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CinémAction - Guy HENNEBELLE (Directeur)
CinémAction N° 86 : Western. Que reste-t-il de nos amours ? (Numéro dirigé par Gérard CAMY) - Le trappeur, père indigne de l'Amérique (Georges FOVEAU) - La cavalerie, instrument de pacification (Jean-Jacques SADOUX) - All aboard! Le train dans le western (Jean-Pierre DUBOIS) - La mort des prairies (Philippe ORTOLI) - De l'extermination des Indiens dans la réalité et au cinéma (Bernard OHEIX) - La grande contestation des années 60, et après (Etienne BALLERINI) - ...
1998 N° 86 - 1er trimestre 1998 - Edition Corlet / Télérama - In-8, broché - 239 pages - Nombreuses reproductions photographiques en N&B in texte
Référence libraire : 120222
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Claire Denis (director, screenwriter); Jean-Pol Fargeau (screenwriter); Isaach de Bankole, Giulia Boschi, Francois Cluzet (starr
Chocolat Original poster for the 1988 French film
Paris: MK2 Films 1988. Vintage French grande poster for the 1988 French film. Not to be confused with the 2000 French film directed by Lasse Hallström and starring Juliette Binoche and Johnny Depp.<br /> <br /> Claire Denis' remarkable directorial debut a semi-autobiographical meditation about a French woman reflecting on her childhood in Cameroon and her relationship with her family's African servant. Nominated for the Palme d'Or.<br /> <br /> 46 x 62 inches. Folded as issued. Very Good plus with light edgewear and a touch of starting at the center folds. MK2 Films unknown
Référence libraire : 126666
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Clara Kimball Young, Alec B. Francis, Edward Kimball (starring); James Young (director, screenwriter); Owen Davis (play)
Lola Original program for the 1914 lost silent film
New York: World Film Corporation 1914. Vintage program for the 1914 lost silent film printed for the Grand Theatre of Butler Pennsylvania printed on the verso with a dramatic pictorial center spread featuring two World Film Corporation elephant logos.<br /> <br /> Silent film star Clara Kimball Young's first film with World Film Corporation re-released in 1916 with new intertitles under the title "Without a Soul" both now lost. A variation of both Robert Louis Stevenson's "Strange Case of Dr. Jeckyll and Mr. Hyde" and Mary Shelley's "Frankenstein" wherein the caring and dutiful daughter Lola Young killed in a street accident is revived by her scientist father using an electric-ray machine he invented only to find she's returned as a soulless and heartless creature of the flesh.<br /> <br /> 5.5 x 8 inches Bi-fold. Very Good plus with a vertical crease with light foxing and toning at the crease and small closed tears at the top of the crease on both leaves. World Film Corporation unknown
Référence libraire : 160375
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Clarence Brown (director); Michael Arlen (novel, play, screenwriter); Bess Meredyth (screenwriter); Greta Garbo, John Gilbert, L
A Woman of Affairs Original photograph from the 1928 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Vintage reference photograph from the 1928 film showing actress Dorothy Sebastian. <br /> <br /> Based on screenwriter Michael Arlen's 1924 novel "The Green Hat" which he also adapted for theatre in 1925 about two childhood sweethearts who are banned from marriage due to class differences. Arlen's novel was considered so daring in the US that producers attempted to distance the film from the source text as much as possible in order to placate the Hays Commission eliminating all references to drug use sexually transmitted diseases and homosexuality which were key points within the original narrative.<br /> <br /> 10 x 8 inches. Very Good plus with light edgewear. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 148280
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Clarence Brown director; Ernest Gebler novel; Helen Deutsch screenwriter; Spencer Tracy Gene Tierney Van Johnson Leo Genn sta
The Plymouth Adventure Original screenplay for the 1952 film
Culver City CA: Loew's Incorporated 1951. Draft script for the 1952 film. Script department copy stamped as COMPLETE and RERUN JAN 3 1952. With 94 small borderless reference photographs tipped on the versos of script pages and 23 additional photographs of the cast and crew on the set tipped on blank pages inserted after the end of the script dated between March 27 and May 12 1952. Also bound in is a 25 page appendix detailing historical information about the pilgrims their ship and voyage. <br/><br/>Based on the 1950 novel "The Voyage of the Mayflower" by Ernest Gebler a fictionalized account of the journey of the Mayflower from England to North America. Winner of an Academy Award. <br/><br/>Yellow titled wrappers rubber-stamped copy No. 68 and production No. 1552 dated 12/18/51 with credits for director Clarence Brown and screenwriter Helen Deutsch. Distribution label present on the front wrapper with receipt removed. 187 leaves with last page of text numbered 131. Mimeograph duplication rectos only with white yellow and pink revision pages throughout dated variously between 10-9-50 and 4-16-52. Pages Near Fine wrapper Very Good bound with two gold brads. <br/><br/>Reference photographs between 2.25 x 2.25 and 4.5 x 3.5 inches on the set photographs 5 x 4 inches. Generally Very Good plus to Near Fine. Loew's Incorporated unknown books
Référence libraire : 151291
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Clarence E. Mulford (characters); George Archainbaud (director); Doris Schroeder (screenwriter); William Boyd, Andy Clyde, Rand
Strange Gamble Original photograph from the 1948 film
Beverly Hills CA: United Artists 1948. Vintage studio still photograph from the 1948 film.<br /> <br /> The final film of the Hopalong Cassidy film series. Cassidy is hired by the US government to find an underground counterfeiting scheme and leans on the help of his two friends California Carlson and Lucky Jenkins. <br /> <br /> Shot on location in Lone Pine California. <br /> <br /> 8 x 10 inches. Creasing to the far corners else Near Fine. United Artists unknown
Référence libraire : 158834
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Clark Gable, Jean Harlow, Wallace Beery (starring); Tay Garnett (director); Jules Furthman, James Kevin McGuinness (screenwriter
China Seas Original photograph from the 1935 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Vintage reference photograph from the 1935 film showing actors Clark Gable and Jean Harlow. Annotations in manuscript ink and pencil mimeo snipe and provenance stamp on the verso.<br /> <br /> Based on the 1930 novel by Crosbie Garstin about a ship captain who must fend off pirates while also juggling two romantic interests aboard his ship. <br /> <br /> 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 163775
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Clark Gable, Jean Harlow, Wallace Beery (starring); Tay Garnett (director); Jules Furthman, James Kevin McGuinness (screenwriter
China Seas Original photograph from the 1935 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Vintage reference photograph from the 1935 film showing actors Clark Gable Jean Harlow and Wallace Beery. Stamp specific to the film's release on the verso. <br /> <br /> Based on the 1930 novel by Crosbie Garstin about a ship captain who must fend off pirates while also juggling two romantic interests aboard his ship. <br /> <br /> 10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 161609
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Clark Gable, Joan Crawford, Robert Montgomery (starring); WS. Van Dyke (director); Joseph Mankiewicz (screenwriter); Edward Barr
Forsaking All Others Original photograph from the 1934 film
N.p.: N.p. 1934. Vintage reference photograph from the 1934 film showing actors Clark Gable and Joan Crawford canoodling while Robert Montgomery looks on. French mimeo snipe and annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1933 Broadway play by Edward Barry Roberts and Frank Morgan Cavett about a years-long love triangle between three friends. Crawford's first of nine collaborations with screenwriter Joseph L. Mankiewicz.<br /> <br /> 10 x 8 inches. About Near Fine. N.p. unknown
Référence libraire : 164247
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Clark Gable, Vivian Leigh (starring); Victor Fleming (director); Margaret Mitchell (screenwriter, novel); Hattie McDaniel, Barba
Gone with the Wind Three original photographs from the 1939 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Three vintage reference photographs from the 1939 film. One photograph with a stamp on the verso identifying the film and actors Clark Gable and Hattie McDaniel. <br /> <br /> The legendary adaptation of Margaret Mitchell's 1936 novel about the headstrong daughter of an affluent confederate plantation owner whose family is brought low during the Civil War. Nominated for fifteen Academy Awards winning ten including Best Picture Best Director Best Screenplay and Best Supporting Actress making actress Hattie McDaniel the first African American to be nominated for and win an Oscar. <br /> <br /> Set in Georgia on the fictional cotton plantation Tara and shot throughout California as well as Little Rock Arkansas. <br /> <br /> 10 x 8 inches. Very Good plus with creasing and pinholes at the corners. <br /> <br /> National Film Registry. Ebert I. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 161601
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Clark Gable, Ava Gardner, Grace Kelly (starring); John Ford (director); Wilson Collison (play); John Lee Mahin (screenwriter)
Mogambo Three original photographs of Ava Gardner and Clark Gable from the 1953 film
N.p.: N.p. 1953. Three vintage reference photographs from the 1953 film two showing Ava Gardner talking with Clark Gable from an outdoor shower and one showing Gardner tending to Gable's arm wound. Stamps specific to the film's French release on the versos.<br /> <br /> Based on the 1932 film "Red Dust" also starring Clark Gable which was in turn based on Wilson Collison's 1928 play. While on a safari in Kenya a hunter is ensnared in a love triangle between a young American socialite and an anthropologist's unfaithful wife. <br /> <br /> Set and shot on location in Kenya in Okalataka Mount Kenya Mount Longonot and Lake Naivasha.<br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
Référence libraire : 162330
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Clark Henderson (director); Thomas McKelvey Cleaver (screenwriter); Richard Young, P. J. Soles, John Allen Nelson, Jimi B., Jr.
Saigon Commandos Original photograph from the 1988 film
N.p.: Media Home Entertainment 1988. Vintage black-and-white still photograph from the 1988 videocassette release of the 1988 US film. <br /> <br /> An action-packed thriller about of drug-related murders in Saigon and the ex-Green Beret who must find the culprits. <br /> <br /> 8 x 9.75 inches. Near Fine. Media Home Entertainment unknown
Référence libraire : 132528
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Clark Henderson director; Thomas McKelvey Cleaver screenwriter; Richard Young P. J. Soles John Allen Nelson Jimi B. Jr. star
Saigon Commandos Original photograph from the 1988 film
N.p.: Media Home Entertainment 1988. Vintage black-and-white still photograph from the 1988 videocassette release of the 1988 US film. <br/><br/>An action-packed thriller about of drug-related murders in Saigon and the ex-Green Beret who must find the culprits. <br/><br/>8 x 9.75 inches. Near Fine. Media Home Entertainment unknown books
Référence libraire : 132528
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Claude Autant-Lara (director); Alfred Adam (play); Jean Aurenche (screenwriter); Odette Joyeux, Pierre Larquey (starring)
Sylvie et le fantome Sylvia and the Phantom Sylvia and the Ghost Original Program for the 1946 French film
Paris: Ecran Francais 1946. Original program for the 1946 French film based on the play by Alfred Adam. <br /> <br /> On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting which he just sold. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. <br /> <br /> 12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown
Référence libraire : 138606
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Claude Autant Lara director; Alfred Adam play; Jean Aurenche screenwriter; Odette Joyeux Pierre Larquey starring
Sylvie et le fantome Sylvia and the Phantom Sylvia and the Ghost Original Program for the 1946 French film
Paris: Ecran Francais 1946. Original program for the 1946 French film based on the play by Alfred Adam. <br/><br/>On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting which he just sold. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. <br/><br/>12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown books
Référence libraire : 138606
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Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique.
Lettre autographe signée
Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique. L.A.S. + enveloppe, 15 septembre 1977, 2p in-8. Belle lettre à madame Canestrier, notamment autour de son film Gloria, le dernier qu'il réalisera : « Vous verrez [Gloria] : c'est, du moins je le crois, un joli film, tendre, sensible (à l'excès même mais sans mièvrerie) qui ne met en scène. ni voyous, ni truands, ni flics, ni drogués, ni homosexuels, ni violences, ni hold-up, ni brutalités, ni intellectualisme hermétique incompréhensible, ni contestation sociale agressive. etc. enfin aussi totalement à contre-courant de tout ce qui s'étale si affreusement et si complaisamment sur tous les écrans actuels et que les directeurs de salles accueillent hélas avec tant d'empressement.! Un film normal pour des gens normaux ». Il est étonné qu'on lui ait permis de faire un tel film. Très belle lettre, préfigurant son engagement politique. [492]
Référence libraire : 020434
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Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique.
Lettre autographe signée
Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique. L.A.S., 12 janvier 1981, 2p in-8. Belle lettre amicale à madame Canestrier, dans laquelle il regrette notamment que le dernier film qu'il a réalisé, Gloria, n'ait eut aucun succès. « c'est - je crois - un joli film, sensible et, surtout bien fait, avec ce qui est rare, des moyens (de l'argent) pour les reconstitutions, ce qui coûte très cher. Mais, hélas, ce film ne correspond plus à l'époque. Il n'a eu aucun succès - sauf d'estime. ce qui ne suffit pas : mon producteur, richissime. un vrai Crésus, m'a, aussitôt après, laisser tomber. Il en pardonne pas l'insuccès - et l'estime, ils s'en foutent bien. Marcel Dassault, car c'était lui, engage d'autres réalisateurs. et cette merveilleuse "CHARTREUSE DE PARME", qu'il m'avait, pourtant, juré - par écrit - de me financer. ce qui était, pour lui, facile. il m'a lâchement abandonné. Grossièrement même, car il m'a écrit que Gloria était un film "admirable", mais qu'il ne ferait "pas un sou". donc : adieu ! Plus mufle on ne l'est pas ». Il oeuvre aussi à l'écriture d'un livre. Peut-être son autobiographie, La Rage dans le coeur, parue en 1984. Et il se rappelle de sa monteuse, Madeleine Gug morte en 1971 (et enterré avec la famille Autant-Lara). On joint une enveloppe d'un autre courrier. Belle lettre dans laquelle on sent toute la tristesse et l'amertume d'Autant-Lara qui sait qu'il ne pourra pas faire sa Chartreuse de Parme. [492]
Référence libraire : 020435
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Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique.
Lettre autographe signée
Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique. L.A.S. + enveloppe, 24 février 1971, 1p in-4. Amusante lettre à madame Canestrier : « Que vous dire, sinon que Paris, ville folle et ville de fous où j'exerce - dans un métier de fous ! - devient de jour en jour plus "invivable". Mais qu'y faire ? Ce monte est entrainé dans une ronde non moins folle. et absurde ? ». Il est ensuite question d'un autre film qu'il qualifie de folie et qui ne verra peut-être pas le jour, de Madeleine Gug qui travaille à « un film de fou », de son fils Le Diable au corps qui semble projeté sans autorisation d'Autant Lara, des séquelles de son accident de 1970 (il boite. Madeleine Gug, qui était avec lui, mourra des conséquences de cet accident). On joint la copie d'une lettre d'Autant-Lara à la même, du 10 septembre 1970, peu après l'accident et une photo de la tombe de la famille Autant-Lara après 1971 : Madeleine Gug est enterrée dans cette tombe. Jolie lettre. [492]
Référence libraire : 020436
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Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique.
Lettre autographe signée
Claude Autant-Lara (1901-2000), réalisateur, acteur, scénariste, homme politique. L.A.S. + enveloppe, 2 décembre 1970, 2p in-4. Longue lettre donnant des nouvelles, notamment de sa jambe après son accident. Il boite encore et a des difficultés à travailler correctement. Sa santé est toujours bonne et « l'activité reprend peu à peu, dans un Paris de plus en plus affreux à habiter et à vivre, malodorant, bruyant, frénétique et compliqué. Je regrette le Midi. terriblement ». Belle lettre. [492]
Référence libraire : 020437
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Claude Bernard-Aubert (director, screenwriter); Gaston-Jean Gauthier (novel, screenwriter); Rene Hardy, Pascal Jardin, Claude Ac
Le facteur s'en va-t-en guerre Convoi pour Dien-Bien-Phu Original screenplay and scenario for the 1966 film
Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in manuscript pencil on one page. Also included is the original manila folder used to house the material with the working title in manuscript red ink on the flap. <br /> <br /> Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. <br /> <br /> Shot on location in Cambodia. <br /> <br /> Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. <br /> <br /> Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown
Référence libraire : 143838
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Claude Bernard-Aubert (director, screenwriter); Francis Mischkind (screenwriter); Cathy Stewart, Dominique Saint Claire, Dominiq
Les Bas de soie noire Black Silk Stockings Five original photographs from the 1981 French adult film
N.p.: N.p. 1981. Five vintage matte-finish borderless reference photographs from the 1981 French adult film. <br /> <br /> A young woman is sent by her mother to join a community of sexual fetishists led by an outgoing wealthy libertine in his isolated country manor. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Bier 140. N.p. unknown
Référence libraire : 156015
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Claude Berri (director, screenwriter, starring); Jean-Pierre Marielle, Juliet Berto, Francesca Romana Coluzzi (starring)
Sex Shop Le Sex Shop Four original photographs from the 1972 French film
N.p.: N.p. 1972. Four vintage borderless reference photographs from the 1972 French film. One photograph with a printed label affixed to the verso crediting a Dutch photo archive.<br /> <br /> A Parisian bookseller goes through a mid-life crisis and decides to convert his store into a sex shop in order to spice up his marriage and make more money. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 7 x 9.5 inches. Near Fine. N.p. unknown
Référence libraire : 157321
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Claude Bernard Aubert director screenwriter; Gaston Jean Gauthier novel screenwriter; Rene Hardy Pascal Jardin Claude Accurs
Le facteur s'en va-t-en guerre Convoi pour Dien-Bien-Phu Original screenplay and scenario for the 1966 film
Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in holograph pencil on one page. Also included is the original manila folder used to house the material with the working title in holograph red ink on the flap. <br/><br/>Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. <br/><br/>Shot on location in Cambodia. <br/><br/>Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. <br/><br/>Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown books
Référence libraire : 143838
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Claude Brasseur, Jean Carmet, Miou-Miou, Simone Signoret, Veronique Genest (starring); Michel Drach (director, screenwriter); Ph
Guy de Maupassant Original oversize photograph from the 1982 film
N.p.: N.p. 1982. Vintage oversize borderless color photograph from the 1982 film showing a half-nude profile of actress Véronique Genest. <br /> <br /> A dramatization of the final few months in the life of famed French writer Guy de Maupassant characterized by overwhelming sorrow and paranoia. <br /> <br /> 11.75 x 9.25 inches. About Fine. N.p. unknown
Référence libraire : 160561
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Claude Brown (novel); Arnold Federbush (screenwriter)
Manchild in the Promised Land Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Based on Claude Brown's successful 1965 autobiographical novel which follows a young African American boy coming of age in Harlem during the 1940s and 1950s. Adapted by Arnold Federbush a film and sound editor who also wrote two science fiction novels in the 1970s "The Man Who Lived in Inner Space" 1973 and "Ice!" 1978.<br /> <br /> Set in Harlem.<br /> <br /> Gold untitled wrappers. Title page present undated with credits for screenwriter Arnold Federbush and author Claude Brown. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly rusted near the binding bound with a silver prong. N.p. unknown
Référence libraire : 150810
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Claude Brown novel; Arnold Federbush screenwriter
Manchild in the Promised Land Original screenplay for an unproduced film
N.p.: N.p. 1970. Draft script for an unproduced film. <br/><br/>Based on Claude Brown's successful 1965 autobiographical novel which follows a young African American boy coming of age in Harlem during the 1940s and 1950s. <br/><br/>Set in Harlem.<br/><br/>Gold untitled wrappers. Title page present undated with credits for screenwriter Arnold Federbush and author Claude Brown. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly rusted near the binding bound with a silver prong. N.p. unknown books
Référence libraire : 150810
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Claude Chabrol (director, screenwriter); Sylvia Kristel, Charles Vanel (starring)
Alice or the Last Escapade Four original photographs from the set of the 1977 French film
N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet.<br /> <br /> A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside.<br /> <br /> Shot on location in Villennes sur Seine France.<br /> <br /> 7 x 4.5 inches. Fine. N.p. unknown
Référence libraire : 149743
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Claude Chabrol (director); Raymond Cauchetier, Sergio Strizzi (still photographers); Francoise Sagan (screenwriter); Michele Mor
Bluebeard Landru Collection of 16 original photographs from the 1963 film
New South Wales: Embassy Pictures 1963. Collection of 16 vintage studio still photographs from the 1963 film.<br /> <br /> Based on French serial killer Henri Desire Landru.<br /> <br /> During World War I Henri Landru Charles Denner supplements his income by luring middle-class women through newspaper ads to a villa outside Paris where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed.<br /> <br /> Shot on location in Paris and Gambais France. <br /> <br /> 8 x 10 inches. Very Good plus. Light creasing in margins three with pinholes to corners one with notable creasing in left margin. <br /> <br /> Grant France. Embassy Pictures unknown
Référence libraire : 148754
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Claude Chabrol (director, screenwriter); Charlotte Armstrong (novel); Stephane Audran, Jean-Pierre Cassel, Annie Cordy, Catherin
La Rupture The Breach Original photograph from the 1970 French film noir
N.p.: N.p. 1970. Vintage borderless reference photograph from the 1970 French neo-noir film showing a nude Catherine Rouvel distracted from a telephone call. Annotations in manuscript ink and pencil on the verso.<br /> <br /> Based on Charlotte Armstrong's 1968 novel "The Balloon Man" about a woman fighting her husband's parents for custody of her son. <br /> <br /> Shot on location in Brussels and Paris.<br /> <br /> 9.5 x 7 inches. Near Fine.<br /> <br /> Grant France. Spicer France. N.p. unknown
Référence libraire : 168079
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Claude Chabrol (director); Francoise Sagan (screenwriter); Michele Morgan, Danielle Darrieux, Hildegard Knef (starring)
Landru Bluebeard Promotional flyer for the 1963 French film
Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French.<br /> <br /> During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan.<br /> <br /> Shot on location in Paris and Gambais France. <br /> <br /> 10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown
Référence libraire : 149232
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Claude Chabrol (director, screenwriter); Andre Dino (photographer); Gerard Blain, Jean-Claude Brialy, Michele Meritz (starring)
Le Beau Serge Original photograph from the 1958 film
N.p.: N.p. 1958. Vintage studio still photograph with narrow margins of Gerard Blain from the 1958 film. Layout annotations and "National Film Archive" stamp on the verso. <br /> <br /> Director Claude Chabrol's first film frequently cited as the first French New Wave film.<br /> <br /> Francois Jean-Claude Brialy a theology student suffering from TB returns to his home-town after ten years to recuperate and finds his friend Serge Blain depressed alcoholic and mourning the death of he and his wife Yvonne's Michele Meritz stillborn child.<br /> <br /> Shot on location in Sardent France. <br /> <br /> 6.75 x 9.75 inches. Near Fine. <br /> <br /> <br /> <br /> Criterion Collection 580. Eureka Masters of Cinema. Grant France. N.p. unknown
Référence libraire : 148306
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Claude Chabrol (director, screenwriter); Bernadette Lafont, Jean-Claude Brialy, Michele Meritz, Claude Cerval (starring)
Le Beau Serge Two original photographs from the 1958 film
Paris: Ajym Films 1958. Two vintage borderless photographs featuring Bernadette Lafont and Jean-Claude Brialy from the 1958 film. With a rubber stamp on the verso of each. <br /> <br /> Director Claude Chabrol's first film. Francois Jean-Claude Brialy returns to his home-town after a long absence to find his friend Serge Gerard Blain depressed an alcoholic and mourning the death of he and his wife Yvonne's stillborn child. Though at odds with provincial life Francois wants to help his friend. <br /> <br /> Shot on location in Sardent France. <br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Criterion Collection 580. Eureka Masters of Cinema. Grant France. Ajym Films unknown
Référence libraire : 144701
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Claude Chabrol (director, screenwriter); Stanley Ellin (novel); Jacques Six (photographer); Paul Gegauff (screenwriter); Antonel
Leda A Double Tour Original photograph of Antonella Lualdi on the set of the 1959 film
Rome: Panitalia 1959. Vintage borderless candid photograph of Antonella Lualdi and members of the film crew on the set of the 1959 film. With a stamp for photographer Jacques Six and mimeo snipe to the verso. <br /> <br /> Based on Stanley Ellin's 1952 novel. A wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. <br /> <br /> Set and shot on location in Aix-en-Provence France.<br /> <br /> 9 x 6 inches. Very Good plus with faint soil.<br /> <br /> Grant France. Panitalia unknown
Référence libraire : 147470
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Claude Chabrol (director, screenwriter); Gilbert Renault writing as Colonel Remy (book); Jean Seberg, Maurice Ronet (starring)
Line of Demarcation Collection of 13 original double weight oversize photographs from the 1966 French film
N.p.: N.p. 1966. Collection of 13 vintage oversize borderless double weight reference photographs from the 1966 French film.<br /> <br /> Loosely based on the 1946-1950 memoirs of Gilbert Renault writing as Colonel Remy about a small town in the Jura divided by a narrow river which forms the border between Nazi-occupied France and the free zone. The first of four World War II films directed by Claude Chabrol followed by "The Blood of Others" 1984 "Story of Women" 1988 and "L'oeil de Vichy" 1993. <br /> <br /> Shot on location in Belmont Chissey Dole and Port-Lesney Jura. <br /> <br /> 12 photographs 10.5 x 9.5 inches one photograph 9 x 8 inches. Near Fine. N.p. unknown
Référence libraire : 154556
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Claude Chabrol (director); Cecil Day-Lewis writing as Nicholas Blake (novel); Paul Gegauff (screenwriter); Michel Duchaussoy, Ca
This Man Must Die Que la bete meure Original press kit for the US release of the 1969 French film
Glendale CA: Allied Artists 1969. Vintage press kit for the US release of the 1969 French film for use by distributors and the press containing four black and white photographs one pressbook a promotional pamphlet and a one sheet poster for the film. <br /> <br /> Based on the 1938 novel by Cecil Day-Lewis writing as Nicholas Blake. A man seduces a young actress as part of his plan to avenge the hit-and-run death of his son. The second of four films Claude Chabrol made with actor Jean Yanne following "Line of Demarcation" 1966 and preceding "Le Boucher" 1970 and "Madame Bovary" 1991.<br /> <br /> Shot on location in Finistere Brittany and Paris. <br /> <br /> Poster photographs and promotional material Very Good plus.<br /> <br /> Grant France. Allied Artists unknown
Référence libraire : 151671
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Claude Chabrol (director); Jean-Marie Fitere (novel); Odile Barski, Herve Bromberger, Frederic Grendel (screenwriter); Isabelle
Violette Violette Noziere Original photograph from the 1978 film
France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With manuscript annotations on the verso. <br /> <br /> Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival.<br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 6 inches. Near Fine. <br /> <br /> Grant Worldwide. Filmel unknown
Référence libraire : 144817
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Claude Chabrol director screenwriter; Bernadette Lafont Jean Claude Brialy Michele Meritz Claude Cerval starring
Le Beau Serge Two original photographs from the 1958 film
Paris: Ajym Films 1958. Two vintage borderless photographs featuring Bernadette Lafont and Jean-Claude Brialy from the 1958 film. With a rubber stamp on the verso of each. <br/><br/>Director Claude Chabrol's first film. Francois Jean-Claude Brialy returns to his home-town after a long absence to find his friend Serge Gerard Blain depressed an alcoholic and mourning the death of he and his wife Yvonne's stillborn child. Though at odds with provincial life Francois wants to help his friend. <br/><br/>Shot on location in Sardent France. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Criterion Collection 580. Eureka Masters of Cinema. Grant France. Ajym Films unknown books
Référence libraire : 144701
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Claude Chabrol director screenwriter; Georges Pierre still photographer; Paul Gegauff screenwriter; Bernadette Lafont Clotilde
Les Bonnes Femmes Original photograph from the set of the 1960 film
Paris: Paris Film 1960. Vintage borderless photograph of director Claude Chabrol goofing about with three of the four bonnes femmes on the set of the 1960 film. With the stamp of photographer Georges Pierre and holograph annotations on the verso. <br/><br/>A light spirited look at the lives of four young women in Paris perhaps the standout of director Chabrol's early New Wave films before he moved on to more successful mainstream features. <br/><br/>Set and shot on location in Paris. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Grant France. Rosenbaum 1000. Paris Film unknown books
Référence libraire : 142539
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Claude Chabrol director screenwriter; Robert Cohen still photographer; Sylvia Kristel Charles Vanel Jean Carmet starring
Alice or the Last Escapade Alice ou la derniere fugue Two photographs from the set of the 1977 film
France: Filmel 1986. Two photographs for airings of the 1977 film on French public television channel France 3. <br/><br/>The first photograph for a September 6 1978 airing is borderless and shows director Chabrol and star Kristel in between takes with the stamp of photographer Robert Cohen and a mimeo snipe on the verso. <br/><br/>The second photograph for an October 2 1986 airing is of a topless Sylvia Kristel with a mimeo snipe on the verso. <br/><br/>Chabrol riffs on both "Alice in Wonderland" and the popular 1970s horror mini-genre where a beautiful young woman becomes trapped through supernatural means in a house after seeking shelter there. In this case it's "Emmanuelle" star Sylvia Kristel whose car breaks down in the middle of the night after she walks out on her husband and Chabrol is more interested in her journey toward emancipation than actual horror. <br/><br/>Both photographs 7 x 5 inches. Fine. Filmel unknown books
Référence libraire : 142613
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Claude Chabrol director screenwriter; Stanley Ellin novel; Paul Gegauff screenwriter; Antonella Lualdi Madeleine Robinson Jea
A Double Tour Leda Web of Passion Original oversize photograph of Antonella Lualdi from the 1959 French film
N.p.: Robert and Raymond Hakim 1959. Vintage oversize double weight studio still photograph with bottom margin of Antonella Lualdi from the 1959 film noir. "20" stamp on verso. <br/><br/>Based on 1952 novel "The Key to Nicholas Street" by Stanley Ellin about a wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. Director Claude Chabrol's first color film and his first psychological thriller a genre which would largely define Chabrol's long and prolific career. <br/><br/>Set and shot on location in Aix-en-Provence France. <br/><br/>11.5 x 9.25 inches. Very Good plus with light creasing in far corners and foxing along the bottom margin.<br/><br/>Grant US. Robert and Raymond Hakim unknown books
Référence libraire : 151991
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Claude Chabrol director screenwriter; Stanley Ellin novel; Jacques Six still photographer; Paul Gegauff screenwriter; Antonella
Leda A Double Tour Original photograph of Antonella Lualdi on the set of the 1959 film
Rome: Panitalia 1959. Vintage borderless candid photograph of Antonella Lualdi and members of the film crew on the set of the 1959 film. With a stamp for photographer Jacques Six and mimeo snipe to the verso. <br/><br/>Based on Stanley Ellin's 1952 novel. A wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. <br/><br/>Set and shot on location in Aix-en-Provence France.<br/><br/>9 x 6 inches. Very Good plus with faint soil.<br/><br/>Grant France. Panitalia unknown books
Référence libraire : 147470
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Claude Chabrol director screenwriter; Stephane Audran Michel Piccoli Claude Pieplu starring
Les noces rouges Wedding in Blood Original screenplay for the 1973 film
Paris: Les Films la Boetie 1973. Draft script for the 1973 film noir. SIGNED by director Claude Chabrol on the title page. Text in French. <br/><br/>A torrid bourgeois crime drama set in a small French village where desire and death convene as tension escalates behind closed doors. When the town's boorish Gaullist mayor discovers his wife and his deputy are having an affair he seizes the opportunity to blackmail the deputy in order to pull off a real estate scam. <br/><br/>Shot on location in Indre France. <br/><br/>Red titled wrappers noted as Scénario original on the front wrapper with credits for director Claude CHABROL. Title page present noted as Scénario original with credits for director Claude CHABROL. 94 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Very Good with light soil throughout wrapper Very Good plus with black comb binding.<br/><br/>Grant France. Spicer France. Les Films la Boetie unknown books
Référence libraire : 146375
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Claude Chabrol director; Francoise Sagan screenwriter; Michele Morgan Danielle Darrieux Hildegard Knef starring
Landru Bluebeard Promotional flyer for the 1963 French film
Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French.<br/><br/>During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan.<br/><br/>Shot on location in Paris and Gambais France. <br/><br/>10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown books
Référence libraire : 149232
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Claude Chabrol director; Jean Marie Fitere novel; Odile Barski Herve Bromberger Frederic Grendel screenwriter; Isabelle Hupper
Violette Violette Noziere Original photograph from the 1978 film
France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With holograph annotations on the verso. <br/><br/>Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival.<br/><br/>Shot on location in Paris. <br/><br/>9.5 x 6 inches. Near Fine. <br/><br/>Grant Worldwide. Filmel unknown books
Référence libraire : 144817
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Claude Chabrol director; Raymond Cauchetier Sergio Strizzi still photographers; Francoise Sagan screenwriter; Michele Morgan D
Bluebeard Landru Collection of 16 original photographs from the 1963 film
New South Wales: Embassy Pictures 1963. Collection of 16 vintage studio still photographs from the 1963 film.<br/><br/>Based on French serial killer Henri Desire Landru.<br/><br/>During World War I Henri Landru Charles Denner supplements his income by luring middle-class women through newspaper ads to a villa outside Paris where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed.<br/><br/>Shot on location in Paris and Gambais France. <br/><br/>8 x 10 inches. Very Good plus. Light creasing in margins three with pinholes to corners one with notable creasing in left margin. <br/><br/>Complete collation details available on request.<br/><br/>Grant France. Embassy Pictures unknown books
Référence libraire : 148754
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Claude d'Anna (director, screenwriter); Laure Bonin writing as MF. Bonin (screenwriter); Monique Lange (screenwriter); Guiliano
Le cercle des passions Original screenplay for the 1983 film
N.p.: N.p. 1979. Draft script for the 1983 film. Text in French. <br /> <br /> An American travels to Sicily to bury his father not expecting to fall for Elisa the youngest daughter of Count Carlo de Villafratti and his incestuous power-hungry family.<br /> <br /> Set in Sicily. <br /> <br /> Black titled wrappers. Title page present dated 1979 with credits for director Claude d'Anna and screenwriter M.F. Bonin. 138 leaves with last page of text numbered 137. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
Référence libraire : 147197
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Claude d'Anna (director, screenwriter); Laure Bonin writing as MF. Bonin (screenwriter); Monique Lange (screenwriter); Guiliano
Le cercle des passions Herazaal ou La Nuit des Temps Original screenplay for the 1983 film
N.p.: N.p. 1983. Draft script for the 1983 film here under the working title "Herazaal ou La Nuit des Temps" Herazaal or the Mists of Time. Text in French. <br /> <br /> A very early draft script bearing little resemblance save the names of the central characters to the final film which focuses on the incestuous power-hungry Sicilian family of Count Carlo de Villafratti.<br /> <br /> Set in Venice. <br /> <br /> White titled wrappers. Title page present with credits for director Claude d'Anna and screenwriters M.F. Bonin and Monique Lange. 103 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus overall wrapper Very Good plus with a black comb binding. N.p. unknown
Référence libraire : 147127
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Claude d'Anna director screenwriter; Laure Bonin writing as MF. Bonin screenwriter; Monique Lange screenwriter; Guiliano Gemma
Le cercle des passions Herazaal ou La Nuit des Temps Original screenplay for the 1983 film
N.p.: N.p. 1983. Draft script for the 1983 film here under the working title "Herazaal ou La Nuit des Temps" Herazaal or the Mists of Time. Text in French. <br/><br/>A very early draft script bearing little resemblance save the names of the central characters to the final film which focuses on the incestuous power-hungry Sicilian family of Count Carlo de Villafratti.<br/><br/>Set in Venice. <br/><br/>White titled wrappers. Title page present with credits for director Claude d'Anna and screenwriters M.F. Bonin and Monique Lange. 103 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus lightly soiled wrapper Very Good plus with a black comb binding. N.p. unknown books
Référence libraire : 147127
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Claude Lelouch (director); Pierre Uytterhoeven (screenwriter); Anouk Aimee, Jean-Louis Trintignant, Pierre Barouh, Valerie Lagra
A Man And A Woman Un Homme Et Une Femme Four original photographs from the 1966 film
Paris: Les Films 13 1966. Four vintage photographs from the 1966 film. With agency stamps and manuscript annotations on the versos. <br /> <br /> Anne Gauthier Anouk Aimee and Jean-Louis Duroc Jean-Louis Trintignant meet as they drop their children off at boarding school. She works as a script supervisor and he as a race-car driver. They quickly become friends and as a romance starts to emerge they both reveal that each are widows still experiencing the grief of their losses. Winner of The Palme d'Or and the OCIC Award at the Cannes Film Festival also winner of two Academy Awards including Best Screenplay and Best Foreign Language Film. Nominated for two more. <br /> <br /> Shot on location in Paris Deauville and Saintes-Maries-de-la-Mer France. <br /> <br /> 10 x 8 inches. Near Fine. Les Films 13 unknown
Référence libraire : 144479
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Claude Lelouch (director, screenwriter); Andre Perlstein (photographer); Pierre Uytterhoeven (screenwriter); Marthe Keller, Andr
And Now My Love Original photograph from the 1974 film
Los Angeles: AVCO Embassy Pictures 1974. Vintage black-and-white still photograph from the US release of the 1974 French film promoted in the US in 1974. Mimeograph snipe affixed to the verso. <br /> <br /> A time-jumping romance showcasing the lives to two lovers taking place over a century and several continents. <br /> <br /> Shot on location in Israel New York and Turkey. <br /> <br /> 8 x 10 inches. Some toning on the recto see image else Near Fine. AVCO Embassy Pictures unknown
Référence libraire : 132718
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