage de "Che ?" ("Quoi ?"), 1972, photographiée par Jean-Michel Folon
1972 aucune reliure 25 x 16,9 cm et 25 x 16,8, tirages gélatino-argentiques d'époque, sans autre mention qu'un "F" au verso de la main du tireur.
Référence libraire : 3488
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[Sal Mineo] Lewis R. Foster (director, screenwriter); David Appel (novel); Lillie Hayward (screenwriter); Sal Mineo, Philip Care
Tonka Original screenplay for the 1958 film
Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo’s name in manuscript ink on two revision leaves and his character’s name in pencil on the front wrapper. <br /> <br /> Laid in is a small leaf with manuscript ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film.<br /> <br /> Based on David Appel’s 1951 novel "Comanche: Story of America’s Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. <br /> <br /> Set in Montana Territory and shot on location in Oregon.<br /> <br /> Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown
Référence libraire : 146435
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[Sex Pistols] Julien Temple (director, screenwriter); Malcolm McLaren, John Lydon, Sid Vicious, Steve Jones, Paul Cook (starring
The Great Rock 'n' Roll Swindle Original poster for the 1980 film
N.p.: Matrixbest Production Circa 190. Vintage pre-release promotional poster for the 1980 film featuring Sid Vicious from the film performing "My Way" noted on the bottom banner as "From the forthcoming film."<br /> <br /> Julien Temple's now-classic mockumentary about an unscrupulous manipulative music manager who takes advantage of a British punk rock band loosely based on the formation rise and fall of the Sex Pistols told from manager Malcolm McLaren's perspective. <br /> <br /> Set and shot on location in London. <br /> <br /> 17 x 25 inches. Light wear at the extremities overall Near Fine. Matrixbest Production unknown
Référence libraire : 125645
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[Tennessee Williams] Castellani, Renato (director); Suso Cecci D'Amico (screenwriter); Anna Magnani, Giulietta Masina, Cristina
Nella citta l'inferno .and the Wild Wild Women Collection of 12 original photographs from the 1959 film
Italy / France: Riama Film 1959. Collection of 12 vintage single weight still photographs from the 1959 Italian-French film. Seen in the images are starring actress Magnani Masina singer Perry Como director Castellani and two images of Magnani and adoring fan author Tennessee Williams. Notations on the verso of nearly all photos in manuscript ink and as many rubber-stamped on the verso crediting photographers A. di Giovanni Licio D'Aloisio and the Italy's News Photos agency in Rome. Housed in a vintage French Kodak brand photo paper box. <br /> <br /> Overlooked Italian exploitation of the popular women's prison theme based on Isa Mari's 1960 novel "Roma Via della Mantellate" or "Cage of Passio" with the usual elements including domineering and submissive female characters. Masina plays the role of a victimized woman turned criminal. <br /> <br /> All photos approximately 7 x 9.25 inches a few slightly larger. Very Good plus overall photos with moderate curling and photo box Very Good. Riama Film unknown
Référence libraire : 140346
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[The 1, 2, 3 Group] Rem Koolhaas (screenwriter); Rene Daalder (screenwriter)
The 1 2 3 Rhapsody Original treatment script for an unproduced film
N.p.: Momentum Productions 1978. Treatment script for an unproduced film. <br /> <br /> An English-language feature-length treatment based on the 1965 Dutch short film co-written by René Daalder and his childhood friend and noted architect Rem Koolhaas under the auspices of experimental film collective the 1 2 3 Group. Counting Jan de Bont and Robby Müller among its members the 1 2 3 Group opposed the concept of the auteur with each person in the group serving variously as writer director actor and more on each production. The collective is perhaps best remembered today for "The White Slave" 1969 co-written by Koolhaas and Daalder.<br /> <br /> Self wrappers. Title page present copyright date noted as 1978 with credit for Daalder. 48 leaves with last page of text numbered 48. Xerographic duplication rectos only. Pages Very Good plus partially bound at the top left corner with a paper clip. Momentum Productions unknown
Référence libraire : 168320
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[The Clash] Jack Hazan, David Mingay (directors, screenwriters); Ray Gange (screenwriter); Joe Strummer, Paul Simonon, Mick Jone
Rude Boy Original photograph from the 1980 film
London: Atlantic Releasing 1980. Vintage studio still photograph from the 1980 film.<br /> <br /> A blend of fiction and music documentary featuring extensive footage of The Clash on tour and in the studio about a young Clash fan who leaves his job at a Soho sex shop to become a roadie for the band. The Clash would later express their dissatisfaction with the completed project due to what they considered to be racist portrayals of Black characters in the film and printed button-badges reading "I don't want Rude Boy Clash Film" before the film's theatrical release in 1980. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Carlson and Connolly Destroy All Movies. Atlantic Releasing unknown
Référence libraire : 154937
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[The Doors] Stone, Oliver (director, screenwriter); Randall Jahnson (screenwriter); Val Kilmer, Meg Ryan, Kyle MacLachlan (starr
The Doors Original press kit for the 1991 film
Culver City CA: TriStar Pictures 1991. Vintage press kit for the 1991 film. Press kit includes six black and white photographs and a pamphlet of production information housed in a titled pictorial studio folder. <br /> <br /> Oliver Stone a self-professed Doors fan directs this star studded over-the-top biopic whose production struggled through over ten years of negotiations with the families and surviving band members depicted in the film. Val Kilmer delivers a convincing portrayal of Jim Morrison with Kevin Dillon Kyle MacLachla and Meg Ryan in supporting roles. <br /> <br /> Photos 10 x 8 inches. Production pamphlet 29 pages saddle stapled housed in a 9 x 12 inch folder. Photos and production pamphlet Fine in a Near Fine folder. TriStar Pictures unknown
Référence libraire : 142140
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[The Living Theatre, Miracle Films] Bernardo Bertolucci (director, screenwriter); Nino Castelnuovo, Nino Davoli, Julian Beck, To
Love and Anger Amore e rabbia Two original photographs from the 1969 Italian film
N.p.: Miracle Films 1969. Two vintage photographs from the UK release of the 1969 Italian-French anthology film both showing scenes from Bernardo Bertolucci's segment "Agonia."<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Largely dealing with themes of religion and spirituality the film featured segments written and directed by five Italian directors and one French director. Bertolucci's segment starred members of The Living Theatre including noted actor and director Julian Beck. <br /> <br /> Distributed by the notoriously versatile Miracle Films a significant force in both international cinema and American pornography in the late 1960s and 1970s.<br /> <br /> 10 x 8 inches. One Very Good plus one Very Good both slightly curled. Miracle Films unknown
Référence libraire : 164325
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[The Muppets] Amy Adams, Chris Cooper, Rashida Jones (starring); Jason Segel (screenwriter, starring); James Bobin (director); N
The Muppets Original reference bible for the 2011 family film
Burbank CA: DMP Productions 2011. Vintage reference bible for the 2011 family film with 18 sets represented. <br /> <br /> The seventh Muppets feature film in which Kermit and two human friends attempt to reunite the Muppets who have been disbanded for years in order to save the Muppet Theater from destruction. Intended to revive the franchise after years of inactivity following Disney's acquisition of the Muppets in 2004. Winner of the Academy Award for Best Original Song for Bret McKenzie's "Man or Muppet." <br /> <br /> Set in Los Angeles Paris Reno and the fictional city of Smalltown and shot on location in Los Angeles Reno and Zürich. <br /> <br /> Housed in a generic white three-ring binder with board inserts noting the film's title and the names email addresses and phone numbers of leadman Lou Mugavero decorator Tracey Doyle and assistant decorator Leighanne Haddock. Binder and contents about Fine. DMP Productions unknown
Référence libraire : 167669
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[The Who] Ken Russell (director, screenwriter); Ann-Margret, Oliver Reed, Roger Daltrey, Elton John, Eric Clapton, Jack Nicholso
Tommy Original photograph of The Who from the 1975 film
London: Hemdale International Films 1975. Vintage borderless reference photograph of Pete Townshend Keith Moon and John Entwistle performing onstage in the 1975 film. Printed mimeo label affixed to the verso. <br /> <br /> Based on the 1969 rock opera written by The Who about a deaf dumb and blind kid who sure plays a mean pinball and subsequently becomes the idol of a religious cult. The cast included among others every member of The Who Jack Nicholson Tina Turner and Eric Clapton.<br /> <br /> Shot on location in Cumbria Buckinghamshire and Hampshire England. <br /> <br /> 10 x 8 inches. Near Fine. Hemdale International Films unknown
Référence libraire : 153977
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[Welles, Orson] Levin, Henry (director); Lenore Coffee (story); Louella MacFarlane, Allen Rivkin, Devery Freeman (screenwriter);
The Guilt of Janet Ames Original photograph from the set of the 1947 film
Culver City CA: Columbia Pictures 1947. Vintage photograph of director Charles Vidor and stars Rosalind Russell and Melvyn Douglas speaking to Orson Welles on the set of the 1947 film. Welles was directing the classic Columbia Pictures film "The Lady from Shanghai" at the same time. Mimeo snipe and agency stamps on the verso.<br /> <br /> Janet Ames Rosalind Russell seeks out five soldiers who her husband sacrificed his life for during World War II. After suffering a serious injury she meets Smithfield "Smitty" Cobb Melvyn Douglas who helps her find the men her husband saved though he does not tell her he is one of them. He tries to help her reconcile her pain and guilt while he treats his own pain from the war with heavy drinking. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 144819
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A. David Lown screenwriter
The Temple of Time Original screenplay for an unproduced film
N.p.: N.p. 1974. Draft script for an unproduced film with blue holograph ink annotations on the title page. <br/><br/>A US moon expedition discovers large glyph covered stones that closely resemble Mayan artifacts. Russia's sudden interest in The Maya civilization after their moon expedition years prior becomes highly suspicious. <br/><br/>Mustard titled Studio Duplicating Service wrappers with credits for screenwriter David A. Lown. Title page present dated 1974 with credits for screenwriter David A. Lown. 144 leaves with last page of text numbered 143. Mechanical duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Référence libraire : 144137
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A. E. W. Mason [Alfred Edward Woodley Mason] (1865-1948), hugely-popular English novelist, playwright and screenwriter, author o
A. E. W. Mason English novelist author of ‘The Four Feathers’. Typed Note Signed to Rosemary Barron responding to a request for an autograph.
9 August 1927. On letterhead of New Grove Petworth Sussex. Mason was according to E. V. Lucas ‘famous in both hemispheres’. His entry in the Oxford DNB ends with this assessment: ‘His books were best-sellers for fifty years and the films made from them notably The Drum 1938 for which he wrote his own scenario and The Four Feathers 1939 were among the most popular in their time.’ 1p 12mo. In good condition lightly aged. Folded twice for postage. The valediction is in Mason's autograph: 'Yours sincerely / A. E. W. Mason'. The rest of the note is typed: 'Dear Rosemary Barron / I am very happy to send you my autograph since you are kind enough to say that you would like to have it.' 9 August 1927. On letterhead of New Grove, Petworth, Sussex. unknown
Référence libraire : 25855
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