|
Marcel Simon
Verus israel. etude sur les relations entre chretiens et juifs dans l'empire romain 135-425
E. de boccard 1964. Bon état bonne tenue intérieur propre. in8. 1964. broché. 518 pages. E. de boccard unknown
Referenz des Buchhändlers : 100143060 ISBN : 270180003x 9782701800035
|
|
|
Marcel Simon
Verus Israel: Study of the Relations Between Christians and Jews in the Roman Empire AD 135-425
Paperback / softback. New. Marcel Simon's classic study examines Jewish-Christian relations in the Roman Empire from the second Jewish War 132-5 CE to the end of the Jewish Patriarchate in 425 CE. paperback
Referenz des Buchhändlers : A9781874774273 ISBN : 1874774277 9781874774273
|
|
|
Marcel Simon
Verus Israel: Etude sur les Relations Entre Chretiens et Juifs dans L'Empire Romain 135-425
Paris: E. de Boddard 1983. Paper Back. Very Good. Thick 8vo in plain printed wraps. We don't find this edition offered in wraps and it looks very much like an advance reading copy. Text in French. Very Good: binding tight and square despite its heft three corners very lightly bumped quite modest rubbing at the spine ends a very light crease along the gutter on the cover spine sunned but almost unnoticeably so. E. de Boddard unknown
Referenz des Buchhändlers : 222009 ISBN : 911088422X 9789110884229
|
|
|
Marcel Simon H McKeating
Verus Israel
Littman Library of Jewish Civilization The pp. 554 Index. Papeback. New. Littman Library of Jewish Civilization, The unknown
Referenz des Buchhändlers : 64326883 ISBN : 1874774277 9781874774273
|
|
|
Marcella Berger (Simon & Schuster).
TLS Marcella Berger to Herb Yellin July 2 1993. RE: Farenheit 451.
NY: Marcella Berger 1993. Typed Letter Signed on Simon & Schuster letterhead letter-sized VG.Provenance: Herb Yellin 1935-2014 was the highly respected publisher and founder of Lord John Press considered by many to be one of the most important small presses of the 20th century. NY: Marcella Berger, 1993. unknown
Referenz des Buchhändlers : 63-5578
|
|
|
March James G. & Herbert A. Simon with the collaboration of Harold Guetzkow
Organizations.
New York: John Wiley & Sons 1958. First edition of this classic in management science. Octavo original cloth. From the library of Nobel Prize-winning economist John Harsanyi with his signature on the front free endpaper . 'Outside the Carnegie group we should like to acknowledge especially our many hours of fruitful work and discussion with Robert A. Dahl on the subject of influence measurement and the help and guidance that John C. Harsanyi provided for our treatment of the relation between game theory and other theories of conflict' p. vi. 'Simon was attracted to the exciting intellectual environment emerging at the Carnegie Institute of Technology in Pittsburgh. After moving to Carnegie in 1949 Simon stayed there for more than five decades. At Carnegie Simon collaborated on work that established the field of organization theory. The founding work was a major study done with James G. March published as Organizations. The book continued the argument that decision makers are not able to act in an objectively rational manner; rather they are constrained by both cognitive and external limitations. So instead of assuming that each decision maker scans all possible alternatives and chooses the one that maximizes expected utility Simon argued that decision makers instead use 'satisficing' as a criterion for making decisions; they choose the first alternative that looks 'good enough.' March and Simon wrote in Organizations 'Most human decision making whether individual or organizational is concerned with the discovery and selection of satisfactory alternatives; only in exceptional cases is it concerned with the discovery and selection of optimal alternatives.' . . . One of Simon's insights was that the observed complexity of human behavior arose from simple and general underlying mechanisms that were applied to a complex task environment. Simon illustrated this with his famous metaphor of 'the ant on the beach.' The ant's goal is to reach some distant food. While the ant's path to the food seems very complex twisting and turning most of the apparent complexity is due to the grains of sand to be traversed. The complexity of the environment rather than the complexity of mechanism within the decision maker gives rise to the observed behavior. 'In solving problems' March and Simon wrote 'human thinking is governed by programs that organize myriads of simple information processes - or symbolic manipulating processes if you like - into orderly complex sequences that are responsive to and adaptive to the task environment and the clues that are extracted from that environment as the sequences unfold' ' Mie Augier & Edward Feigenbaum 'Herbert A. Simon: 15 June 1916 - 9 February 2001' Biographical Memoirs Proceedings of the American Philosophical Society Vol. 147 No. 2 June 2003 pp. 196-7. Fine in a near fine dust jacket. Rare and desirable with a noted provenance. John Wiley & Sons hardcover books
Referenz des Buchhändlers : 38022
|
|
|
March James G. and Simon Herbert A.
Organizations
New York London Sydney: John Wiley & Sons Inc 1967. Ninth Printing. Hardcover. Octavo; VG-; red spine with black text; no jacket; reprinted; cloth shows mild wear to exterior; strong boards; text block exterior edges show light tone; interior clean; pp 262; ex-library stamp to ffep; illustrated; tight binding. 1336805. FP New Rockville Stock. John Wiley & Sons, Inc hardcover books
Referenz des Buchhändlers : 1336805
|
|
|
MARCH, Charles ] Lucie- Edward Smith and Simon Tait (essays)
Charles March - Nature Translated Bermondsey Project Space London 25 May - 17 June 2012
Bermondsey Project Space London 2012. 1st Edition. SOFTCOVER. Square 4to in textured stiff card covers unpaginated approx. 52pp on stiff art paper colour plates etc __CONDITION : NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Bermondsey Project Space, London paperback
Referenz des Buchhändlers : T202327
|
|
|
March, James G; Simon, Herbert A
Organizations
Wiley-Blackwell 1993-05-07. Paperback. New. New. In shrink wrap. Looks like an interesting title! Wiley-Blackwell paperback
Referenz des Buchhändlers : Q-063118631X ISBN : 063118631X 9780631186311
|
|
|
March, James G/ Simon, Herbert A
Organizations
Blackwell Pub 1993. Paperback. New. 2nd sub edition. 287 pages. 9.00x6.00x1.00 inches. Blackwell Pub paperback
Referenz des Buchhändlers : x-063118631X ISBN : 063118631X 9780631186311
|
|
|
MARCHAN FIZ, SIMON
DEL ARTE OBJETUAL AL ARTE DE CONCEPTO
EDICIONES AKAL. New. EDICIONES AKAL unknown
Referenz des Buchhändlers : 37104 ISBN : 8476001053 9788476001059
|
|
|
MARCHAN FIZ, SIMON,
PACK LA DISOLUCIÓN DEL CLASICISMO Y LA CONSTRUCCION DE LO MODERNO - 2 TOMOS
España: UNIVERSIDAD SALAMANCA EDICION. Rústica. Nuevo/Nuevo. ZONUNIV UNIVERSIDAD SALAMANCA EDICION paperback
Referenz des Buchhändlers : SAL8413113944 ISBN : 8413113946 9788413113944
|
|
|
Marchesi, Paul; Blant, Michel; & Capt, Simon (eds)
MAMMIFERES DE SUISSE Cles De Determination
Neuchatel: Societe Suisse De Biologie De La Faune 2011. Hardcover. Near Fine/No Jacket. Hardcover; 8vo; 289 pages. Scarce. Text in French. White matte softcovers with grey titles on cover and spine. Gentle edgewear. Bright and clean pages. NF/-- <br/> <br/> Societe Suisse De Biologie De La Faune hardcover
Referenz des Buchhändlers : 223658
|
|
|
Marcks, Gerhard; Sidney Simon (Introduction).
Gerhard Marcks. Exhibition at Walker Art Center Minneapolis 11 October-14 November 1953.
Minneapolis MN: Walker Art Center 1953. 8vo. 24 pp. Soft cover. Stapled Wraps. Black and white illustrations throughout. Very Good. Minor shelf wear. Interior leave edges yellowed.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Minneapolis, MN: Walker Art Center, 1953. paperback
Referenz des Buchhändlers : 71-0577
|
|
|
MARCO SIMON, FRANCISCO,
ARAGON ANTIGUO/FUENTES PARA SU ESTUDIO
España: PRENSAS UNIVERSIT.DE ZARAGOZA. Rústica. Nuevo/Nuevo. ZONUNIV PRENSAS UNIVERSIT.DE ZARAGOZA paperback
Referenz des Buchhändlers : SAL8415770565 ISBN : 8415770561 9788415770565
|
|
|
Marcus Alexis, Robert J Holloway, Robert S Hancock (Editors); Vernon C Lippitt, Leonard S Simon, Kenneth M Smith, et al (Contrib
Empirical Foundations of Marketing: Research Findings in the Behavioral and Management Sciences
Chicago IL: Markham Publishing Company 1969. Book. Very Good. Soft Cover . Copyright 1969. 8vo or 8° Medium Octavo: between 6" - 9" tall . 590 pp. Solidly bound copy with moderate external wear crisp pages and clean text. Creased spine and front cover. Previous owner's name inscribed on first front-end page. Markham Publishing Company Paperback
Referenz des Buchhändlers : 1iiDh0021
|
|
|
Marcus Binney, Simon Crompton, Alasdair Macleod, Colin McDowell, Peter Tilley ; forward by Harold Koda ; preface by Admiral the
One Savile Row : the invention of the English gentleman : Gieves & Hawkes
<p>Savile Row is the world's iconic address for the best in bespoke tailoring and home to legendary Gieves & Hawkes suppliers to the British military for more than two centuries and furnishers to elegant gentlemen today. This volume traces the rich history of tailoring drawing from Gieves & Hawkes vast unpublished archives of client ledgers garments and accessories and photographs. 239 pages : illustrations ; 36 cm. First English edition first printing. Grey boards unclipped dust jacket now in a removable protective sleeve. Slight shelf wear to edges no inscriptions tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.</p> Flammarion hardcover
Referenz des Buchhändlers : 018650 ISBN : 2080201883 9782080201881
|
|
|
Marcus Hearn, Simon Archer
What Made Thunderbirds Go!: The Authorised Biography of Gerry Anderson
BBC Books. First UK edition-first printing. Hardcover. Very good/Very good. VGC.BBC2002.First UK edition-first printing.Black hardbacksilver lettering to the spinesmall nick on the edge of the cover with Djwatermark/stain inside the edges of the Dj covera couple of small creases and nicks on the Dj coverboth in VGC.Illustrated with colourb/w photos.Nice and clean pages with a couple marks and slight damp on the edges of some of the pagesa couple of creases and nicks on the edges of the pages.The book is in VGC except for the watermark on the Dj cover.288pp including Appendixindex.Price un-clipped.A collectable first edition. BBC Books hardcover
Referenz des Buchhändlers : 3985 ISBN : 0563534818 9780563534815
|
|
|
Marcus Simon Bernd Wetzenbacher
Erfolgreich verkaufen bei Amazon.de Gebundene Ausgabe von Marcus Simon Bernd Wetzenbacher E-Business Internet Handel Internet-Auktion Marktplatz Online-Marktplätze Verkauf Vertrieb Sales Amazon Marketplace Z-Shops Auktionen Amazon-Partner Amazon.com E-commerce Profi-Händler Verkaufsmaschine Vertribesplattform Galileo Business
Galileo Press GmbH Auflage: 1. Aufl. März 2003. Auflage: 1. Aufl. März 2003. Hardcover. 242 x 172 x 16 cm. E-Business Internet Handel Internet-Auktion Marktplatz Online-Marktplätze Verkauf Vertrieb Sales Amazon Marketplace Z-Shops Auktionen Amazon-Partner E-commerce Profi-Händler Verkaufsmaschine Vertribesplattform Galileo Business buchmarkt.de ZVAB Buchfreund Booklooker Hood Yatego Auvito Barnes Auxion Amazon hat sich zu einem der größten und interessantesten Marktplätze im Internet entwickelt. Gleichberechtigt neben dem eigenen Angebot bieten Partner eine breite Palette von Produkten an neu oder gebraucht. Der besondere Vorteil für Käufer und Verkäufer: Amazon übernimmt die komplette Zahlungsabwicklung. Das Buch zeigt allen die professionell oder nebenbei Gebrauchsgüter vertreiben wollen wie wo Marketplace Z-Shops Auktionen und mit welchen Produkten man Partner bei Amazon werden kann wie man Schritt für Schritt Waren einstellt welche Instrumente einem zur Verfügung stehen und wie man schließlich den Verkauf abwickelt. Zahlreiche Profitipps von erfahrenen Amazon-Partnern und von Amazon.de sorgen dafür dass sich dieses Buch für den Käufer schnell rechnet. Interessantes und Wissenswertes über die Erfolgsgeschichte von Amazon rundet die Darstellung ab. Erstes Buch zum Thema: Erfolgreich verkaufen bei Amazon.de. Das sollte jeden Sortimenter interessieren denn es scheint das neue Hobby der deutschen Internet-Nutzer zu sein " buchmarkt.de Das Buch ist ein absoluter Gewinn für Anfänger und Profis. Es ist interessant zu lesen da macht sogar die geschichtliche Entwicklung Spaß und es bietet viele wertvolle Tipps und Tricks wie was funktioniert und wie man zu mehr Umsatz kommt. Das Buch ist praxisnah und sollte auch später nicht im Bücherregal fehlen denn schließlich kann man über Amazon nicht nur Bücher verkaufen." markenprofi.de langendorfs-dienst.de Ein hoch interessantes Buch über die Handelsplattformen bei Amazon »Marketplace« ist jetzt bei Galileo Business erschienen. Es richtet sich zwar eigentlich an Privatpersonen und Profi-Händler die dort versuchen Geld zu verdienen bietet aber auch Buchhändlern die sich um die neue Konkurrenz sorgen spannende Einblicke in die Mechanismen dieser Verkaufsmaschine. Erfolgreich verkaufen bei Amazon.de Marcus Simon Bernd Wetzenbacher amazon marketplace Galileo Press GmbH <br/><br/>E-Business Internet Handel Internet-Auktion Marktplatz Online-Marktplätze Verkauf Vertrieb Sales Amazon Marketplace Z-Shops Auktionen Amazon-Partner E-commerce Profi-Händler Verkaufsmaschine Vertribesplattform Galileo Business buchmarkt.de ZVAB Buchfreund Booklooker Hood Yatego Auvito Barnes Auxion Amazon hat sich zu einem der größten und interessantesten Marktplätze im Internet entwickelt. Gleichberechtigt neben dem eigenen Angebot bieten Partner eine breite Palette von Produkten an neu oder gebraucht. Der besondere Vorteil für Käufer und Verkäufer: Amazon übernimmt die komplette Zahlungsabwicklung. Das Buch zeigt allen die professionell oder nebenbei Gebrauchsgüter vertreiben wollen wie wo Marketplace Z-Shops Auktionen und mit welchen Produkten man Partner bei Amazon werden kann wie man Schritt für Schritt Waren einstellt welche Instrumente einem zur Verfügung stehen und wie man schließlich den Verkauf abwickelt. Zahlreiche Profitipps von erfahrenen Amazon-Partnern und von Amazon.de sorgen dafür dass sich dieses Buch für den Käufer schnell rechnet. Interessantes und Wissenswertes über die Erfolgsgeschichte von Amazon rundet die Darstellung ab. Erstes Buch zum Thema: Erfolgreich verkaufen bei Amazon.de. Das sollte jeden Sortimenter interessieren denn es scheint das neue Hobby der deutschen Internet-Nutzer zu sein " buchmarkt.de Das Buch ist ein absoluter Gewinn für Anfänger und Profis. Es ist interessant zu lesen da macht sogar die geschichtliche Entwicklung Spaß und es bietet viele wertvolle Tipps und Tricks wie was funktioniert und wie man zu mehr Umsatz kommt. Das Buch ist praxisnah und sollte auch später nicht im Bücherregal fehlen denn schließlich kann man über Amazon nicht nur Bücher verkaufen." markenprofi.de langendorfs-dienst.de Ein hoch interessantes Buch über die Handelsplattformen bei Amazon »Marketplace« ist jetzt bei Galileo Business erschienen. Es richtet sich zwar eigentlich an Privatpersonen und Profi-Händler die dort versuchen Geld zu verdienen bietet aber auch Buchhändlern die sich um die neue Konkurrenz sorgen spannende Einblicke in die Mechanismen dieser Verkaufsmaschine. Erfolgreich verkaufen bei Amazon.de Marcus Simon Bernd Wetzenbacher amazon marketplace Galileo Press GmbH Galileo Press GmbH hardcover
Referenz des Buchhändlers : BN1730 ISBN : 3898423506 9783898423502
|
|
|
Marcus; Parker, Simon B [Editor]
Ugaritic Narrative Poetry
Society of Biblical Literature 1997-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Society of Biblical Literature paperback
Referenz des Buchhändlers : Q-0788503375 ISBN : 0788503375 9780788503375
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Anas Aegyptiaca L’Oie d’Egypte.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light specks of foxing water staining in upper right margin light surface soiling in upper right quadrant of image.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6403
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Antilope Bubalis Le Bubale.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light specks of foxing some water staining mostly in the margins.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6406
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Antilope Corinna le Gazelle Corinne.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing a hole in lower left margin.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6399
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Bos Taurus Indicus Le Zebu.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6396
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Canis Hyaena L’Hiene.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6397
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Capra Aegagrus Le Paseng ou Bouc Sauvage.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light specks of foxing minor surface soiling.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6407
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Cavia Aguti L’Agouti.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing a printing irregularity in upper right quadrant of image.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6401
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Cervus Axis L’Axis ou la Biche du Gange.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6393
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Equus Quagga Le Couagga.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light specks of foxing minor water staining and toning along sheet edges.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6408
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Le Zebu san Cornes.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light specks of foxing water staining in right and left quadrants.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6409
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Lemur Catta Le Maki Mococo.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light specks of foxing minor surface soiling.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6405
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Lemur Fulvus Le Maki Brun.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6395
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Simia Apella Le Sajou.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6400
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Simia Sabaea Le Callitriche.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6398
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Struthio Casuarius Le Casoar.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 53 x 35 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6392
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Viverra Civetta La Civette.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6402
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Viverra Genetta La Genette.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light water staining mostly in the margins light specks of foxing.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6394
|
|
|
Marechal, Nicolas (1753-1803) (After); Simon Charles Miger (1736-1820) (Engraver).
Viverra Ichneumon L’Ichneumon.
Paris: Miger Patris Grandcher & Dentu An X. 1801. Engraving. 35 x 53 cm sheet. Very Good light specks of foxing sheet lightly toned.Reference: Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs vol. 9 p. 611; Anker 275; BMNH IV p. 1517; Brunet III 725; Nissen ZBI 2353.La menagerie du Museum National d'Histoire Naturelle ou Description et histoire des animaux qui y vivent et qui y ont vecu.In 1793after the French Revolution the former royal garden and collection became the Botanical Garden and the National Museum of Natural History. A zoo linked with the museum was also established replacing the royal menagerie at Versailles. Until then people had seen animals in traveling shows where they were exhibited as curiosities. Traveling menageries were soon banned in Paris ensuring a steady stream of visitors to the new zoo. The eminent naturalists Comte de Lacepede 1756-1825 Cuvier and Geoffroy compiled a catalog of the animals in the zoo in 1801. Nicolas Marechal the museum’s painter documented the animals of the new zoo in watercolor paintings on vellum. The post-Revolution political mores the personnel associated with this project are referred to as ‘citoyens’ citizens. The print is dedicated to ‘Citizen Faujas-St. Pond Professor of Geology at the National Museum of Natural History Inspector of Mines of France etc. by Citizen Miger.’ Dedication in French reads: Dedie au Citoyen Faujas-St. Pond; Professeur de Geologie au Museum National d’histoire Naturelle Inspecteur des Mines de France & par le Citoyen Miger’. Paris: Miger, Patris, Grandcher & Dentu, An X., 1801. hardcover
Referenz des Buchhändlers : 71-6404
|
|
|
Marenches Alexandre de 1921 1995; Ockrent Christine interviewer; Lee Simon; Marks Jonathan translators
THE EVIL EMPIRE : THE THIRD WORLD WAR NOW : COUNT DE MARENCHES INTERVIEWED
London: Sidgwick & Jackson 1988. Hardcover. Octavo; VG-/VG-; Hardcover with DJ; DJ spine black with silver and white print; DJ in mylar slight edgewear else clean and bright; Boards in black cloth with gold print slight wear to spine caps else clean and strong; Text block clean and tight slight age-toning to paper; xiii 190 pages. 1337630. FP New Rockville Stock. Sidgwick & Jackson hardcover books
Referenz des Buchhändlers : 1337630 ISBN : 0283994916 9780283994913
|
|
|
Margarita Simon Guillory
Africana Religion in the Digital Age
new. unknown
Referenz des Buchhändlers : 48166863-n ISBN : 0367367815 9780367367817
|
|
|
Margarita Simon Guillory
Africana Religion in the Digital Age
like new. unknown
Referenz des Buchhändlers : 48166863 ISBN : 0367367815 9780367367817
|
|
|
Margarita Simon Guillory
Africana Religion in the Digital Age
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book diversifies the fields of digital religion studies and Africana religious studies by considering the nuanced intersections between digital technologies and the religious experiences of African Americans. hardcover
Referenz des Buchhändlers : ria9780367367817_inp ISBN : 0367367815 9780367367817
|
|
|
Margarita Simon Guillory
Spiritual and Social Transformation in African American Spiritual Churches: More than Conjurers
Paperback / softback. New. paperback
Referenz des Buchhändlers : A9780367891084 ISBN : 0367891085 9780367891084
|
|
|
Margarita Simon Guillory
Spiritual and Social Transformation in African American Spiritual Churches: More than Conjurers
Hardback. New. hardcover
Referenz des Buchhändlers : A9781138307162 ISBN : 1138307165 9781138307162
|
|
|
Marge Simon
Sweet Poison
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 1937128865.G ISBN : 1937128865 9781937128869
|
|
|
Marge Simon; Mary Turzillo
Victims
Weasel Press 2021. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Weasel Press paperback
Referenz des Buchhändlers : G1948712997I4N00 ISBN : 1948712997 9781948712996
|
|
|
Margetts, Helen, Bastow, Simon, Tinkler, Jane, Dunleavy, Patrick
Digital Era Governance : IT Corporations the State and E-Government
Oxford University Press Incorporated. Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Oxford University Press, Incorporated unknown
Referenz des Buchhändlers : GRP81365525 ISBN : 0199296197 9780199296194
|
|
|
Marginson, Simon (Author)/ Cantwell, Brendan (Author)/ Platonova, Daria (Author)/ Smolentseva, Anna (Author)
Assessing the Contributions of Higher Education – Knowledge for a Disordered World
Edward Elgar 2023. Hardcover. New. 305 pages. 9.25x6.00x1.00 inches. Edward Elgar hardcover
Referenz des Buchhändlers : __1035307162 ISBN : 1035307162 9781035307166
|
|
|
Marginson, Simon (Editor)/ Xu, Xin (Editor)
Changing Higher Education in East Asia
Bloomsbury USA Academic 2023. Paperback. New. 304 pages. 9.21x6.14x1.00 inches. Bloomsbury USA Academic paperback
Referenz des Buchhändlers : x-1350216283 ISBN : 1350216283 9781350216280
|
|
|
Marginson, Simon
Educating Australia: Government Economy and Citizen since 1960
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 0521591740.G ISBN : 0521591740 9780521591744
|
|
Per e-mail erhalten
Als pdf-Dokument herunterladen
RSS feed
Permanenter link
