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Herbert I. Leeds (director); Raymond Chandler (novel); Clarence Upson Young (screenwriter); Lloyd Nolan, Heather Angel (starring
Time to Kill Lobby card from the 1942 film
Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br /> <br /> 14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br /> <br /> Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown
Référence libraire : 131997
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Herbert I. Leeds (director); Irving Cummings Jr., William Conselman Jr. (screenwriter); Robert Sterling, Russell Gleason (starri
Yesterday's Heroes Original screenplay for the 1940 film
Los Angeles: Twentieth Century-Fox 1940. Final script for the 1940 film. <br /> <br /> The AFI Catalog notes: "According to a Twentieth Century- Fox press release this was the first writing effort for Fox sound man William Brent. After his story was bought Brent was made a writer at the studio. Also the first screenwriter assignment for Irving Cummings Jr. and William Conselman Jr. Both men were "second generation Hollywood" as Cummings' father was a director and Conselman's a screenwriter. <br /> <br /> "According to Twentieth Century-Fox press releases the football sequences were shot at the Los Angeles Olympic Stadium and at the Pasadena Rose Bowl. Despite a summer heat wave the extras were required to wear heavy winter coats. As such large wind machines behind huge cakes of ice were used to cool off the fields. Thirty-four college football players from local universities were used as extras in this film. They included USC's Ambrose Schindler Bill Howard Red Morgan Tony Tonelli Ollie Day and Owen Hansen and UCLA's Billy Bob Williams Bill Overlin and Bill Radovich. Location filming was done at the Inglewood Railway Station as the station received little use. Because only two freight trains used the station each day movie extras were the only passengers ever to use the station. The press release also reported that the rental cost of a four-car train at the station was $150 per day. HR reported that Fox borrowed Lewis Howard from Universal Pictures for this film."<br /> <br /> A Fox programmer about a doctor reflecting on his college days how he was lured onto the football team and away from his studies a flirtation with a widow and meeting his true love. A strong early vehicle for actor Robert Sterling and featuring two notable women from the serial film era Jean Rogers <br /> <br /> Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 149 and production No. 518 dated June 24 1940. Distribution page present with receipt intact. Title page present dated June 24 1940 noted as Final Script with credits for screenwriters Conselman Jr. and Cummings Jr. 135 leaves mimeograph duplication with blue revision pages throughout dated variously between 6/25/40 and 7/1/40. Pages Near Fine wrapper Good plus bound internally with three gold brads. Twentieth Century-Fox unknown
Référence libraire : 130425
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Herbert I. Leeds director; Irving Cummings Jr. William Conselman Jr. screenwriter; Robert Sterling Russell Gleason starring
Yesterday's Heroes Original screenplay for the 1940 film
Los Angeles: Twentieth Century-Fox 1940. Final script for the 1940 film. <br/><br/>The AFI Catalog notes: "According to a Twentieth Century- Fox press release this was the first writing effort for Fox sound man William Brent. After his story was bought Brent was made a writer at the studio. Also the first screenwriter assignment for Irving Cummings Jr. and William Conselman Jr. Both men were "second generation Hollywood" as Cummings' father was a director and Conselman's a screenwriter. <br/><br/>"According to Twentieth Century-Fox press releases the football sequences were shot at the Los Angeles Olympic Stadium and at the Pasadena Rose Bowl. Despite a summer heat wave the extras were required to wear heavy winter coats. As such large wind machines behind huge cakes of ice were used to cool off the fields. Thirty-four college football players from local universities were used as extras in this film. They included USC's Ambrose Schindler Bill Howard Red Morgan Tony Tonelli Ollie Day and Owen Hansen and UCLA's Billy Bob Williams Bill Overlin and Bill Radovich. Location filming was done at the Inglewood Railway Station as the station received little use. Because only two freight trains used the station each day movie extras were the only passengers ever to use the station. The press release also reported that the rental cost of a four-car train at the station was $150 per day. HR reported that Fox borrowed Lewis Howard from Universal Pictures for this film."<br/><br/>A Fox programmer about a doctor reflecting on his college days how he was lured onto the football team and away from his studies a flirtation with a widow and meeting his true love. A strong early vehicle for actor Robert Sterling and featuring two notable women from the serial film era Jean Rogers <br/><br/>Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 149 and production No. 518 dated June 24 1940. Distribution page present with receipt intact. Title page present dated June 24 1940 noted as Final Script with credits for screenwriters Conselman Jr. and Cummings Jr. 135 leaves mimeograph duplication with blue revision pages throughout dated variously between 6/25/40 and 7/1/40. Pages Near Fine wrapper Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
Référence libraire : 130425
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Herbert I. Leeds director; Raymond Chandler novel; Clarence Upson Young screenwriter; Lloyd Nolan Heather Angel starring
Time to Kill Lobby card from the 1942 film
Los Angeles: Twentieth Century-Fox 1942. Single lobby card for the 1942 film. Based on Raymond Chandler's 1942 novel "The High Window" here re-imagined as the seventh and final entry in Twentieth Century-Fox's series of films featuring detective Michael Shayne created by Brett Halliday. <br/><br/>14 x 11 inches. Very Good plus with two pinholes to the center of the card a tiny closed tear to the top edge and a small chip to the lower left corner. <br/><br/>Grant p. 651. Spicer p 420. Twentieth Century-Fox unknown books
Référence libraire : 131997
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Herbert J. Leder (director, screenwriter); John Ericson, Barry Newman, Roy Fant, Joan Harvey, Carl York, Peter Falk (starring)
Pretty Boy Floyd Two original photographs from the 1960 film
N.p.: Le-Sac Productions 1960. Two vintage studio still photographs from the 1960 film. <br /> <br /> Based on the career of 1930s outlaw Charles Arthur "Pretty Boy" Floyd. Floyd's father is killed and the murderer is let off by the sheriff. He tries to get revenge on the sheriff leading him down a very long path including robbery and an affair with a married woman. <br /> <br /> Set in Oklahoma. <br /> <br /> 10 x 8 inches. One photograph Very Good plus one photograph Good with creasing and wear to the finish. Le-Sac Productions unknown
Référence libraire : 160047
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Herbert J. Leder (director, screenwriter); John Ericson, Barry Newman, Joan Harvey (starring)
Pretty Boy Floyd Three original photographs from the 1960 film
N.p.: Le-Sac Productions 1960. Three vintage studio still photographs from the 1960 film. <br /> <br /> Based on real-life bank-robber Charles Arthur "Pretty Boy" Floyd 1904-1934 and recalling the hard-boiled gangster noirs of the 1930s. Bent on revenging his father's murder Floyd goes on a violent crime spree.<br /> <br /> 8 x 10 inches. Near Fine. Le-Sac Productions unknown
Référence libraire : 158845
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Herbert J. Leder (director, screenwriter); John Ericson, Barry Newman, Roy Fant, Joan Harvey (starring)
Pretty Boy Floyd Collection of 20 original photographs from the 1960 film
US: Le-Sac Productions 1960. Collection of 20 vintage studio still photographs from the 1960 film. One still with numerical annotations in manuscript pencil on the verso. Starring actor Ericson is prominently featured in the collection engaged in action romance and brandishing a Tommy gun.<br /> <br /> One photo from the set shown. Please inquire to see others.<br /> <br /> Based on real-life bank-robber Floyd 1904-1934 and recalling the hard-boiled gangster noirs of the 1930s. Bent on revenge Floyd Ericson goes on a crime spree with an unfortunate end. The first of eight biopics other adaptations include Bob Peterson in "The FBI Story" 1959 Robert Conrad in "Young Dillinger" 1965 and Martin Sheen in the TV movie "The Story of Pretty Boy Floyd" 1974. <br /> <br /> 8 x 10 inches short white borders. Very Good overall with light curling and toning several moderately toned and with pinholes small bruises and creases. Le-Sac Productions unknown
Référence libraire : 145447
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Herbert J. Leder director screenwriter; John Ericson Barry Newman Roy Fant Joan Harvey starring
Pretty Boy Floyd Collection of 20 original photographs from the 1960 film
US: Le-Sac Productions 1960. Collection of 20 vintage studio still photographs from the 1960 film. One still with numerical annotations in holograph pencil on the verso. Starring actor Ericson is prominently featured in the collection engaged in action romance and brandishing a Tommy gun.<br/><br/>One photo from the set shown. Please inquire to see others.<br/><br/>Based on real-life bank-robber Floyd 1904-1934 and recalling the hard-boiled gangster noirs of the 1930s. Bent on revenge Floyd Ericson goes on a crime spree with an unfortunate end. The first of eight biopics other adaptations include Bob Peterson in "The FBI Story" 1959 Robert Conrad in "Young Dillinger" 1965 and Martin Sheen in the TV movie "The Story of Pretty Boy Floyd" 1974. <br/><br/>8 x 10 inches short white borders. Very Good overall with light curling and toning several moderately toned and with pinholes small bruises and creases.<br/><br/>Complete collation details available on request. Le-Sac Productions unknown books
Référence libraire : 145447
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Herbert Kline (screenwriter)
The Hill of Hope: A Film of Modern Israel Original screenplay for an unproduced film
N.p.: N.p. 1964. Draft script for an unproduced fictional film set on a kibbutz in Israel by documentary filmmaker Herbert Kline. Accompanying the script is a typed letter signed by Kline dated "May II 1964" discussing casting of the film plans for script rewrites including the removal of some "overt political statements" that aided in getting Israeli financing and his hope that the success of this film would "lead to a series of modest budget" films shot in Israel. <br /> <br /> Blue titled wrappers. Title page present with credits for screenwriter Kline. 136 leaves with last page of text numbered 135. Mechanical duplication. Pages Near Fine wrapper lightly soiled else Near Fine bound with tape. <br /> <br /> Letter: 8.5 x 11 inches recto only folded horizontally. Very Good with a jagged tear to one edge and some light creasing. N.p. unknown
Référence libraire : 137549
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Herbert Kline screenwriter
The Hill of Hope: A Film of Modern Israel Original screenplay for an unproduced film
N.p.: N.p. 1964. Draft script for an unproduced fictional film set on a kibbutz in Israel by documentary filmmaker Herbert Kline. Accompanying the script is a typed letter signed by Kline dated "May II 1964" discussing casting of the film plans for script rewrites including the removal of some "overt political statements" that aided in getting Israeli financing and his hope that the success of this film would "lead to a series of modest budget" films shot in Israel. <br/><br/>Blue titled wrappers. Title page present with credits for screenwriter Kline. 136 leaves with last page of text numbered 135. Mechanical duplication. Pages Near Fine wrapper lightly soiled else Near Fine bound with tape. <br/><br/>Letter: 8.5 x 11 inches recto only folded horizontally. Very Good with a jagged tear to one edge and some light creasing. N.p. unknown books
Référence libraire : 137549
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Herbert L. Strock director; Ralph Thornton screenwriter; Sandra Harrison Louise Lewis Gail Ganley Jerry Blaine starring
Blood of Dracula Original Lobby Card for the 1957 film
N.p.: American International Pictures AIP 1957. Original lobby card for the 1957 film. The fifth film produced by AIP a company originally functioning as a distributor. Another teen-monster flick from the 1950s reminiscent of "I Was a Teenage Werewolf "1957 only the antagonist is a woman and the creature she becomes is a vampire. <br/><br/>11 x 14 inches studio production notation on the verso. Very Good with evidence of tape removal briefly obscuring "Dracula" in the titles and a faint white paint swathe on the recto and a few tiny closed tears and light creases at the extremities. American International Pictures [AIP] unknown books
Référence libraire : 129585
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Herbert Ross (director); Neil Simon (play, screenwriter); Walter Matthau, Ann-Margret, Dinah Manoff (starring)
I Ought to Be in Pictures Four original photographs from the 1982 film
Los Angeles: Twentieth Century-Fox 1982. Four vintage studio still photographs from the 1982 film. <br /> <br /> Based on the 1979 play following a Hollywood screenwriter who abandoned his family 16 years earlier now pursued by his teenage daughter who desires his help in securing an acting career.<br /> <br /> Set in Los Angeles. <br /> <br /> Three 8 x 10.5 inches with one 8 x 10 inches. Fine. Twentieth Century-Fox unknown
Référence libraire : 147593
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Herbert Ross (director); Dennis Potter (screenwriter); Steve Martin, Bernadette Peters, Jessica Harper, Vernel Bagneris (starrin
Pennies from Heaven Original screenplay for the 1981 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1980. Final Draft script for the 1981 film. <br /> <br /> Written for the screen by Dennis Potter based on his screenplay for the 1978 BBC television series. One of Steve Martin's earliest and most bizarre critical successes and along with "The Singing Detective" the work for which the late Dennis Potter is best remembered. Potter's trademark dark sensibilities permeate the film's mood punctuated by wildly complex choreographed musical numbers. Nominated for three Academy Awards including Best Screenplay. <br /> <br /> Set in Chicago during the Depression shot on location in California Iowa and Illinois. <br /> <br /> Orange titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 50 dated August 18 1980 with credits for screenwriter Potter director/producer Ross and producer Nora Kaye. Title page present dated 8/18/80 noted as FINAL DRAFT with credit for screenwriter Potter. 141 leaves with last page of text numbered 138. Mimeograph duplication. Pages and wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 138211
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Herbert Ross (director); Arthur Laurents (screenwriter); Anne Bancroft, Shirley Maclaine, Tom Skerritt, Mikhail Baryshnikov, Les
The Turning Point Original photograph of Shirley MacLaine from the 1977 film
Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of Shirley Maclaine from the 1977 film. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
Référence libraire : 163626
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Herbert Ross (director); Arthur Laurents (screenwriter); Anne Bancroft, Shirley Maclaine, Tom Skerritt, Mikhail Baryshnikov, Les
The Turning Point Original screenplay for the 1977 film
Los Angeles: Twentieth Century-Fox 1976. Revised Final script for the 1977 film.<br /> <br /> A portrait of the second wave of feminism at its turning point in the late 1970s about two former dancers whose lives have gone separate ways one having become a professional dancer the other a housewife and whose unexpected reunion yields dramatic consequences. Nominated for eleven Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> Green titled Twentieth Century-Fox wrappers dated July 2 1976. Title page present dated July 2 1976 noted as REVISED FINAL with credits for screenwriter Arthur Laurents. 119 leaves with last page of text numbered 118. Xerographic duplication on eye-rest green stock rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Housed in a custom cloth slipcase. Twentieth Century-Fox unknown
Référence libraire : 156769
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Herbert Ross (director); Arthur Laurents (screenwriter); Anne Bancroft, Shirley Maclaine, Tom Skerritt, Mikhail Baryshnikov, Les
The Turning Point Original photograph from the 1977 film
Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Manuscript annotations on the verso. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay.<br /> <br /> Shot on location in Oklahoma City. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
Référence libraire : 145151
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Herbert Ross (director, producer); Arthur Laurents (screenwriter, producer); Anne Bancroft, Shirley MacLane, Mikhail Baryshnikov
The Turning Point Original screenplay for the 1977 film
Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in manuscript ink on the front wrapper. Notations in manuscript blue and black ink throughout. <br /> <br /> A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. <br /> <br /> Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 129783
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Herbert Ross director producer; Arthur Laurents screenwriter producer; Anne Bancroft Shirley MacLane Mikhal Baryshnikov star
The Turning Point Original screenplay for the 1977 film
Los Angeles: Twentieth Century-Fox 1976. Draft script for the 1977 film. Presumed estimating script with "Budgeting" in holograph ink on the front wrapper. Notations in holograph blue and black ink throughout. <br/><br/>A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft portray former dance colleagues whose lives have gone separate ways one becomes a professional dancer the other a settled domestic woman and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay. <br/><br/>Mustard titled wrappers noted as "Budgeting" on the front wrapper. Title page present dated 3/2/76 with a credit for screenwriter Laurents. 116 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
Référence libraire : 129783
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Herbert Ross director; Arthur Laurents screenwriter; Anne Bancroft Shirley Maclaine Tom Skerritt Mikhail Baryshnikov Leslie
The Turning Point Original photograph from the 1977 film
Los Angeles: Twentieth Century-Fox 1977. Vintage photograph of director Herbert Ross and actor Shirley Maclaine on the set of the 1977 film. Holograph annotations on the verso. <br/><br/>A film made at what was arguably the maturation point for the Women's Liberation movement that began in the mid-late 1960s in which MacLaine and Bancroft play former dance colleagues whose lives have gone separate ways one became and professional dancer the other a settled domestic life and whose unexpected reunion yields dramatic consequences. Nominated for 11 Academy Awards including Best Picture Best Director and Best Screenplay.<br/><br/>Shot on location in Oklahoma City. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
Référence libraire : 145151
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Herbert Ross director; Dean Pitchford screenwriter; Kevin Bacon Lori Singer John Lithgow Dianne Wiest Sarah Jessica Parker s
Footloose Original screenplay for the 1984 film
Hollywood: Paramount Pictures 1983. Shooting script for the 1984 film. With a few holograph annotations in ink and pencil throughout. <br/><br/>A teenager moves to a rural town and comes into conflict with the local preacher and his "no dancing" ordinance. The film's soundtrack reached number 1 on the Billboard charts and featured six Top 40 hits including three Top 10 hits two of which reached all the way to number 1. Additionally two songs "Let's Hear It for the Boy" and the title track were nominated for Best Original Song Oscars. <br/><br/>Blue titled wrappers. Title page present dated April 13 1983 noted as Shooting script with credits for screenwriter Pitchford director Ross and producers Lewis J. Rachmil Crag Zadan and Daniel Melnick. 131 leaves with last page of text numbered 123. Xerographic duplication with white pink green blue orange and yellow revision pages throughout dated variously between 4/13 and 6/10. Pages Near Fine wrapper Very Good plus bound with internally with three gold brads. Paramount Pictures unknown books
Référence libraire : 140449
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Herbert Ross director; Dennis Potter screenwriter; Steve Martin Bernadette Peters starring
Pennies from Heaven Original screenplay for the 1981 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1980. Revised Final Draft script for the 1981 film. Rainbow copy with several sets of revision leaves in pink yellow blue orange and green. <br/><br/>Written for the screen by Dennis Potter based on his screenplay for the 1978 BBC television series. One of Steve Martin's earliest and most bizarre critical successes and along with "The Singing Detective" the work for which the late Dennis Potter is best remembered. Potter's trademark dark sensibilities permeate the film's mood punctuated by wildly complex choreographed musical numbers. Nominated for three Academy Awards including Best Screenplay. <br/><br/>Set in Chicago during the Depression shot on location in California Iowa and Illinois. <br/><br/>Orange titled wrappers noted as REVISED FINAL DRAFT on the front wrapper rubber-stamped copy No. 356 dated October 22 1980 with credits for screenwriter Potter director/producer Ross and producer Nora Kaye. Title page present dated 10-22-80 noted as Revised Final Draft with credit for screenwriter Potter. 140 leaves mimeograph duplication with the last leaf of text numbered 143. Pink orange yellow green and blue revision pages throughout dated variously between 11-24-80 and 1-7-81. Pages and wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
Référence libraire : 128652
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Herbert Ross director; Peter Hyams screenwriter; Candice Bergen Peter Boyle James Caan Marcia Rodd starring
T.R. Baskin Original screenplay for the 1971 film
Hollywood: Paramount Pictures 1971. Final Revised Shooting script for the 1971 film. Copy belonging to an uncredited member of the crew with brief annotations in holograph ink throughout. <br/><br/>T.R. Baskin Bergen is an optimistic young woman who journeys to Chicago where she is confronted with big city life in a powerful way prompting her to do a bit of soul searching. <br/><br/>Set in Chicago and shot there on location. <br/><br/>Green titled wrappers with die-cut window. Title page present dated January 20 1971 noted as FINAL SHOOTING SCRIPT with credits for screenwriter Hyams. 125 leaves with last page of text numbered 118. Xerographic duplication with blue revision pages throughout dated variously between 2/3/71 and 2/11/71 with rubber-stamped dates on the versos of several pages variously between 2/12/71 and 2/22/71. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Paramount Pictures unknown books
Référence libraire : 136216
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Herbert Wilcox (director); Miles Malleson (screenwriter); Anna Neagle, Cedric Hardwicke, Margaretta Scott (starring)
Peg of Old Drury Original photograph of Anna Neagle from the 1935 film
N.p.: Herbert Wilcox Productions 1935. Vintage reference photograph of Anna Neagle from the 1935 film. <br /> <br /> A British biopic about the eighteenth-century Irish actress Peg Woffington. <br /> <br /> 8 x 10 inches. Near Fine with a manuscript graphite notation to the verso. Herbert Wilcox Productions unknown
Référence libraire : 141374
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Herbert Wilcox (director); Alice Duer Miller (novel); George Higgins (photographer); Nicholas Phipps (screenwriter); Anna Neagle
Spring in Park Lane Original British front-of-house card from the 1948 film
London: British Lion Film Corporation 1948. Vintage black-and-white British front-of-house card from the 1948 UK film. <br /> <br /> A well received romance about a member of English royalty pretending to be a mere footman. <br /> <br /> 8 x 10 inches. Near Fine. British Lion Film Corporation unknown
Référence libraire : 132120
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Herbert Wilcox (director); Pamela Bower (screenwriter); Mel Dinelli (screenwriter, uncredited); EC. Bentley (novel); Michael Wil
Trent's Last Case Original screenplay for the 1952 film
Los Angeles: Republic Pictures 1947. First Draft script for the 1952 film. The script's development history began in the US with Vanguard Films and this draft by Dinelli and was ultimately produced by Republic Pictures in conjunction with Herbert Wilcox Productions in the UK. Script credit was ultimately given to Pamela Bower. <br /> <br /> Based on the 1913 novel by E. C. Bentley. A reporter is assigned to cover the case of an international businessman in town who was found dead. He poses as a member of the family to gain access to the businessman's house and information from the lead detective on the case who suspects the death was a suicide. <br /> <br /> Set in Hampshire England.<br /> <br /> Blue titled wrappers noted as First Draft on the front wrapper rubber-stamped copy No. 12 dated May 22 1947 with credits for novelist E.C. Bentley and screenwriter Mel Dinelli. Distribution page present with receipt intact. 110 leaves with last page of text numbered 109. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. Republic Pictures unknown
Référence libraire : 151519
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Herbert Wilcox director producer; Pamela Bower screenwriter; Mel Dinelli screenwriter uncredited; EC. Bentley novel; Michael W
Trent's Last Case Original screenplay for the 1952 film
Los Angeles: Republic Pictures 1947. First Draft script for the 1952 film preceding its release by five years. The script's development history began in the US with Vanguard Films and this draft by Dinelli and was ultimately produced by Republic Pictures in conjunction with Herbert Wilcox Productions in the UK. Script credit was ultimately given to Pamela Bower. <br/><br/>Michael Wilding stars as Bentley's Trent a fallible amateur investigator who becomes tied up in the questionable suicide of a wealthy man named Manderson. <br/><br/>Blue titled wrappers noted as First Draft on the front wrapper rubber-stamped copy number dated May 22 1947 with credits for writer Bentley and screenwriter Dinelli. Distribution page present with receipt intact. 110 leaves mimeograph duplication. Pages Fine wrapper Near Fine internally bound with three black brads. Republic Pictures unknown books
Référence libraire : 151519
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Herbert Wilcox director; Alice Duer Miller novel; George Higgins still photographer; Nicholas Phipps screenwriter; Anna Neagle
Spring in Park Lane Original photograph from the 1948 film
London: British Lion Film Corporation 1948. Vintage black-and-white still photograph from the 1948 UK film. <br/><br/>A well received romance about a member of English royalty pretending to be a mere footman. <br/><br/>8 x 10 inches. Near Fine. British Lion Film Corporation unknown books
Référence libraire : 132120
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Herbert Wilcox director; Miles Malleson screenwriter; Anna Neagle Cedric Hardwicke Margaretta Scott starring
Peg of Old Drury Original photograph from the 1935 film
N.p.: Herbert Wilcox Productions 1935. Vintage studio still photograph from the 1935 film. <br/><br/>A British biopic about the eighteenth-century Irish actress Peg Woffington. <br/><br/>8 x 10 inches. Near Fine with a holograph graphite notation to the verso. <br/><br/>Complete collation details available on request. Herbert Wilcox Productions unknown books
Référence libraire : 141374
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Herlihy James Leo sourcework and Waldo Salt screenwriter
Original Studio Publicity Campaign Press Book for: MIDNIGHT COWBOY
New York: United Artists / Transamerica 1969. 111pp. plus 2pp single sheet insert. Folio 43 x 28 cm. Pictorial wrappers. Heavily illustrated. Horizontal fold else near fine. An original studio press book promoting John Schlesinger's superb film adaptation of Herlihy's 1965 novel based on Waldo Salt's Academy Award winning screenplay starring Dustin Hoffman and John Voight. The film won Best Picture in spite of its 'X' rating Schlesinger won Best Director and Dustin Hoffman was robbed. This copy includes an insert featuring the new promotional paper following the Academy Awards. United Artists / Transamerica unknown books
Référence libraire : WRCLIT68864
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Herman Groves (screenwriter)
Bama Original screenplay for an unproduced film
Beverly Hills CA: Jerry Adler Productions 1970. Draft script for an unproduced film. <br /> <br /> A drama about the no-man's land between the Nueces River and the Rio Grande technically claimed by America but unofficially belonging to bands of roving outlaws and social outcasts. <br /> <br /> Set in Texas. <br /> <br /> Black titled wrappers. Title page present with credit for screenwriter Herman Groves. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Jerry Adler Productions unknown
Référence libraire : 141097
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Herman Hesse (novel); Leber, Titus (screenwriter)
Das Glasperlenspiel The Glass Bead Game Original treatment script for an unproduced film
Vienna: N.p. 1970. Treatment script for an unproduced film. Text in German. Based on Herman Hesse's last full-length novel "Das Glasperlenspiel" or "The Glass Bead Game" published in 1943. <br /> <br /> Years into the future a class of intellectuals is concerned only with running boys' boarding schools and playing the Glass Bead Game which involves a sophisticated synthesis of arts science and culture in order to excel. Hesse's novel was published in Switzerland because German government officials considered it a critique of the Nazi regime. <br /> <br /> Title page present noted as Treatment with credits for author Herman Hesse and screenwriter Dr. Titus Leber. 26 leaves with last leaf of text numbered 25. Xerographically duplicated. Pages Near Fine housed in a Near Fine orange prong binder with clear front wrapper. Text in German. N.p. unknown
Référence libraire : 141642
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Herman Hesse novel; Leber Titus screenwriter
Das Glasperlenspiel Original treatment script for an unproduced film
Vienna: N.p. 1970. Treatment script for an unproduced film. Text in German. Based on Herman Hesse's last full-length novel "Das Glasperienspiel" or "The Glass Bead Game" published in 1943. <br/><br/>Years into the future a class of intellectuals is concerned only with running boys' boarding schools and playing the Glass Bead Game which involves a sophisticated synthesis of arts science and culture in order to excel. Hesse's novel was published in Switzerland because German government officials considered it a critique of the Nazi regime. <br/><br/>Title page present noted as Treatment with credits for author Herman Hesse and screenwriter Dr. Titus Leber. 26 leaves with last leaf of text numbered 25. Xerographically duplicated. Pages Near Fine housed in a Near Fine orange prong binder with clear front wrapper. Text in German. N.p. unknown books
Référence libraire : 141642
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Herman Melville (novella); Peter Ustinov (director, screenwriter, starring); Robert Rossen, DeWitt Bodeen (screenwriters); Teren
Billy Budd Original screenplay for the 1962 film
N.p.: N.p. 1961. First Draft script for the 1962 film. <br /> <br /> Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and optimism win him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance.<br /> <br /> Yellow wrappers with a die-cut title window in the British style. Title page present dated March 21 1961 noted as FIRST DRAFT with credit for screenwriter Peter Ustinov. 127 leaves with last page of text numbered 123. Mimeograph duplication rectos only with pink and blue revision pages throughout dated variously between May 5 and August 22 1961. Title page lightly toned else pages Near Fine wrapper about Near Fine bound internally with three silver brads. N.p. unknown
Référence libraire : 166734
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Herman Melville (novella); Peter Ustinov (director, screenwriter, starring); Robert Rossen, DeWitt Bodeen (screenwriters); Teren
Billy Budd Original screenplay for the 1962 film
N.p.: N.p. 1957. Final script for the 1962 film. Early draft preceding the film's release by five years credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film but was involved in this early stage of the script's development. <br /> <br /> Based on Louis O. Coxe and Robert H. Chapman's 1949 play which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp who was nominated for a Best Supporting Actor Academy Award for his performance.<br /> <br /> Yellow titled wrappers noted as FINAL SCREENPLAY and dated October 15 1957 with credit for screenwriter Robert Rossen. 122 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
Référence libraire : 166733
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Herman Raucher novel screenwriter; Dave Friedman still photographer; Jennifer O'Neill Gary Grimes starring
Summer of '42 Collection of 5 double weight photographs from the 1971 film
Burbank CA: Warner Brothers 1971. Collection of 5 vintage color double weight still photographs from the 1971 film. <br/><br/>Winner of the Academy Award for Best Original Score and nominated for three others including Best Screenplay Best Cinematography and Best Editing. <br/><br/>8 x 10 inches. Fine. Warner Brothers unknown books
Référence libraire : 131674
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Herman Raucher screenwriter
Smiling the Boy Fell Down Dead Original screenplay for an unproduced film
N.p.: N.p. 1968. First Draft script for an unproduced film. With a single holograph pencil annotation to the front wrapper. <br/><br/>A mild-mannered waiter and a spirited bartender start their own hit business after realizing the world is full of people who deserve to be killed. Screenwriter Herman Raucher was best known for the films "Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness" 1969 "Watermelon Man" 1971 and "Summer of '42" 1971.<br/><br/>Set in London.<br/><br/>Green wrappers with a printed label sticker noting the title and the name of Ziegler-Ross Agency. Title page present noted as FIRST DRAFT with credits for Herman Raucher. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
Référence libraire : 149946
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Herman Shumlin (director); Lillian Hellman (play); Dashiell Hammett (screenwriter); Bette Davis, Paul Lukas, Geraldine (starring
Watch on the Rhine Collection of twelve original photographs from the 1943 film including two keybook stills
Burbank CA: Warner Brothers 1943. Collection of twelve vintage still photographs from the 1943 film. Two of these are linen-backed keybook photographs both test shots of Bette Davis. One is a third test shot single weight of Davis with some wax pencil annotations on the recto and a snipe on the verso. The remaining nine photographs are studio stills. <br /> <br /> Based on Lillian Hellman's 1941 play of the same name. A German-born Engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews and received an Academy Award for Best Actor. <br /> <br /> 8 x 10 inches. Condition Very Good to Very Good plus. Some cello tape to the recto of some of the studio stills and some fading occasional pin holes to a few of same. Warner Brothers unknown
Référence libraire : 140944
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Herman Shumlin director; Lillian Hellman play; Dashiell Hammett screenwriter; Bette Davis Paul Lukas Geraldine starring
Watch on the Rhine Collection of twelve original photographs from the 1943 film including two keybook stills
Burbank CA: Warner Brothers 1943. Collection of twelve vintage still photographs from the 1943 film. Two of these are linen-backed keybook photographs both test shots of Bette Davis. One is a third test shot single weight of Davis with some wax pencil annotations on the recto and a snipe on the verso. The remaining nine photographs are studio stills. <br/><br/>Based on Lillian Hellman's 1941 play of the same name. A German-born Engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews and received an Academy Award for Best Actor. <br/><br/>8 x 10 inches. Condition Very Good to Very Good plus. Some cello tape to the recto of some of the studio stills and some fading occasional pin holes to a few of same. <br/><br/>Complete collation details available on request. Warner Brothers unknown books
Référence libraire : 140944
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Herman Wouk (novel); Delmer Daves (director, screenwriter); James Franciscus, Suzanne Pleshette, Genevieve Page, Eva Gabor (star
Youngblood Hawke Original screenplay for the 1964 film
Burbank CA: Warner Brothers 1963. Final script for the 1964 film. <br /> <br /> Based on Herman Wouk's 1962 novel. Youngblood Hawke Franciscus is a Kentucky truck driver who comes to New York City to start a career as a writer. He meets editor Jeanne Green Pleshette who falls for him while putting together a book deal. Throughout his first three books his hops from woman to woman and book deal to book deal including a Broadway adaptation and an affair with a woman whose jealous husband intends to destroy Hawke. He returns to Kentucky to work on writing contracts pneumonia and realizes that Jeanne was the only woman he truly loved. <br /> <br /> Set in Kentucky and New York shot on location in New York. <br /> <br /> Self wrappers noted as FINAl on the front wrapper dated February 15 1963 with credits for screenwriter Daves and novelist Wouk. Title page integral with front wrapper DATE. 160 leaves with last page of text numbered 157. Mimeograph on eye-rest green stock. Near Fine overall bound with two gold brads. Warner Brothers unknown
Référence libraire : 135122
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Herman Wouk novel; Delmer Daves director screenwriter; James Franciscus Suzanne Pleshette Genevieve Page Eva Gabor starring
Youngblood Hawke Original screenplay for the 1964 film
Burbank CA: Warner Brothers 1963. Final script for the 1964 film. <br/><br/>Based on Herman Wouk's 1962 novel. Youngblood Hawke Franciscus is a Kentucky truck driver who comes to New York City to start a career as a writer. He meets editor Jeanne Green Pleshette who falls for him while putting together a book deal. Throughout his first three books his hops from woman to woman and book deal to book deal including a Broadway adaptation and an affair with a woman whose jealous husband intends to destroy Hawke. He returns to Kentucky to work on writing contracts pneumonia and realizes that Jeanne was the only woman he truly loved. <br/><br/>Set in Kentucky and New York shot on location in New York. <br/><br/>Self wrappers noted as FINAl on the front wrapper dated February 15 1963 with credits for screenwriter Daves and novelist Wouk. Title page integral with front wrapper DATE. 160 leaves with last page of text numbered 157. Mimeograph on eye-rest green stock. Near Fine overall bound with two gold brads. Warner Brothers unknown books
Référence libraire : 135122
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Hermann Hesse (novel); Titus Leber (screenwriter)
Magistra Ludi: Die Glasperlenspieler Master of the Game: The Glass Bead Game Two original film treatments for an unproduced television project
N.p.: N.p. 1980. Set of two treatment scripts for an unproduced television project variously described as a television series or prospective feature film. Text in German and English. <br /> <br /> Based on Nobel Prize-winning author Hermann Hesse's 1934 novel set to the music of Johann Sebastian Bach. Centuries into the future a closed utopian society is dedicated solely to intellectual pursuits encapsulated in the "glass bead game" an esoteric competition which requires a limitless knowledge of music math and culture to win. Hesse's novel follows Joseph Knecht as he becomes a master of the game eventually rising to the top of the hierarchy to become Magister Ludi the executive officer of the game administrators. Although "Das Glasperienspiel" was begun in 1931 publication in Germany was stalled due to the novel's anti-fascist messages leading Hesse to eventually seek publication in Switzerland in 1943.<br /> <br /> Set in Castalia a fictional province of central Europe in the 25th century.<br /> <br /> Yellow text in German:<br /> <br /> Ordered but unbound leaves housed in a yellow plastic folder. Title page present with credits for screenwriter Titus Leber. 22 leaves not numbered. Xerographically reproduced on blue and white stock rectos only. Pages Very Good plus.<br /> <br /> Black text in English:<br /> <br /> Ordered but unbound leaves housed in a black plastic folder. Title page present with credits for screenwriter Titus Leber. 22 leaves with last page of text numbered 20. Xerographically reproduced on blue and white stock rectos only. Pages Very Good plus. N.p. unknown
Référence libraire : 147395
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Hermann Hesse (novel); Titus Leber (screenwriter)
Magistra Ludi: Die Glasperlenspieler Master of the Game: The Glass Bead Game Original screenplay for an unproduced film
N.p.: N.p. 1983. Treatment script for an unproduced television project variously described as a television series or prospective feature film. Text in German. <br /> <br /> Based on Nobel Prize-winning author Hermann Hesse's 1934 novel set to the music of Johann Sebastian Bach. Centuries into the future a closed utopian society is dedicated solely to intellectual pursuits encapsulated in the "glass bead game" an esoteric competition which requires a limitless knowledge of music math and culture to win. Hesse's novel follows Joseph Knecht as he becomes a master of the game eventually rising to the top of the hierarchy to become Magister Ludi the executive officer of the game administrators. Although "Das Glasperienspiel" was begun in 1931 publication in Germany was stalled due to the novel's anti-fascist messages leading Hesse to eventually seek publication in Switzerland in 1943.<br /> <br /> Set in Castalia a fictional province of central Europe in the 25th century.<br /> <br /> Clear untitled plastic wrappers. Title page present dated 1983 noted as Treatment with credits for screenwriter TITUS LEBER novelist Hermann Hesse and music credits to Johann Sebastian Bach. 21 leaves with last page of text numbered 20. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with white clip binding. N.p. unknown
Référence libraire : 146495
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Hermann Hesse (novel); Fred Haines (director, screenwriter); Max von Sydow, Dominique Sana (starring)
Steppenwolf Hermann Hesse's Steppenwolf.For Madmen Only Original screenplay for the 1974 film
New York: Magic Lantern Inc 1971. Draft script for the 1974 film. Based on the 1927 novel by Hermann Hesse. <br /> <br /> A depressed half-man half-animal played by Max von Sydow is introduced to the hallucinogenic world of the "Magic Theater" where he seeks redemption via a metaphysical transcendence. The film took seven years of complicated pre-production to create including building a relationship with the Hesse family in order to acquire the rights. While "Steppenwolf" is a precisely-realized film replete with Jungian symbols and created with some of the best special effects available at the time the film has remained somewhat obscure due to problems with its marketing and distribution including the color of the prints having been incorrectly developed. <br /> <br /> Set in 1920s Germany shot on location in Germany and Switzerland. <br /> <br /> Black titled Studio Duplicating Service wrappers with credits for novelist Hermann Hesse. Title page present dated April 1971 with credits for screenwriter Fred Haines. 104 leaves with last page of text numbered 103. Mimeograph duplication with blue undated revision pages throughout. Pages Fine wrapper Near Fine bound with two gold brads. Magic Lantern Inc unknown
Référence libraire : 142743
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Hermann Hesse novel; Fred Haines director screenwriter; Max von Sydow Dominique Sana starring
Steppenwolf Hermann Hesse's Steppenwolf.For Madmen Only Original screenplay for the 1974 film
New York: Magic Lantern Inc 1971. Draft script for the 1974 film. Based on the 1927 novel by Hermann Hesse. <br/><br/>A depressed half-man half-animal played by Max von Sydow is introduced to the hallucinogenic world of the "Magic Theater" where he seeks redemption via a metaphysical transcendence. The film took seven years of complicated pre-production to create including building a relationship with the Hesse family in order to acquire the rights. While "Steppenwolf" is a precisely-realized film replete with Jungian symbols and created with some of the best special effects available at the time the film has remained somewhat obscure due to problems with its marketing and distribution including the color of the prints having been incorrectly developed. <br/><br/>Set in 1920s Germany shot on location in Germany and Switzerland. <br/><br/>Black titled Studio Duplicating Service wrappers with credits for novelist Hermann Hesse. Title page present dated April 1971 with credits for screenwriter Fred Haines. 104 leaves with last page of text numbered 103. Mimeograph duplication with blue undated revision pages throughout. Pages Fine wrapper Near Fine bound with two gold brads. Magic Lantern Inc unknown books
Référence libraire : 142743
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Hermann Hesse novel; Titus Leber screenwriter
Magistra Ludi: Die Glasperlenspieler Master of the Game: The Glass Bead Game Two original film treatments for an unproduced television project
N.p.: N.p. 1980. Set of two treatment scripts for an unproduced television project variously described as a television series or prospective feature film. Text in German and English. <br/><br/>Based on Nobel Prize-winning author Hermann Hesse's 1934 novel set to the music of Johann Sebastian Bach. Centuries into the future a closed utopian society is dedicated solely to intellectual pursuits encapsulated in the "glass bead game" an esoteric competition which requires a limitless knowledge of music math and culture to win. Hesse's novel follows Joseph Knecht as he becomes a master of the game eventually rising to the top of the hierarchy to become Magister Ludi the executive officer of the game administrators. Although "Das Glasperienspiel" was begun in 1931 publication in Germany was stalled due to the novel's anti-fascist messages leading Hesse to eventually seek publication in Switzerland in 1943.<br/><br/>Set in Castalia a fictional province of central Europe in the 25th century.<br/><br/>Yellow text in German:<br/><br/>Ordered but unbound leaves housed in a yellow plastic folder. Title page present with credits for screenwriter Titus Leber. 22 leaves not numbered. Xerographically reproduced on blue and white stock rectos only. Pages Very Good plus.<br/><br/>Black text in English:<br/><br/>Ordered but unbound leaves housed in a black plastic folder. Title page present with credits for screenwriter Titus Leber. 22 leaves with last page of text numbered 20. Xerographically reproduced on blue and white stock rectos only. Pages Very Good plus. N.p. unknown books
Référence libraire : 147395
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Herschel Daugherty (director); Nancy Moore, James Gunn (screenwriter); Joel Aldrich, Jane Darwell, William Kendis, Nan Martin, J
Studio 57: Center Ring Original screenplay for the 1955 television series
Hollywood: DuMont Television Network 1955. Draft script for Season One episode 25 of the 1954-1955 television series originally broadcast on March 8 1955 on the DuMont Television Network. Script belonging to Lyn Thomas who played Val in the episode with her manuscript name in ink on the front wrapper and her lines circled in manuscript ink throughout shooting schedule laid in. <br /> <br /> Circus drama involving a brother and sister aerial act and their new partner. "Studio 57" also known as "Heinz Studio 57" was an American anthology series broadcast on the now-defunct DuMont Television Network from September 1954 to July 1955 and in syndication from 1955 to 1958. <br /> <br /> Notably "It's a Small World" the pilot episode for the iconic series "Leave It to Beaver" was broadcast on the show on April 23 1957. <br /> <br /> White titled self wrappers production No. 1324 with credits for screenwriter James Gunn and story by Nancy Moore. Title page integral with front wrapper. 38 leaves with last page of text numbered 36. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with single staple. DuMont Television Network unknown
Référence libraire : 142718
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Herschel Daugherty director; Nancy Moore James Gunn screenwriter; Joel Aldrich Jane Darwell William Kendis Nan Martin James
Studio 57: Center Ring Original screenplay for the 1955 television series
Hollywood: DuMont Television Network 1955. Draft script for Season One episode 25 of the 1954-1955 television series originally broadcast on March 8 1955 on the DuMont Television Network. Script belonging to Lyn Thomas who played Val in the episode with her holograph name in ink on the front wrapper and her lines circled in holograph ink throughout shooting schedule laid in. <br/><br/>Circus drama involving a brother and sister aerial act and their new partner. "Studio 57" also known as "Heinz Studio 57" was an American anthology series broadcast on the now-defunct DuMont Television Network from September 1954 to July 1955 and in syndication from 1955 to 1958. <br/><br/>Notably "It's a Small World" the pilot episode for the iconic series "Leave It to Beaver" was broadcast on the show on April 23 1957. <br/><br/>White titled self wrappers production No. 1324 with credits for screenwriter James Gunn and story by Nancy Moore. Title page integral with front wrapper. 38 leaves with last page of text numbered 36. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with single staple. DuMont Television Network unknown books
Référence libraire : 142718
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Herschell Gordon Lewis as Lewis H. Gordon (director, cinematographer); Leroy C. Griffith (screenwriter); Virginia Bell, William
Bell Bare and Beautiful Three original photographs from the 1963 film
N.p.: Griffith Productions 1963. Three vintage studio still photographs from the 1963 film two with provenance stamps on the versos. Early sexploitation film directed and shot by Herschell Gordon Lewis who would become better known a year later with the release of "Two Thousand Maniacs" and many other Z-budget blood-soaked horror films.<br /> <br /> A young millionaire is obsessed by a woman appearing in a dream. After an investigation he discovers burlesque performer Gina Adair and searches for her at her favorite nudist camp.<br /> <br /> Shot on location in Miami Florida. <br /> <br /> 8 x 10 inches. Very Good plus. Griffith Productions unknown
Référence libraire : 161531
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Herschell Gordon Lewis (director, screenwriter); David F. Friedman (screenwriter); William Kerwin, William R. Johnson, Louise Do
Boin-n-g Three original photographs from the 1963 film
N.p.: Box Office Spectaculars 1963. Three vintage studio still photographs from the 1963 film. One photograph with a provenance stamp on the verso. <br /> <br /> Al and Bob are two businessmen who decide they could make there own "nudie cutie" movie better than the ones they've seen until everything goes wrong. <br /> <br /> Shot on location in Barrington Illinois. <br /> <br /> 8 x 10 inches. Very Good plus with light edgewear one with a crease to the far right corner and one with faint creasing in the right margins. Box Office Spectaculars unknown
Référence libraire : 161557
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Herschell Gordon Lewis (director); William R. Johnson (screenwriter); Rex Marlow, Louise Downe, William Kerwin (starring)
Goldilocks and The Three Bares Original pressbook for the 1963 film
N.p.: Dore Productions 1963. Vintage pressbook for the 1963 musical film. <br /> <br /> Considered the first nudie musical about a nightclub singer and a comedian who are drawn into the world of nudism through their girlfriends. <br /> <br /> Two pages bifold. 11 x 17 inches. Near Fine. Dore Productions unknown
Référence libraire : 154904
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