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Maurice BLOCK
La politique économique en Allemagne. Extrait de la Revue des Deux Mondes
s. l. Paris: Extrait de La Revue des deux mondes 1884. Fine. Extrait de La Revue des deux mondes s. l. Paris 1884 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
Référence libraire : 15701
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Maurice Bloomfield Abel Bergaigne
La Religion V Dique D'Apr's Les Hymnes Du Rig-V Da
New. unknown
Référence libraire : A9781113076106 ISBN : 1113076100 9781113076106
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Maurice Blanchot; Michelle Kendall [Translator]; Stuart Kendall [Translator];
Lautréamont and Sade Meridian: Crossing Aesthetics
Stanford University Press 2004-07-09. Paperback. New. In shrink wrap. Looks like an interesting title! Stanford University Press paperback
Référence libraire : Q-0804750351 ISBN : 0804750351 9780804750356
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Maurice BLANCHOT
Lautréamont et Sade
Paris: Les Editions de Minuit 1949. Fine. Les Editions de Minuit Paris 1949 14 x 18.50 cm broché First edition on ordinary paper. Paper yellowed as usual. Les Editions de Minuit unknown
Référence libraire : 53073
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Maurice BLANCHOT
Le baron d'Holbach. Manuscrit autographe et tapuscrit complets Baron d'Holbach. Complete autograph manuscript and typescript
s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. Paris s. d. 1943 13.50 x 21.50 cm 4 1/2 pages in-8 Autograph manuscript by the author of 4½ pages in quarto published in the November 27-28 1943 issue of Journal des Débats. Complete manuscript with very dense handwriting containing numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of Paul Thiry d'Holbach et la philosophie scientifique au XVIIIe siècle by Pierre Naville. The complete typescript is included. Far more than a critique of Pierre Naville's work on Baron d'Holbach this long article by Blanchot is a veritable philosophical pamphlet against the materialist thought of the Encyclopedists whom he accuses of wanting to « know the world in order to seize it. This is a notable expression of the bourgeois spirit. . Man can only dominate the world if the world is a collection of objects. » But through this virulent critique of 18th-century thought Blanchot identifies a more modern evil: « To make man a thing that can be studied . is to ensure that he can be used as a thing and exploited as a thing. All the social contradictions of liberalism are already in this assertion. And its starting point is the Encyclopedia. » Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of Intellectual Life"" of Journal des Débats. In half a page of the newspaper approximately seven octavo pages the young author of ""Thomas l'obscur"" took his first steps in the field of literary criticism and thus inaugurated a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From the very first articles Blanchot demonstrated an analytical acuity that far exceeded the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he laid in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by war Blanchot broke through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transformed literary criticism into a philosophical act of intellectual resistance to barbarity at the very heart of an ""openly Maréchal-supporting"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection increasingly confident in its own rhetoric more given over to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Référence libraire : 44967
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Maurice BLANCHOT - COLLECTIF
Le chant des sirènes - In la Nrf du N°19 de la 2ème année
Paris: Gallimard 1954. Fine. Gallimard Paris 1er Juillet 1954 14 x 23 cm broché First edition one of 100 numbered copies on pur fil paper the only deluxe copies. First page shaded due to the presence of the Nrf bulletin inserted at the beginning of the review. Handsome copy despite small red stains on the lower edge. Other contributions by Raymond Radiguet ""Poèmes"" Soeren Kierkegaard ""Journal"" Dominique Aury ""Histoire de trois vocations"" Noël Devaulx ""Bal chez Alféoni"". Gallimard unknown
Référence libraire : 87682
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Maurice BLANCHOT
Le dernier homme
Paris: Gallimard 1957. Fine. Gallimard Paris 1957 12 x 19 cm broché First edition one of 30 numbered copies on pur fil paper the only deluxe copies. Very handsome copy. Gallimard unknown
Référence libraire : 84248
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Maurice BLANCHOT
Le livre à venir
Paris: Gallimard 1959. Fine. Gallimard Paris 1959 13.50 x 19.50 cm broché First edition an advance service de presse copy. A very handsome and moving autograph inscription from Maurice Blanchot to his sister : ""Pour ma chère Marguerite qui porte maintenant mot illisible le poids de mon affection. Maurice For my dear Marguerite who now bears illegible word the weight of my affection. Maurice."" A good copy. Gallimard unknown
Référence libraire : 52434
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Maurice BLANCHOT - (Jean GIRAUDOUX)
Le mythe de Giraudoux. Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Paysage dimanche 1945. Fine. S. n. Paysage dimanche s. l. Paris s. d. 1945 11.50 x 22 cm 3 pages in-4 Autograph manuscript by the author 3 quarto pages published in issue 17 of October 7 1945 of the newspaper Le Paysage Dimanche. Complete manuscript in very dense handwriting with numerous deletions corrections and additions. Chronicle published on the occasion of the numerous studies on Giraudoux's work that appeared since his death in January 1944. The complete typescript is included. While the numerous references to his work in the articles of the Journal des Débats reveal Giraudoux's ascendancy over Blanchot the latter nevertheless manifests a clear desire to free himself from this paternity. Thus he removes from Faux-Pas numerous references to Giraudoux's work cf C. Bident M. B. De la chronique à la théorisation. This article published in 1945 is a unique testimony to the ambivalence of feelings toward an admired master who could no longer serve as a model for his disciple transformed by writing and war. ""Certes un auteur comme celui de Judith ne peut pas être un auteur de tout repos mais ce qu'il a créé est beau et ce beau n'est pas ""ce qui nous désespère"". Il est trop facile de voir que quoi qu'il veuille il ne va jamais jusqu'à compromettre en son art l'harmonie la compréhension la mesure. Comme une malédiction jetée sur la réalité inaccessible il formerait un monde entièrement faux Mais pas si faux: nous n'y perdons pas pied nous ne cessons de nous y reconnaitre et au contraire pour certains comme Sartre c'est celui de la banalité même des concepts de chaque jour."" ""Certainly an author like the one who wrote Judith cannot be a restful author but what he has created is beautiful and this beauty is not 'what drives us to despair'. It is too easy to see that whatever he may wish he never goes so far as to compromise in his art harmony understanding measure. Like a curse cast upon inaccessible reality would he form an entirely false world But not so false: we do not lose our footing there we never cease to recognize ourselves in it and on the contrary for some like Sartre it is that of the very banality of everyday concepts."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of intellectual life"" of the Journal des Débats. In half a newspaper page approximately seven octavo pages the young author of ""Thomas l'obscur"" took his first steps in the field of literary criticism and thus inaugurated a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From the first articles Blanchot demonstrated an analytical acuity far exceeding the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he established in his chronicles the foundations of critical thinking that would mark the second half of the 20th century. Transformed by writing and by war Blanchot broke through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transformed literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""Burning a book writing one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection ever more confident in its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a S. n.[ Paysage dimanche] unknown
Référence libraire : 44924
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Maurice BLANCHOT
Le Paradoxe d'Aytré - Manuscrit original et tapuscrit complets
s. l.: S. n. 1949. Fine. S. n. s. l. 1949 13.50 x 21.50 cm Autograph manuscript by the author of 16 pages in-8 published in number 9 June 1946 of Les Temps modernes and reprinted slightly revised in La Part du Feu 1949. Complete recto-verso manuscript very densely written with numerous deletions corrections and additions. Accompanied by the complete typescript with autograph corrections in black ink. ""Le Paradoxe d'Aytré"" ""Aytré's Paradox"" is the first text by Maurice Blanchot that Jean-Paul Sartre published in the pages of Les Temps modernes the spearhead of committed literature. Three others would follow until 1952 ""Le roman uvre de mauvaise foi"" ""The Novel a Work of Bad Faith"" ""A la rencontre de Sade"" ""Meeting Sade"" and ""L'art la littérature et l'expérience originelle"" ""Art Literature and Original Experience"" all of great importance. Continuing his reflection begun several years earlier on the writer's struggle with language and his relationship to silence notably in his article ""Le Mythe d'Oreste"" ""The Myth of Orestes"" Blanchot bases his demonstration here on Aytré qui perd l'habitude ""Aytré Who Loses the Habit"" by Jean Paulhan - a major influence - who notably provides him with the title of his article: ""De ce petit récit il ne résulte pas que la littérature ne doive logiquement commencer qu'avec le crime ou à défaut avec le vol. Mais qu'elle suppose un écroulement une sorte de catastrophe initiale et le vide même que mesurent l'anxiété et le souci c'est ce qu'on peut être tenté de voir. Or remarquons-le cette catastrophe ne s'exerce pas seulement sur le monde les objets qu'on manie . ; elle s'étend aussi et en même temps au langage à la possibilité des mots. C'est là le paradoxe d'Aytré."" ""From this little story it does not follow that literature should logically begin only with crime or failing that with theft. But that it presupposes a collapse a sort of initial catastrophe and the very void that anxiety and worry measure this is what one might be tempted to see. Now let us note this catastrophe is not exercised only on the world the objects we handle .; it extends also and at the same time to language to the possibility of words. This is Aytré's paradox."" And he adds: ""L'écrivain ne débute pas toujours avec le sang d'un fait divers ou l'horreur d'un crime qui lui ferait sentir l'instabilité et le vide du monde mais il ne peut guère songer à commencer autrement que par une certaine incapacité de parler et d'écrire par une perte de mots par l'absence même des moyens dont il surabonde. Ainsi lui est-il indispensable de sentir d'abord qu'il n'a rien à dire."" ""The writer does not always begin with the blood of a news item or the horror of a crime that would make him feel the instability and emptiness of the world but he can hardly think of beginning otherwise than with a certain inability to speak and write with a loss of words with the very absence of the means of which he has abundance. Thus it is essential for him to feel first that he has nothing to say."" Jean Paulhan therefore but also Franz Kafka Herman Melville or Stéphane Mallarmé so many writers admired by Blanchot confronted Aytré's paradox silence the collapse of language. And the critic concludes: "". le silence du langage créateur ce silence qui nous fait parler n'est pas seulement une absence de parle mais une absence tout court cette distance que nous mettons entre les choses et nous et en nous-mêmes et dans les mots et qui fait que le langage le plus plein est aussi le plus poreux le plus transparent le plus nul car il laisse infiniment fuir le creux même qu'il enferme sorte de petit alcarazas du vide."" "". the silence of creative language this silence that makes us speak is not only an absence of speech but an absence pure and simple this distance that we put between things and ourselves and within ourselves and in words and which makes the fullest language also the most S. n. unknown
Référence libraire : 47141
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Maurice BLANCHOT
Le pas au-delÃ
Paris: Gallimard 1973. Fine. Gallimard Paris 1973 14 x 20.50 cm broché First edition an advance service de presse copy. Very handsome and moving autograph inscription signed by Maurice Blanchot to his sister on a calling card pasted to head of one endpaper: ""A ma chère Marg. Ce livre d'amitié et pour l'amitié plus à feuilleter qu'à lire peut-être avec ma grande affection. Maurice To my dear sister Marg. This book of friendship or book for friendship maybe more to leaf through than to read with great affection. Maurice."" A good copy. Gallimard unknown
Référence libraire : 52429
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Maurice BLANCHOT
Le pèlerinage aux sources - Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. Paris s. d. 1944 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author 2½ pages octavo published in the January 13 1944 issue of the Journal des Débats. Complete recto-verso manuscript in very dense handwriting with numerous deletions corrections and additions. Accompanied by the complete typescript with one autograph correction in black ink. Chronicle published on the occasion of the publication of Le pèlerinage aux sources by Joseph Lanza del Vasto. This chronicle by Maurice Blanchot forms an astonishing echo to one of his very first published texts 1931 devoted to Gandhi's Memoirs which already contained the essence of his thought from the 1930s. Published in the pages of Cahiers mensuels a Catholic review close to the thinking of Jacques Maritain Blanchot defended the idea of a necessarily spiritual revolution but also of a struggle against the impurity of foreign influences. In ""Le pèlerinage aux sources"" Blanchot returns to Gandhi through a recently published work by Joseph Lanza del Vasto in which the Italian philosopher analyzes ""the hope of renewal that many Westerners seek often lightly in the profound secrets of Hinduism"". But for Blanchot Gandhi's action could hardly constitute a true example to follow: ""Naturally we all understand that Gandhi's politics tends not only toward a political victory but toward a spiritual victory: he wants to deliver the people from their ills from their ignorance to make them live the truth; all this is quite clear; what is also clear is that among these ills there is first the presence of the foreigner and that the regime recommended by the Mahatma and with a view to which he brings into play spiritual forces is a regime of political economic and social liberation. It is impossible not to see . in this rehabilitation of external action the distortion of the spiritual ideal. Man is no longer asked to strip himself of himself for nothing without any formidable end being able to justify him in this total annihilation but he receives the order to arrange the world to conquer himself with a view to making reality better. It is an inglorious return to the most vulgar morality of salvation."" An interesting critique of Mahatma Gandhi's political action. Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of Intellectual Life"" of the Journal des Débats. In half a page of newspaper approximately seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre."" From the first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF gathered under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection always more sure of its own rhetoric delivered more to the echo S. n.[ Journal des débats] unknown
Référence libraire : 44955
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Maurice BLANCHOT
Le ressassement éternel
Paris: Les Editions de Minuit 1951. Fine. Les Editions de Minuit Paris 1951 11.50 x 18.50 cm relié First edition one of 990 copies on Ghaldwill the only deluxe copies after 10 on pur fil. Half blue morocco binding smooth spine gilt date at foot covers with marbled paper blue paper endpapers and pastedowns original wrappers and spine preserved spine slightly sunned with small filled losses top edge gilt binding signed by Goy & Vilaine. Exceptional and moving signed autograph inscription from Maurice Blanchot to his mother and sister: ""Pour vous mes très chères ces pages hélas bien anciennes en toute affection. Maurice. / Mais avant le commencement il y a le recommencement qui fait de la lumière une fascination de toute chose une image et de nous le coeur vide du ressassement éternel"" ""For you my very dear ones these pages alas quite old with all my affection. Maurice. / But before the beginning there is the re-beginning which makes light a fascination everything an image and us the empty heart of eternal rehearsal"". Half-title page bearing the inscription very slightly and marginally shaded. Marguerite Blanchot renowned organist at Chalon cathedral remained all her life in the family home with her mother and aunt. ""She gradually became for the family like the memory of origins."" Very close to Maurice she corresponded regularly with the writer who showed her great gratitude for her devotion to their disabled mother. While Blanchot's intense affection for his mother and sister shows through in his dedications we know almost nothing of their relationships. In the only biographical essay on Blanchot Christophe Bident reveals however: ""Marguerite Blanchot venerated her brother Maurice. Very proud of him . she attached great importance to his political ideas . She read extensively . They telephoned each other corresponded. From a distance they shared the same natural authority the same concern for discretion."" Blanchot indeed sent her numerous works from his library maintaining with her a continuous intellectual bond. As for Blanchot's passion for his mother it is in the course of his work that we discover the most beautiful testimonies: ""Perhaps the power of the maternal figure borrows its brilliance from the very power of fascination and one could say that if the Mother exercises this fascinating attraction it is because appearing when the child lives entirely under the gaze of fascination she concentrates in herself all the powers of enchantment"". Cultivating absolute discretion Blanchot pushed the art of effacement even into his manuscript dedications generally succinct and written almost systematically on cards attached to the rare works he offered to his close friends. In contrast in these precious inscriptions to his mother and sister Blanchot offers himself in all his fragility and reveals a hitherto unknown intimacy. Fine copy perfectly established. Les Editions de Minuit unknown
Référence libraire : 44768
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Maurice BLANCHOT
Le ressassement éternel
Paris: Les Editions de Minuit 1952. Fine. Les Editions de Minuit Paris 1952 12 x 19 cm relié First edition on ordinary paper. Half black morocco over marbled paper boards by P. Goy & C. Vilaine spine in six compartments date at foot marbled endpapers and pastedowns blue folded covers preserved top edge gilt. Exceptional autograph inscription from Maurice Blanchot to his brother and sister-in-law Inge: ""Pour vous mes chers ces pages hélàs très anciennes que seuls vous pouvez garder jeunes. Et en effet quoi de plus proche de la solennelle fatigue de la mort que le piétinement de la monotonie harcèlement gigantesque au sein du recommencement For you my darlings these pages sadly so old that only you can keep them young
And indeed what could be closer to the solemn fatigue of death than the footsteps of monotony the gigantic difficulty at the heart of any new beginning."" Half-title and final endpaper faded. A very good and handsome copy suitably bound. Les Editions de Minuit hardcover
Référence libraire : 46921
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Maurice BLANCHOT - (Horace WALPOLE) - Paul ELUARD
Le roman noir - Manuscrit autographe et tapuscrit complets he Noir Novel Complete Autograph Manuscript and Typescript
s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. Paris 1944 13.50 x 21 cm 2 pages 1/2 in-4 Autograph manuscript by the author 2½ pages in-8 published in the issue of 30 March 1944 of the Journal des Débats. Complete recto-verso manuscript in very dense handwriting containing numerous deletions corrections and additions. This is a review published on the occasion of the reissue of Horace Walpole's The Castle of Otranto with a preface by Paul Eluard. Accompanied by the complete typescript. The reissue by Éditions José Corti of Horace Walpole's The Castle of Otranto with a preface by Paul Eluard offered Maurice Blanchot the opportunity to set out his definition of the Gothic novel which thanks notably to the Surrealists was then enjoying a revival of interest: ""Le roman noir ne se confond pas simplement avec la littérature fantastique. S'il fait une large part au merveilleux ""de toute nature"" il a pour principal objet d'émouvoir la sensibilité par les ressources de la terreur. il veut secouer l'imagination. Il l'entraîne dans un mouvement frénétique qui ne lui laisse pas de repos. Il la provoque à tout croire hormis les dénouements heureux et les compromis agréables par des moyens dont le caractère conventionnel augmente encore la puissance. C'est un art méthodique qui connaît sa grossiéreté et en tire souvent des effets subtils et remarquables."" Blanchot then pursues an almost political analysis of the Gothic novelborn in the age of pre-revolutionary rationalism flourishing in the wake of 1789 before flagging under the Restoration. And he concludes: ""Horace Walpole est beaucoup plus qu'un précurseur. Avec ce volume fort mince il apparait vraiment comme l'auteur de milliers d'ouvrages qui sont nés de lui. Avec ce volume fort mince sic il est le plus fécond des écrivains."" Between April 1941 and August 1944 Maurice Blanchot published in the ""Chronique de la vie intellectuelle"" of the Journal des Débats 173 articles on recently published books. In a half-page of newspaper approximately seven in-8 pages the young author of Thomas l'obscur took his first steps in the field of literary criticism inaugurating a body of theoretical work that he would later develop in his numerous essays from La Part du feu to L'Entretien infini and L'Écriture du désastre. From the very first articles Blanchot demonstrated an acuity of analysis far surpassing the literary news that occasioned their writing. Oscillating between classics and moderns major writers and minor novelists he laid down in his columns the foundations of a critical thought that would shape the second half of the twentieth century. Transformed by writing and by the war Blanchot gradually broke in the exercise of a thought developed ""in the name of the other"" with the violent certainties of his youthful adherence to Maurras. Not without paradox he thus transformed literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of a newspaper that was ""openly maréchaliste"": ""Brûler un livre en écrire sont les deux actes entre lesquels la culture inscrit ses oscillations contraires"" ""Le livre"" in Journal des Débats 20 January 1943. In 2007 the Cahiers de la NRF under the direction of Christophe Bident brought together all the literary columns not yet published in volumes accompanied by a pertinent analysis of Blanchots critical work: ""romans poèmes essais donnent lieu à une réflexion singulière toujours plus sûre de sa propre rhétorique livrée davantage à l'écho de l'impossible ou aux sirènes de la disparition. . Non sans contradictions ni pas de côté et dans la certitude fiévreuse d'une uvre qui commence . ces articles révèlent la généalogie d'un critique qui a transformé l'occasion de la chronique en nécessité de la pensée."" C. Bident. Maurice Blanchots autograph manuscripts are of the utmost rarity. S. n.[ Journal des débats] unknown
Référence libraire : 83783
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Maurice Block
Le Socialisme Moderne
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0243849516.G ISBN : 0243849516 9780243849512
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Maurice Block
Le Socialisme Moderne Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0666745900.G ISBN : 0666745900 9780666745903
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Maurice BLANCHOT - (Yvon BELAVAL)
Le souci de sincérité. Manuscrit autographe et tapuscrit complets
s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. Paris s. d. 1944 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author of 2 and a half pages in-4 published in the March 2 1944 issue of Journal des Débats. Complete manuscript with very dense writing containing numerous strikethroughs corrections and additions. Literary chronicle published on the occasion of the publication in the new collection of Gallimard editions devoted to ""La Jeune Philosophie"" of the work ""Le souci de sincérité"" by Yvon Belaval. The complete typescript is included. Under Blanchot's pen philosophical criticism acquires its own autonomy which makes it impossible to distinguish between Belaval's original thought and the luminous interpretation that Maurice Blanchot offers of it in a few pages. « L'homme sincère veut rompre avec la solitude où l'ont enfermé à la fois la réflexion et la faiblesse. Il rêve d'un retour au ""nous"" primitif mais il se contente de le rêver : il s'enchante de ses scrupules il ne parle qu'à soi-même et ne parle que de soi il échoue et jouit de ses échecs. » ""The sincere man wants to break with the solitude in which both reflection and weakness have confined him. He dreams of a return to the primitive 'we' but he contents himself with dreaming it: he is enchanted by his scruples he speaks only to himself and speaks only of himself he fails and enjoys his failures."" No concern for sincerity therefore in Blanchot but a rigorous intellectual mechanism which does not fear to free itself from the limits of the text studied to deploy all its philosophical potential. Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronique de la vie intellectuelle"" of Journal des Débats. In half a page of newspaper about seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre."" From the first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the twentieth century. Transformed by writing and by war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one these are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection always more confident in its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. The autograph manuscripts of Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Référence libraire : 44939
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Maurice Block
Les Communes Et La Liberté: Étude d'Administration Comparée Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0428314171.G ISBN : 0428314171 9780428314170
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Maurice BLANCHOT
Les intellectuels en question - In Le journal des débats N°29
Paris: Le journal des débats 1984. Fine. Le journal des débats Paris Mars 1984 18.50 x 26.50 cm agrafé The first edition published in a small number of copies of which there were no deluxe copies of this offprint from Pierre Nora's review Le Débat. Precious signed autograph inscription from Maurice Blanchot to his sister "". for you this little reading and to help you regain courage"". Marguerite Blanchot renowned organist at Chalon cathedral remained all her life in the family home with her mother and aunt. ""She would gradually become for the family like the memory of origins."" Very close to Maurice she corresponded regularly with the writer who showed her great gratitude for her devotion to their invalid mother. While Blanchot's intense affection for his mother and sister shows through in his dedications we know almost nothing of their relationships. In the only biographical essay on Blanchot Christophe Bident reveals however: ""Marguerite Blanchot venerated her brother Maurice. Very proud of him . she attached great importance to his political ideas . She read extensively . They telephoned each other corresponded. At a distance they shared the same natural authority the same concern for discretion."" Blanchot indeed sent her numerous works from his library maintaining with her a continuous intellectual bond. As for Blanchot's passion for his mother it is in the margins of his work that we discover the most beautiful testimonies: ""Perhaps the power of the maternal figure borrows its radiance from the very power of fascination and one could say that if the Mother exerts this fascinating attraction it is because appearing when the child lives entirely under the gaze of fascination she concentrates in herself all the powers of enchantment"". Cultivating absolute discretion Blanchot pushed the art of self-effacement even into his manuscript dedications generally succinct and written almost systematically on cards attached to the rare works he offered to his close friends. In contrast in these precious inscriptions to his mother and sister Blanchot reveals himself in all his fragility and in the intimacy of this correspondence casts a personal glance on his work hitherto unknown. A small tear at the head of the spine. Le journal des débats unknown
Référence libraire : 44456
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Maurice BLANCHOT - Giuseppe UNGARETTI - COLLECTIF
Les lettres nouvelles N°17 de la 7ème année
Paris: Les Lettres NouvellesJulliard 1959. Fine. Les Lettres Nouvelles Julliard Paris 24 Juin 1959 14 x 20.50 cm agrafé First edition of this issue. Copy slightly warped at the head of the first cover. Contributions by Maurice Blanchot Lucette Finas Georges Poulet Jean Starobinski ""Enquête sur la méthode critique"" ""Survey on critical method"" Robert Paris ""Entretien avec Giuseppe Ungaretti"" ""Interview with Giuseppe Ungaretti"" Robert Lebel ""Le scandale en art"" ""Scandal in art"" Giuseppe Ungaretti ""Le rire du djinn Roull"" ""The laughter of the djinn Roull"". Les Lettres NouvellesJulliard unknown
Référence libraire : 82058
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Maurice BLANCHOT - (Noel DEVAULX)
Les malheurs de Peau d'Âne. Manuscrit autographe et tapuscrit complets The Misfortunes of Donkey Skin. Complete autograph manuscript and typescript
n. l. Paris: s. n. Paysage dimanche 1945. Fine. s. n. Paysage dimanche n. l. Paris s. d. 1945 11.50 x 22 cm 3 pages in-4 Autograph manuscript by the author 3 pages in-8 published in issue 21 4 November 1945 of Paysage Dimanche. Complete manuscript written on both sides in a very dense hand with numerous deletions corrections and additions. Together with the complete typescript bearing 3 autograph corrections in black ink. This text by Maurice Blanchot « Les malheurs de ""Peau d'âne"" » contains two paradoxes. Contrary to what its title suggests it does not deal with the work of Charles Perrault; furthermore this column is devoted to the tales of an author whom the critic had already cited in his article on the fantastic novel published the previous year in the Journal des Débats and whose work he appeared to have little taste for: Noël Devaulx. Yet with nuance Blanchot here reveals to the reader the qualities of these tales and beyond that their terrible relevance in the year 1945: « Il y a dans ces récits d'au-delà du monde un certain charme provincial qui est assez singulier ; ils n'ont assurément rien à voir avec quelque folklore mais se déroulant comme tout vrai conte ""aux environs de l'absence"" ils finissent par nous imposer cette impression que nulle part est une province morte que c'est un lieu aussi suranné précieux et ridicule que peut l'être la province la plus archaïque. Or cette impression ne laisse pas de nous inquiéter. Car ce monde qu'on nous découvre et qui a la fragilité l'air endormi et sournois des objets dans les vieilles maisons c'est le nôtre mais c'est surtout celui de nos inquiétudes les plus brûlantes celui de la surnature et du surréel. . Après la lecture de L'Auberge on rêve à l'autre monde comme à un modeste salon de campagne du dehors encore très respectable de bonne compagnie et même solide mais qu'on y entre et tout vole en poussière. » A subtly political reading of Noël Devaulxs tales. s. n. [Paysage dimanche] unknown
Référence libraire : 89879
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Maurice BLANCHOT
Les plaintes de l'ombre. Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. Paris s. d. 1943 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author 2½ pages octavo published in the December 10 1943 issue of the Journal des Débats. Complete manuscript in very dense handwriting with numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of Passage de l'homme by Marius Grout winner of the 1943 Prix Goncourt. Accompanied by the complete typescript. Blanchot's critique of this future Prix Goncourt winner is not gentle although he perfectly grasps its stakes. This story whose tragic unfolding ends in a deception that creates a new faith contains for Blanchot an equivocal moral. ""We understand what Marius Grout seeks to show; that men cannot live without a dream of transcendence that miracle has no need of truth . But . if men need to live an ideal that is a fable the question arises of knowing whether after all men need to live."" The question would be pure rhetoric for a modern novel but in 1943 ""the writer who accepts to treat themes where man's destiny is at stake . puts himself at stake he bets himself; if he loses he loses himself."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronicle of Intellectual Life"" of the Journal des Débats. In half a page of newspaper approximately seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre."" From the first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF gathered under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection always more sure of its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Référence libraire : 44951
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Maurice Block
Les Progr s de la Science conomique Depuis Adam Smith Vol. 1: Revision Des Doctrines conomiques Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0266328407.G ISBN : 0266328407 9780266328407
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Maurice Block
Les Progrès de la Science Économique Depuis Adam Smith Vol. 2: Revision des Doctrines Économiques Classic Reprint French Edition
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Référence libraire : 0243340176.G ISBN : 0243340176 9780243340170
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Maurice Block
Les Progrès de la Science Économique Depuis Adam Smith Vol. 2: Revision des Doctrines Économiques Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Référence libraire : 0266435130.G ISBN : 0266435130 9780266435136
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Maurice Block
Les suites d'une grève
Paris: Hachette 1891. Un volume di 186 pagine mezza pelle non originale la brossura originale in eccellente stato è conservata all'interno con piatti marmorizzati dorso con nervature e titolo dorato. Dimensioni: 13x19 cm. Minime usure alla brossura per il resto ottime condizioni. In lingua francese. Hachette unknown
Référence libraire : 015809
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Maurice BLANCHOT
Les treize formes d'un roman. Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Journal des débats 1943. Fine. S. n. Journal des débats s. l. Paris s. d. 1943 13.50 x 21.50 cm 4 1/2 pages in-8 Autograph manuscript by the author of 2½ pages in-4 published in the May 26 1943 issue of Journal des Débats. Complete manuscript with very dense handwriting containing numerous deletions corrections and additions. The complete typescript is included. Each chapter of Roland Cailleux's novel Saint-Genès ou la vie brève presents a different narrative form. This gives Blanchot the opportunity to return to the interest of this literary audacity initiated a few years earlier by Joyce: ""The novel showed itself there with all its possibilities it metamorphosed into everything it could be."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronique de la vie intellectuelle"" of Journal des Débats. In half a newspaper page about seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre"". From his first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivated their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the 20th century. Transformed by writing and by the war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection ever more sure of its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into necessity of thought."" C. Bident. Autograph manuscripts by Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Référence libraire : 44964
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Maurice BLANCHOT
Lettre tapuscrite à Sartre
1960. Fine. 2 décembre 1960 26.70 x 20.90 cm 5 feuillets in-4 Draft typescript of letter to Jean-Paul Sartre with autograph corrections and with a second version of the first page and typescript with autograph corrections of ""Le monde en question Cours du monde"" project for La Revue internationale Set of five typescript leaves rectos only with the exception of one leaf recto-verso with corrections in red and black ballpoint pen in Maurice Blanchot's hand. This important collection bears witness to the exchanges between Maurice Blanchot and Jean-Paul Sartre around the famous ""Déclaration sur le droit à l'insoumission dans la guerre d'Algérie"" and the publication project that resulted from it La Revue internationale. Known as the ""Manifeste des 121"" this declaration signed by numerous intellectuals and artists and published on September 6 1960 had been drafted by Dionys Mascolo and Jean Schuster assisted by Maurice Blanchot in anticipation of the trial of the Jeanson network a group of French militants supporting the FLN and with the aim of informing public opinion about the protest movement against the Algerian War and its anti-democratic excesses. Among the signatories was of course Sartre. The manifesto had made many personalities aware of the influence they could exercise in public debate even in the course of History. It was in this context that in autumn 1960 Maurice Blanchot Dionys Mascolo and Elio Vittorini decided to create a review that would be not literary but critical whose purpose would be to continue this action. They sought the help of Jean-Paul Sartre whose extraordinary aura would benefit the publication favorably. In his letter to Sartre Blanchot attempts to convince the philosopher to join the project: ""Vous m'avez rappelé ce que j'ai dû dire quelquefois et que j'ai toujours intimement pensé : que la Déclaration ne trouverait son vrai sens que si elle était le commencement de quelque chose."" ""You reminded me of what I must have said sometimes and what I have always intimately thought: that the Declaration would only find its true meaning if it were the beginning of something."" "". Je voudrais dire mon sentiment propre : je crois que si nous voulons représenter comme il faut sans équivoque le changement dont nous avons les uns et les autres le pressentiment si nous voulons le rendre plus réel et l'approfondir dans sa présence mouvante c'est seulement à partir d'un organe nouveau que nous pourrons le faire. A partir de là si l'on voit Sartre et d'autres avec lui parmi les 121 décider de s'exprimer en cette forme choisie délibérément comme nouvelle chacun "" ""I would like to express my own feeling: I believe that if we want to represent as we should unequivocally the change that we all have a premonition of if we want to make it more real and deepen it in its moving presence it is only from a new organ that we will be able to do so. From there if we see Sartre and others with him among the 121 decide to express themselves in this form deliberately chosen as new everyone"" "". comprendra que vraiment nous entrons dans une nouvelle phase et que quelque chose de décisif a lieu qui cherche à s'affirmer."" ""will understand that we are truly entering a new phase and that something decisive is taking place that seeks to assert itself."" But Sartre would refuse to commit to the review. However during the first six months of 1961 Blanchot devoted himself body and soul to the project hoping it would come to fruition. The typescript included here ""Le monde en question Cours du monde"" reveals the table of contents he envisioned for the first issue: texts on destalinization the situation of the German press intellectual compartmentalization in France and Italy hunger strikes and the Berlin Wall and utopia. The review would never see the light of day to the great despair of Blanchot who was deeply enthusiastic about the idea of collective and international writi unknown
Référence libraire : 48321
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Maurice Blanchot, translated by Tsuneki Shigenobu and Morito Hashiguchi
Literature of Fire Language of Appearance Fire Part 1 2 Complete 2 volumes
Kinokuniya Books Contemporary Literary Criticism Series N.A. Soft Cover. Fine. Number of books: 2 Kinokuniya Books Contemporary Literary Criticism Series paperback
Référence libraire : 2091202133001118
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Maurice BLANCHOT - (Ernest HEMINGWAY)
Manuscrit autographe sur Hemingway intitulé traduit de . Autograph manuscript on Hemingway
1946. Fine. 1946 13.50 x 21 cm en feuilles HEMINGWAY BLANCHOT Maurice. Autograph manuscript on Hemingway 1946 16 pages 1/2 in-8 135 x 21 cm loose leaves Author's autograph manuscript 16 and a half 8vo pages published in number 17 of L'Arche July 1946 and reprinted with slight modifications in La Part du Feu 1949. Complete manuscript written recto-verso very densely spaced with numerous deletions corrections and additions. In order to examine the problems related to the translation of a literary text into another language Maurice Blanchot looks at the contemporary American novel and its perception in Europe. Many good critics complain about American literature: they find it less than original and of middling interest for a culture that moved over fifty years ago beyond naturalism. They make fun of young writers who think they're being modern by imitating Faulkner Dos Passos or Steinbeck while for Americans themselves these writers are more of yesterday than tomorrow. Thus the critic for whom the oddities of language particular to any literary work survive translation takes the example of a novel by Ernest Hemingway. In For Whom the Bell Tolls Robert Jordan discovering the importance of the moment he is living repeats the word now' in several languages. Maintenant ahora now heute. But he is somewhat disappointed by the mediocrity of this vocabulary and looks for other words.
. He tries to find in language links between these words and what they mean for him his meeting with Maria who is also his meeting with his final hour his meeting with death.
The word Todt seems to him the most dead of all the word Krieg the one that resembles war most closely. Or is it just that he knew German less well than the other languages This reflection fascinates Blanchot: This impression of Robert Jordan's can give us food for thought. If it's true that a language seems more expressive and more real to us when we know it less if words need a certain ignorance to keep their virtue from being revealed this paradox should hardly surprise us since translators come across it all the time and it represents both one of the principal challenges and one of the foremost riches of all translation. An inspired look at the work of Ernest Hemingway and the problem of translation. unknown
Référence libraire : 48346
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Maurice Bleicher
Maquisards du Vercors: Dictionnaire biographique Maurice Bleicher
PU GRENOBLE 2025. 2025. Hardcover. Maquisards du Vercors: Dictionnaire biographique <br/><br/>Maquisards du Vercors: Dictionnaire biographique Maurice Bleicher PU GRENOBLE hardcover
Référence libraire : BN245388 ISBN : 270615490X 9782706154904
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Maurice Bloch
Marxism and Anthropology
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book examines the uses made of anthropology by Marx and Engels and the uses made of Marxism by anthropologists. paperback
Référence libraire : ria9780415611602_inp ISBN : 0415611601 9780415611602
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Maurice Bloch
Marxism and Anthropology
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book examines the uses made of anthropology by Marx and Engels and the uses made of Marxism by anthropologists. hardcover
Référence libraire : ria9780415330619_inp ISBN : 0415330610 9780415330619
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Maurice Bloch
Marxism and Anthropology
New. Brand new and still unused unknown
Référence libraire : 0198079516 ISBN : 0198079516 9780198079514
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Maurice Bloch
Marxism and Anthropology: The History of a Relationship
Routledge 2010. Paperback. New. 1st edition. 190 pages. 8.40x5.40x0.70 inches. Routledge paperback
Référence libraire : x-0415611601 ISBN : 0415611601 9780415611602
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Maurice Bloch
Marxism and Anthropology: The History of a Relationship
Routledge Manohar 2022. Paperback. New. Routledge (Manohar) paperback
Référence libraire : Manohar-9781138565616 ISBN : 113856561x 9781138565616
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Maurice Bloch
Marxism and Anthropology: The History of a Relationship
Paperback / softback. New. paperback
Référence libraire : A9780415611602 ISBN : 0415611601 9780415611602
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Maurice Bloch
Marxism and Anthropology: The History of a Relationship
Routledge Manohar 2022. Paperback. New. Routledge (Manohar) paperback
Référence libraire : Manohar-9781138565616 ISBN : 113856561x 9781138565616
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Maurice Bloch
Marxist Analyses and Social Anthropology
like new. unknown
Référence libraire : 16650702 ISBN : 0415611598 9780415611596
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Maurice Bloch
Marxist Analyses and Social Anthropology
new. unknown
Référence libraire : 16650702-n ISBN : 0415611598 9780415611596
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Maurice Bloch
Marxist Analyses and Social Anthropology
Paperback / softback. New. paperback
Référence libraire : A9780415611596 ISBN : 0415611598 9780415611596
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Maurice Blanchot
Maurice Blanchot - Die Literatur und das Recht auf den Tod Sprachen: Französisch und Deutsch Maurice Blanchot
Merve Verlag 1982. 1982. Softcover. Maurice Blanchot - Die Literatur und das Recht auf den Tod Sprachen: Französisch und Deutsch <br/><br/>Maurice Blanchot - Die Literatur und das Recht auf den Tod Sprachen: Französisch und Deutsch Maurice Blanchot Merve Verlag paperback
Référence libraire : BN155681 ISBN : 3883960179 9783883960173
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Maurice Blanchot
Michel Foucault As reflected in my thoughts
Philosophy Book 1986. Soft Cover. Fine. The book is in fine condition. Philosophy Book paperback
Référence libraire : 2090502124900597
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Maurice Blaik
MICROSEISM GROUND MOTION AT PALISADES AND WESTON
PN. New. 1953. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
Référence libraire : 432650
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Maurice Blaik
MICROSEISM GROUND MOTION AT PALISADES AND WESTON
PN. New. 1953. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
Référence libraire : 710787
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Maurice Blot
Museum Etching Museum Quality A3
Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Référence libraire : 226526
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Maurice BLANCHOT - (Claude ROY)
Nouvelles et récits. Manuscrit autographe et tapuscrit complets
s. l. Paris: S. n. Journal des débats 1944. Fine. S. n. Journal des débats s. l. Paris s. d. 1944 13.50 x 21.50 cm 2 1/2 pages in-8 Autograph manuscript by the author of 2 and a half octavo pages published in the April 20 1944 issue of Journal des Débats. Complete manuscript with very dense writing containing numerous strikethroughs corrections and additions. Literary chronicle on the work of Claude Roy. The complete typescript is included. This critique of La Mer à boire by Claude Roy is at once a detailed analysis of each short story and a poetic hymn to the poet's writing: ""Le style de Claude Roy répond à merveille à ce jeu de nuances : il est lui aussi plein d'échos qui s'évanouissent de mots qui se répercutent: il est libre discipliné tout en inventions et fidèle à la réalité qu'il décrit."" ""Claude Roy's style responds marvelously to this play of nuances: it too is full of echoes that fade away of words that reverberate: it is free disciplined full of inventions and faithful to the reality it describes."" Between April 1941 and August 1944 Maurice Blanchot published 173 articles on recently published books in the ""Chronique de la vie intellectuelle"" of Journal des Débats. In half a page of newspaper about seven octavo pages the young author of ""Thomas l'obscur"" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he would later develop in his numerous essays from ""La Part du feu"" to ""L'Entretien infini"" and ""L'Écriture du désastre."" From the first articles Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns first-rate writers and minor novelists he establishes in his chronicles the foundations of a critical thought that would mark the second half of the twentieth century. Transformed by writing and by war Blanchot breaks through a thought exercised ""in the name of the other"" with the violent Maurrassian certainties of his youth. Not without paradox he then transforms literary criticism into a philosophical act of intellectual resistance to barbarism at the very heart of an ""openly Maréchaliste"" newspaper: ""To burn a book to write one these are the two acts between which culture inscribes its contrary oscillations"" Le Livre In Journal des Débats January 20 1943. In 2007 the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: ""novels poems essays give rise to a singular reflection always more confident in its own rhetoric delivered more to the echo of the impossible or to the sirens of disappearance. . Not without contradictions or sidesteps and in the feverish certainty of a work that begins . these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought."" C. Bident. The autograph manuscripts of Maurice Blanchot are extremely rare. S. n.[ Journal des débats] unknown
Référence libraire : 44934
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MAURICE BLONDEL, AUGUSTE VALENSIN
PAGES RELIGIEUSES.
AUBIER / EDITIONS MONTAIGNE / BI 1945-01-01. Broch. Good. . Cover shows minor wear and tear chipping and tanning. Pages are tanned and clean. AUBIER / EDITIONS MONTAIGNE / BI unknown
Référence libraire : mon0001790898
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MAURICE BLACK
Palaeontographical Society Monographs. British Lower Cretaceous Coccoliths. I. Gault Clay. Part I. Palaeontographical Society.
London England: The Palaeontographical Society. Palaeontographical Society Monographs. British Lower Cretaceous Coccoliths. I. Gault Clay. Part I. Pages 1 - 48. Plates 1 -16. Publication No. 534 Issued as Part of Volume 126 for 1972. Illustrated. We carry a wide selection of titles in The Arts Theology History Politics Social and Physical Sciences. academic and scholarly books and Modern First Editions and all types of Academic Literature. . Very Good. Soft cover. First Edition. 1972. The Palaeontographical Society
Référence libraire : 089431
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