<p>original colour chromolithograph.</p><p>zoology print from 'L'animal dans la décoration' by Maurice Pillard Verneuil and Eugène Grasset; pl. 36 published by Imprimerie Lemercier et cie Paris.<br />Verneuil 1869-1942 was a French artist and interior decorator. He studied with Eugène Grasset a Swiss illustrator noted for his theatrical posters. While sharing Grasset's use of bold outlines and solid color forms Verneuil's own style shows a love of expressive sinuous curvilinear forms reflecting the emergence of Art Nouveau.<br />In this 1897 portfolio Verneuil celebrates a rich variety of designs based on plant and animal forms: birds fish and other sea creatures seashells and insects flowers and trees. Reducing living creatures into playful decorative devices and geometric patterns he provides dozens of striking examples to serve as models for adaptation by interior designers in creating wallpaper textiles decorative ironwork or painted borders and friezes.</p> Imprimerie Lemercier et cie, Paris.
<p>original colour chromolithograph.</p><p>zoology print from 'L'animal dans la décoration' by Maurice Pillard Verneuil and Eugène Grasset; pl. 33 published by Imprimerie Lemercier et cie Paris.<br />Verneuil 1869-1942 was a French artist and interior decorator. He studied with Eugène Grasset a Swiss illustrator noted for his theatrical posters. While sharing Grasset's use of bold outlines and solid color forms Verneuil's own style shows a love of expressive sinuous curvilinear forms reflecting the emergence of Art Nouveau.<br />In this 1897 portfolio Verneuil celebrates a rich variety of designs based on plant and animal forms: birds fish and other sea creatures seashells and insects flowers and trees. Reducing living creatures into playful decorative devices and geometric patterns he provides dozens of striking examples to serve as models for adaptation by interior designers in creating wallpaper textiles decorative ironwork or painted borders and friezes. Condition: with stains on left margin not affecting plate paper toning very good condition.</p> Imprimerie Lemercier et cie, Paris.
<p>original colour chromolithograph.</p><p>Zoology print from 'L'animal dans la décoration' by Maurice Pillard Verneuil and Eugène Grasset; pl. 18 published by Imprimerie Lemercier et cie Paris.<br />Verneuil 1869-1942 was a French artist and interior decorator. He studied with Eugène Grasset a Swiss illustrator noted for his theatrical posters. While sharing Grasset's use of bold outlines and solid color forms Verneuil's own style shows a love of expressive sinuous curvilinear forms reflecting the emergence of Art Nouveau.<br />In this 1897 portfolio Verneuil celebrates a rich variety of designs based on plant and animal forms: birds fish and other sea creatures seashells and insects flowers and trees. Reducing living creatures into playful decorative devices and geometric patterns he provides dozens of striking examples to serve as models for adaptation by interior designers in creating wallpaper textiles decorative ironwork or painted borders and friezes. Condition: with stains on top margin not affecting plate paper toning. Very good condition.</p> Imprimerie Lemercier et cie, Paris.
<p>original colour chromolithograph.</p><p>zoology print from 'L'animal dans la décoration' by Maurice Pillard Verneuil and Eugène Grasset; pl. 34 published by Imprimerie Lemercier et cie Paris.<br />Verneuil 1869-1942 was a French artist and interior decorator. He studied with Eugène Grasset a Swiss illustrator noted for his theatrical posters. While sharing Grasset's use of bold outlines and solid color forms Verneuil's own style shows a love of expressive sinuous curvilinear forms reflecting the emergence of Art Nouveau.<br />In this 1897 portfolio Verneuil celebrates a rich variety of designs based on plant and animal forms: birds fish and other sea creatures seashells and insects flowers and trees. Reducing living creatures into playful decorative devices and geometric patterns he provides dozens of striking examples to serve as models for adaptation by interior designers in creating wallpaper textiles decorative ironwork or painted borders and friezes. Condition: paper toning very good condition.</p> Imprimerie Lemercier et cie, Paris.
Maurice Pianzola conservador principal do Museu de Arte e Historia de Geneve documents the famous Baroque sculpture of early-eighteenth century Brazil including the work of "Aleijadinho" Antonio Francisco Lisboa as well as period church architecture in Minas Gerais Bahia and Pernambuco. Color and B&W photographs throughout maps notes bibliography. 181pp. Translated by Jose Alves das Neves. Photographs: Fulvio Roiter Clarival do Prado Valladares Marcel Gautherot Francois Meyer. Interior pages as new. Edges of hardcover slightly discolored. Dust jacket minor rubbing. Livrarias Mestre Jou sticker inside front cover. Portuguese / em portugues. <br /><br />Oversize book--international shipping will incur additional charges. LES EDITIONS DE BONVENT ; DISTRIBUIDORA RECORD hardcover
Référence libraire : 1001576 ISBN : 2825300500 9782825300503
<p>original colour chromolithograph.</p><p>zoology print from 'L'animal dans la décoration' by Maurice Pillard Verneuil and Eugène Grasset; pl. 45 published by Imprimerie Lemercier et cie Paris.<br />Verneuil 1869-1942 was a French artist and interior decorator. He studied with Eugène Grasset a Swiss illustrator noted for his theatrical posters. While sharing Grasset's use of bold outlines and solid color forms Verneuil's own style shows a love of expressive sinuous curvilinear forms reflecting the emergence of Art Nouveau.<br />In this 1897 portfolio Verneuil celebrates a rich variety of designs based on plant and animal forms: birds fish and other sea creatures seashells and insects flowers and trees. Reducing living creatures into playful decorative devices and geometric patterns he provides dozens of striking examples to serve as models for adaptation by interior designers in creating wallpaper textiles decorative ironwork or painted borders and friezes. Condition: paper toning very good condition.</p> Imprimerie Lemercier et cie, Paris.
<p>original colour chromolithograph.</p><p>Zoology print from 'L'animal dans la décoration' by Maurice Pillard Verneuil and Eugène Grasset; pl. 1 published by Imprimerie Lemercier et cie Paris.<br />Verneuil 1869-1942 was a French artist and interior decorator. He studied with Eugène Grasset a Swiss illustrator noted for his theatrical posters. While sharing Grasset's use of bold outlines and solid color forms Verneuil's own style shows a love of expressive sinuous curvilinear forms reflecting the emergence of Art Nouveau.<br />In this 1897 portfolio Verneuil celebrates a rich variety of designs based on plant and animal forms: birds fish and other sea creatures seashells and insects flowers and trees. Reducing living creatures into playful decorative devices and geometric patterns he provides dozens of striking examples to serve as models for adaptation by interior designers in creating wallpaper textiles decorative ironwork or painted borders and friezes. Condition: with stains on top margin not affecting plate paper toning very good condition.</p> Imprimerie Lemercier et cie, Paris.
Paris : Librairie centrale des Beaux-arts 1913. Hardcover. Good. Ornementation par la plante: Plants in Art Folio. Rebound in cloth. Small clip from corner of title page. Gorgeous color plates "en pochoir". A few stamps. 325 p. 379 figures. Paris : Librairie centrale des Beaux-arts hardcover
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