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AA. Krovek (director); Edmund Kerwin (screenwriter); Louise Downe, Marge London, Karen Moore (starring) A. A.
Babes in the Woods Original photograph from the 1962 film
N.p.: Aurora Productions 1962. Vintage studio still photograph from the 1962 film with a provenance stamp on the verso. <br /> <br /> Three young women are stranded on the roadside in the woods and encounter plenty of mischief before ending up at a nudist camp. Lost for 40 years before being rediscovered and restored by Independent International Films.<br /> <br /> 8 x 10 inches. Very Good with some light splashing faint creasing and several pinholes. Aurora Productions unknown
Référence libraire : 161520
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Aaron Nash (screenwriter)
The Ultimate Release Original screenplay for an unproduced film
Hollywood: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." <br /> <br /> Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
Référence libraire : 143943
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Aaron Nash screenwriter
The Ultimate Release Original screenplay for an unproduced film
Hollywood: N.p. 1970. Draft script for an unproduced film. <br/><br/>Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." <br/><br/>Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown books
Référence libraire : 143943
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Aaron Norris (director); Ian Rabin, Anthony Ridio, Brent V. Friedman, Galen Thompson (screenwriter); Chuck Norris, Calvin Levels
Hellbound Voices Original screenplay for the 1994 film
Burbank CA: Warner Home Video / Cannon Films 1994. Draft script for the 1994 film. Here under the working title "Voices." <br /> <br /> Chuck Norris does his vigilante thing as no one else can in the this Cannon quickie but with a horror twist. Two Chicago police officers are investigating the murder of a local Rabbi when their search leads them to Israel where they realize the culprit is not human but rather supernatural. Directed by Norris' younger brother Aaron Norris. <br /> <br /> Set in Chicago and Israel shot on location in Jerusalem and Tel Aviv. <br /> <br /> Red titled wrappers. Title page present with credits for screenwriters Ian Rabin and Anthony Jon Ridio. 119 leaves with last page of text numbered 117. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. Warner Home Video / Cannon Films unknown
Référence libraire : 141881
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Aaron Norris (starring); R. Delano Brown (screenwriter)
Operation Sub Rosa Original screenplay for an unproduced film
N.p.: N.p. 1984. Draft script for an unproduced film. Laid in with the script is a letter from Kodiak Films producer Wolf Schmidt to agent Walter Kohner declining to produce the film. <br /> <br /> A group of scientists accidentally create a deadly chemical compound which is promptly stolen by a rival scientist who threatens to kill thousands of people with the compound unless he is given one billion dollars. Two spies from the mysterious Sub Rosa agency are sent to retrieve the chemical. <br /> <br /> Blue card wrappers with a printed title label affixed on the front wrapper. Title page present dated 1984 with credits for screenwriter R. Delano Brown. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
Référence libraire : 153832
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Aaron Norris director; Ian Rabin Anthony Ridio Brent V. Friedman Galen Thompson screenwriter; Chuck Norris Calvin Levels Ch
Hellbound Voices Original screenplay for the 1994 film
Burbank CA: Warner Home Video / Cannon Films 1994. Draft script for the 1994 film. Here under the working title "Voices." <br/><br/>Chuck Norris does his vigilante thing as no one else can in the this Cannon quickie but with a horror twist. Two Chicago police officers are investigating the murder of a local Rabbi when their search leads them to Israel where they realize the culprit is not human but rather supernatural. Directed by Norris' younger brother Aaron Norris. <br/><br/>Set in Chicago and Israel shot on location in Jerusalem and Tel Aviv. <br/><br/>Red titled wrappers. Title page present with credits for screenwriters Ian Rabin and Anthony Jon Ridio. 119 leaves with last page of text numbered 117. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with three gold brads. Warner Home Video / Cannon Films unknown books
Référence libraire : 141881
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Aaron Sorkin (screenwriter); Mike Nichols (director); Tom Hanks, Julia Roberts, Philip Seymour Hoffman, Amy Adams (starring); Ge
Charlie Wilson's War Original screenplay for the 2007 film
Santa Monica: Playtone 2006. Sixth Draft script for the 2007 film. <br /> <br /> Based on the 2003 book by George Crile III about a freewheeling Texan senator who inadvertently becomes involved in the Afghan struggle against the Soviets through his friendship with a maverick CIA operative. Nominated for one Academy Award for Best Supporting Actor for Philip Seymour Hoffman. <br /> <br /> Shot on location in Downey Santa Clarita and Los Angeles California and in Marrakech Morocco. <br /> <br /> Generic gray Playtone studio wrappers. Title page present dated July 6 2006 noted as Sixth Pass with credit for screenwriter Aaron Sorkin. 149 leaves with last page of text numbered 148. Xerographic duplication rectos only. Pages Fine wrapper about Fine bound with two silver brads. Playtone unknown
Référence libraire : 166310
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Abby Mann (creator); Selwyn Raab (book); Sigmund Neufeld Jr. (director); Chester Krumholz (screenwriter); Telly Savalas, Dan Fra
Kojak: By Silence Betrayed Original screenplay for the 1976 episode of the 1973-1978 television series
Universal City: Universal Studios 1976. Draft script for the eighth episode of the fourth season of the CBS television series printed on yellow leaves which aired on November 14 1976. <br /> <br /> Copy belonging to actor Nick Dimitri with the pencil annotation of his name on the title sheet next to his character "Lucas" credited as "Dagger's Associate" with manuscript pencil annotations throughout. Bound in preceding the script are three "Shooting Call" sheets with an additional "Shooting Call" sheet bound in following the title page with pencil annotations underlining Dimitri's name and character name on two of the sheets and a thirteen page "Shooting Schedule" dated March 12 1976.<br /> <br /> One of the most beloved police dramas in television history "Kojak" was loosely based on the 1967 book "Justice in the Back Room" by Selwyn Raab and premiered on CBS on March 8 1973 with the pilot film "The Marcus-Nelson Murders" and aired for 5 seasons and 118 episodes ending on March 2 1977. The character was revived by CBS for two television films in 1985 and 1987 and in 1989-1990 by ABC for five additional television films.<br /> <br /> Telly Savalas stars as the titular bald lollipop-sucking New York City police detective Lieutenant Theophilus "Theo" Kojak a tough and incorruptible cop with a penchant for the expression "Who loves ya baby" Winner of two Primetime Emmy Awards.<br /> <br /> Kojak's investigation into the deaths of two longshoremen is complicated by their co-workers code of silence and desire to deal out justice themselves.<br /> <br /> Front wrapper integral with the title page dated March 1 1976 with credits for screenwriter Chester Krumholz. 85 leaves with last page of text numbered 65. Mimeograph duplication rectos only with green revision pages throughout dated 3/10/79. Pages Very Good plus with the penultimate leaf partially detached and the last leaf separated with light foxing to the front "Shooting Call" sheet bound with two gold brads. Universal Studios unknown
Référence libraire : 166654
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Abby Mann screenwriter; MR. Lefkoe playwright M. R.
For Love of Country Original script for an unproduced play
N.p.: N.p. 1969. Draft script for an unproduced play. Copy No. 9 noted in holograph ink on the title page.<br/><br/>Based on screenwriter Abby Mann's original screenplay for Stanley Kramer's 1961 film "Judgment at Nuremberg" about an American court trial of four war criminal Nazis.<br/><br/>Set in occupied Germany.<br/><br/>Teal titled Studio Duplicating Service wrappers. Title page present with credits for playwright M.R. Lefkoe and screenwriter Abby Mann. 94 leaves with last page of text numbered E-1. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
Référence libraire : 147492
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Abdullah, Achmed. (1881-1945). American author and screenwriter, most noted for his pulp stories of crime, mystery and adventure
TYPED LETTER SIGNED BY AMERICAN AUTHOR AND SCREENWRITER ACHMED ABDULLAH.
New York: circa 1930. 1930. Good. - 41 words typed on an approximately 10 inch high by 8 inch wide sheet of his personalized letterhead. Signed "A Abdullah". Folded 3 times for mailing. There are several short tears at the folds with some light red staining below the text. There is some light soiling at bottom right and there is a crease & tear to & a small piece out of the bottom right corner. Good. <p>Abdullah writes to future congressman Seymour Halpern that he is too busy to see anyone but "I am sending by this mail the signed picture to your friend."<p>Achmed Abdullah who claimed descent from the Russian imperial family and was educated in England emigrated to the United States in the 1910s. He went on to become an American author and screenwriter most noted for his pulp stories of crime mystery and adventure. He wrote screenplays for some successful films and earned an Academy Award nomination for collaborating on the screenplay for the 1935 film "The Lives of a Bengal Lancer".<p>The Queens New York Republican Congressman Seymour Halpern 1913-1997 started his political career as a campaign aide to New York's powerful mayor Fiorella La Guardia and first served in New York's State Senate for 14 years before seeking a seat in the U.S. Congress. In Albany Halpern sponsored 279 bills that became law including measures on schools housing civil rights nutrition and mental health. A Liberal he was something of an anomaly as the lone Republican representative from New York City and generally garnered support from Labor Unions and endorsement from the Liberal Party. Yet he never even considered switching parties as he considered membership in the Republican Party a family tradition and commitment. While he found ample time for his private pursuits including painting and collecting autographs he took his legislative duties very seriously. Of these he was proudest of his co-sponsorship of the 1964 Civil Rights Act and of the original 1965 Medicare legislation. New York: circa [1930]. unknown
Référence libraire : 34866
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Abel Ferrara (director); Nicholas St. John (screenwriter); Tom Berenger, Billy Dee Williams, Jack Scalia, Melanie Griffith (star
Fear City Two original photographs from the 1985 film
N.p.: N.p. 1985. Two vintage borderless reference photographs from the 1985 film both showing actress Melanie Griffith. <br /> <br /> A former boxer turned nightclub promoter joins together with a police detective to investigate a serial killer targeting strippers. <br /> <br /> Set in Manhattan and shot on location in New York and Los Angeles. N.p. unknown
Référence libraire : 161051
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Abel Ferrara (director, screenwriter); William Gibson (story, screenwriter); Willem Dafoe, Christopher Walken, Asia Argento (sta
New Rose Hotel Archive of four original screenplays and ephemera from the 1998 film from the archive of screenwirter Christ Zois
N.p.: N.p. 1997. Archive of material relating to the 1998 film. Archive includes four scripts dated variously between 1991 and 1997 and credited variously to screenwriters Christ Zois Zoë Lund and William Gibson as well as approximately ten pages of correspondence and ephemera relating to the film's production and a xerographically duplicated copy of Gibson's source story. One screenplay with the ownership name of Zois on the title page.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> Of note are several pieces of correspondence regarding writing credits for the film dated variously between 1997 and 1998. Screenwriters Abel Ferrara and Christ Zois claimed that prior adaptations of Gibson's novel by Gibson Lund and others had no bearing on their own adaptation. Ferrara and Zois would ultimately receive sole screenwriting credit on the completed film. <br /> <br /> Based on the 1984 short story by William Gibson about two freelance industrial spies in Tokyo who decide to use a call girl to execute their latest mission. <br /> <br /> Shot on location in New York.<br /> <br /> November 1991 Draft:<br /> <br /> Self wrappers. Title page present dated November 1991 noted as Third Draft with credit for author and screenwriter William Gibson. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner.<br /> <br /> October 9 1993 Draft:<br /> <br /> Self wrappers. Title page present dated Oct. 9. 1993 noted as SECOND DRAFT with credit for screenwriter Zoë Lund. 116 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner. <br /> <br /> September 28 1997 Draft:<br /> <br /> Self wrappers. Title page present dated 9/28/97 noted as Draft with credits for screenwriters Christ Zois and Abel Ferrara. 75 leaves with last page of text numbered 74. Xerographic duplication rectos only. Pages Very Good plus partially bound with a binder clip at the top left corner. <br /> <br /> Undated Draft:<br /> <br /> Self wrappers. Title page present undated with credit for screenwriter Christ Zois. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good plus partially bound with a binder clip on the top edge and housed in a red card folder. N.p. unknown
Référence libraire : 160437
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Abel Ferrara (director, screenwriter); Willem Dafoe (starring); Maurizio Braucci, Nicola Tranquillino (screenwriters); Ninetto D
Pasolini Original screenplay for the 2014 film from the archive of screenwriter Christ Zois
N.p.: N.p. 2011. First Draft script for the 2014 film. From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> A biopic about the final days in the life of controversial Italian director Pier Paolo Pasolini then middle-aged and living in Rome as he finishes production of his notorious 1975 film "Salò or the 120 Days of Sodom." <br /> <br /> Housed in a blue card folder. Title page present dated February 28 2011 noted as First Draft with credits for director-screenwriter Abel Ferrara and screenwriter Nicola Tranquillino. 98 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages about Fine partially bound with a binder clip on the top left corner. N.p. unknown
Référence libraire : 160434
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Abel Ferrara (director, screenwriter); Willem Dafoe (starring); Christ Zois (screenwriter); Dounia Sichov, Simon McBurney, Danie
Siberia Archive of two original screenplays for the 2020 film from the archive of screenwirter Christ Zois
N.p.: N.p. 2017. Archive of two Draft scripts for the 2020 film one undated and with the ownership name of screenwriter Christ Zois on the title page—this being from Zois' archive collection—with Zois' extensive annotations in manuscript ink throughout the other dated June 27 2017.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> The sixth collaboration between actor Willem Dafoe and director Abel Ferrara a psychological thriller heavily based on the work of Carl Jung about an American living a largely solitary existence in Siberia. <br /> <br /> Undated script:<br /> <br /> Self wrappers. Title page present undated. 33 leaves with last page of text numbered 32. Xerographic duplication rectos only. Pages Very Good plus unbound.<br /> <br /> June 27 2017 script:<br /> <br /> Self wrappers. Title page integral with first page of text dated June 27 2017. 37 leaves with last page of text dated 37. Pages Very Good plus partially bound with a single binder clip on the top left corner. N.p. unknown
Référence libraire : 160435
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Abel Ferrara (director); Shade Rupe (photographer); Nicholas St. John (screenwriter); Lili Taylor, Christopher Walken, Annabella
The Addiction Collection of 17 original photographs taken on the set of the 1995 film
N.p.: N.p. 1994. Collection of 17 vintage reference photographs taken on the set of the 1995 film by photographer Shade Rupe. Variously featured are director Abel Ferrara actress Lili Taylor cinematographer Ken Kelsch screenwriter Nicholas St. John and other cast and crew members all photographed over the course of a single evening near Manhattan's Puck Building Lafayette Street an alley off Jersey Street NYU and Keith Haring's Pop Shop on Lafayette Street. <br /> <br /> Struck in 2020 from Rupe's original negatives these being the only existing prints. Full provenance available with letter from Rupe stating “no other prints have ever or will ever be struck.†Stamp on verso of each photo crediting Rupe as photographer.<br /> <br /> A conceptual black-and-white reimagining of the vampire movie about a philosophy graduate student who is forced to reconsider the nature of evil and humanity after succumbing to a vampire and developing an addiction to human blood.<br /> <br /> Set and shot on location in Manhattan.<br /> <br /> 12 x 9 inches. Fine.<br /> <br /> Arrow 1769. Spicer US Neo-Noir. N.p. unknown
Référence libraire : 152444
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Abel Ferrara (director, screenwriter); Dennis Hopper, Matthew Modine, Claudia Schiffer (starring); Marla Hanson, Christ Zois (sc
The Blackout Archive of seven original screenplays for the 1997 film from the archive of screenwirter Christ Zois
N.p.: N.p. 1996. Archive of seven original screenplays for the 1997 film dated variously between May 15 1995 and August 14 1996. Archive includes one script with screenwriter Christ Zois' ownership name on the title page and four of the script drafts bear Zois' extensive substantive annotations in manuscript ink. <br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> A now-sober New Yorker becomes obsessed with reconnecting with a woman with whom he had a blacked-out one-night-stand months before. He soon discovers that she has gone missing leading him down a mysterious and increasingly disturbing path to find her. <br /> <br /> Set and shot on location in New York and Miami. <br /> <br /> May 15 1995 Draft:<br /> <br /> Self wrappers. Title page present dated May 15 1995 with credit for director and screenwriter Abel Ferrara. 52 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip on the top edge housed in a yellow card folder. <br /> <br /> July 3 1996 Draft:<br /> <br /> Self wrappers. Title page present dated 7-3-96 in manuscript ink with credits for director and screenwriter Abel Ferrara and screenwriters Marla Hanson and Christ Zois. 65 leaves with last page of text numbered 67. Xerographic duplication rectos only. Pages Near Fine unbound. <br /> <br /> July 4 1996 Draft:<br /> <br /> Self wrappers. Title page present dated 7-04-96 with credits for director and screenwriter Abel Ferrara and screenwriters Marla Hanson and Christ Zois. 66 leaves with last page of text numbered 64. Xerographic duplication rectos only. Pages Near Fine unbound. <br /> <br /> July 6 1996 Draft:<br /> <br /> Black untitled card wrappers. Lacking title page. 59 leaves with last page of text numbered 59. Xerographic duplication rectos only. Pages Fine wrapper Fine bound internally with three silver brads. <br /> <br /> August 14 1996 Draft:<br /> <br /> Self wrappers. Title page present dated 8-14-96 with credits for director and screenwriter Abel Ferrara and screenwriters Marla Hanson and Christ Zois. 64 leaves with last page of text numbered 63. Xerographic duplication on blue stock rectos only. Pages Near Fine unbound housed in a yellow card folder.<br /> <br /> Undated Draft:<br /> <br /> Self wrappers. Lacking title page. 72 leaves with last page of text numbered 72. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner. <br /> <br /> Undated Draft with annotations:<br /> <br /> Self wrappers. Lacking title page. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner housed in a green card folder. N.p. unknown
Référence libraire : 160439
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Abel Gance (director, screenwriter); Steve Passeur (screenwriter); Victor Francen, Line Noro (starring)
J'accuse I Accuse Original double weight photograph from the 1938 film
France: Forrester-Parant 1937. Vintage double weight photograph from the 1938 film showing a group of soldiers many with facial disfigurements. French annotations in manuscript pencil and ink on the verso along with a provenance label. <br /> <br /> Both a remake and sequel to director Abel Gance's 1919 film of the same name born out of his anger and frustration in watching Europe descend into the Second World War as much as the original was born out of his horror with the First. <br /> <br /> 9.25 x 7 inches. Near Fine.<br /> <br /> Godard Histoires du cinema. Forrester-Parant unknown
Référence libraire : 168078
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Abel Gance (director, screenwriter); Francis Ford Coppola (producer); Albert Dieudonne, Gina Manes, Antonin Artaud (starring)
Napoleon Original photograph from Francis Ford Coppola's 1980 re-release of the 1927 French silent film signed by Abel Gance
N.p.: Images Film Archive 1979. Vintage studio still photograph of director Abel Gance from Francis Ford Coppola's 1980 re-release of the 1927 French silent film. SIGNED and dated 1979 by Gance on the bottom left corner. <br /> <br /> One of the late masterpieces of the silent era following Napoleon’s early life through his appointment as Commander in Chief of the Army. Notable for the many innovative and experimental techniques used by Gance uncommon in the silent era including location shooting fast cutting close up hand held and point of view shots multiple camera set ups in-camera movement and visual effects such as superimposition film tinting and split screen or mosaic shots. <br /> <br /> Most famously the film helped pioneer widescreen viewing as Gance created a technique later referred as Polyvision which required three projectors to run film shot from three different cameras simultaneously to achieve a 4:1 aspect ratio for the film’s climatic battle sequence although seams between the screens would remain visible. <br /> <br /> 8 x 10 inches. Near Fine. Images Film Archive unknown
Référence libraire : 161582
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Abel Gance (director, screenwriter); Nelly Kaplan, Roger Richebe (screenwriters); Pierre Mondy, Jean Marais, Claudia Cardinale,
The Battle of Austerlitz Five original photographs from the 1960 French film
N.p.: Compagnie Internationale de Productions Cinematographiques 1960. Five vintage reference photographs taken on the set of the 1960 French film including one borderless photograph. One with a manuscript ink annotation and stamp on the verso noting the photograph as No. 756.<br /> <br /> A dramatization of the Battle of Austerlitz wherein Napoleon enjoyed the greatest victory of his career driving away both Austrian and Russian forces.<br /> <br /> Set and shot on location in Zagreb Croatia.<br /> <br /> Four photographs 4.75 x 3.5 inches one photograph 4.5 x 3.5 inches. Near Fine.<br /> <br /> <br /> Godard Histoires du cinema. Compagnie Internationale de Productions Cinematographiques unknown
Référence libraire : 149512
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Abel Gance (director, screenwriter); Albert Dieudonne (starring)
The Madness of Dr. Tube La Folie du Docteur Tube Two photographs from the 1915 film
France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With manuscript annotations and agency stamps on the verso. <br /> <br /> Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. <br /> <br /> 7 x 5 inches. Near Fine. Le Film d'Art unknown
Référence libraire : 144596
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Abel Gance (director, screenwriter); Michel Bouquet, Pierre Brasseur, Lia Di Leo, Paul Guers (starring); Alexandre Dumas (play);
Tower of Lust La tour de Nesle Original oversize photograph from the 1955 film
N.p.: N.p. 1955. Vintage oversize reference photograph from the 1955 French film showing actors Lia Di Leo and Marcel Raine in an intimate moment. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on the 1832 play by Alexandre Dumas and Frédéric Gaillardet about Queen Margaret of Burgundy who kills her partners after their dalliances have ended in order to leave no trace of her sexual misdeeds.<br /> <br /> Partially shot on location in Paris.<br /> <br /> 11.5 x 9.25 inches. Very Good with multiple pinholes and accompanying wear at the corners and light soil on the verso. N.p. unknown
Référence libraire : 163793
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Abel Gance director screenwriter; Albert Dieudonne starring
The Madness of Dr. Tube La Folie du Docteur Tube Two photographs from the 1915 film
France: Le Film d'Art 1915. Photograph from the 1915 French experimental short film struck from the original negative circa 1936. With holograph annotations and agency stamps on the verso. <br/><br/>Dr. Tube develops a powder that distorts reality after ingestion. He tests it out on himself a dog and a two couples. An early experimental film that uses distorted lenses and mirrors to create special effects that mimic an altered state of consciousness. <br/><br/>7 x 5 inches. Near fine. Le Film d'Art unknown books
Référence libraire : 144596
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Abel Gance director screenwriter; Nelly Kaplan Roger Richebe screenwriters; Pierre Mondy Jean Marais Claudia Cardinale Orso
The Battle of Austerlitz Collection of five original photographs from the 1960 French film
N.p.: Compagnie Internationale de Productions Cinematographiques 1960. Collection of five vintage reference photographs taken on the set of the 1960 French film including one borderless photograph. One with a holograph ink annotation and stamp on the verso noting the photograph as No. 756.<br/><br/>A dramatization of the Battle of Austerlitz wherein Napoleon enjoyed the greatest victory of his career driving away both Austrian and Russian forces.<br/><br/>Set and shot on location in Zagreb Croatia.<br/><br/>Four photographs 4.75 x 3.5 inches one photograph 4.5 x 3.5 inches. Near Fine.<br/><br/><br/>Godard Histoires du cinema. Compagnie Internationale de Productions Cinematographiques unknown books
Référence libraire : 149512
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Abner Biberman (dir.); Ben Benson (novel); Leo Townsend (screenwriter); William Campbell, Mamie Van Doren, Keenan Wynn, Kathleen
Mamie and William dining Original film still photograph from "Running Wild"
Universal-International Pictures 1955. Very Good. Original b/w film still photograph of Mamie Van Doren and William Campbell as they dine in the film "Running Wild" 1955. British issue with A rating and J. Arthur Rank logo inset. A rookie cop investigates an automobile chop-shop operated by juvenile delinquents who race hot rods. Mamie was prominently featured in most of the ad campaigns and the soundtrack includes early rockers Bill Haley and the Comets. Based on Benson's "The Girl in the Cage." 7.75 x 10 inches double weight. Very Good light curl tiny creases light dampstain to one edge small bruise to verso. Universal-International Pictures unknown
Référence libraire : 126592
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Abner Biberman director; Robert Tallman screenwriter; Merle Oberon Lex Barker starring
The Price of Fear Post-production script for the 1956 film
Universal City CA: Universal Pictures 1956. Post-production Continuity and Dialogue script for the 1956 film noir. <br/><br/>The co-owner of a dog track Barker discovers his partner has sold out to a local gangster and soon finds himself framed for two murders by the gangster and a femme fatale Oberon. <br/><br/>White self wrappers noted as Continuity and Dialogue on the front wrapper production No. 1813 dated February 27 1956 with credits for actors Merle Oberson Lex Barker et al and director Abner Biberman. Title page integral to the front wrapper. 102 leaves with last page of text numbered 13. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. <br/><br/>Grant US. Selby US. Spicer US. Universal Pictures unknown books
Référence libraire : 130940
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Abraham Eban (screenwriter)
Spots Original screenplay for an unproduced film
N.p.: N.p. 1987. First Draft script for an unproduced film. <br /> <br /> The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. <br /> <br /> Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown
Référence libraire : 153170
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ACTEURS INCONNUS Scénariste Inconnu Réalisateur Inconnu ACTEURS INCONNUS
14 Histoires pour Faire la fête
TF1 Studio 2017 14x18x1cm. 2017. DVD.
Référence libraire : 100073421
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ACTEURS INCONNUS Scenariste Inconnu Realisateur Inconnu ACTEURS INCONNUS
14 Histoires pour Faire la fête
TF1 Studio 2017. 14x18x1cm. 2017. DVD. TF1 Studio unknown
Référence libraire : 100073421 ISBN : 3384442266231 3384442266
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Adam Rodman (screenwriter)
The Silent Man Original screenplay for an unproduced film
N.p.: N.p. 1985. Draft script for an unproduced film. <br /> <br /> A Black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. <br /> <br /> Set in South Africa. <br /> <br /> White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Référence libraire : 141905
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Adam Rodman screenwriter
The Silent Man Original screenplay for an unproduced film
N.p.: N.p. 1985. Draft script for an unproduced film. <br/><br/>A black man and his son struggle to survive in Apartheid-era South Africa where they find themselves constantly at odds with white society whether at the hands of questioning police the disrespect Mogane faces when he is promoted to foreman at his job and his son struggling to earn respect and money for hard work out on the streets. <br/><br/>Set in South Africa. <br/><br/>White titled self wrappers dated August 19 1985. Title page present dated August 19 1985 noted as Revised First Draft with credits for screenwriter Adam Rodman. 127 leaves with last page of text numbered 126. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Référence libraire : 141905
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Adam West, Chris Alcaide, Joe Maross, Robert DoQui, Rudy Solari (starring); Byron Haskin (director); Jerry Sohl (screenwriter)
The Outer Limits: The Invisible Enemy Original screenplay for the 1964 television episode
N.p.: N.p. 1964. Draft script for Season 2 Episode 7 of the 1963-1965 television series. Copy belonging to an unidentified crew member with a penciled drawing with annotations on the rear wrapper laying out a set design.<br /> <br /> In the year 2024 astronauts visiting Mars are picked off one by one by mysterious "Sand-Beasts" shark-like monsters that live and travel under the planet's surface. Loosely based on a short story by screenwriter Jerry Sohl which originally appeared in "Imaginative Tales" magazine in September of 1955. <br /> <br /> Lacking front wrapper but with rear wrapper present. 54 leaves with last page of text numbered 53. Mimeograph duplication rectos only. Pages Very Good plus rear wrapper Very Good bound with two gold brads. N.p. unknown
Référence libraire : 166462
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Adolfas Mekas director screenwriter; Heinz Edelman designer; Peter H. Beard Sheila Finn Martin Greenbaum starring
Hallelujah Die Hugel Hallelujah the Hills Original German poster for the 1963 film
Munich: Peter-Presse / Atlas Films 1965. Original 1965 German A1 poster for the 1963 US film. Designed by Heinz Edelman<br/><br/>From the collection of noted film historian Amos Vogel. Full provenance available. <br/><br/>An iconoclastic utterly American underground film best understood by way of the reactions it receives from viewers outside the US. Time Out Guide notes: "a highpoint from the 'innocent' years of American underground cinema and something of an enduring delight for real film buffs. Mekas' comedy starts from an enthusiastic parody of French 'new wave' concepts like using two actresses to play one character and manages to go on to incorporate references part satire part homage to what seems like every other branch of cinema extant . from samurai movies to Chaplinesque slapstick.hitting the intended tone between love and skepticism."<br/><br/>Jean-Luc Godard: "Next to the two big shots of the New York School Clarke and Cassavetes Mekas seemed a poor relative especially since people got him confused with his brother Jonas Mekas. 'Hallelujah the Hills' proves clearly that Adolfas is someone to be reckoned with. He is a master in the field of pure invention that is to say in working dangerously 'without a net. His film made according to the good old principle "one idea for each shot" has the lovely scent of fresh ingenuity and crafty sweetness. Physical efforts and intellectual gags are boldly put together. The slightest thing moves you and makes you laugh: a badly framed bush a banana stuck in a pocket a majorette in the snow. He shows life as defined by Ramuz: 'As with a dance such pleasure to begin a piston a clarinet such sorrow to be done the head spins and night has come.'"<br/><br/>23 x 33 inches non-archivally mounted on board. Light soil overall. Very Good plus overall. <br/><br/>Shipping billed at cost. Item can only be shipped within the US. Peter-Presse / Atlas Films unknown books
Référence libraire : 132221
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Adolphe Menjou, Donald Cook, Greta Nissen (starring); Roy William Neill (director); Jo Swerling (screenwriter)
The Circus Queen Murder Original pressbook for the 1933 film
New York: Columbia Pictures 1933. Vintage pressbook for the 1933 pre-Code mystery film. <br /> <br /> Based on the 1932 Thatcher Colt novel by Fulton Oursler and sequel to the 1932 film "The Night Club Lady" about a district attorney who heads upstate for a vacation only to be drawn into a grisly murder involving a smalltime circus. <br /> <br /> 12 x 18 inches. 12 pages unbound with laid-in 10.75 x 15.5 inch insert. About Near Fine. Columbia Pictures unknown
Référence libraire : 167823
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Adolphe Menjou, Vera Zorina, Kenny Baker, Andrea Leeds (starring); Ben Hecht (screenwriter); George Marshall (director)
The Goldwyn Follies Four original photographs from the 1938 film
Los Angeles: The Samuel Goldwyn Company 1938. Two vintage double-weight studio still photographs and two vintage reference photographs from the 1938 film. <br /> <br /> Seeking audience feedback a film producer recruits an ordinary girl to evaluate his movies from the perspective of the everyday American. <br /> <br /> Set in Hollywood. <br /> <br /> Three 10 x 8 inches one 8 x 10 inches. Very Good plus some with light edgewear creases and toning. The Samuel Goldwyn Company unknown
Référence libraire : 150942
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Adrian Lyne (director); Gerald Ayres (screenwriter); Jodie Foster, Scott Baio, Sally Kellerman, Randy Quaid, Cherie Currie (star
Foxes California Girls Original screenplay for the 1980 film
N.p.: N.p. 1977. Early First Draft script for the seminal 1980 film here under the working title "California Girls." Copy belonging to uncredited crew member Jim Brown no relation to the actor we suspect with his name in manuscript ink on the title page. <br /> <br /> A bleak seminal coming-of-age drama about four teenage girls grappling with their families drugs and relationships in Los Angeles in the late 1970s. Adrian Lyne's directorial debut.<br /> <br /> Shot on location in San Fernando Hollywood and Los Angeles California. <br /> <br /> Blue untitled wrappers. Title page present dated Nov. 28 1977 noted as First Draft with credits for screenwriter Gerald Ayres. 138 leaves with last page of text numbered 137. Xerographiic duplication with the exception of the title page which is a carbon typescript copy rectos onl. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> McPadden Heavy Metal Movies. McPadden Teen Movie Hell. N.p. unknown
Référence libraire : 160904
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Aeneas MacKenzie (screenwriter)
Four of a Kind Original screenplay for an unproduced film
Hollywood: Paul Kohner 1950. Draft script for an unproduced film. <br /> <br /> Wild Bill Hickok must play a high stakes poker game in order to win back his beloved mare. The script is a partial treatment draft with a moderate amount of script still in full paragraphs. <br /> <br /> Set in Deadwood Dodge City and the Chisholm Trail in 1867. <br /> <br /> Lacking wrappers presumably as issued. Title page present with credits for screenwriter AEneas MacKenzie. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages Fine bound with three gold brads. Paul Kohner unknown
Référence libraire : 144119
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Aeneas MacKenzie (screenwriter)
Four of a Kind Original treatment script for an unproduced film
N.p.: N.p. Treatment script for an unproduced film. <br /> <br /> Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. <br /> <br /> Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
Référence libraire : 130699
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Aeneas MacKenzie (screenwriter)
Helen of Troy Original screenplay for an unproduced television episode
N.p.: N.p. 1950. Draft script for an episode of an unproduced television series. With a few annotations in manuscript pencil on the front wrapper.<br /> <br /> An early script for an episode of an unproduced series intended to focus on the lives and love affairs of great women from history. The content would later be reused for the 1954 Italian anthology film "Loves of Three Queens" directed by Marc Allegret and Edgar G. Ulmer and starring Hedy Lamarr.<br /> <br /> Set in ancient Greece. <br /> <br /> Yellow generic agency card wrappers. Title page present with credit for screenwriter Aeneas MACKENZIE. 28 leaves with last page of text numbered 24. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
Référence libraire : 146994
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Aeneas MacKenzie screenwriter
Four of a Kind Original screenplay for an unproduced film
Hollywood: Paul Kohner 1950. Draft script for an unproduced film. <br/><br/>Wild Bill Hickok must play a high stakes poker game in order to win back his beloved mare. The script is a partial treatment draft with a moderate amount of script still in full paragraphs. <br/><br/>Set in Deadwood Dodge City and the Chisholm Trail in 1867. <br/><br/>Lacking wrappers presumably as issued. Title page present with credits for screenwriter AEneas MacKenzie. 55 leaves with last page of text numbered 54. Mimeograph duplication. Pages Fine bound with three gold brads. Paul Kohner unknown books
Référence libraire : 144119
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Aeneas MacKenzie screenwriter
Four of a Kind Original treatment script for an unproduced film
N.p.: N.p. Treatment script for an unproduced film. <br/><br/>Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. <br/><br/>Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
Référence libraire : 130699
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Agee James sourcework: Reisman Philip Jr. screenwriter
ALL THE WAY HOME". ORIGINAL SCREENPLAY BY . BASED ON THE NOVEL "A DEATH IN THE FAMILY" BY JAMES AGEE AND THE STAGE PLAY "ALL THE WAY HOME" BY TAD MOSEL
Np: Paman Productions Inc. - Paramount Pictures Corp. 1962. 1197 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in titled stiff paper binder. Binder sunned and lightly used at overlap edges a few related pencil notes on verso of last leaf fore-margin of one leaf a bit tanned and frayed extreme upper fore- corner of another leaf torn away but very good. A preproduction draft of this important adaptation to the screen of two Pulitzer- winning literary properties Agee's 1957 novel and Mosel's 1960 adaptation of the novel to the stage. While the specific draft which the script in hand reflects is not identified its length which would translate into a film considerably longer than the eventual release length of 97 minutes suggests further revision lay ahead before shooting. The film under the direction of Alex Segal starred Jean Simmons Robert Preston John Henry Faulk Pat Hingle et al. Paman Productions Inc. - Paramount Pictures Corp. unknown books
Référence libraire : WRCLIT52737
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Agee James sourcework: Reisman Philip Jr. screenwriter
Original Studio Publicity Campaign Press Book for: ALL THE WAY HOME
Los Angeles: Paramount 1963. 10pp. Folio. Pictorial self-wrappers. Heavily illustrated. About fine. Original campaign press book for the film based on Philip Reisman Jr.'s screenplay adaptation of two Pulitzer-winning literary properties Agee's 1957 novel A DEATH IN THE FAMILY and Mosel's 1960 adaptation of the novel to the stage. Directed by Alex Segal the David Susskind production starred Jean Simmons Robert Preston John Henry Faulk et al. Paramount unknown books
Référence libraire : WRCLIT36605
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Agee James sourcework: Reisman Philip Jr. screenwriter
Set of Eleven Studio Publicity Stills for: ALL THE WAY HOME
Los Angeles: Paramount 1963. Eleven 8 x 10" glossy black and white stills with studio captions. Near fine. A good representative set of lobby stills promoting the film based on Philip Reisman Jr.'s screenplay adaptation of two Pulitzer- winning literary properties Agee's 1957 novel A DEATH IN THE FAMILY and Mosel's 1960 adaptation of the novel to the stage. Directed by Alex Segal the David Susskind production starred Jean Simmons Robert Preston John Henry Faulk et al. Paramount unknown books
Référence libraire : WRCLIT77790
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Agee James sourcework: Reisman Philip Jr. screenwriter
Set of Studio Lobby Cards for: ALL THE WAY HOME
Los Angeles: Paramount 1963. Eight. full color 11 x 14" pictorial lobby cards. Apart from the natural faint tan toning of the card stock fine. A complete set of the studio lobby cards promoting the film based on Philip Reisman Jr.'s screenplay adaptation of two Pulitzer- winning literary properties Agee's 1957 novel A DEATH IN THE FAMILY and Mosel's 1960 adaptation of the novel to the stage. Directed by Alex Segal the David Susskind production starred Jean Simmons Robert Preston John Henry Faulk et al. Paramount unknown books
Référence libraire : WRCLIT69009
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Agnes Varda (photographer); Jacques Demy (director, screenwriter); Jeanne Moreau, Claude Mann, Paul Guers (starring)
Bay of Angels La Baie des anges Original photograph from the 1963 film
N.p.: N.p. 1963. Vintage reference photograph from the set of the 1963 film showing actors Jeanne Moreau and Claude Mann. Stamp of photographer Agnès Varda film director and wife of Jacques Demy on the verso. <br /> <br /> Varda and director Jacques Demy were married from 1962 until Demy's death in 1990. <br /> <br /> While vacationing in Nice a quiet young bank employee begins an affair with a gambler whose addiction and despair mirrors his own. <br /> <br /> Set and shot on location in Alpes-Maritimes Val-d'Oise and Paris France and in and Monte Carlo Monaco. <br /> <br /> 9.5 x 6.5 inches. Near Fine. <br /> <br /> Criterion Collection 715. N.p. unknown
Référence libraire : 163783
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Agnes Varda (director, screenwriter); Raymond Cauchetier (photographer); Corinne Marchand, Antoine Marchand (starring)
Cleo from 5 to 7 Cleo de 5 a 7 Original photograph from the 1962 film
N.p.: N.p. 1962. Vintage borderless reference photograph of director Agnes Varda on the set of the 1962 French film. With a stamp noting Varda's name on the verso along with manuscript pencil and ink annotations.<br /> <br /> Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. <br /> <br /> Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 4.5 x 6.5 inches. Near Fine. N.p. unknown
Référence libraire : 150424
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Agnes Varda (director, screenwriter); Raymond Cauchetier (photographer); Corinne Marchand, Antoine Marchand (starring)
Cleo from 5 to 7 Cleo de 5 a 7 Original photograph from the 1962 film
N.p.: N.p. 1962. Vintage borderless reference photograph from the 1962 French film showing actors Michel Legrand Corinne Marchand and Jean-Pierre Taste—from the memorable early sequence in the film where Legrand and Taste drop in to Marchand's flat. With manuscript pencil and ink annotations on the verso. <br /> <br /> Agnes Varda's second feature film following a pop singer over the course of two hours as she talks with friends and anxiously awaits the results of a biopsy. <br /> <br /> Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film stylistically prefigures the French New Wave and is today considered very much a part of it. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.5 x 7 inches. Near Fine. N.p. unknown
Référence libraire : 150413
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Agnes Varda (director, screenwriter); Corinne Marchand, Antoine Bourseiller, Dominique Davray (starring)
Cleo from 5 to 7 Photograph featuring four images from the 1962 film
Paris: Cine Tamaris 1962. Vintage oversize double weight single photograph of four studio still images from the 1962 film. "CINE VOG FILMS S.A." and "CLEO DE 5 A 7" stamps on the verso. <br /> <br /> Told more or less in real time the story of a pop singer trying to distract herself from worry while awaiting the results of a biopsy. Nominated for the Palme d’Or.<br /> <br /> Set and shot on location in Paris. <br /> <br /> 9.25 x 11.75 inches. Very Good plus some creasing and curling pinholes primarily in corners repaired with paper tape on the verso.<br /> <br /> <br /> Rosenbaum 1000. Ebert IV. Criterion Collection 73. Cine Tamaris unknown
Référence libraire : 146923
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Agnes Varda (director, screenwriter); Liliane de Kermadec (photographer); Corinne Marchand, Antoine Marchand (starring)
Cleo from 5 to 7 Four photographs from the 1962 film
Paris: Cine Tamaris / Rome Paris Films 1962. Four vintage black-and-white still photographs from the 1962 French film. <br /> <br /> Agnes Varda is an important and influential French director writer and artist whose work uses both documentary style realism and experimental film techniques to explore issues of feminism and social justice. A colleague of Alain Resnais and other Rive Gauche filmmakers her early work including this film prefigures stylistically the French New Wave and is today considered very much a part of it. <br /> <br /> Varda was nominated for the Palme d'Or for "Cleo from 5 to 7" her second feature film about a female pop singer whose spends two adventurous and winsome hours on her own and talking to friends while awaiting the results of a biopsy. <br /> <br /> Set and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. Edges lightly toned. Cine Tamaris / Rome Paris Films unknown
Référence libraire : 132899
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Agnes Varda (director, screenwriter); Silvia Monfort, Philippe Noiret (starring)
La Pointe Courte Original photograph of Agnès Varda with cast and crew members on the set of the 1955 French film
N.p.: N.p. 1955. Vintage borderless photograph from the 1955 film showing director Agnès Varda with cast and crew members during filming on location in Sète. Phototeque stamp and provenance label on the verso. <br /> <br /> A couple takes a trip to a small French fishing village to repair their relationship. Meanwhile the village fishermen fight the government's recent ban on harvesting shellfish from a small potentially toxic lagoon. A forerunner of the French New Wave shot on a shoestring budget and considered by French historian Georges Sadoul to be "the first film of the nouvelle vague." <br /> <br /> Shot on location in Sète. <br /> <br /> 6 x 5 inches. Fine. N.p. unknown
Référence libraire : 159811
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