‎Deutschland‎

‎Walter Bloem.‎

‎Hindenburg als Reichsprasident.‎

‎Berlin, Vaterlandischer Verlag C.U. Weller, 1936 Gebunden, Leinen, 198pp., 26.5x35cm., ills. in s/w., guter Zustand.‎

‎Zweiter Auflage.‎

Referenz des Buchhändlers : 35322

‎Horst Munch.‎

‎Unser Krieg. Das nervose Lachen.- Out war.‎

‎Koln, Snoeck, 2007 Bound, brown cloth, 79pp., 22.5x32.5cm., illustr. troughout in col. Text in German and English. ISBN 9783936859829.‎

‎When you open a newspaper nowadays and let those major geopolitical discussions into your life it is indeed possible to be overcome by a kind of nervous laughter. There are plenty of appetisers, which is to be? The crisis in Irak, Iran, Afghanistan, North Korea, Palestine, Burma, Dafur, Kosovo, Chechnya ... nnWe seem to be repeatedly and increasingly afraid that the sky is going to fall on our heads, and the current American president (not to mention his entire administration) is not alone in his quandary as to the why and wherefore. Thus the new world order staggers blithely from one headline to the next: ever at the thick of it with his ?quirky eye? - Horst M?nch. The small screen and to a greater extent the larger ones also are already in the business of distorting our view of every conceivable problem concerning the map. Where they could actually explain something, but ... should they do so in the first place? Isn't Berlin supposed to be here? No, that must be China! I can clearly recognize Russia, but why does Europe begin there? The conversations in front of the images are the same.nnEverything begins here and ends there, which is precisely what connects it. The demarcation of the USA along its own borders seems to be just as provisional as the border of Irak‎

Referenz des Buchhändlers : 35518

‎Anette Husch ; Eugen Blume ; Rita Kersting.‎

‎Visite(e) : Werke aus der Sammlung zeitgenossischer Kunst der Bundesrepublik Deutschland.‎

‎Koln, Dumont, 2007 Hardcover, 200 pages / seiten, ENG./DEU. edition, 290 x 245 x 20 mm, In very good condition !,sehr Gute kondition, illustrated in color / b/w. ISBN 9783832177720.‎

‎VISIT[E] shows the federal art collection on the occasion of the German EU Council Presidency in the first half of 2007. The title VISIT[E] alludes to the collection's appearance in the Belgian public as well as to the various artistic forms of expression of the individual works. These include a wide range of techniques and media from drawing, painting and sculpture to photography, film and video. The volume shows paintings by Jonathan Meese and Daniel Richter, drawings by Joseph Beuys, sculptures by Rebecca Horn and Nam June Paik as well as films and videos by Tacita Dean and Omer Fast. This catalog is published in a German-English edition alongside the essays by Eugen Blume , Anette Husch and Beatrice von Bismarck provide brief descriptions of the individual works and offer the first overall overview of the task, structure and holdings of the Federal Art Collection.‎

Referenz des Buchhändlers : 36659

‎Franz Hubmann, Walter Pohl.‎

‎Deutsche Konige Romische Kaiser. Der Traum vom Heiligen Romischen Reich Deutscher Nation 800-1806.‎

‎Augsburg, Bechermunz, 1995 Hardcover with dustjacket, 208pp., 22.5x29cm., richly illustrated in col., fine condition. German text. ISBN 9783860471500.‎

Referenz des Buchhändlers : 39761

‎Edla Colsman.‎

‎Mobel. Gotik bis Jugendstill. Die Sammlung im Museum fur Angewandte Kunst Koln.‎

‎Stuttgart, Arnoldsche, 1999 Bound, cloth with orig. dustjacket, 542pp., 30.5x20.5cm., ills. mostly in b/w., some in col., fine copy. German text. ISBN 9783925369087.‎

‎The Cologne Museum of the Applied Arts possesses a comprehensive collection of Central European furniture spanning four centuries. The book is exhaustive on the most important types of furniture and the most influential forms and styles.‎

Referenz des Buchhändlers : 41990

‎Roth, Eugen (Auswahl und Text)‎

‎Simplicissimus. Ein Ruckblick auf die satirische Zeitschrift‎

‎Hannover, Fackeltrager, 1954 Bound, orig. illustr. cloth under orig. dustjacket, unpag. (ca.130pp.), 24x16.5cm., ills. in b/w., fine copy.‎

Referenz des Buchhändlers : 42982

‎Petersson, Ingo.‎

‎Flucht. Nach Aufzeichnungen des "Untersturmfuhrer Vorwarts".‎

‎Oldendorf, K.W.Schutz, 1971 Paperback, 242pp., 20.5x14cm., fine condition.‎

Referenz des Buchhändlers : 43582

‎Coll.‎

‎Tafel, Griffel, Rutenstock. 150 Jahre Eifeler Volksschulleben.‎

‎Meckenheim, Arbeitskreis Eifeler Museen, 1989 Bound, hardcover, 343pp., 24x16.5cm., 249b/w. ills., very good copy.‎

Referenz des Buchhändlers : 44088

‎Eugen Keuerleben.‎

‎Otto Dix 1891-1969.‎

‎Brussel, Palais des Beaux Arts, 1985 Softcover with flaps, 182pp., 31x24cm., richly illustr. in col. and b/w., very good condition. German edition (booklet with French and dutch translation included).‎

‎Exhibitionscatalogue.‎

Referenz des Buchhändlers : 44364

‎B.-M. Tock, C. Giraud, A. Fernique, A. Leducq‎

‎Rois, reines et eveques. L'Allemagne aux Xe et XIe siecles, Recueil de textes traduits‎

‎, Brepols - Harvey Miller, 2009 Hardcover. 341 p., 140 x 210 mm, Languages: French, Latin, Including an index. Fine copy. ISBN 9782503532417.‎

‎L?Allemagne medievale reste peu connue de nos jours. Pourtant, c?est une grande periode de l?histoire germanique, marquee par la naissance de l?Empire, les particularites de l?Eglise imperiale, la place des principautes au sein du royaume? La periode ottonienne et salienne en particulier (Xe-XIe siecles) est un age d?or pour le pouvoir des souverains et des eveques. Le present recueil propose d?introduire le lecteur dans la comprehension de cette epoque en lui permettant de lire en traduction francaise (generalement pour la premiere fois) les Gestes des Saxons de Widukind de Corvey (livres 2 et 3), la plus ancienne vie de la reine Mathilde, la Chronique de Thietmar de Mersebourg (livres 3 et 4), la vie d?Henri II par Adalbold d?Utrecht, la vie de Conrad II par Wipo, les Gestes des eveques d?Eichstatt et une selection de chartes germaniques de cette periode.‎

Referenz des Buchhändlers : 45761

‎Annie P rez, Martine Contensou‎

‎Figures du Moderne 1905-1914 : l'Expressionisme en Allemagne‎

‎, Paris-Musees, 1992 Relie, cartonnage d'editeur, 463pp. FR.edition.,275 x 225 x 35 mm, nombr. ills. en coul. et n/b., belle exemplaire. ISBN 9782879000817.‎

‎L'expressionnisme (du latin : expressio, exprimer ) est un mouvement moderniste de l'art europ en du d but du XXe si cle, vers 1905 1940. Dans l'expressionnisme, l'artiste tente d'exprimer ses sentiments ou ses exp riences l'observateur, par une certaine distorsion. ou la r alit . L'expressionnisme en tant que style est surtout connu dans la po sie et la peinture, mais on le retrouve galement dans la musique, la litt rature, l'architecture, le th tre et le cin ma. L'expressionnisme s'est concentr sur la r ponse personnelle et subconsciente de l'artiste son environnement. Il s'oppose ainsi l'impressionnisme, qui privil gie la repr sentation de la r alit v cue travers les sens. Dans l'expressionnisme, ce lien avec la r alit s'estompe, voire dispara t parfois compl tement. Cela donne leur chance de nouvelles formes auparavant inimaginables. Les deux grands principes sont donc : il n'y a pas de lois et les lois ne peuvent tre impos es par personne . En peinture, le terme expressionniste est d sormais utilis par extension pour d signer toute peinture exprimant un tat d'esprit expressionniste, m me si elle ne date pas du d but du XXe si cle.‎

Referenz des Buchhändlers : 48799

‎Ingrid Dettmann, Agnes Strehlau‎

‎herzogliche Kunstkammer in Gotha Band 1 Inventare und Band 2 Katalog‎

‎, Imhof verlag, 2021 Schloss Friedenstein Gotha Band 1 504 Seiten, Band 2 400 Seiten, zusammen 904 Seiten, 691 Farb- und 65 S/W-Abb 24 x 30 cm 5630kg. ISBN 9783731909262.‎

‎Die vielf ltigen Sammlungen der Stiftung Schloss Friedenstein Gotha haben ihren Ursprung in der barocken Kunstkammer, die Herzog Ernst I. von Sachsen-Gotha-Altenburg (1601?1675) Mitte des 17. Jahrhunderts im Westturm von Schloss Friedenstein einrichten lie . Seitdem erfolgte eine stetige Erweiterung der Best nde, die bis 1764 in verschiedenen Kunstkammer inventaren Niederschlag fand. Die vorliegende Publikation identifiziert in ausgew hlten Kunstkammerinventaren die in der historischen Pr sentation der barocken Kunstkammer von Schloss Friedenstein vorhandenen Exponate. Band 1 enth lt die transkribierten Kunstkammerinventare der Jahre 1657, 1717 und 1764, ein Inventar der 1656 in der Kunstkammer aufbewahrten M nzen, das 1692 verfasste Inventar eines zur Kunstkammer geh renden Augsburger Kabinettschrankes und das Inventar der Mineraliensammlung von 1764. Band 2 ist ein in Bestandsgruppen gegliederter Katalog der identifizierten Kunstkammerobjekte, der durch ein Verzeichnis von Gegenst nden erg nzt wird, die m glicherweise Bestandteil der Kunstkammer waren, aber den Inventaren nicht eindeutig zugeordnet werden konnten.‎

Referenz des Buchhändlers : 57482

‎Fernando Checa, Miguel ngel Zalama (eds)‎

‎Ars Habsburgica. New Perspectives on Sixteenth-Century Art‎

‎, Brepols, 2023 Paperback, 268 pages, Size:156 x 234 mm, Illustrations:45 b/w, Language: English. ISBN 9782503595948.‎

‎Summary Starting from a political reality, which is, at the same time, artistic and cultural, the book Ars Hasburgica aims to review the still so common historiographical conception of the Renaissance that conceives this period from a geographically Italocentric, artistically classicist and politically centered the idea of "national" arts and schools. But Renaissance is a more global and complex phenomenon. What this book aims to offer is an idea of the art of that period that considers the role played by the Habsburg dynasty and its various courts in this period, trying to verify whether, by applying other historiographic models, and having the art of the Casa de Austria as a focus, traditional ideas can continue to be maintained well into the twenty-first century. We refer to the so-called "Vasari paradigm", on which art history of the sixteenth century has largely been built over the last centuries. It is also intended to structure concepts about the art of the period not so much around nationalist considerations and identities of the arts, but to raise these issues throughout ideas such as that of the court as a political, artistic and cultural sphere, in the wake of the classical studies by Norbert Elias, Amedeo Quondam or Carlo Ossola. TABLE OF CONTENTS Introduction: Ars Habsburgica, or New Perspectives on Sixteenth-Century European Art Fernando Checa and Miguel ngel Zalama Habsburg Politics and Cultures in the Sixteenth Century: the Cosmopolitan Iberian Experience of Empires and Kingdoms Fernando Bouza A Theory of Art for the Habsburg Renaissance Fernando Checa Rethinking Vasari: Art and Arts in the Sixteenth Century Miguel ngel Zalama The Antithesis between the Vasarian Canon and the Habsburg Model of the Arts: Defining National Identity in the Italian Risorgimento Matteo Mancini Luxury and Identity in the Sixteenth-Century Habsburg Courts Jes s F. Pascual Molina Food as a Strategy of Power: the Political Role of Banquets in Prince Philips's Felic simo Viaje (1548-1551) Vanessa Quintanar Cabello His Polis: The Habsburg Naval Epic in the Mediterranean V ctor M nguez Habsburg Mars: The House of Austria and the Artistic Representation of Land Warfare Antonio Gozalbo Nadal Sixteenth-Century Notions on Spolia and Triumph Representation Antonio Urqu zar-Herrera The Armamentarium Heroicum of Archduke Ferdinand of Tyrol Christian Beaufort-Spontin The Habsburgs and Emblematic Literature: a Historiographical Assessment Patricia Andr s Gonz lez Books and Libraries in the Construction of the Habsburg Dynasty's Image during the Sixteenth Century Jos Luis Gonzalo S nchez-Molero Epic and Truth: Writing for the Habsburgs in Sixteenth-Century Spain Mar a Jos Vega Philip II as Rex Pacificus: Belligerence and Pacifism in Epic Versions of the Battle of Saint-Quentin (1557) Lara Vil Notes on the Contributors Index of Names‎

Referenz des Buchhändlers : 63354

‎Anne-Sophie Pell‎

‎Aemulatio Italorum. La r ception culturelle des gravures de Mantegna dans l?art germanique au temps d?Albrecht D rer‎

‎, Brepols, 2023 Paperback, 336 pages, Size:210 x 270 mm, Illustrations:0 b/w, 151 col., Language: French. ISBN 9782503604985.‎

‎Summary la Renaissance, si le medium de la gravure permet d sormais aux artistes de rivaliser entre eux distance, d s la fin du xve si cle, la diffusion des mod les grav s par l'atelier du prestigieux peintre de cour des marquis de Mantoue, Andrea Mantegna, a suscit sur le territoire germanique une v ritable mulation d'ordre culturelle, dans laquelle la question du rapport l'identit occupe une place fondamentale. D s lors, dans les images, deux paradigmes se dessinent : d'une part le Welsch, qui d signe ce qui est romain, de style l'antique, et, plus g n ralement, italien ; d'autre part le Deutsch, qui renvoie une tradition artistique et aux coutumes typiquement germaniques. Inscrite dans la probl matique des transferts culturels, cette tude analyse, dans une approche r solument pluridisciplinaire, les diff rentes transformations iconographiques, formelles et stylistiques dont les motifs emprunt s aux estampes de Mantegna ont fait l'objet ainsi que l'appareil rh torique qui accompagne ces transformations pour mieux leur donner du sens (comparaison, parodie, dissimulation, etc.). De D rer Peter Vischer le Jeune Nuremberg, de l'atelier de Daniel Hopfer celui de J rg Breu l'Ancien Augsbourg, d'Hans Baldung Grien Matthias Gr newald dans la r gion rh nane et en Alsace, d'Urs Graf Hans Holbein le Jeune B le, de l'atelier d'Altdorfer implant Ratisbonne celui de Wolf Huber, situ Passau : tous les centres artistiques et humanistes de la Renaissance germanique sont abord s. TABLE OF CONTENTS Introduction I. Des milieux de cour en interaction I.1. Ambition politique et pr jug s culturels I.2. Mobilit s artistiques et transferts des savoirs II. Une strat gie du secret III. Des gravures en dialogue avec la culture humaniste III.1. De l'h ritage de Vittorino da Feltre au De pictura d'Alberti III.2. Dans le sillage d'Hom re, de Virgile et de Politien IV. Mantegna dans les collections d'estampes germaniques IV.1. Les marchands germaniques, entre Venise et l'Empire IV.2. Les humanistes IV.3. Les mod les grav s dans les ateliers d'artistes. V. Un id al hybride V.1. Peindre, dessiner, crire V.2. Le Deutsch et le Welsch: une construction germanique V.3. Germania vetus, Germania nova : le primitif et le civilis V.4. L'hybridit en crise chez Peter Fl tner VI. La r flexion anthropologique d'Albrecht D rer VI.1. L'exp rience philosophique de la fronti re VI.2. Woster serfitor, Alberto D rer VI.3. Comparatio. La Nurembergeoise et la V nitienne VI.4. L' ambiguitas du Welsch VII. D rer versus Mantegna : le topos germanique de la comp tition artistique VII.1. Un exercice de traduction VII.2. La r miniscence d'Apelle VII.3. Une comp tition pour la post rit VIII. mulation et nouvel art de peindre VIII.1. Les gravures religieuses de Mantegna et la diffusion des principes d'Alberti VIII.2. Compl ter le manifeste : la Mise au tombeau conserv e Klosterneuburg VIII.3. Un nouveau Mantegna : la Descente de croix de Hans Mielich VIII.4. Les mod les mant gnesques et la construction perspective dans l'art germanique VIII.5. La g n se d'Adam : D rer, Peter Vischer le Jeune et le Bacchus de Mantegna IX. De la transgression la d mesure: l' mulation jusqu' l'exc s IX.1. Le raccourci comme exp rience formelle et spirituelle chez Altdorfer IX.2. Motus animi : les effets dramatiques extr mes IX.3. Au-del de toute mesure: l'invention du corps extr me X. Explorer les confins de l' me : les gravures mythologiques de Mantegna et le th me de l'imagination X.1. Le Combat des dieux marins, les Bacchanales et la probl matique du fingere X.2. Le th me du songe dans La Bacchanale la cuve X.3. Mantegna affabulateur: le principe de l'illusion perceptive XI. La r ception des estampes mythologiques de Mantegna et la diffusion du N oplatonisme Nuremberg XI.1. Transf rer la lyre d'Apollon au nord des Alpes : le cercle humaniste de la Poetenschule XI.2. La gravure du Monstre marin d'Albrecht D rer : une illustration de la th orie de la vacance de l' me ? XI.3. Techn phantastik : D rer et l'approche sophistique de l'imitation XI.4. Phantasia furens : d bordement po tique et enfer imaginal XII. Pour une r ception iconoclaste des estampes mythologiques de Mantegna XII.1. Mutiler XII.2. Dissimuler XII.3. Renverser Bibliographie Textes sources Litt rature secondaire Index des noms propres‎

Referenz des Buchhändlers : 64326

‎Thomas Schilp, Arnoud-Jan Bijsterveld (ed), Meta Niederkorn-Bruck (ed), Annemarie Stauffer (ed)‎

‎Stadtgesellschaft und Memoria. Die Ausrichtung auf das Jenseits und ihre sozialen Implikationen‎

‎, Brepols, 2023 Hardback, 402 pages, Size:178 x 254 mm, Illustrations:10 b/w, 51 col., Language: German. ISBN 9782503599939.‎

‎Summary Die Besch ftigung mit der Memoria, dem mittelalterlichen Totengedenken, zieht sich leitmotivisch durch die Forschungst tigkeit von Thomas Schilp 19. Oktober 1953 - 28. September 2019). Angeregt durch die Arbeiten von Otto Gerhard Oexle zur mittelalterlichen Erinnerungskultur erschloss er mit seiner ihn auszeichnenden Sorgfalt im historischen Sehen und Denken sowie in der pr zisen und gleichzeitig interdisziplin ren Analyse der uellen immer weitere Dimensionen dieses alle sozialen Schichten und alle Bereiche des t glichen Lebens umfassenden Ph nomens. Dabei war f r ihn von zentraler Bedeutung - wie auch in diesem Band - die Art und Weise, wie die Konstituierung unterschiedlichster gesellschaftlicher Gruppen zur Gew hrleistung des Totengedenkens erfolgte. Seine Forschungen verdeutlichen auf verschiedenen, sich durchdringenden Ebenen eine von heutigen Denkformen unterschiedene Auffassung gesellschaftlichen Lebens. Dabei r cken die neue Leseart von Bildern, die Interpretation von T nen und Kl ngen (wie beispielsweise Schlag und Gel ute von Glocken) als akustische Zeichen sowie ephemere Erscheinungen wie etwa die mittelalterlichen Lichtinszenierungen in Kirchen immer st rker in den Blickpunkt seiner Ausf hrungen. Thomas Schilps fr her Tod erm glichte es ihm nicht mehr, die begonnene umfassende Monographie zum Thema Stadt und Memoria fertig zu stellen. Dieser Band vereint eine Auswahl von Aufs tzen, welche die Dimensionen seiner intensiven Besch ftigung mit Formen mittelalterlichen Denkens und Handelns reflektieren. TABLE OF CONTENTS Vorwort der Herausgeber In Memoriam Thomas Schilp Wilfried Reininghaus Teil 1 Memoria und Stadt Tod und Jenseitsvorsorge in der sp tmittelalterlichen Stadt Met groter broderlicher und truwelicher eindracht - berlegungen zur politischen Stadtkultur des Dortmunder Mittelalters ...in honore sancti Georgii... Burgkirche und Burgmannschaft: Erinnerungskultur der Reichsburg Friedberg im Mittelalter Jenseitsvorsorge in St dten der Grafschaft Mark Teil 2 Memoria und Stadtgesellschaft Stadtkultur im sp tmittelalterlichen Dortmund. Der Berswordt-Altar im Kontext sp tmittelalterlicher Denk- und Handlungsformen Sakrale Topographie im mittelalterlichen Dortmund Kirchenbau und -ausstattung als politisches Programm. Zur Reichssymbolik im Hochchor der Dortmunder Reinoldikirche (um 1450) Seelenheil und Stadtkultur. Das Dortmunder Predigerkloster in der sp tmittelalterlichen Stadt Zunft und Memoria. berlegungen zur Selbstdeutung von Z nften im mittelalterlichen Westfalen Spielleute, Orgel, Scholarench re: Dortmunder Musikleben im Mittelalter. Zugleich ein Beitrag zur Bedeutung der Musik f r die Memoria in der mittelalterlichen Stadt Teil 3 Rauminszenierung Memoria in der Dunkelheit der Nacht: Lichtinszenierung mittelalterlicher Kirchen zum Totengedenken Pfarrkirchen und Herrschaftsausbau. Zur Funktion von Pfarrkirchen des Frauenstifts Essen im 13. Jahrhundert 11. August 1899: Kaiser Wilhelm II. in Dortmund Reichsst dtische Vergangenheit in der Erinnerung der industriellen Gro stadt Werkverzeichnis Thomas Schilp Bibliographie‎

Referenz des Buchhändlers : 64440

‎Marjorie Trusted‎

‎Baroque Sculpture in Germany and Central Europe (1600-1770)‎

‎, Brepols, 2022 Hardback, 288 pages, Size:225 x 300 mm, Illustrations:3 b/w, 150 col., Language: English. ISBN 9781909400955.‎

‎Summary Around 1600, a new style of sculpture started to evolve and flourish in Central Europe and in the German-speaking lands. Dramatic wood and stone figures peopled the palaces, gardens and churches of Munich, Berlin, Dresden, D sseldorf, Vienna and Prague. These great works of art are little known outside Germany and Austria, partly because their colour and vivacity are so astoundingly different from the sculpture that was being produced in Italy, France and elsewhere in Northern Europe at that time. They are overpowering, and amongst the greatest works of art produced in Europe in the seventeenth century. This groundbreaking book explores their history and conveys their visual power. TABLE OF CONTENTS List of Illustrations Introduction CHAPTER ONE Sculpture in South Germany 1600-40: Antecedents and International Currents CHAPTER TWO Small-Scale Sculpture and Patronage in Berlin and Vienna: 1630-1700 CHAPTER THREE The Court of Saxony in the Late Sixteenth and Early Seventeenth Centuries CHAPTER FOUR Munich and Bavaria in the Late Seventeenth and First Half of the Eighteenth Century CHAPTER FIVE The Mid-Eighteenth Century in Bavaria CHAPTER SIX Sculpture in Prague c. 1650-1750 CHAPTER SEVEN Sculpture in Vienna, Gurk, W rzburg and Trier. Ceramics. Appendix I: Biographical List of Artists Appendix II: List of Rulers and Patrons Bibliography Index‎

Referenz des Buchhändlers : 64561

‎Katherine M. Boivin, Gregory C. Bryda (eds)‎

‎Riemenschneider in Situ.‎

‎, Brepols - Harvey Miller, 2022 Hardback, 416 pages, Size:225 x 300 mm, Illustrations:33 b/w, 222 col., 1 maps b/w, Language: English. *NEW ISBN 9781912554454.‎

‎Summary Riemenschneider in Situ presents the newest research on the work of one of the most famous late medieval and early Renaissance sculptors, Tilman Riemenschneider. Moving beyond questions of style, date, and workshop practice, this volume investigates the sculptor's programs across the south German region of Franconia that survive in situ, within the particular contexts for which they were designed and in which they were originally experienced. In shifting the focus from fragmentary pieces in museum collections to extant installations in their original church settings, the volume contributes to a wave of scholarship interested in reanimating medieval artistic ensembles by considering them as complex visual environments. Together, the authors?conservators, museum professionals, and art historians?provide an essential and overdue study of Riemenschneider's best-preserved pieces, while also making an important, collaborative addition to the broader discipline of pre-modern art history. TABLE OF CONTENTS Karin and Eike Oellermann, Hartmut Krohm, 1940-2018 Julien Chapuis, Seeing and Exhibiting Riemenschneider Katherine M. Boivin and Gregory C. Bryda, Introduction PART 1: PLACE AND PLACEMENT Chapter 1: Jeffrey Chipps Smith , The Historiography of Place in Early Riemenschneider Scholarship Chapter 2: Katherine M. Boivin, The Topography of a Style Chapter 3: Volker Schaible, The Marian Retable by Tilman Riemenschneider in the Church of Our Lord in Creglingen: Results of a Technical Investigation Chapter 4: Matthias Weniger, Riemenschneider's Altarpieces from the Perspective of a Museum Collection PART 2: DYNAMIC ENVIRONMENTS Chapter 5: Johannes Tripps, Space, Light, and Liturgical Plays as a Source of Inspiration for Riemenschneider's Altarpieces Chapter 6: Thierry Greub, Placement and Replacement: Tilman Riemenschneider's Holy Blood Altarpiece in Rothenburg ob der Tauber and its Function in Liturgical Context Chapter 7: Mitchell B. Merback, Immanence and Intercession: Rooted Sanctity and the Creglingen Marienaltar Chapter 8: Tim Juckes, The Creglingen Altarpiece and its Multimedia Environment: Metamorphoses of a Furnishing Ensemble in Sacred Space ca. 1460-1510 PART 3: SURFACE AND COMPOSITION Chapter 9: Hartmut Krohm, Folding Textures and Rhetoric: Observations on the Manipulation of Light as an Artistic Factor in the Work of Riemenschneider and his Contemporaries Chapter 10: Ruth Ezra, Seeing Stoss in Riemenschneider's Resurrection Chapter 11: Georg Habenicht, Riemenschneider Uncolored Chapter 12: Michele Marincola and Anna Serotta, Riemenschneider's Assumption Altarpiece in the Church of Our Lord, Creglingen: A Review of its Restoration History and the Application of a New Examination Method Chapter 13: Assaf Pinkus, Compilatio at the Portal: The Last Judgment of Bern Minster Afterword: Oliver Gussmann, Riemenschneider's Holy Blood Altarpiece in its Present Ecclesiastical and Touristic Contexts in the Church of St. James in Rothenburg ob der Tauber Bibliography‎

Referenz des Buchhändlers : 64769

‎Paulus Niavis, Johannes Honorius Cubitensis, Gregorius Gelenius, V clav P seck , Johannes Dubravius, Marta Vaculinov (ed), Ondrej Podavka (ed), Borek Neskudla (ed), Lucie Storchov (ed), Magda Kr lov (ed), Marcela Slav kov (ed)‎

‎Bohemian Editors and Translators at the Turn of the 16th Century‎

‎, Brepols, 2022 Hardback, 492 pages, Size:156 x 234 mm, Illustrations:1 b/w, 21 col., Language(s):English, Latin. ISBN 9782503598598.‎

‎Summary The volume with a joint introductory chapter is in the first part devoted to Humanists publishing in the circle of the university of Leipzig at the turn of the 15th century: Paulus Niavis / Schneevogel (ca. 1453-1517) and Ioannes Honorius Cubitensis (ca. 1465-1504). The second part includes the translation work of ?eho? Hrub of Jelen (ca. 1460-1514), mostly preserved in manuscript, the first translation from Ancient Greek into Czech by V clav P seck (ca. 1482-1511), and a remarkable edition of Martianus Capella's work De nuptiis Philologiae et Mercurii prepared by Ioannes Dubravius (ca. 1486-1553). The volume covers a relatively short period beginning in 1488, when the editions of Niavis and Honorius are first documented in Leipzig, and ending with 1516, when Dubravius's edition of Martianus Capella was published in Vienna. TABLE OF CONTENTS I. Introduction and Acknowledgements II. The Treatment of Ancient Texts in the Czech Lands around 1500: Editions, Commentaries and Translations (by Lucie Storchov ) III. Edited part Paulus Niavis (c. 1453-1517), ed. Marta Vacul nov Biography, Editorial Note, and Editions 1. Basilius Magnus: De legendis antiquorum libris. Trad. Leonardus Brunus Aretinus [1490-1494] 2. Cicero, Marcus Tullius I. In Catilinam Oratio I. [c. 1495] II. Pro Marcello oratio [c. 1495] 3. Lucianus Samosatensis: Charon. Trad. Rinucius Aretinus [c. 1488, c. 1494] 4. Lucianus Samosatensis: Quomodo nudus per Acherontem transvehi potest Pseudo-Petrarca: Recommendatio heremi. Trad. Johannes Aurispa [c. 1492, c. 1492-1493] 5. Montemagno, Buonaccorso da: De nobilitate [c. 1488-1489] 6. Pseudo-Plato: Amatores, sive De philosophia. Trad. Marsilius Ficinus [c. 1488-1489] 7. Plato: Epistolae. [Trad. Marsilius Ficinus] [c. 1490] 8. Vegius, Mapheus: Philalethes [c. 1489] Johannes Honorius Cubitensis (c. 1465-1504): Biography, Editorial Note and Editions (by Marcela Slav kov ) Basilius Magnus: De legendis libris gentilium. Trad. Leonardus Brunus Aretinus [c. 1503] Brunus Aretinus, Leonardus: Epistolarum familiarium libri IX [after 27 October 1499] Cicero, Marcus Tullius 1. Cato maior de senectute [1493] 2. Cicero, Marcus Tullius: Laelius de amicitia [1493] (dubia) Griffolinus Aretinus, Franciscus: Epistole Phalaridis [1498] Hesiodus: Opera et dies. Trad. Nicolaus de Valle [1499] Horatius Flaccus, Quintus 1. Horatius Flaccus, Quintus: Carmina [c. 1492] 2. Horatius Flaccus, Quintus: Epistolae [1498] 3. Horatius Flaccus, Quintus: Liber epodon [1492] 4. Horatius Flaccus, Quintus: Sermones [c. 1492/96] Maius, Johannes: De componendis versibus hexametro et pentametro [after 18 August 1488] Mancinellus, Antonius: Versilogus [1493] Mancinus, Dominicus: De quattuor virtutibus [after 30 June 1488] Mantuanus, Baptista 1. Mantuanus, Baptista: Contra poetas impudice loquentes [1499] 2. Mantuanus, Baptista: De calamitatibus temporum [1502] Martialis, Marcus Valerius: Xenia et Apophoreta [1488] Mombritius, Boninus: De dominica passione [1499] Persius Flaccus, Aulus: Satyrae [c. 1492-1495] Prudentius Clemens, Aurelius: Dittochaion [1499] Valerius Maximus: Honorius Cubitensis, Johannes: Epitomata super novem libros Valerii Maximi de dictis factisque memorabilibus [1503] Vegius, Maphaeus: Vita divi Antonii [1492] Vergilius Maro, Publius: Georgica [1498] (dubia) Announcements of lectures by Johannes Honorius Cubitensis 1. Honorius Cubitensis, Johannes: Announcements of lectures on Horatius [c. 1492-1500] 2. Honorius Cubitensis, Johannes: Announcement of lectures on poetry, on the Thebais of Statius and Heroides of Ovidius, and on Alexander de Villa Dei [c. 1494] 3. Honorius Cubitensis, Johannes: Announcement of lectures on Valerius Maximus and on the art of poetry [c. 1492-1495] Poems by Honorius not included in his editions, doubtful editions and handwritten records of Honorius's didactic efforts 1. Calpurnius Siculus, Titus: Bucolicum carmen [c. 1490]: Joannes Cubitensis Ad amatores Virgilianos [1492]; Ad Priscum; a Lecture on the Bucolic Genre 2. Lupinus, Mattheus: Carmina; Quaestio de poetis [1500]: Johannis Honorii Cubitensis Carmen laudatorium 3. Missale Misnense [1495]: Joannis Cubitensis Epigramma 4. Missale Pragense [1498]: Joannis Cubitensis Epigramma 5. Theologische Sammelhandschrift: Magister Joannes Cubitensis Ad Priscum and Monostichs on important authors, Universit tsbibliothek M nchen, 0001/4 Cod.ms.126, pp. 90b-91b ?eho? Hrub z Jelen (Gregorius Gelenius, c. 1460-1514) V clav P seck (c. 1482-1511), Biography and Editorial Note, Editions, and Translations into the Czech language (by Bo?ek Ne?kudla) 1. Agapetos Diaconus: De officio regis ad Iustinianum Caesarem, Scheda regia / Napomenut c sa?i Justini novi (1513) 2. Basilius Magnus: De invidia / O z visti (1513) 3. Campano, Giannantonio: De regendo magistratu / Jana Anton na Campansk ho kniehy o tom, kterak m zpravov n b ti ?ad (1513) 4. Cicero, Marcus Tullius I. Laelius de amicitia / Knihy o p? telstv (1513) II. Paradoxa stoicorum / Kusov hodn podiven (1513) 5. Erasmus Rotterodamus I. Adagia (selection) (1513) II. Encomium moriae / Chv la bl znovstv (1513) 6. Ficino, Marsilio: Epistolae 1. De officiis. Marsilius Ficinus Cherubino Quarqualio. 2. Veritas de institutione principis ad Raphaelem Riarium cardinalem / O tom, co maj v?elijac lid ?initi (cca 1501-1506) 7. Gregorius Magnus: Homiliae super Ezechielem / ?e? svat ho ?eho?e na slova Ezechiele proroka (1513) 8. (Pseudo-) Isokrates: Ad Demonicum, ???? ????????? / ?e? k D monikovi (c. 1510) 9. Joannes Chrysostomus: De reparatione lapsi / Knihy svat ho Jana Zlato steho o napraven padl ho (1497) 10. Pontano, Giovanni Gioviano I. De fortitudine / O state?nosti (1511) II. De principe / O kr li (1513) III. Charon (1513) IV. De oboedientia / O poslu?enstv (1513) V. De beneficentia / Kniehy o dobro?innosti nebo o ?inien dobrodien (1513) 11. Petrarca, Francesco I. De remediis utriusque fortunae / Kniehy dvoje o l ka?stv proti ?t?st a ne?t?st (1501) II. Epistolae sine titulo / Listy bez titulu (1513) 12. Valla, Lorenzo De falso credita et ementita Constantini Donatione / O nepr v? uv??en m a smy?len m Konstantinovu pape?i nad n (1513) 13. Vitae patrum Vitae patrum 1 / ?ivoty svat ch otc?, kte? ob vali na pou?ti (1516) Vitae patrum 2 / Knihy druh o ?ivotech otc? svat ch (1516) 14. The preface by ?eho? Hrub of Jelen to his Large Collection of Translations (1513) Johannes Dubravius (c. 1486-1553), Biography, Editorial Note, Editions, and List of frequently mentioned classical authors (by Lucie Storchov , Ond?ej Podavka, Magda Kr lov ) Martianus Capella: De nuptiis Mercurii et Philologiae. Commented edition (1516) Liber primus Notes to Liber primus Liber secundus Notes to Liber secundus IV. List of Abbreviations V. Selected Bibliography VI. Index of Persons and Places VII. Plates‎

Referenz des Buchhändlers : 65053

‎R.L.M. Morris‎

‎Court Festivals of the Holy Roman Empire, 1555-1619. Performing German Identity‎

‎, Brepols, 2020 Hardback, 267 pages, Size:178 x 254 mm, Illustrations:13 b/w, 4 col., Language: English. *NEW ISBN 9782503583297.‎

‎Summary This study represents a new approach to the analysis of early modern court festivals, setting the question of identity at its heart. It explores identity as it was portrayed, constructed, and upheld through court festivals within the Holy Roman Empire of the German Nation in the period between the Peace of Augsburg in 1555 and the coronation of Friedrich V, Elector Palatine, as King of Bohemia in 1619. Structured thematically, this detailed analysis touches on core themes of early modern European history including state formation, princely courts, gender, religion, science and the natural world, and cultural encounters. In doing so, it draws on, and speaks to, scholarly literature not only from different historical sub-disciplines but also from sociology and anthropology. Ultimately, Morris argues that these court festivals provided a flexible, albeit contested, rhetoric of identity, grounded in the performance of humanist virtue. Through the performed, material, and literary rhetoric of court festivals, the concept of nobility through virtue was reworked, refined, and given a new vocabulary within the German context. This was inextricably linked with politics in light of the reforms made to the Holy Roman Empire at the end of the fifteenth century, the confessional divisions of the sixteenth century, and the mounting tensions of the early seventeenth century which were to culminate in the Thirty Years War. TABLE OF CONTENTS Preface List of Illustrations Introduction: Festivals and Identity in the Late-Sixteenth and Early-Seventeenth Century Holy Roman Empire of the German Nation Chapter I: Lineage, Legitimacy, and History Chapter II: Mortality, Masculinity, Femininity, and Mutability Chapter III: Nature and the German Land Chapter IV: Religion, Piety, and Confessional Difference Chapter V: Festival Encounters and the Shifting Borders of German Identity Conclusion: Virtue, Identity, and the Politics of Access to Festival Bibliography Index‎

Referenz des Buchhändlers : 65562

‎Franco Morenzoni‎

‎Sur les routes des Alpes. Religieux, marchands et animaux dans la Suisse occidentale (xiiie-xve si cles)‎

‎, Brepols, 2019 Hardback, 476 pages, Size:156 x 234 mm, Illustrations:2 b/w, 5 col., Languages: French, Italian. ISBN 9782503584737.‎

‎Summary l'occasion du d part la retraite du Professeur Franco Morenzoni (Universit de Gen ve), le pr sent ouvrage r unit un certain nombre de ses travaux les plus marquants consacr s l'actuelle Suisse occidentale au Moyen ge. Ce recueil d'articles, divis en quatre parties th matiques - chacune pr fac e par des sp cialistes et d'anciens coll gues - vise rendre compte de la richesse de recherches men es sur plus de vingt-cinq ans, dans l'histoire conomique et sociale aussi bien que dans l'histoire religieuse. Ces domaines, a priori bien distincts, constituent diff rents points d'entr e qui d voilent un m me int r t pour l'homme m di val dans ses interactions avec le monde qui l'entoure. Pionniers par bien des aspects, les travaux de Franco Morenzoni ont renouvel l'histoire de la Savoie et des Alpes aux derniers si cles du Moyen ge: ce recueil en est le t moignage. TABLE OF CONTENTS Publications de Franco Morenzoni Premi re partie - Cur s et pr dicateurs Nicole B riou, Introduction vangelisation et organisation eccl siastique de la Suisse romande des origines au d but du XIVe si cle L'encadrement et l'instruction religieuse des fid les d'apr s les statuts synodaux des dioc ses de Gen ve et de Sion (XIIIe-XVe siecles) La L gende dor e d'un cur du XVe si cle du dioc se de Gen ve Vincent Ferrier et la pr dication mendiante Gen ve au XVe si cle Deuxi me partie - changes et milieux naturels Fran ois Walter, Introduction Voyages et d placements depuis le Valais la fin du Moyen ge Contribution l'histoire des prix des c r ales et des f ves en Valais la fin du Moyen ge d'apr s les comptes de ch tellenie (vers 1270-1450) Note sur la pr sence de l'ours en Valais et dans le Chablais vaudois la fin du Moyen ge La capture et le commerce des faucons dans les Alpes occidentales au XIVe si cle L'achat et la vente de chevaux d'apr s les registres des notaires fribourgeois de la fin du Moyen ge Troisi me partie - Les routes alpines du commerce europ en Guido Castelnuovo, Introduction La via del Vallese e il commercio internazionale e regionale alla fine del Medioevo Le mouvement commercial au p age de Saint-Maurice d'Agaune la fin du Moyen ge (1281-1450) Les produits sid rurgiques dans les comptes de p age de Saint-Maurice d'Agaune et de Villeneuve-Chillon (XIVe-XVe si cles) Les march s et les foires de Sion et de Saint-Maurice d'Agaune la fin du Moyen ge (XIIIe-XVe si cle) Quatri me partie - Politiques mon taires et pr teurs d'argent Pierre Dubuis, Introduction Monnaies r elles et monnaies de compte dans le Valais savoyard et piscopal (fin XIIIe-d but XVe s.) Quelques pr cisions propos de l'atelier mon taire de Saint-Maurice d'Agaune vers le milieu du XIVe si cle Le duc Am d e VIII de Savoie et sa monnaie (vers 1420 - vers 1434) Les pr teurs d'argent et leurs clients dans le Valais savoyard la veille de la Peste Noire L'inventaire apr s d c s de Bacinodus Tracho, Lombard de Sion (17 janvier 1376) Le r seau des casanes lombardes dans l'espace comtois et la Suisse occidentale (XIIIe-XIVe si cles)‎

Referenz des Buchhändlers : 65964

‎Dana Eichhorst‎

‎Kabbalah from Medieval Ashkenaz and Renaissance Christian Theology Eleazar of Worms (c. 1165c. 1238) and Egidio da Viterbo (c. 1469- 1532)‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 223 pages, Size:156 x 234 mm, Language(s):English. ISBN 9782503618449.‎

‎summary The preoccupation of Christian theologians and scholars with the Hebrew language and sources at the dawn of the sixteenth century resulted in the transfer of a vast corpus of medieval Hebrew texts into Christian intellectual discourse and networks. These Hebrew sources were meticulously collected, copied, translated, and subjected to rigorous study. These collections include texts that originate from medieval Ashkenaz, the majority of which can be attributed to Eleazar ben Yehuda of Worms (c. 1165?c. 1238). Rabbi Eleazar was a prominent Jewish scholar of his time and a member of one of the most prestigious families in Jewish communities of the German Rhineland and Palatinate. However, the history of medieval Ashkenazic writings has been neglected in scholarship, which has favoured other Jewish (primarily Sephardic) sources in tracing the influence of medieval Jewish mysticism on Christian theology and Kabbalah. This book takes the hitherto disregarded Ashkenazi Hebrew sources as its point of departure. It focuses on the work of Eleazar as a main representative of the ?aside Ashkenaz, and on his magnum opus Sode Razayya, which discusses all matter of the divine and the mundane sphere. The book explores how Eleazar?s work was a potentially interesting source for a Renaissance Christian Kabbalist like Egidio (Giles) da Viterbo. Kabbalah from Ashkenaz is distinguished by its emphasis on the Hebrew letters and language, along with the divine word and divine speech (dibur). This central motif of the Ashkenazi sources found resonance with certain Christian theologians and Kabbalists in the context of Christian logos theology, which is similarly anchored in the divine word (verbum). This book thus challenges scholarly traditions about ?Jewish mysticism? and the sources of humanist Hebraism. It demonstrates how Christian Kabbalah enables a new perspective on Ashkenazi sources, and equally how Ashkenazi sources help to illuminate Renaissance Christian theology. TABLE OF CONTENTS Introduction The Sources Perspectives on Kabbalah Kabbalah from Ashkenaz and Early Christian Kabbalah The Complexities of a Para-Disciplinary Approach Chapter 1. The Medieval ?asidic Masters: Construction of a Myth Historical Background: Jewish Communities in Medieval Germany The ?aside Ashkenaz Sefer ?asidim ? The Book of the Pious ?aside Ashkenaz and the Secrets of Wisdom The Foundation Legend ? Construction of Ancestry The History of the Kalonymides Between Narrativity and Historicity King Charles in Lucca and Narbonne Abu Ahron?s Secrets ? from Babylonia to Ashkenaz Summary Chapter 2. Kabbalah from Ashkenaz Eleazar of Worms and the Secrets of the Secrets Content of Sode Razayya The Transmission of Divine Knowledge Unlocking the Divine Secrets Compendium to Sode Razayya Summary Chapter 3. Challenging Definitions of Kabbalah The Beginnings of Modern Kabbalah Research Reflections on Esoteric Thought and Practice Western Esotericism, Magic, and Kabbalah Outlines of Christian Kabbalah Construction of a Myth of Perennial Wisdom No Origins but Beginnings of Kabbalah Summary Chapter 4. Magical Twists of the Creational Myth Logos, Sophia, and Creation The Language of Paradise: Lingua Adamica Lingua Adamica and the Jewish Golem Tradition Summary Chapter 5. Early Christian Kabbalah, Hebraism, and Egidio da Viterbo Christian Hebraism Intellectual Exchange between Christian Hebraists and Kabbalists Egidio da Viterbo (1469?1532): Biography and Hebraic Studies Egidio?s Literary Work Access to Jewish Sources Christian Perspectives on Kabbalah Egidio?s Approach to Kabbalah Summary Chapter 6. On the Meaning of the Word: Egidio da Viterbo and Eleazar of Worms Kabbalah and Pious Philosophy Verbum and Dibur Egidio?s Curriculum of Jewish Sources The Raziel Complex Sefer ha-Temunah and its Connection to Sefer Raziel Sode Razayya and the Raziel-Tradition Salvation through Scientia Semot Conclusion Bibliography Index of Names‎

Referenz des Buchhändlers : 67757

‎Jeffrey F. Hamburger, Beatrice Kitzinger, Joshua O?Driscoll (eds)‎

‎Power, Patronage, and Production. Book Arts from Central Europe (ca. 800-1500) in American Collections‎

‎, Brepols, 2026 Hardback, Pages: xxvi + 378, Size:152 x 229 mm, Illustrations:232 col., Language: English. ISBN 9780888442420.‎

‎Summary The arts of the book from central Europe often provide a mirror both for imperial aspirations as well as for the complex pluralities of societies on the ground. The essays in this collection explore material written in Czech, German, Hebrew, and Latin, made for both religious and non-religious contexts in the ninth, twelfth, and fifteenth centuries, highlighting the range and depth of the Central European corpus as well as how integral such material has been to the formation of medieval holdings in America. TABLE OF CONTENTS List of Figures Contributors Jeffrey F. Hamburger, Beatrice Kitzinger, and Joshua O'Driscoll Central European Illuminated Manuscripts and Early Printed Books in American Collections: An Introduction Patronage Lenses 1 Heidi C. Gearhart Anonymity Rules? An Unknown Abbot in the Martyrology and Rule of Gladbach (Morgan Library and Museum, MS M.563) 2 Shirin Fozi The Helmarshausen Psalter in Baltimore: Thinking Beyond Henry the Lion 3 Andrea Worm Devotion and Reflection in the Claricia Psalter (Baltimore, Walters Art Museum, W.26) Interregional Networks, Intellectual Networks 4 Arthur Westwell The Local Lives of a Liturgical Manuscript: St-Amand and Chelles in the History of the Franco-Saxon Sacramentary in The Morgan Library and Museum 5 Francesca Pistone Astronomy, Book Painting, and the Intellectual Network between Lake Constance and the Loire 6 Martin Roland Illuminated Charters in Public Space: A Case Study and Perspectives 7 Marina Bernasconi Reusser From Engelberg, Switzerland to Conception, Missouri: Fragments as Vehicles of History and Culture Vernacular Experiments 8 Nina Rowe Nero's Pregnancy and the Body Politic in Late Medieval Regensburg 9 Anna Boreczky King Apollonius of Tyre in Augsburg and Ulm: Early Modern Illustrations of a Late Antique Tale and the Use of Reused Images 10 Laura Ackerman Smoller The Illustrated Book as Textual Commentary: Sebastian Brant's Edition of the Revelations of Pseudo-Methodius Spotlight I. The Prayer Book of George of Pod?brady 11 Jan Dienstbier The Prayer Book of George of Pod?brady and the Advent of the Late Gothic Style in Prague: Reevaluating "Valentin Noh" 12 Jessica L. Savage Queen of Hearts: Patronage and Personalization in the 1466 Prayer Book of George of Pod?brady Spotlight II.The Washington Giant Bible 13 John Jefferson The Fruit of Reform: How the Bursfelde Movement Yielded One of the Most Sumptuous German Bibles of the Fifteenth Century 14 Christoph Winterer The "Giant Bible" in Washington, DC: Perspectives from Art History and History of the Book Spotlight III. Central Europe as Ashkenaz 15 Adam S. Cohen And Sharon Liberman Mintz Hebrew Illuminated Manuscripts from Ashkenaz to America Notes Index of Manuscripts Index of Incunabula, Early Printed Books, Broadsides, and Single-Leaf Woodcuts General Index‎

Referenz des Buchhändlers : 70442

‎Jaroslav Miller‎

‎Parallel Polis. Cities in Central Europe as Imagined Communities, 1450-1800‎

‎, Brepols, 2026 Hardback, Pages: 172, Size:178 x 254 mm, Illustrations:3 tables b/w., Language: English. ISBN 9782503614397.‎

‎Summary An interdisciplinary book uniquely combining methods and concepts of history, sociology and literary science. The monograph explores the normative idea of a premodern city as it should be, namely as the ideal(ized) community, politically autonomous entity based upon republican values with its own mythology and also as a strictly symmetrical place being the distinctive feature of the rational human civilisation. Though expressed in numerous urban rituals, symbolical acts, public festivities and urban architecture, the normative concept of the city was above all embedded in written and printed sources. The book's findings are based upon a spectrum of narrative sources involving urban chronicles, political treatises, panegyrics, family memoirs, descriptions of cities, instructions summarizing principles of good governance, and also the literary genre of utopia. All of them referred to the normative image of a premodern urban community by highlighting the idealized and therefore largely imagined principles of urban republicanism. By covering the period 1450-1800, the monograph explores also the gradual collapse of idealized premodern communities and the rise of modern urban societies. Geographically, research has focused upon cities and towns in peripheries that have been traditionally ignored by the mainstream urban history. The largely "unknown urban Europe" comprises the Bohemian Lands, Polish-Lithuania and Hungary with significant overlaps to German Lands and Austria. TABLE OF CONTENTS Acknowledgements Gazetteer Chapter One. Introduction. A Premodern City as Imagined Community Chapter Two. Utopian Cities or Urban Utopias? Chapter Three. Idealizing a City and the Language of Community I Chapter Four. Idealizing a City and the Language of Community II Chapter Five. A Sociological View. From Burgher Communities to Urban Societies? Conclusion Bibliography Index‎

Referenz des Buchhändlers : 70470

‎Isabel Iribarren (ed)‎

‎Gerson rh nan. Itin raires culturels et circulation des textes dans l'Europe rh nane, XVe-XVIe si cles‎

‎, Brepols, 2025 Hardback, Pages: 656, Size:156 x 234 mm, Illustrations:4 b/w, 19 col., 48 tables b/w., 2 maps b/w, Languages: French, English. ISBN 9782503610757.‎

‎Summary Chancelier de l'Universit de Paris, Jean Gerson (1363-1429) est surtout connu comme th oricien de la th ologie mystique et par son action r formatrice au sein de l' glise pendant les ann es difficiles du Grand Schisme, o il joua un r le de premier plan. Or si la carri re universitaire et l'action politique de Gerson font de lui un intellectuel parisien, l' vidence de la transmission manuscrite et imprim e d signe sans quivoque le Rhin sup rieur comme la r gion o la diffusion des oeuvres du chancelier a t la plus foisonnante. Intervenant une chelle comparable la diffusion manuscrite des oeuvres de Thomas d'Aquin, le rayonnement de l'oeuvre de Gerson a ceci de spectaculaire qu'il d passe largement le milieu universitaire et qu'il se d ploie en moins d'un si cle. Le paradoxe reste pourtant intact de pourquoi l'Allemagne, et non la France, s'impose comme le lieu de rayonnement de l'oeuvre de Gerson dans des proportions aussi importantes quantitativement ? Pour r pondre cette question, l' tude de la r ception de l'oeuvre du chancelier ne peut pas faire l' conomie d'une r valuation de la tradition manuscrite et imprim e des 15e et 16e si cles partir des t moins pr serv s dans les biblioth ques du Rhin sup rieur. En privil giant le cas de Gerson comme point d'observation, ce volume se propose de renouveler les perspectives de l'histoire intellectuelle et culturelle dans le long 15e si cle en focalisant sur l'histoire des textes, les conditions et les circonstances de leur transmission, afin de dresser une cartographie des r seaux de communication dans la r gion rh nane dans les d cennies qui entourent l'invention de l'imprimerie. TABLE OF CONTENTS Isabel Iribarren, Introduction I. Modes de distribution de l'oeuvre de Gerson : la r gion rh nane et ses environs 1. Daniel Hobbins, The Rhineland Network of Gerson's Manuscripts 2. Monica Brinzei, Jean Gerson's Early Readers at the University of Vienna in the Time of Plague before Print 3. Viviane Griveau-Genest, Marges bourguignonnes : chambre d' cho de l'espace rh nan ? Quelques jalons II. Canaux de transmission et communaut s de lecteurs : maisons religieuses et collections des biblioth ques 4. Gilbert Fournier, Prol gom nes l' tude de la r ception de Jean Gerson la chartreuse d'Erfurt. La premi re liste bibliographique et la th ologie mystique 5. Ueli Zahnd, Gerson parmi les Dominicains. Les manuscrits gersoniens dans les couvents du Rhin sup rieur 6. Giacomo Signore, An unexpected copyist of Gersonian texts. Albert L ffler and the reception of Jean Gerson by Fifteenth-Century Basel Dominicans 7. Isabel Iribarren, Gerson et la nouvelle spiritualit r form e : la r ception rh nane du De laude scriptorum (1423) 8. Jonas Hermann, Racha Kirakosian and Meret W thrich, Gerson in Freiburg - Library Holdings and Reception Histories 9. Donatella Nebbiai, La diffusion de l'oeuvre de Jean Gerson dans les biblioth ques d'Alsace au XVe si cle travers le t moignage des manuscrits et des anciens inventaires III. Gerson dans l'histoire intellectuelle rh nane 10. Christophe Grellard, La place de Gerson dans le Consolatorium timoratae conscientiae de Jean Nider 11. Rudolf Sch ssler, Gerson and Epicurus 12. Maarten Hoenen, Jakob Wimpfeling, Jean Gerson, and Marsilius of Inghen. In Search of a Role Model for the Upper Rhine Region IV. La tradition imprim e 13. G. Matteo Roccati, La tradition imprim e de l'oeuvre de Gerson et le r le des incunables rh nans 14. B n dicte S re, Traditions ditoriales et enjeux eccl siologiques : les oeuvres compl tes de Gerson dans l'espace germanique 15. Isabelle Fabre and B n dicte S re, Gerson lu par Wimpheling. L'incunable de Haguenau XV-G-24‎

Referenz des Buchhändlers : 70657

‎Baedeker Karl‎

‎Les Bords du Rhin, la Forêt-noire, les Vosges. Manuel du Voyageur par Karl Baedeker. Dix-huitième édition revue et mise à jour.‎

‎Karl Baedeker éditeur Leipzig, 1910, in-12 pleine toile éditeur rouge. 63 cartes et 63 plans et croquis. XXII-404pp. Parfait état. Bien complet des cartes repliées.‎

Referenz des Buchhändlers : 16537