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GURSEL NEDIM
Nazim Hikmet et la litterature populaire Turque
8vo, br. ed.
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GURUN, K.
The Armenian File. The Myth of Innocence Exposed.
grand in-8°, IX-327 pages, carte et tabl., index, rel. cartonnage ed., jaq. ill. pell. VG+/VG+ [EN-2/3]
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GUSTAV BAYERLE.
Pashas, Begs, and Effendis: A historical dictionary of titles and terms in the Ottoman Empire.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [vi], 170 p. Pashas, Begs, and Effendis: A historical dictionary of titles and terms in the Ottoman Empire.
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GUSTAV MEYRINK, (1868-1932).
Golem. [= Der Golem]. Translated into Turkish by Sezer Duru.
Fine English Paperback. Pbo. Demy 8vo. (22 x 15 cm). Second Turkish Edition of Meyrink's 'Der Golem', he's originated from Jewish folklore. 233, [2] p. Golem. [= Der Golem]. Translated into Turkish by Sezer Duru.
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GUSTAVE LE BON.
Ilm-i ruh-i ictimâî. [= Psychologie des foules]. Translated by Doktor Abdullah Cevdet.
Very Good English In modern cloth bdg. made as saved original covers. Foolscap 8vo. (18 x 12 cm). In Ottoman script. 287 p. Ilm-i ruh-i ictimâî. [= Psychologie des foules]. Translated by Doktor Abdullah Cevdet.
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GUSTAVE SCHLUMBERGER.
Prens Adalari. Blakerna Sarayi ve Kilisesi, Bizans'in büyük suru. [= Les iles des Princes. Le palais et l'eglise des Blachernes, la Grande muraille de Byzance]. Çeviri: Halûk Çaglayaner. Translated by Halûk Çaglayaner.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 216 p., b/w ills. Prens Adalari. Blakerna Sarayi ve Kilisesi, Bizans'in büyük suru. [= Les iles des Princes. Le palais et l'eglise des Blachernes, la Grande muraille de Byzance]. Çeviri: Halûk Çaglayaner.", GUSTAVE SCHLUMBERGER, Iletisim Yayinlari, Ist., 1996. -- Istanbul Adalar Büyükada Prinkipo Referans Sosyal tarih Osmanli kültürü Halki Antigoni Proti Bizans mimarisi Dogu kilisesi Ortodoksluk.
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GUTHRIE William - BLONDEAU
Atlas universel pour la géographie de Guthrie.
Paris Chez Hyacinthe Langlois, libraire 1798 Demi-reliure à coins
Referenz des Buchhändlers : 014463
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GUTTON Francis.-
Le souvenir de Loti en Turquie.-
Toulon. Imprimerie Nouvelle. 1977. In-8 (135 x 215mm) broché, couverture blanche imprimée en bleu, 11 pages. Bel exemplaire avec un envoi de l'auteur.
Referenz des Buchhändlers : ORD-4876
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GUZIDE SABRI [AYGUN], (Ottoman / Turkish female author -muharrire-), (1886-1946).
FORBIDDEN LOVE IN TURKISH SOCIETY Ölmüs bir kadinin evrâk-i metrûkesi / Nedret. i.e. Derelict Documents of a Dead For Woman / Nedret.
Istanbul: Millî Romanlar Kütübhanesi Aded: 2 / Ikbâl Kütübhanesi Sahibi Hüseyin Matbaa-yi Amedî / Orhaniye Matbaasi 1928. 4th Edition . Leather. Very Good. 8vo - over 7¾ - 9¾" tall. Contemporary 1/3 leather bdg. made as original illustrated covers preserved inside. Foolscap 8vo. 18 x 12 cm. In Ottoman script Old Turkish with Arabic letters. 221 p.; 291 p. Fourth Edition both. Early editions of this bestseller novels telling "the suffering of a woman who buried her forbidden love in her heart in a society where love is closed behind thick curtains through the eyes of a woman" by Güzide Sabri 1886-1946. Güzide Sabri Aygün was a Turkish female writer known for her modern romances which were published in multiple editions and several languages. She had two sisters Fatma Aliye and Emine Semiye. She grew up in Çamlica neighborhood of Istanbul. In later years she had to leave Istanbul and move to Anatolia with her family as her father was exiled resulting from his opposition to the despotism of Ottoman Sultan Abdulhamid II reigned 1876-1909. At a young age she was married to Ahmet Sabri Aygün the first notary of Beyoglu Pera. She was educated at home by special tutors. She was interested in literature inspired by her teacher Hodja Tahir Effendi a dictionary writer. She started to write at a very young age. However her teachers proposed she better deal with religious matters instead of poetry. Contrary to the pressures of her literature teacher she wrote her first novel Münevver in her youth years in 1899. She wrote the novel in remembrance of her friend who died from tuberculosis. It was serialized in the newspaper Hanimlara Mahsus "For Ladies" and won well recognition. In 1901 two years later the novel was published as a book and was also translated into the Serbian language. Her husband felt discomfort by his wife's prominence. As her teachers' reaction was not enough her husband also objected to her writing. However her enthusiasm could not deter her from writing. It is understood that her husband tried to prevent her writing as he did not allow her to write already at the wedding. She was forced to continue writing at night or secretly. After a short time her husband died. The unexpected death of her husband left deep traces in her. Güzide Sabri became a female writer who remained lifelong unhappy having a sad life in literature history. During this time the Servet-i Fünun "Wealth of Knowledge" movement formed by Recaizâde Mahmud Ekrem 1847-1914 and his students left its mark on the literature. Güzide Sabri was one of the authors who did not join the movement and remained on their own line. She is considered as one of the first female novelists among Turkish writers with widespread fame even though she was not involved in the new literary movement. She published her works in the Servet-i Fünun and other journals of the "National Literature" without being a member of any literary community. Her novels which were written in the early years of the Second Constitutional Era 1908-1918 and the Republican era from 1922 and were subject of feeling dream blind love and broken hearts were very popular and had multiple editions and were repeatedly filmed. Her second novel Ölmüs Bir Kadinin Evrak-i Metrûkesi "Derelict Documents of a Dead For Woman" was a bestseller. It was first published in 1901 reprinted several times and was filmed twice in 1956 and then in 1969. The novel was translated into the Armenian language. She authored romance novels for simple readers. She is considered as the author writing the first examples of the so-called mass-market romance novels and pioneer of the broken-hearts novels in her country. Her 1930-novel Hicran Gecesi "Night of Sorrow" is about the forbidden love of a bad woman. This book takes the romance novel one step forward in a forbidden impossible love story. Her novels which take place in Istanbul attracted the interest of readers outside of big cities like Istanbul and Izmir as well. First book: Özege 16077 Özege has 4th edition however page number: 221.; TBTK 5323.; Second one: Özege 15317.; TBTK 5 <br/> <br/> (Millî Romanlar Kütübhanesi, Aded: 2) / Ikbâl Kütübhanesi Sahibi Hüseyin, Matbaa-yi Amedî / Orhaniye Matbaasi hardcover
Referenz des Buchhändlers : 054918
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GÁBOR KÁRMAN, RADU G. PAUN.
Europe and the 'Ottoman World'. Exchanges and conflicts (Sixteenth to seventeenth centuries).
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 268 p. Preface Foreword 1. Life in Wartime Ovidiu CRISTEA: A Second Front: Wallachia and the 'Long War' against the Turks. Marco PENZI : Professional Warfare as Career Option: François de Bassompierre Joins the Long Turkish War. Domagoj MADUNIC: Frontier Elites of the Ottoman Empire during the War for Crete (1645-1669): The Case of Ali-Pasha Cengic. 2. Networks in War and Peace Johann PETITJEAN: On his Holiness' Secret Service: How Ragusa became an Intelligence Agency after Lepanto. Natalia KRÓLIKOWSKA: Polish-Tatar Alliances in the Seventeenth Century. Intelligence Gathering, Espionage and Exchange of Information. Gábor KÁRMÁN: The Network of a Wallachian Pretender in Constantinople: The Contacts of the Future Voivode Mihail Radu (1654-1657). Balázs SUDÁR: Iskender and Gábor Bethlen: The Pasha and the Prince. 3. The Power of Representations Liviu PILAT: Between Ottoman Empire and Latin Christendom: Moldavia as Frontier Society in the Late Middle Ages. Radu G. PAUN: The Ottoman Empire and its Tributaries as Seen through Foreign Eyes: Venetian Sixteenth-Century Relazioni. Christine VOGEL: A Sublime Illusion? French Accounts of Ottoman Ceremonies in the Late Seventeenth Century. About the Authors. OTTOMANIA International relations Foreign affairs Diplomacy European - Turkish relations 16.-17th centuries Politic history.
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GÂZÎ AHMED MUHTAR PASA, (1839-1919).
Takvîmü's-sinîn: Sene-yi mâliyyenin mübdei olan 1256 ibtidâsindan 1350 gâyesine degin herhangi bir günün hicrî, kamerî ve semsî ve milâdî senelerinde mukabilini veya bunlardan o zamana aid herhangi bir günün anda mukabilini kesfe mahsusdur.
Very Good Turkish, Ottoman (1500-1928) In contemporary Ottoman cloth bdg. Marbled boards. Roy. 8vo. (24 x 17 cm). In Ottoman script. [3], 383 p., some markings and notes in its period. Hegira: 1331 = Gregorian: 1915. Takvîmü's-sinîn: Sene-yi mâliyyenin mübdei olan 1256 ibtidâsindan 1350 gâyesine degin herhangi bir günün hicrî, kamerî ve semsî ve milâdî senelerinde mukabilini veya bunlardan o zamana aid herhangi bir günün anda mukabilini kesfe mahsusdur. Following the 1255 hijri-qamerî year in which the Tanzimat Edict was proclaimed, it is a work written by Gazi Ahmed Pasha Muhtar Pasha organized by showing the hijri-qamerî, hijrî-shamsî and milâdî dates, which are equivalent to every day starting from 1256 (1839) fiscal year to 1350 (1934) fiscal year. First Edition. Only one copy in OCLC 283797986 (Universiteitsbibliotheek Leiden). Özege 19592. Rare.
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GÂZÎ AHMED MUHTAR PASA.
Takvîmü's-sinîn. Prep. by Yücel Dagli - Hamit Pehlivanli.
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xix], [7], 603 p. Takvîmü's-sinîn. Prep. by Yücel Dagli - Hamit Pehlivanli.
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Gérard de Nerval.Théophile Gautier
Voyage en Orient. 8e édition revue, corrigée et augmentée d'une préface nouvelle par Théophile Gautier ...2 vol. in-12
1875 Paris : Charpentier, 1875.2 vol. in-12,reliure demi toile verte époque,dos lisses à filets et fleuron dorés (XXXV, LXXXIII, 384 p.) (387 p.) ; 19 cm.,édition in-12, la première avec une préface nouvelle par Théophile Gautier, partie originale (l'ouvrage avait d'abord paru en 1848 sous le titre "Scènes de la vie orientale").
Referenz des Buchhändlers : 24830
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GÉZA DÁVID.
Studies in demographic and administrative history of Ottoman Hungary.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [vii], 225 p. Studies in demographic and administrative history of Ottoman Hungary.
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GÉZA DÁVID.
Studies in demographic and administrative history of Ottoman Hungary.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [vii], 225 p.Studies in demographic and administrative history of Ottoman Hungary.
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Gök (Mehmet)
L'attitude de la Turquie en face de la décolonisation : 1945-1965
In-4 broché et polycopié, 1978, 353 pp. Écorné, pliures, une partie du dos se décolle (cf. photographie : cela se recolle facilement), usure d'usage, bon exemplaire de lecture. Thèse pour le Doctorat d'État en sciences politiques soutenue en 1978 à l'Université Paris I - Sorbonne. Poids 1600 g. Envoi Colissimo. Frais d'envoi 8,95 euros sur la France, 16,50 UE et Suisse, entre 21,05 et 36,10 euros pour le reste du monde, à spécifier selon zone.
Referenz des Buchhändlers : UUI-4987
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GÖKHAN AKÇURA.
Geçmisten günümüze Piyalepasa. Tarih, yapilar, semt.
New New English Originl bdg. Dust wrapper. In special publisher's box. 4to. (32 x 24 cm). In Turkish. 171, [1] p., many b/w and color ills. and photography album. Geçmisten günümüze Piyalepasa. Tarih, yapilar, semt. "Piyalepasa: From Past to Present" displays hundreds of artifacts from various centuries, including personal belongings and information about the founder of the neighborhood, Piyale Pasha, and his era, as well as Istanbul's first known map, the bird's-eye view of Istanbul panoramas, a beautiful six-piece panoramic gravure of the city and selections of the archives of cartographers and painters who have produced works about Istanbul.
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GÖKHAN ELÇIN.
Recherches morpho-genetiques sur les Pin Sylvestres de Turquie.= Türkiye Sariçam (Pinus Silvestre L)'larinda morfogenetik arastirmalar.
Fine English Paperback. Ex-library stamps. Roy. 8vo. (24 x 17 cm). In Turkish with a summary in French. 149, [xii], p., ills. Morphogenetic Research Scots pine in Turkey. Recherches Morpho-génétiques sur les Pin Sylvestres de Turquie.= Türkiye Sariçam (Pinus Silvestre L)'larinda morfogenetik arastirmalar.
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GÖKHAN SARI.
Ermeni meselesi isiginda Süryaniler. Tartisilan bir köken, elestirilen bir politika ve unutulan bir deger.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. [xiv], 426 p. Assyrians based on the Armenian question. Ermeni meselesi isiginda Süryaniler. Tartisilan bir köken, elestirilen bir politika ve unutulan bir deger.
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GÖKNUR GÖGEBAKAN.
XVI. yüzyilda Malatya Kazasi, (1516-1560).
Fine Turkish Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. [xxix], 458 p., 1 folded map. XVI. yüzyilda Malatya Kazasi, (1516-1560).
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GÖKÇE FIRAT.
Türk Ordusu'nun tasfiyesi: Yeniçeri kirimindan Ergenekon'a.
Fine English Original bdg. HC. Roy. 8vo. (24,5 x 17 cm). In Turkish. 311, [8] p. A study on the decline of the Turkish Armed Forces from Ottoman Janizaries to contemporary and modern Turkey. Türk Ordusu'nun tasfiyesi: Yeniçeri kirimindan Ergenekon'a.
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GÖLLNER, Carl.
Turcica. Die europäischen Türkendrucke des XVI. Jahrhunderts. I Band: 1501-1550.
Bucuresti - Berlin, Editura Academiei R.P.R. - Akademie-Verlag 1961, 245x175mm, 458Seiten, Verlegereinband mit Umschlag. Schönes Exemplar.
Referenz des Buchhändlers : 41434
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GÖNÜL DÖNMEZ-COLIN
Women, Islam, and Cinema
Illustrated edition. 208 pages. 6.75x4.75x0.50 inches. "This is the first book to examine the troubled relationships between women, Islam and cinema. Film critic and author Gönül Dönmez-Colin explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan, the two Central Asian Republics of the former Soviet Union, and Pakistan, Bangladesh, Malaysia and Indonesia, the prominently Muslim Asian countries with a challenging film industry. Some of the relevant films made in India by and for Muslim Indians are also explored. Dönmez-Colin examines prevalent cinematic archetypes, including the naïve country girl who is deceived and dishonoured, or the devious seductress who destroys the sanctity of marriage, and looks well at controversial elements such as screen rape, which, feminist film critics claim, caters to male voyeurism. She also discusses recurring themes, such as the myths of femininity, the endorsement of polygamy and the obsession with male children, as well as the most common stereotypes, depicting women as mothers, wives and daughters. Given the diversity of cultures, rather than viewing national cinemas as aspects of a single development, the author focuses on individual histories, traditions and social and economic circumstances as points of reference, which are examined in the context of social and political evolution and the status of women within Islam. Women in Islamic Cinema is a much-needed and timely work that will appeal to the curious reader as well as to the student of film." Publisher's description.
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GÖNÜL GÜLTEKIN.
Ali Çelebi.
Very Good Very Good English Paperback. Dust wrapper. Demy 8vo. (21 x 15 cm). In Turkish. Color and b/w ills. 64 p., 32 color plates. Ali Çelebi.
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GÖNÜL H. TAS.
Die Karaz. Keramik von Tepecik in Ostanatolien.
New English Paperback. Pbo. 4to. (27,5 x 19,5 cm). In German. 502 p. B/w ills. Tepecik liegt heute unter den Gewässern des Keban-Staudammes. Seine Bedeutung besteht aber darin, dass hier die in der türkischen Fachliteratur nach einem bekannten Fundort in Erzurum (Ostanatolien) als Karaz bezeichnete Kultur seit dem Spätchalkolithikum in einer beinahe lückenlosen Schichtabfolge bis zu den Anfängen der Mittelbronzezeit belegt werden konnte. Man könnte meinen, dass diese phänomenale Langlebigkeit im Kaukasus und dem vorderen Orient nur dieser Kultur eigen ist. Sie verbreitete sich nämlich im Laufe eines Jahrtausends von den Ursprungsgebieten in Ostanatolien, im Transkaukasus und Nordwestiran nach Südostanatolien, Nordsyrien, Palästina und Israel. Sie ist im Transkaukasus unter dem Namen Kura-Araxes-Kultur bekannt. In Palästina und Israel wird diese Kultur Khirbet-Kerak genannt. Neben den markanten Kleinfunden und einer Eigenarchitektur besitzt sie eine besondere Keramik, die in ihrem Verbreitungsgebiet durch ein Jahrtausend hindurch recht einheitlich blieb und durch bestimmte Eigenmerkmale an unterschiedlichen Fundorten beim ersten Blick erkannt werden kann. Tepecik ist einer von diesen Fundorten, dessen strategisch günstige Lage an einem Nebenfluss vom Euphrat die Entstehung und Entwicklung verschiedener Kulturen ermöglichte. Hier konnten Interaktionen der frühen lokalen Kulturen mit der dunklen polierten Ware sowie der chalkolithischen Häckselware syro-mesopotamischen Ursprungs, der Uruk-Kultur, der Karaz-Kultur und einer weiteren lokalen Kultur mit der bemalten Altinova-Ware belegt werden; auf diese früheren Kulturen folgten Siedlungsreste der Mittel - und Spätbronzezeit. Das vorliegende Buch handelt von der Karaz-Keramik, der führenden Keramikgruppe von Tepecik in der Frühbronzezeit. Diese wichtige Fundgruppe wird zum ersten Mal nach dem Abschluss der Rettungsgrabungen im Bahmen des Keban-Staudammprojektes, nach mehr als 35 Jahren, in Form einer Monographie veröffentlicht, so dass das umfangreiche Keramikmaterial der Karaz-Kultur von Tepecik der "Wissenschaft zugänglich gemacht wird.
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GÖNÜL HALICI.
Anatolian Istanbul: A historical tour. 2 volumes set.
New New English Original bdg. Dust wrapper. In publisher's special slip-case. 4to. (34 x 24 cm). In English. 2 volumes set: (335, [1] p.; 359, [1] p.), color ills. Anatolian Istanbul: A historical tour. 2 volumes set. 500 copies were printed.
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GÖNÜL HALICI.
Istanbul Anadolu yakasinda tarihsel bir gezi. 2 volumes set.
New New Turkish Original bdg. Dust wrapper. In publisher's special box. Folio. (35 x 24 cm). In Turkish. 2 volumes set: (335, [1] p.; 359, [1] p.), color ills. Istanbul Anadolu yakasinda tarihsel bir gezi. 2 volumes set. 1000 copies were printed.
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GÖNÜL PAKSOY.
Timeless simplicity.= Zamansiz sadelik.
New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In English and Turkish. 300 p., color ills. Timeless simplicity = Zamansiz sadelik. "Designer Gonul Paksoy's exhibition entitled 'Timeless Simplicity' which will open in our museum on April 18th, 2007 consists of two parts, Collection and Creation. In the Collection part limited to rugs and kilims in the framework of the Conference, works of art which have influenced Paksoy, which have been the fount of inspiration for the wealth of colour in her original designs, will be exhibited. The exhibition, prepared jointly with Sahin Paksoy, includes samples of rugs and kilims from various regions of Anatolia, starting in the 18th century and covering 300 years. The Creation part consists of Gonul Paksoy's designs realized with old Ottoman textiles". A very heavy volume.
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GÖNÜL PAÇACI TUNCAY.
Nesriyât-i mûsiki: Osmanli müzigini okumak. 2 volumes set.
New Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. Volumes 1 & 2: (1020 p.), ills. and musical scores. Nesriyât-i mûsiki: Osmanli müzigini okumak. 2 volumes set. A rich collection of manuscript and printed musical scores, song mejmuas, theoretical books, biographies, periodicals, concert programs and blank score registers and notebooks on classical Ottoman / Turkish music.
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GÖNÜL PAÇACI TUNCAY.
Önce söz: Kâr-i nâtik.
New Turkish Original bdg. HC. In publisher's special box with a USB stick which has audio examples being referred in some chapters of the book. 4to. (28 x 23 cm). In Turkish. 203 p., color plates of Ottoman manuscripts and musical scores. Önce söz: Kâr-i nâtik. 'Kâr-i nâtik' is one of the largest unified forms of non-religious classical Turkish music. It means in origin 'indicative work' in Persian. It is an independent format with completely unique rules as a musical form. This wonderful book contains 'musikî mejmuas' (Ottoman-Turkish musical manuscripts), scores, history of this form in the classical Turkish-Ottoman music and composers in this form.
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GÖNÜL PAÇACI.
Ottoman sounds: Magnificent Ottoman composers.
New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English. Ills. 112 p. You are holding a magical collection of the most re-known composers (Itrî, 3. Selim, Hammizade Ismail Dede Efendi, Hoca Mehmet Zekai Dede,Haci Arif Bey etc.) of Ottoman culture. Loaded with the greatest masterpieces of an empire, a plot winding around the lifestyle and tradition of a multinational and sophisticated populace. An absolute 'must have'. Ottoman sounds: Magnificent Ottoman composers.
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GÖNÜL TANKUT.
Bir baskentin imari: Ankara, 1929-1939.
As New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 283, [5] p., b/w ills. and plans. A study on building and urbanization of Turkish capital, Ankara between 1929-1939. Second Edition. Bir baskentin imari: Ankara, 1929-1939.
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GÖNÜL TANKUT.
Bir baskentin imari: Ankara, 1929-1939.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and abstract in English. [vi], 247 p., b/w ills. and plans. A study on building and urbanization of Turkish capital, Ankara between 1929-1939. First Edition.
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GÖNÜL YONAR UTKU.
Türk edebiyatinda fantastigin kökenleri. Harikulade ve olagandisi.
New English Paperback. Pbo. Cr. 8vo. 284 p. Mythical, archaeological, theological, cultural and historical roots of fantastic literature. Fantastic perception in Indian epic legends in pre-Buddha period, narratives in Central Asia in pre-Islamic period, Zarathustra oral literature in Iran, mysticism and sufism in Islamic school, and Ottoman-Turkish literature. Türk edebiyatinda fantastigin kökenleri. Harikulade ve olagandisi.
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GÖNÜL ÖNEY.
Ankara Arslanhane camii.
Fine Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [ix], 18 p., [22] pages of plates: illustrations (some color). Ankara Arslanhane camii.
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GÖNÜL ÖNEY.
Ottoman ceramics embracing the Mediterranean and their reflections to the present.= Akdenizle kucaklasan Osmanli seramikleri ve günümüze ulasan yansimalari.
New English Paperback. 4to. (28 x 23 cm). In English and Turkish. [10], 142, [1] p., color ills. Ottoman ceramics embracing the Mediterranean and their reflections to the present.= Akdenizle kucaklasan Osmanli seramikleri ve günümüze ulasan yansimalari. In the considerably long time span from the 16th century to the beginning of the 20th century, when the Iznik, Kutahya and Canakkale ceramics were in production, the Ottoman Empire spread across three continents, and her galleons, galleys and lighters carried her flag on trade missions and voyages on the open seas such as the Red Sea, the Persian Gulf, the Black Sea and the Indian Ocean in addition to the Mediterranean. Various types of imaginary ships in the Ottoman ceramics bringing to life the dreams of the masters regarding the far-away lands seem to be capturing an image only. The most important feature of the vessels, usually depicted without details, is their sails of various types, which led them to the open seas.
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GÖNÜL ÖNEY.
Turkish period Çanakkale ceramics.= Türk devri Çanakkale seramikleri.
Very Good English Paperback. Roy. 8vo. (24 x 16 cm). In English and Turkish. [vi], [1], 79 p., 79 numerous color and b/w plts. Turkish period Canakkale ceramics.= Türk devri Çanakkale seramikleri. First and only edition of this early and one of the first sources that draw attention to Çanakkale ceramics, which were not given importance in terms of form and art history until its period. "... Curt reference is made to these ceramics in a few books as 'late period and poor quality peasant works'. However, in our opinion, Çanakkale ceramics are highly interesting works which have brought novelty to Turkish ceramic art from the standpoint of subject matter, colour, design and innovation." (From introduction). Contents with main titles: General information, Dishes, Jugs, Deep bowls, Bowls with lid, candy holders, pitchers, vases and flower pots, small cups, water flasks, candlesticks, braziers (mangals), vessels in the form of animals and humans, Çanakkale type ceramics from the Aegean Islands, conclusions, reference list for plates, bibliography.
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GÖRÜCELI KOÇI BEY.
Koçi Bey risalesi (Eski ve yeni harflerle). Prep. by Yilmaz Kurt.
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish and facsimile in Ottoman script. [10], 112, [101] p. Koçi Bey risalesi (Eski ve yeni harflerle). Görüceli Koçi Beg tractate with Modern Turkish and original Ottoman script. OTTOMANIA Osman Bey Kochi Bey tractate Ottoman history Turkish literature.
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GÖTZ GROSCHE, TANER KORKUT.
Patara II.1. Das bouleuterion von Patara. Versammlungsgebaeude des Lykischen bundes.
New English Original cloth bdg. 4to. (30 x 23 cm). 177 p., 1 folding plan. B/w and color ills. In German and Turkish abstract. Contents: Vorwort, Literaturabkürzungen, Einleitung, Baugeschichtliche Untersuchung, Funktion und Verwendung, Bauaufnahme, Methoden und Techniken, Rekonstruktionsvorschlag, Anmerkungen Kapitel, Ausgewahlte Grabungsfunde, Inschriften, Zusammenfassun.
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GÖZDE RAMAZANOGLU.
Mimar Sinan'da tezyinat anlayisi.
Fine English Paperback. Pbo. 4to. (28 x 20 cm). B/w and color ills. [x], 237 p. Comprehension of ornaments in the art of Sinan the Architect. Mimar Sinan'da tezyinat anlayisi.
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GÜLERSOY Celik
Le roman du Grand Bazar.
Turquie, Istanbul Kitapligi, 1983. 19 x 27, 84 pp., 80 planches en couleurs et en N/B, broché, très bon état.
Referenz des Buchhändlers : 100.424
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GÜLERYÜZ (Naim Avigdor).
The Turkish Jews: 700 Years of Togetherness.
Istanbul, Gozlem, 2009, pt in-8°, 64 pp, 45 illustrations et une carte en couleurs, broché, couv. illustrée, bon état
Referenz des Buchhändlers : 126825
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GÜLIK GÜLERSOY
Un guide d'Istanbul.
Istanbul, Istanbul Mtbaasi, 1966. 11 x 19, 340 pp., nombreuses illustrations en couleurs et en N/B, 1 plan dépliant en couleurs, broché, bon état (dos défraîchi).
Referenz des Buchhändlers : 41698
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GÜL AKYILMAZ.
Islam ve Osmanli hukukunda kadinin statüsü.
Fine English Paperback., Fine., 20 x 14 cm., [6], 98 p., "Islam ve Osmanli hukukunda kadinin statüsü.", Gül Akyilmaz, Göksu Matbaacilik, Konya, 2000.
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GÜL IREPOGLU.
A passion for the sea: The secret diary of Ivan Konstantinovich Aivazovsky.= Ask-i derya: Ayvazovski'nin gizli Istanbul güncesi.
New English Paperback. Pbo. Large 8vo. (23 x 22 cm). In English, Turkish and Russian. 216 p., color and b/w ills. A passion for the sea: The secret diary of Ivan Konstantinovich Aivazovsky.= Ask-i derya: Ayvazovski'nin gizli Istanbul güncesi.
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GÜL IREPOGLU.
Gül: Askin çiçegi, sanatin çiçegi, sonsuzlugun çiçegi.
New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In Turkish. 375 p., color and b/w ills. "The rose is known and loved by the entire world. Smelled by sovereigns, this flower is the symbol of love, of belief and of beauty. It is the richest inspiration for all arts, the sultan of gardens and poetry and the eternal yearning of the nightingale. From the beginning of civilization the rose has adorned the lives of man. For thousands of years countless cultures have turned to the rose as a way of expression, they have held on to it, interpreted it, and enjoyed its beauty while enduring its thorns. Süleyman the Magnificent wrote poetry using the pseudonym Muhibbî and understanding the value of this special flower he placed it on the emerald throne of the meadow. 'The rose sits on the emerald throne and becomes a sultan It gathers all the sweet basil to commence the council.' Ahmet Hamdi Tanpinar said of the rose, "The dream of eternity fitted into a moment." This book is written to provide a stroll into the imaginary and actual rose garden of humanity and enable the gathering of a most colourful bunch. Those who turn the pages will relish the rosy world of nature and roses, the history of the rose, the name of the rose and the smell and taste of roses; the rose in art and rosy pictures, rosy tiles and rosy fabrics, rosy carpets, rosy stones and rosy woods, rosy jewellery and rosy glass, the rose in poetry and the rose in music, wearing the rose and the rose gardens of our lives. With this book the writer of the TULIP book, Gül Irepoglu has taken a new look at the ROSE and embraced it.".
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GÜL IREPOGLU.
Levni. Painting poetry colour. Translated by Reyhan Alp.
New English Paperback. Pbo. 4to. (32 x 23 cm). In English. 195 p., color ills. Levni. Painting poetry colour. Translated by Reyhan Alp. The works of Levni, one of the leading artists of the Ottoman miniature painting, mirror the atmosphere of Istanbul in the beginning of the 18th century. The book focuses on Levni Abdulcelil Celebi as the most colourful side of the Tulip Period, introducing his painting and poetry as reflections of his personality.
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GÜL IREPOGLU.
Lâle: Dogada, tarihte, sanatta.
New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In Turkish. 275 p., color and b/w ills. A study on 'tulip in history of art and history. Lâle: Dogada, tarihte, sanatta. TURKISH AND ISLAMIC ART History of art Tulip Ottoman art Traditional arts Flower painting Tile Miniature Illumination Weaving Ottoman culture Gardening.
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GÜL IREPOGLU.
The rose: Flower of love, flower of art, flower of eternity.
New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English. 375 p., color and b/w ills. "The rose is known and loved by the entire world. Smelled by sovereigns, this flower is the symbol of love, of belief and of beauty. It is the richest inspiration for all arts, the sultan of gardens and poetry and the eternal yearning of the nightingale. From the beginning of civilization the rose has adorned the lives of man. For thousands of years countless cultures have turned to the rose as a way of expression, they have held on to it, interpreted it, and enjoyed its beauty while enduring its thorns. Süleyman the Magnificent wrote poetry using the pseudonym Muhibbî and understanding the value of this special flower he placed it on the emerald throne of the meadow. 'The rose sits on the emerald throne and becomes a sultan It gathers all the sweet basil to commence the council.' Ahmet Hamdi Tanpinar said of the rose, "The dream of eternity fitted into a moment." This book is written to provide a stroll into the imaginary and actual rose garden of humanity and enable the gathering of a most colourful bunch. Those who turn the pages will relish the rosy world of nature and roses, the history of the rose, the name of the rose and the smell and taste of roses; the rose in art and rosy pictures, rosy tiles and rosy fabrics, rosy carpets, rosy stones and rosy woods, rosy jewellery and rosy glass, the rose in poetry and the rose in music, wearing the rose and the rose gardens of our lives. With this book the writer of the TULIP book, Gül Irepoglu has taken a new look at the ROSE and embraced it.".
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GÜLAG ÖZ, AYDIN DURDU.
Anadolu inanç merkezleri. Türbeler - yatirlar - dergahlar - söylenceler.
New English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. 608 p., ills. Anadolu inanç merkezleri. Türbeler - yatirlar - dergahlar - söylenceler. Places of beliefs in Anatolia: Tombs, myths, dergahs.
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