Paris: Flammarion 1953. Fine. Flammarion Paris 1953 12 x 19 cm broché First edition one of 110 numbered copies on alfa the only large paper copies along with 30 pur fil. A very good copy. Flammarion unknown
<p>Limited to 150 copies this being number 141 but with an additional original 14 x 17 cm Barbier watercolor bound in before the half title. This original work had served as the model for Charles Frederick Worth's "Robe du Soir" as plate 21 in La Gazette du Bon Ton 1922 no. 3. Sumptous full Morocco by Georges Crette with gilt particulars to spine. All edges heavily gilt. Polished calf doublures and decorated endpapers with the original wraps bound in. Decorative slipcase with Morocco fore edges. Minor wear to corners of case see image. Pochoir frontispiece by Barbier as well as pochoir initials headpieces tail pieces.</p><p>8.25 x 10.25 in or 21 x 26 cm</p> A. Blaizot hardcover
Paris: H. Fabre - Paris 1911. Agrafé. Etat moyen. in-8. Pages 100-126. Non coupé. Illustré de gravures n/b in texte. Couverture illustrée fendue et frottée au dos roussie en marges. H. Fabre - Paris unknown
Paris: Flammarion 1943. Fine. Flammarion Paris 1943 18 x 20.50 cm broché First edition one of 50 numbered copies on Rives the tirage de tête. Small spots to some edges otherwise a good well-margined copy. Flammarion unknown
Paris: Ambroise Vollard 1939. Fine. Ambroise Vollard Paris 1939 28.50 x 38.50 cm en feuilles sous chemise et étui New edition of the French translation illustrated with 70 original color lithographs by Maurice Denis one of 204 copies on Holland paper ours unnumbered the only issue after 35 Japan and 20 other Holland hors commerce copies. Handsome copy despite very occasional worming. The work has the peculiarity of being dated 1939 on the front cover dated 1936 on the title page and dated 1942 on the colophon page. The 70 lithographs break down as follows: 13 full-page in color 2 in color in the text and the others in black in blue or in 2 tones. Our copy is complete at the end with the double-page table of lithographs hors-texte. Ambroise Vollard unknown
Paris: J. Ferenczi 1921. Fine. J. Ferenczi Paris 1921 12 x 19 cm broché First edition for which there is no mention of leading copies. Some foxinges mainly at the beginning and the end of the volume. Signed autograph Maurice Dekobra Maurice Boy: "". to the prestigious lawyer humorist tasted conscientious taxpayer ."" J. Ferenczi unknown
Paris: Ferenzi 1921. Fine. Ferenzi Paris 1921 11 x 18.50 cm broché First edition of which there were no deluxe copies. Autograph inscription by Maurice Dekobra in pencil. A faint marginal dampstain affecting the first few pages. Ferenzi unknown
Paris: A l'enseigne de la lampe d'or 1924. Fine. A l'enseigne de la lampe d'or Paris 1924 19.50 x 25.50 cm broché Edition illustrated with 30 etchings and original initials by Maurice de Becque one of 10 numbered copies on Imperial Japan paper containing a duplicate suite signed by Maurice de Becque. Two slight tears at head and foot of spine otherwise handsome copy. A l'enseigne de la lampe d'or unknown
Paris: Denoël & Steele 1935. Fine. Denoël & Steele Paris 1935 12 x 19 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. A handsome copy. Denoël & Steele unknown
Paris: Masson et Cie 1911. Paperback. Good. . Part 2 only. Original wraps show minor wear tear chipping tanning. Inscription above the tilte on the front cover. Pages are shaken and clean profusely illustrated. Paris: Masson et Cie paperback
Chez la V.e J. Poelman-de Pape / Gand 2026. couverture salie premier plat taché de mouillure sur ses bords tranche fanée rousseurs à l'intérieur dos renforcé et annoté. in4. 2026. Broché. Chez la V.e J. Poelman-de Pape / Gand unknown
Paris: Chez l'auteur 1951. Fine. Chez l'auteur Paris 1951 32.50 x 40.50 cm relié sous étui First edition illustrated with 15 original copperplate engravings including 10 in color by Maurice de Vlaminck one of 250 numbered copies on Arches laid paper. The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife. Full Empire green morocco binding spine with two prominent raised bands extending as triangles in blind on the covers spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar marbled paper endpapers and pastedowns triple gilt fillets framing the pastedowns covers and spine preserved top edge gilt Empire green morocco-edged slipcase marbled paper boards contemporary binding signed by the workshops of C. Muller Nancy bookbinder. Manuscript signature by Maurice de Vlaminck in pencil below his frontispiece portrait. Spine slightly darkened otherwise a handsome copy. Chez l'auteur hardcover
Paris: Editions de la lampe d'or 1923. Fine. Editions de la lampe d'or Paris 1923 19 x 25.50 cm relié New edition of the French translation illustrated with 30 original etchings by Maurice de Becque one of 250 numbered copies on handmade Rives laid paper. Half tawny morocco binding with bands spine with five raised bands alternately set with red and brown mosaic morocco fillets wood-grain paper boards framed with red and green mosaic morocco fillets brown paper endpapers and pastedowns original wrappers and spine preserved top edge gilt contemporary Art Deco binding. Handsome copy skillfully bound. Editions de la lampe d'or hardcover
Paris: Editions de la lampe d'or 1923. Fine. Editions de la lampe d'or Paris 1923 19.50 x 25.50 cm broché New edition of the French translation illustrated with 30 original etchings by Maurice de Becque one of 250 numbered copies on handmade Rives laid paper Handsome copy. Editions de la lampe d'or unknown
UK: T. Werner Laurie Ltd 1929. 1st Edition 1st Printing. Hardcover. Good. Serenade to the Hang Man by Maurice Dekobra First Edition T. Werner Laurie Ltd 1929. No inscriptions marking foxing or toning. Contents are clean throughout. Covers showing general signs of wear and some rubbing. A G copy. <br/> <br/> T. Werner Laurie Ltd hardcover
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