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Frederic Kimball (screenwriter)
Kean: A Play for Life Kean: A Film Biography Two original screenplays for an unproduced film
New York: N.p. 1990. Two scripts for an unproduced film a 1983 First Draft script and a 1990 Draft script. The First Draft script titled "Kean: A Film Biography" contains a few annotations in manuscript marker of text and dialogue corrections. The 1990 Draft script is entitled "Kean: A Play for Life." <br /> <br /> Accompanying the First Draft script is a Laid in letter as well as photographically duplicated copy signed "Fred" with New York address and telephone number and dated 6/12/83 in manuscript marker from Frederic Kimball to producer Elliott Kastner. Kimball closes the letter with "I hope you are still interested. Al is." likely referring to Al Pacino a longtime confidant and collaborator on films such as "Looking for Richard" 1996 "Author Author" 1982 "Dick Tracy" 1990 and "And Justice for All" 1979. Also laid in is an additional copy of the first page of the First Draft script.<br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> A biopic on the tumultuous life of the 19th century British Shakespearean actor Edumund Kean.<br /> <br /> 1983 First Draft Script:<br /> <br /> Title page integral with wrapper dated 6/10/86 noted as First Draft with credits for screenwriter Frederic Kimball. 83 leaves with last page of text numbered 82. Offset duplication rectos only. Pages Near Fine unbound<br /> <br /> Laid in letter 8.5 x 11 inches. Very Good folded horizontally 1/2" from top with large 2 x 3 inch chip on top left and small closed tears on left side.<br /> <br /> <br /> 1990 Draft Script:<br /> <br /> Title page integral with wrapper dated 1990 with credits for screenwriter Frederic Kimball. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Near Fine bound with prong binding. N.p. unknown
Référence libraire : 147444
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Ganzer Alvin (director); Guy Bolton, Jack McGowan (musical); Robert E Kent (screenwriter); Connie Francis, Harve Presnell, Peter
When the Boys Meet the Girls Girl Crazy Original screenplay for the 1965 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Draft script for the 1965 film musical. Copy from the collection of cinematographer Paul Vogel presumably his working copy with "Camera" written in manuscript pencil at the top right corner of the front wrapper. Laid in is a 17-page shooting schedule under the title "Girl Crazy" dated 7-13-65. <br /> <br /> Based on the 1930 musical "Girl Crazy" by Guy Bolton and John McGowan with music and lyrics by George and Ira Gershwin respectively.<br /> <br /> Previously filmed twice before first in 1932 directed by William A. Seiter and starring Bert Wheeler and Dorothy Lee then in 1943 directed by Norman Taurog and Busby Berkeley and starring Mickey Rooney and Judy Garland.<br /> <br /> Playboy and heir Danny Churchill Harve Presnell helps Ginger Gray Connie Francis save her father's ranch by turning it into a motel for divorcees.<br /> <br /> The last feature film acting role of Connie Francis.<br /> <br /> Set in Nevada shot on location in Nevada and California. <br /> <br /> Yellow titled wrappers rubber-stamped copy No. 73 dated July 7 1965 with credits for screenwriter Robert E. Kent. Title page integral with the first page of text. 96 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Shooting schedule 8.5 x 11 inches Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 148129
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Stephen Kandel (screenwriter)
Champagne Diamonds and Mink Original treatment script for an unproduced film
N.p.: N.p. Unknown. Treatment script for an unproduced film. <br /> <br /> An aging millionaire arranges to have his daughter-a cold-hearted nosy serial bride-kidnapped and taken to a chateau in rural France in order to stop her from interfering in his libidinous affairs. Screenwriter Stephen Kandel was best known as a writer for television in the late 20th century including episodes of "Sea Hunt" "Hawaii Five-O" "The Six Million Dollar Man" and "MacGyver."<br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> Set in London Paris and rural France.<br /> <br /> White self-wrappers with title integral with the first leaf as issued. 28 leaves with last page of text numbered 28. Spirit duplication rectos only. Pages Very Good plus bound with one gold brad. N.p. unknown
Référence libraire : 147441
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Hubert Cornfield (screenwriter)
La Sortie de Versailles Leaving Versailles Original screenplay for an unproduced film
N.p.: N.p. Unknown. Draft script for an unproduced film. Text in French. <br /> <br /> An unassuming couple accidentally overhears a gang's plans to rob a bank and decide to personally interfere with the end goal of securing the money for themselves. Screenwriter Hubert Cornfield was best known as a director for Twentieth Century-Fox in the 1950s and 60s. <br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> Set in France.<br /> <br /> Black untitled wrappers. Title page present with credits for screenwriter Hubert Cornfield. 92 leaves with last page of text numbered 90. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver clasps. N.p. unknown
Référence libraire : 147427
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Franklin J Schaffner (director); Menno Meyjes (story, screenwriter); Richard Outten (screenwriter); Eric Stoltz, Gabriel Byrne,
Lionheart Lionheart: The Children's Crusade Original screenplay for the 1987 film
N.p.: Taliafilm II 1980. Draft script for the 1987 film. An early draft written solely by the creator of the story Menno Meyjes.<br /> <br /> Loosely based on the 13th Century Children's Crusade we follow the knight Robert Nerra Eric Stoltz as he joins up with King Richard the Lionheart Neil Dickson to protect orphan children from the Black Prince Gabriel Byrne a child slave trader.<br /> <br /> Shot on location in Hungary and Portugal. <br /> <br /> The penultimate film from Franklin J. Schaffner and his final film working with composer Jerry Goldsmith. They had previously worked together on "Planet of the Apes" 1968 "Patton" 1970 "Papillon" 1973 and "The Boys from Brazil" 1978.<br /> <br /> Wrapper integral with title page with credits for screenwriter Menno Meyjes. 129 leaves with last page of text numbered 128. Xerographic duplication rectos only. Pages Near Fine bound with two flat metal brads. Taliafilm II unknown
Référence libraire : 147435
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Akira Kurosawa (director); Michael DeForrest (novel); Tomomi Tsukasa (screenwriter); Michiko Sakyo, Yuichi Minato, Akihiko Kanba
Madadayo Original screenplay for the 1992 film
Tokyo: Dentsu Music and Entertainment 1992. Draft script for the 1993 film.<br /> <br /> Based on essays by Hyakken Uchida. Following World War II a retired professor finds late in life that his quality of life is greatly reduced in war-torn Tokyo. Denying despair he pursues writing and celebrates his birthday with a group of his adoring students. <br /> <br /> Yellow titled wrappers perfect-bound dated 1992.11.5. 107 leaves with last page of text numbered 197. Xerographic duplication printed on rectos and versos. Pages Fine wrapper Near Fine. Dentsu Music and Entertainment unknown
Référence libraire : 148720
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Kinji Fukasaku (director); Koji Takada (screenwriter); Bunta Sugawara, Akira Kobayashi, Kinya Kitaoji, Joe Shishido (starring)
Battles without Honor and Humanity Original screenplay for the 1974 film
Tokyo: Toei 1974. Draft script for the 1974 Japanese film. Text and titles in Japanese. <br /> <br /> Based on a series of magazine articles written by journalist Koichi Iiboshi which were in turn based on memoirs written by yakuza crime boss Kozo Mino. The fifth and final film in director Kinji Fukasaku's yakuza pentalogy following feuding gangs in post-war Hiroshima. <br /> <br /> Recently the subject of a complete restoration helmed and issued by Arrow Films in England.<br /> <br /> Tan titled perfect-bound wrappers. 67 leaves with last page of text numbered D27. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with light dampstains to the extremities.<br /> <br /> Arrow 2164. Toei unknown
Référence libraire : 148727
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Paul Mazursky (director, screenwriter, starring); George Segal, Susan Anspach, Kris Kristofferson, Marsha Mason, Shelley Winters
Blume in Love Love in Blume Original screenplay for the 1973 film
Burbank CA: Warner Brothers 1972. Final Draft script for the 1973 film here under the working title "Love in Blume." Single numeric annotation in manuscript marker on front wrapper. <br /> <br /> Paul Mazursky followed his acclaimed film "Bob & Carol & Ted & Alice" 1969 with this sharp romantic comedy about Stephen Blume George Segal who after cheating on his wife Nina Susan Anspach realizes he cannot live without her. Nina naturally has already dumped him and what follows is a poignant and comedic film about the complexity of modern marriage. <br /> <br /> Shot on location in Venice Italy and California. <br /> <br /> Yellow titled wrappers noted as FINAL on the front wrapper dated July 11 1972. Distribution page present with receipt intact. Title page present dated 7/11/72 with credits for screenwriter Paul Mazursky. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus wavy with creasing and light edgewear bound with two gold brads. Warner Brothers unknown
Référence libraire : 148721
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Ridley Scott (director); Charles Gieg Jr, Felix Sutton (book); Todd Robinson (screenwriter); Jeff Bridges, Caroline Goodall, Joh
White Squall Original screenplay for the 1996 film
N.p.: Percy Main Productions 1995. Revised Final Draft script for the 1996 film. Three copied annotations on two pages consisting of one dialogue change and two revision date changes.<br /> <br /> Based on the 1962 book "The Last Voyage of the Albatross" by Charles Gieg Jr. and Felix Sutton about the sinking of the brigantine Albatross on May 2 1961.<br /> <br /> All American boy Chuck Gieg Scott Wolf narrates this coming-of-age story set in 1960 about a group of teenage boys setting out for a year-long voyage aboard the brigantine school ship Albatross commanded by Dr. Christopher B. Shelton Jeff Bridges only to face the ultimate challenge of surviving a deadly white squall storm.<br /> <br /> Shot on location in South Carolina Georgia Bermuda Grenada London Malta South Africa St Lucia and St Vincent and the Grenadines. <br /> <br /> White generic Lasher McManus & Robinson production company wrappers. Title page present dated March 18 1995 noted as Revised Final Draft with credits for screenwriter Todd Robinson. 123 leaves with last page of text numbered 107. Xerographic duplication rectos only with white revision pages labeled "Blue" throughout dated variously between 3/27/95 and 5/15/95. Pages Near Fine wrapper Near Fine bound with two gold brads. Percy Main Productions unknown
Référence libraire : 148684
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Joseph Stefano (director, screenwriter); Martin Landau, Judith Anderson, Diane Baker, Tom Simcox (starring)
The Ghost of Sierra de Cobre The Haunted Archive of material relating to the 1964 television film including screenplay production epehemera and an original copy of the film inscribed to Landau by director Joseph Stefano
Los Angeles: Villa di Stefano Productions 1964. First Draft script for the 1964 television film which originally aired on CBS. With actor Martin Landau's copied annotations throughout. Included are a set of synopses for proposed episodes a shooting schedule a distributor's announcement booklet and various other documents related to production. <br /> <br /> Also included is an original celluloid print of the film on a single reel in its original mailing case with cloth straps dated 2/18/65 addressed from director Joseph Stefano to Landau on the mailing label in manuscript black ink and INSCRIBED by Stefano to Landau at the top left corner of the case in the same ink: "To Martin / Whose splendid brilliance and warmth put the special spark in this bright fire / Your grateful and admiring friend / Joe Stefano."<br /> <br /> Fearful of being buried alive a woman installs a phone in the crypt in which she plans to be in case of emergencies. Months after her death the phone begins to ring presenting a new ghostly case for Landau's paranormal investigator. <br /> <br /> The film was intended to be the pilot for a new paranormal thriller series tentatively titled "The Haunted" as titled on the front wrapper but the series wasn't picked up and the pilot was released as a television movie after additional footage was shot. <br /> <br /> Black titled wrappers with credits for director-screenwriter Joseph Stefano noted as PILOT SCRIPT ONE. Title page present dated July 27 1964 noted as PILOT SCRIPT ONE with credits for director-screenwriter Joseph Stefano. 77 leaves with last page of text numbered 76. Early Xerox rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads. <br /> <br /> Film reel and film stock are unexamined. Villa di Stefano Productions unknown
Référence libraire : 147167
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Mikio Naruse (director); Ryuzo Kikushima (screenwriter); Hideko Takamine, Masajuki Mori (starring)
When A Woman Ascends the Stairs Original screenplay for the 1960 film
Tokyo: Toho Company 1960. Draft script for the 1960 film. With the stamp of cast/crew member Takahashi Toshihiro to the page edges and manuscript ink annotations to the rear wrapper. Text and titles in Japanese.<br /> <br /> A film that bought depictions of modern life into Japanese films of the 1960s particularly with respect to the idea of the independent woman. A young widowed bar hostess finds herself torn between a conventional life and potential financial independence when she must decide to either remarry or open her own bar. <br /> <br /> Set in Tokyo's Ginza district shot on location in Tokyo. <br /> <br /> White titled wrappers noted as 2 on the front wrapper. Title page present. 94 leaves with last page of text numbered f-31. Xerographic duplication printed on rectos and versos. Pages Near Fine wrapper Good with foxing wear to the binding and light soil overall. With perfect binding.<br /> <br /> BFI 694. Criterion Collection 377. Toho Company unknown
Référence libraire : 143342
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Luis Bunuel (director, screenwriter); Joseph Kessel (novel); Raymond Voinquel (photographer); Jean-Claude Carriere (screenwriter
Belle de Jour Eight original photographs from the US release of the 1967 French film
Glendale CA: Allied Artists 1968. Eight vintage studio still photographs from the US release of the 1967 French film. <br /> <br /> Buñuel's first color film about a bored and directionless young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> Set in and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert I. Criterion Collection 593. Allied Artists unknown
Référence libraire : 148783
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Claude Chabrol (director); Raymond Cauchetier, Sergio Strizzi (still photographers); Francoise Sagan (screenwriter); Michele Mor
Bluebeard Landru Collection of 16 original photographs from the 1963 film
New South Wales: Embassy Pictures 1963. Collection of 16 vintage studio still photographs from the 1963 film.<br /> <br /> Based on French serial killer Henri Desire Landru.<br /> <br /> During World War I Henri Landru Charles Denner supplements his income by luring middle-class women through newspaper ads to a villa outside Paris where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed.<br /> <br /> Shot on location in Paris and Gambais France. <br /> <br /> 8 x 10 inches. Very Good plus. Light creasing in margins three with pinholes to corners one with notable creasing in left margin. <br /> <br /> Grant France. Embassy Pictures unknown
Référence libraire : 148754
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Elio Petri (director, screenwriter); Robert Sheckley (short story); Tonino Guerra, Giorgio Salvioni, Ennio Flaiano (screenwriter
The 10th Victim La Decima Victima Four original photographs featuring Ursula Andress from the 1965 film
N.p.: N.p. 1965. Four vintage borderless photographs from the 1965 film. Two studio still photographs of Ursula Andress on production designer Piero Poletto's striking minimalist set and two compilation fashion photographs of Andress in costume bookending Costume Designer Giulio Coltellacci's concept drawings. Two photographs with "La Decima Victima" stamp on verso.<br /> <br /> An international cult classic based on the 1953 short story "Seventh Victim" by Robert Sheckley. Sheckley wrote the novelization of the film in 1956 and two sequels "Victim Prime" and "Victim" in 1987 and 1988 respectively.<br /> <br /> The worldwide officially sanctioned "Big Hunt" is the world's most popular television show giving those inclined to violence and those in search of celebrity a chance to act as "hunter" and "victim." The games top two assassins Caroline Meredith Andress and Macello Poletti Marcello Mastrianni who may be in love are pitted against each another.<br /> <br /> A descendant of Richard Connell's "The Most Dangerous Game" 1924 and the first of the televised death game films such as "The Gladiators" 1969 "Death Race 2000" 1975 "The Running Man" 1987 and "The Hunger Games" 2012.<br /> <br /> Shot on location in New York Rome Geneva and Vatican City. <br /> <br /> 2 - 9.5 x 7.25 inches 2- 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown
Référence libraire : 148894
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Tony Richardson (director); John Osborne (play); Bert Cann (photographer); Nigel Kneale (screenwriter); Laurence Olivier, Brenda
The Entertainer Original photograph from the 1960 British film
N.p.: N.p. 1960. Vintage studio still photograph of Laurence Olivier and Brenda de Banzie from the 1960 British film. Annotations in manuscript pencil on the verso. <br /> <br /> Based on the 1957 play written at the behest of actor Laurence Olivier who reprised his role as Archie Rice an embittered third-rate music hall performer facing the dissipation of his industry and personal life. Olivier was nominated for an Academy Award for Best Actor.<br /> <br /> Shot on location in Morecambe Lancashire and West Yorkshire England. <br /> <br /> 8 x 10 inches. Very Good plus with layout annotations to top corners in manuscript wax pencil. N.p. unknown
Référence libraire : 148770
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Andrzej Wajda (director, screenwriter); Jerry Andrzejewski (novel, screenwriter); Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zast
Ashes and Diamonds Three original photographs from US release of the 1958 film
New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. <br /> <br /> Based on the 1948 novel by Jerzy Andrzejewski.<br /> <br /> The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results.<br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Rosenbaum 1000. Criterion Collection 282. Janus Films unknown
Référence libraire : 148730
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Federico Fellini (director, screenwriter); Ennio Flaiano, Tullio Pinelli, Brunello Rondi (screenwriters); Marcello Mastoianni, A
La Dolce Vita Two original photographs from the US release of the 1960 Italian film
New York: Bill Doll and Company 1961. Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso one with "R.R. Stuart Collection" stamp on verso. <br /> <br /> Fellini's most pivotal film if not his finest. Unlike the more sentimental and abstract films that would follow "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome with Mastroianni a jaded journalist at the center of the story constantly surrounded by revelry beautiful women and a beautiful city but no semblance of happiness or love.<br /> <br /> Winner of one Academy Award and nominated for three others including Best Director and Best Screenplay. Winner of the Palme d'Or<br /> <br /> Shot on location in Rome and Vatican City Italy. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> <br /> Criterion Collection 733. Ebert I. Scorsese My Voyage to Italy. Bill Doll and Company unknown
Référence libraire : 148846
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Howard Hawks (director); Hagar Wilde (short story, screenwriter); Alexander Kahle (photographer); Dudley Nichols (screenwriter);
Bringing Up Baby Original photograph of Katharine Hepburn Cary Grant and Howard Hawks from the set of the 1938 film
Culver City CA: RKO Radio Pictures 1938. Vintage double weight photograph of Katharine Hepburn Howard Hawks and a resting Cary Grant on the set of the 1938 film. <br /> <br /> One of the foundational entries in the canon of American screwball comedies. Based on the short story by Hagar Wilde which originally appeared in Collier's Weekly magazine on April 10 1937.<br /> <br /> Zoologist David Huxley Grant develops a wary interest in the niece of dowager Mrs. Carelton Random Hepburn which as in all great screwball comedies is not finalized as a romance until about the last ten seconds of the film. But what makes this film singular is that the story is built around the maintenance aspects of raising a pet leopard creating a rapid-fire blur of events and dialogue that doesn't let up for the entire 102-minute running time. The film bombed upon release causing RKO to drop both of the stars but today ranks as one of the best films made by either. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> National Film Registry. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. RKO Radio Pictures unknown
Référence libraire : 148844
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Robert Bresson (director, screenwriter); Martin LaSalle, Marika Green, Jean Pelegri (starring)
Pickpocket Two original photographs from the 1959 film
N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br /> <br /> Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br /> <br /> 7.25 x 5.25 inches. Near Fine. <br /> <br /> Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown
Référence libraire : 148847
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Cornell Woolrich writing as William Irish (novel); Robert Siodmak (director); Bernard C Schoenfeld (screenwriter); Franchot Tone
Phantom Lady Original photograph of the 1942 novel made for the 1944 film
Universal City: Universal Pictures 1944. Vintage photograph of the Tower reader's edition of Cornell Woolrich's crime novel written under the pseudonym William Irish made as publicity the 1944 film adaptation. <br /> <br /> Robert Siodmak's first Hollywood noir and one of the finest in the canon. Based on Cornell Woolrich's first novel written in 1942 about a secretary who searches for the titular lady to clear her boss' name before he is executed for murdering his wife. The first film produced by Joan Harrison a former Oscar nominated screenwriter for Alfred Hitchcock "Rebecca" "Foreign Correspondent" and Universal's first female executive. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Grant US. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Universal Pictures unknown
Référence libraire : 148958
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Peter Watkins (director, screenwriter); Johnny Speight (story); Duffy, Patrick Ward (still photographers); Norman Bogner (screen
Privilege Collection of ten original photographs from the 1967 film
Universal City: Universal Pictures 1967. Collection of ten vintage photographs including eight borderless reference photographs one borderless promotional photograph of Paul Jones and Jean Shrimpton and one promotional studio still photographof the same from the 1967 film. Nine of these with a mimeo snipe on verso one with additional "David Lasceller" stamp on verso. <br /> <br /> Peter Watkin's outrageous and paranoiac dystopian satire of the world's most famous and beloved pop star who is controlled by a totalitarian British government.<br /> <br /> Patti Smith covered one of the film's songs "Set Me Free" as "Privilege Set Me Free" on her 1978 album "Easter."<br /> <br /> Set in a near-future England shot on location in London and Birmingham England. <br /> <br /> 8 x 10 inches. Light edge and corner wear else Near Fine. <br /> <br /> BFI Flipside 7. Universal Pictures unknown
Référence libraire : 148841
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Edward Bernds (director); Ben Hecht (story); Fred Morgan (photographer); Charles Beaumont (screenwriter); Zsa Zsa Gabor, Eric Fl
Queen of Outer Space Three original contact sheets from the 1958 film
N.p.: N.p. 1958. Three vintage contact sheets from the 1958 film each containing twelve images. Two contact sheets with layout annotations in blue manuscript wax pencil to five images.<br /> <br /> Based on the unpublished story "Queen of the Universe" by Ben Hecht. Sci-fi comedy portraying an epic battle of the sexes. Talleah Zsa Zsa Gabor is from the planet Venus assigned to destroy four Earth men at the behest of her queen Yilana Laurie Mitchell who secretly yearns for interstellar peace. Sets costumes and special effects borrowed from "Forbidden Planet" 1956 "Flight to Mars" 1951 and "World Without End" 1956. <br /> <br /> 8 x 10 inches. Light edgewear else Near Fine. N.p. unknown
Référence libraire : 148889
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Francois Truffaut (director, screenwriter); Ray Bradbury (novel); Jean-Louis Richard (screenwriter); Oskar Werner, Julie Christi
Fahrenheit 451 Eight original British front-of-house cards from the 1966 film
N.p.: Universal International Pictures 1966. Eight vintage full-color British front-of-house cards from the 1966 film. Each with stamps on the verso reading "Girosign Ltd." and "393."<br /> <br /> Based on the 1953 novel by Ray Bradbury. <br /> <br /> Set in and shot on location in England.<br /> <br /> 8 x 10 inches. Very Good only with some creasing to several cards and some faint pen markings to one of the cards. Universal International Pictures unknown
Référence libraire : 148891
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Michelangelo Antonioni (director, screenwriter); Bruce Davidson (photographer); Franco Rossetti, Sam Shepard, Tonino Guerra, Cla
Zabriskie Point Original photograph of Daria Halprin from the 1970 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage studio still photograph of Daria Halprin seemingly trapped in the middle of a mid-century modern glass vestibule from the 1970 film. Mimeo snipe on the verso.<br /> <br /> Antonioni's great American experiment and the only film the director ever made in the United States written for the screen by a young Sam Shepard. Though made from an Italian's perspective the film stands today as a great visual statement on the American West in the late 1960s rampant consumerism and the hippie zeitgeist. <br /> <br /> 8 x 10 inches with wide horizontal margins. Near Fine. <br /> <br /> Rosenbaum 1000. Godard Histoires du cinema. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 148876
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Jules Verne (novel); Hubbard, Lucien (director, screenwriter); Lionel Barrymore, Jacqueline Gadsdon, Lloyd Hughes (starring)
The Mysterious Island Two original photographs from the 1929 film
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1929. Two vintage studio still photographs from the 1929 part-talkie film. Mimeo snipes on the versos. <br /> <br /> Loosely based on the 1874 novel by Jules Verne. The benevolent scientist-leader of a volcanic island is attacked by an evil baron leading to a submarine chase in which they discover a race of water-bound humanoids.<br /> <br /> Shooting for the film began in 1926 but the advent of talkies and bad weather would slow production ultimately delaying release until 1929. Lauded as an impressive cinematic feat the astronomical price tag of the production-over $1 million in 1929-all but guaranteed the film would be a financial disaster at the box office turning studios off to the idea of science fiction for many years.<br /> <br /> All color copies were believed lost but in 2013 one existing color print was discovered in Prague and has since been restored through a collaboration between US film experts and the Czech National Film Archive. <br /> <br /> 8 x 10 inches. With even fading else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
Référence libraire : 148879
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Francois Truffaut (director, screenwriter); Jean-Pierre Leaud, Marie-France Pisier, Patrick Auffay (starring)
Antoine and Colette from the anthology film Love at Twenty Four original photographs from the 1962 film
N.p.: N.p. 1962. Four vintage borderless studio still photographs from the 1962 film. Rare.<br /> <br /> "Love at Twenty" is anthology film on the titular theme by five filmmakers Shintaro Ishihara Marcel Ophuls Renzo Rossellini François Truffault and Andrzej Wajda united with a score by Georges Delerue and photographs of Henri Cartier-Bresson.<br /> <br /> Truffaut's short is the second of five films which follow his alter-ego Antoine Doinel Jean-Pierre Léaud. The films in the Antoine Doinel series are "The 400 Blows" 1959 "Antoine and Colette" 1962 "Stolen Kisses" 1968 "Bed and Board" 1970 and "Love on the Run" 1979.<br /> <br /> Antoine now aged 17 falls in love for the first time to the lovely Colette Marie-France Pisier whose feelings though tender are not reciprocated.<br /> <br /> Set in and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 185. N.p. unknown
Référence libraire : 148842
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John Steinbeck (novella, screenwriter); Lewis Milestone (director); Donald Biddle Keyes (photographer); Myrna Loy, Robert Mitchu
The Red Pony Four original photographs from the 1949 film
North Hollywood: Republic Pictures 1949. Four vintage photographs two studio still photographs and two publicity photographs one iconic photograph of Robert Mitchum and one headshot of Shepperd Studwick all from the 1949 film. <br /> <br /> Based on the novella by John Steinbeck who also wrote the screenplay published in full in 1937.<br /> <br /> A young boy Peter Miles is enamored with the colt he has been entrusted to raise only to find the colt has caught an illness and is dying. <br /> <br /> Steinbeck's first film assignment though other Steinbeck screenplays would end up being released prior to "The Red Pony." At the time it was the longest and costliest production in Republic history borrowing Robert Mitchum from RKO and also starring Myrna Loy. <br /> <br /> Set in and shot on location in California. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing in margins and even fading on three of the photographs and a small bruise in the right margin of one. Republic Pictures unknown
Référence libraire : 148867
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Fred F Sears (director); Robert E Kent (screenwriter); Alan Dale, Alan Freed, Little Richard, The Treniers, Bill Haley and His C
Don't Knock the Rock Original photograph of The Treniers from the 1956 film
Culver City CA: Columbia Pictures 1956. Vintage studio still photograph of the American R&B and jump blues musical group The Treniers from the 1956 film. Mimeo snipe and Columbia Pictures Corp. stamp on verso. <br /> <br /> Rock and Roll star Arnie Haines Alan Dale returns home to the town of Melondale which banned Rock and Roll music and with the help of disc Jockey Alan Freed as himself tries to convince the town that the music won't turn their children into delinquents.<br /> <br /> With notable lip-syncing performances from Bill Haley and His Comets Little Richard and The Treniers.<br /> <br /> A follow-up to the 1956 Rock and Roll film "Rock Around the Clock" also directed by Fred F. Sears and written by Robert E. Kent and also featuring Alan Freed and Bill Haley and His Comets.<br /> <br /> Set in the fictitious town of Melondale shot on location in Los Angeles California. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 148868
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Paul Verhoeven (director); Jan Wolkers (novel); Willem Veenman (photographer); Gerard Soeteman (screenwriter); Monique van de Ve
Turkish Delight Four original photographs from the 1973 film
N.p.: N.p. 1974. Four vintage double weight studio still photographs from US release of the 1973 Dutch film.<br /> <br /> Based on the 1969 novel "Turks Fruit" by Jan Wolkers.<br /> <br /> Gifted sculptor Eric Vonk Rutger Hauer falls in love and marries the beautiful young Olga Stapels Monique van de Ven to the disapproval of her family.<br /> <br /> The most successful film in the history of Dutch cinema. Paul Verhoeven's second feature film.<br /> <br /> Nominated for an Academy Award for Best Foreign Film.<br /> <br /> Set in and shot on location in Noord-Holland and Rotterdam Netherlands. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
Référence libraire : 148768
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Harold Pinter (play, screenwriter); Peter Hall (director); Paul Rogers, Ian Holm, Cyril Cusack, Terence Rigby (starring)
The Homecoming Eight original photographs from the 1973 film
N.p.: The American Film Theatre 1973. Eight vintage studio still photographs from the 1973 film housed in their original brown paper envelope stamped "The Homecoming 8 Stills." <br /> <br /> Based on the 1965 play by Harold Pinter who also wrote the screenplay.<br /> <br /> Teddy Michael Jayston brings his wife Ruth Vivien Merchant to visit his estranged and abrasive family in a dingy claustrophobic North London flat after a nine year absence.<br /> <br /> 8 x 10 inches. Near Fine. The American Film Theatre unknown
Référence libraire : 148870
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David Bowie (starring); Nicolas Roeg (director); Walter Tevis (novel); Paul Mayersberg (screenwriter); Rip Torn, Candy Clark, Bu
Two original photographs of David Bowie promoting his appearance in the 1976 film The Man Who Fell to Earth
N.p.: N.p. 1975. Two promotional portrait photographs of David Bowie likely used as part of a press release announcing Bowie's casting in the 1976 film "The Man Who Fell to Earth." Each with a fold over mimeo snipe from public relations firm Rogers and Cowan dated 5-29-75. One photograph with Bowie's name and RCA Records and Tapes printed in the bottom margin. <br /> <br /> Just three weeks prior RCA had released Bowie's ninth studio album "Young Americans" and earlier that year the BBC had broadcast the documentary "Cracked Actor" about the singer which led director Nicholas Roeg to cast Bowie in his upcoming adaptation of Walter Tevis' 1963 novel. <br /> <br /> 8 x 10 inches. One photograph with slight even fading else Near Fine. <br /> <br /> Criterion Collection 304. N.p. unknown
Référence libraire : 148809
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Ingmar Bergman (director, screenwriter); Harry Kampf (photographer); Ingrid Thulin, Gunnel Lindlom, Jorgen Lindstrom (starring)
The Silence Collection of thirteen original photographs from the 1964 US release of the 1963 Swedish film
New York: Janus Films 1964. Collection of thirteen vintage studio still photographs from the US release of the 1963 Swedish film. Three with mimeo snipe and "R.R. Stuart Collection" stamp on the verso.<br /> <br /> The third entry in Ingmar Bergman's trilogy of faith and redemption preceded by "Through A Glass Darkly" 1961 and "Winter Light"1963. <br /> <br /> A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom. <br /> <br /> Ester Thulin a translator and intellectual suffering from a terminal disease is traveling home with her younger resentful sister Anna Linblom and Anna's son Johan Jorgen Lindstrom when they stop in the town of Timoka in a fictional European county on the brink of war with an unknown dialect. After they check into a nearly empty hotel with the exception of a group of Spanish dwarves in a traveling show Anna leaves and has an affair with a waiter as Johan wanders the hallways.<br /> <br /> Regarded as one of the most sexually provocative films of its day. <br /> <br /> 8 x 10 inches. Three with faint even fading one with pinholes to corners one with a small closed tear in top margin else Near Fine. <br /> <br /> Criterion Collection 211. Ebert III. Janus Films unknown
Référence libraire : 148813
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Roy Ward Baker (director); Arthur Evans, Wilfrid Newton, Charles Trigg (still photographers); Eric Ambler (screenwriter); John M
The October Man Five original photographs from the 1947 film
West Hollywood: Eagle-Lion Films 1947. Five vintage studio still photographs from the 1948 British film. One with Dion McGregor Collection stamp on the verso.<br /> <br /> After sustaining a head injury in a bus crash young scientist convalesces in a boardinghouse where a young woman is brutally murdered. Now a prime suspect with a poor memory due to the accident and no alibi he begins to wonder if he could have done it. Roy Ward Baker's directorial debut.<br /> <br /> Shot on location in Buckinghamshire and London. <br /> <br /> 8 x 10 inches. Very Good plus light corner and edgewear one with small chip to upper left corner two with pinholes and modest bruising.<br /> <br /> Selby Master. Selby UK. Grant UK. Spicer UK. Eagle-Lion Films unknown
Référence libraire : 148811
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Akira Kurosawa (director, screenwriter); Shugoro Yamamoto (novel); Hideo Oguni, Shinobu Hashimoto (screenwriters); Yoshitaka Zus
Dodes'ka-Den Dodeskaden Clickety-Clack Original screenplay for the 1970 film
Tokyo: Toho 1970. Draft script for the 1970 Japanese film. With manuscript ink and pencil annotations to the rear wrapper and throughout the text. Included with the script is a mimeographed shooting schedule. Text and titles in Japanese. <br /> <br /> Annotations relate to the following: a names of the chosen cast members b set rehearsals and camera rehearsals c times for shooting e.g. Morning Afternoon Evening and Night phone numbers for production personnel d names of potential and/or hired camera assistants e names of potential and/or hired actors f indication of the production company chosen Toho Corporation as well as film stock and lens sizes to be used g additional notes regarding location of some settings h changes to dialogue and action and h some final post-production notes.<br /> <br /> Director Akira Kurosawa's first color film based on Shugoro Yamamoto's 1962 novel "Kisetsu no nai machi" A City Without Seasons. A series of vignettes about a slum in the suburbs of Tokyo and its impoverished inhabitants. Nominated for an Academy Award for Best Foreign Film.<br /> <br /> Set and shot on location in Tokyo.<br /> <br /> Script:<br /> <br /> White titled wrappers. Title page present. 90 leaves with last page of text numbered d-37. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with perfect binding.<br /> <br /> Schedule:<br /> <br /> White titled wrappers. 13 leaves with last page numbered 23. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with a faintly toned spine and very faint foxing to the fore-edge side-stapled with two staples.<br /> <br /> Detailed notes with translation of annotations noted above with accompanying images are provided with the script. Toho unknown
Référence libraire : 148810
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Eugene Forde (director); Walter Bullock (screenwriter); Brenda Joyce, Joseph Allen, Cobina Wright (starring)
Right to the Heart You Can't Always Tell Original screenplay for the 1942 film
Los Angeles: Twentieth Century-Fox 1941. Final Draft script for the 1942 film. Production No. 690 and copy No. 140 both rubber stamped on the front wrapper with FINAL printed at the top right corner of same.<br /> <br /> John T. Bromley Joseph Allen a young man from high society is physically humiliated by a prizefighter William Haade before his socialite sweetheart Jenny Killian Brenda Joyce. He goes to a training camp to redeem his self-respect and ensure his success in a rematch. <br /> <br /> Nominated for an Academy Award for Best Cinematography.<br /> <br /> Shot on location in Sherwood Forest California. <br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 140 and production No. 690 dated OCT. 23 1941. Distribution page present with receipt intact. Title page present dated October 23 1941 noted as Final Script with credits for screenwriter Walter Bullock. 130 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 10/27/41 and 11/11/41. Pages Near Fine wrapper Very Good plus with a few small closed tears bound internally with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 148690
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Akira Kurosawa (director, screenwriter); Masato Ide, Hideo Oguni, Ryuzo Kikushima (screenwriters); Toshiro Mifune, Tsutomu Yamaz
Red Beard Akahige Original screenplay for the 1965 film
Tokyo: Kurosawa Production Co 1963. Draft script for the 1965 Japanese film preceding the release by nearly two years. Text and titles in Japanese. <br /> <br /> Based on Shugoro Yamamoto's short story collection "Akahige Shinryotan." Toshiro Mifune's final film with director Akira Kurosawa considered one of the director's masterpieces following a small-town doctor and his new intern a highly educated arrogant young man. <br /> <br /> Set in the Edo district of Koishikawa.<br /> <br /> White titled wrappers with a blue titled dust jacket. Title page present dated 1963. 65 leaves with last page of text numbered g-17. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing to the rear wrapper with perfect binding. Jacket is Very Good plus with light foxing to the fore-edges and rear panel. Kurosawa Production Co unknown
Référence libraire : 148710
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Frank Tuttle (director); Herbert Clyde Lewis (story); Arthur Kober, Frank Gabrielson (screenwriter); William Bendix, Joan Blonde
Don Juan Quilligan Two-Faced Quilligan Original screenplay for the 1945 film
Los Angeles: Twentieth Century-Fox 1944. Shooting Final Draft script for the 1945 film here under the working title "Two-Faced Quilligan." Production No. 911 and copy No. 6 rubber stamped on the front wrapper with SHOOTING FINAL printed at the top right corner of same. Single annotation in the script in manuscript pencil noting three names on the verso of last leaf.<br /> <br /> Patrick Michael Quilligan William Bendix captain of a barge named Mary named after his mother meets and falls for two women Joan Blondell and Mary Treen who remind him of his beloved deceased mother inadvertently marrying both.<br /> <br /> Set in Brooklyn and Utica New York. <br /> <br /> Brown titled wrappers noted as SHOOTING FINAL on the front wrapper rubber-stamped copy No. 6 and production No. 911 dated DECEMBER 21 1944. Distribution page present with receipt intact. Title page present dated December 21 1944 noted as Shooting Final with credits for screenwriter Arthur Kober. 127 leaves with last page of text numbered 125. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 1/2/45 and 2/28/45. Pages Near Fine wrapper Very Good plus with large chip on right edge of front wrapper bound internally with two gold brads. Twentieth Century-Fox unknown
Référence libraire : 148705
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Jacques Poitrenaud (director, screenwriter); Albert Cossery, Maria Suire (screenwriters); Michel Simon, Marie Dubois, Yves Lefeb
The Marriage Came Tumbling Down Ce sacre grand-pere Original French poster for the 1968 film
Paris: Champs-Elysees Productions 1968. Original French grande poster for the 1968 film. <br /> <br /> Based on Catherine Paysan's 1964 novel "Je M'appelle Jericho." Jericho Simon is an old man in the midst of a split with his partner and whose kids are along for the ride as he rekindles his love with a past girlfriend. <br /> <br /> 47 x 63 inches folded as issued. A few central tears faint toning else about Near Fine. Champs-Elysees Productions unknown
Référence libraire : 139010
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Ken Hughes (director); Ruth Avergon (screenwriter); Leonard Mann, Rachel Ward, Drew Snyder, Joseph R Sicari (starring)
Night School Terror Eyes Original British poster for the 1981 film
Nottingham UK: Lorimar / Rank Film Distributors 1981. Original British quad poster for the 1981 US film "Night School" here under the British title "Terror Eyes." Printed in England by Lonsdale and Bartholomew. <br /> <br /> Slasher film set at an all-girl night school complete with decapitations set in Boston. Director Hughes' final film one of the 33 non-prosecuted "Video Nasty" titles a selection of censored and banned films during the 1980s in the United Kingdom. <br /> <br /> 30 x 40 inches folded as issued. A few central pinholes and faint toning else Near Fine. Lorimar / Rank Film Distributors unknown
Référence libraire : 139005
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Mel Brooks (director, screenwriter, producer, starring); Madeline Kahn, Dom DeLuise, Harvey Korman, Cloris Leachman (starring)
History of the World: Part I Original British poster for the 1981 film
London: Twentieth Century-Fox 1981. Original British "bus stop" poster for the 1981 US film. Printed in England by Lonsdale & Bartholomew. <br /> <br /> An ambitious sprawling historical farce made by Mel Brooks in the heat of his success as a film director. Brooks plays Moses Tomas de Torquemada King Louis XVI and Jacques "Jacques le garcon de pisse." Part I begins of course with the Dawn of Man and covers The Old Testament The Roman Empire The Spanish Inquisition and The French Revolution ending with a "preview" of Part II never made in keeping with Sir Walter Raleigh who was beheaded before he could write his Part II. The preview includes Hitler on Ice a Viking funeral and "Jews in Space."<br /> <br /> 40 x 60 inchesfolded folded as issued. Faint foxing and brief annotations in ink and pencil to the verso light creasing else Near Fine. Twentieth Century-Fox unknown
Référence libraire : 139023
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Nathanael [Nathaniel] West (novel); Waldo Salt (screenwriter); John Schlesinger (director); Donald Sutherland, Karen Black, Burg
The Day of the Locust Original British poster for the 1975 film
Hollywood: Paramount Pictures 1975. Original British quad poster for the 1975 US film. Printed in England by Leonard Ripley. <br /> <br /> One of the most haunting and truly underrated films of the 1970s Schlesinger's "The Day of the Locust" translates Nathanael West's masterpiece into a dark funny and ultimately devastating commentary on the Hollywood system and its effect on the lives and dreams of an array of characters lost in it. Since its release the film has come to be considered by many Donald Sutherland's finest performance as well as a grand achievement in terms of script cinematography acting and design. Nominated for two Academy Awards. <br /> <br /> 30 x 40 inches folded as issued. Very Good plus with staple holes to the top edge and a notation in manuscript ink on the verso. Paramount Pictures unknown
Référence libraire : 139041
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Harald Reinl (director); Manfred Barthel (screenwriter); William Shatner, Robert Charroux, Jean Dizon, Max H Flindt (starring)
Mysteries of the Gods Les extra-terrestres Original French poster for the 1976 film
Germany: R.v. Hirschberg / Rudolf Kalmowicz Filmproduktion 1977. Original French grande poster for the 1976 West German film. Cool spaceship artwork by Landi. <br /> <br /> Based on Erich von Daniken's 1968 book "Chariots of the Gods" a look at early human history and the possibility of extraterrestrial influences. Sequel to Reinl's previous alien documentary "Chariots of the Gods" 1970 a film that was edited and dubbed in English and narrated by Rod Serling. This time Shatner narrates. The film was edited and dubbed in English directed and written then by Charles Romine. NASA representatives make their opinions known and various other "enthusiasts" perk Shatner's genuine intrigue. <br /> <br /> 47 x 63 inches folded as issued. Very Good with several tears some with cello tape repairs on the verso and creases. Scarce. R.v. Hirschberg / Rudolf Kalmowicz Filmproduktion unknown
Référence libraire : 139038
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Jack Nicholson (director, screenwriter); Jeremy Larner (novel, screenwriter); Terence Malick (uncredited screenwriter); William
Drive He Said Original Australian poster for the 1971 film
Culver City CA: Columbia Pictures 1971. Vintage Australian insert poster for the 1971 US film. Printed by Robert Burton Pty. in Sydney. <br /> <br /> Based on screenwriter Larner's 1964 novel. Nominated for the Palme d'Or and a key film in the BBS Productions cycle of the early 1970s as well as a New Hollywood film albeit lesser-known. Hector Tepper plays college basketball superbly but his lover Olive Black has reservations about their relationship. All the while Hector's friend Gabriel Margotta contemplates and protests the Vietnam War. <br /> <br /> Nicholson's directorial debut after astonishing performances in "Easy Rider" 1969 and "Five Easy Pieces" 1970. <br /> <br /> Shot on location at the University of Oregon and throughout the state. <br /> <br /> 12.75 x 30 inches folded twice as issued. Very Good plus with light toning brief edge creasing and a few central tears. Scarce. <br /> <br /> Criterion Collection 547. Columbia Pictures unknown
Référence libraire : 139058
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Waris Hussein (director); Ian Thorne (screenwriter); Keith Mitchell, Donald Pleasence, Charlotte Rampling, Jane Asher (starring)
Henry VIII and His Six Wives Original British poster for the 1972 film
London: Anglo-EMI 1972. Original British quad poster for the 1972 UK film. Printed in England by Lonsdale & Bartholomew. <br /> <br /> Film adaptation of the 1970 six-part television miniseries "The Six Wives of Henry VIII." <br /> King Henry VIII Mitchell reminisces about his past marriages and their demise. Henry's wives were Catherine Parr Barbara Leigh-Hunt Catherine Howard Lynne Frederick Anne of Cleves Jenny Bos Jane Seymour Asher Anne Boleyn Rampling and Catherine of Aragon Frances Cuka. <br /> <br /> Shot on location in Spain and Turkey. <br /> <br /> 30 x 40 inches folded as issued. Light fold stress else Near Fine. Scarce. Anglo-EMI unknown
Référence libraire : 139070
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Jeff Bleckner (director); James Sadwith (screenwriter); Ken Olin, Mariska Hargitay, and Holt McCallany (starring)
The Advocate's Devil Original screenplay for the 1997 television movie
Burbank CA: American Broadcasting Company ABC 1997. Revised Draft script for the 1997 television movie. Based on the 1994 novel "The Advocate's Devil" by Alan Dershowitz. <br /> <br /> A film whose message regarding the nature of sexual assault remains potent and relevant "The Advocate's Devil" follows an attorney who successfully helps a young athlete shake rape charges that have been brought against him. Unfortunately he later uncovers troubling evidence about his ex-client that has both personal and professional ramifications. <br /> <br /> Set in San Francisco shot on location in Vancouver Canada. <br /> <br /> Green untitled wrappers. Title page present with credits for director Jeff Bleckner executive producer Elon Dershowits and producer Karen Moore. 123 leaves with last page of text numbered 119. Xerographically duplicated first generation copy with no copied punch holes with goldenrod and green revision pages throughout dated variously between 05/22/97 and 05/28/97. Pages Fine wrapper Fine bound with two gold brads. American Broadcasting Company [ABC] unknown
Référence libraire : 139060
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Arthur Lubin (director); Herbert Baker (story); Devery Freeman (screenwriter); James B Allardice (screenwriter); Dorothy Reid (s
Francis Joins the WACS Original screenplay for the 1954 film
Universal City CA: Universal Pictures 1954. Final Draft script for the 1954 film. The fifth of seven films in the popular "Francis the Talking Mules series all made in the 1950s. Copy belonging to technical advisor Major Lane Carlson with his name in manuscript blue ink on a label affixed on the front wrapper and his annotations throughout. Carlson acted as a consultant on the military aspects of the film as the film involves Francis joining the Army going to the Pentagon etc. <br /> <br /> Salmon titled wrappers noted as Final Screenplay on the front wrapper dated February 9 1954. 157 leaves Multilith duplication with blue pink and yellow revision pages throughout dated variously between 2-17-54 and 4-5-54. Pages and wrapper Very Good plus in a three ring binder used during production. Universal Pictures unknown
Référence libraire : 131088
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[John Knox] Allan Sloan (screenwriter)
The Winds of Change The Times of John Knox Original screenplay for an unproduced film
New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. <br /> <br /> Presumed the only screen treatment on Knox the leader of the Protestant Reformation. <br /> <br /> Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
Référence libraire : 132008
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Jean Seberg (starring); Otto Preminger (director); Francoise Sagan (novel); Arthur Laurents (screenwriter)
Bonjour Tristesse Original photograph of Jean Seberg from the 1957 film
Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. <br /> <br /> 8 x 10 inches. Near Fine. Columbia Pictures unknown
Référence libraire : 138551
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Karel Reisz (director); John Fowles (novel); Frank Connor (photographer); Harold Pinter (screenwriter); Meryl Streep, Jeremy Iro
The French Lieutenant's Woman Original photograph of Meryl Streep Karel Reisz and Jeremy Irons on the set of the 1981 film
Beverly Hills CA: United Artists 1981. Vintage black-and-white French press photograph from the set 1981 UK film. Shown are director Karel Reisz and actors Meryl Streep and Jeremy Irons conferring on a scene. French press stamp and a copyright sticker from United Artists on the verso. <br /> <br /> <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
Référence libraire : 138784
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Eric Rohmer (director, screenwriter); Jean-Louis Trintignant, Francoise Fabian (starring)
My Night at Maud's Ma nuit chez maud Original Pressbook for the 1969 film
Paris: FFD 1969. Original pressbook for the 1969 French film. Nominated for two Academy Awards and the Palme d'Or. <br /> <br /> The third film but fourth released in Rohmer's "Moral Tales" series and the one that finally elevated him to the international status of his New Wave peers. <br /> <br /> 9.5 x 13.25. Tri-fold Very Good plus. Starting to the lower rear fold and light soil. <br /> <br /> Criterion Collection 345. FFD unknown
Référence libraire : 138609
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