‎Maurice ile‎

‎Maurice Leblanc‎

‎La Demoiselle aux Yeux Verts‎

‎Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback‎

Référence libraire : ria9791041822027_inp ISBN : 9791041822022 9791041822

‎Maurice Leblanc‎

‎La Femme Aux Deux Sourires Arsene Lupin French Edition‎

‎Livre de Poche 2007. Soft cover. Good. <br/> <br/> Livre de Poche paperback‎

Référence libraire : 019010 ISBN : 2253003158 9782253003151

‎Maurice LEVY‎

‎La navigation intérieure‎

‎Paris: Asso. amicale des anciens élèves de l'Ecole Centrale 1889. Fine. Asso. amicale des anciens élèves de l'Ecole Centrale Paris 1889 14 x 21 cm broché First edition published in a small number of copies of this conference-visit to the Universal Exhibition of 1889. Light corner losses to the covers handsome interior condition. Asso. amicale des anciens élèves de l'Ecole Centrale unknown‎

Référence libraire : 14137

‎Maurice LEROY‎

‎La Poisson d'argent pl.26 La Gazette du Bon ton 1920 n°4‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Mai 1920 18 x 24 cm une feuille Original color print printed on laid paper signed at upper left of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full flowering of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""addressed bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they used a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the technique of metal stencil heightened in colors and for some highlighted in gold or palladium. The adventure began in 1912 when Lucien Vogel a man of society and fashion - he had already participated in the magazine Femina - decided to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observed there existed no fashion journal truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success was immediate not only in France but also in the United States and South America. Originally Vogel therefore assembled a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who were George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly joined the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists mostly unknown when Lucien Vogel called upon them would later become emblematic and sought-after artistic figures. These same illustrators created the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provided exclusive models for each issue. Nevertheless some of the illustrations show no real model but only the idea that the illustrator had of the fashion of the day. La Gazette du bon ton was a decisive step in the history of fashion. Combining aesthetic excellence and plastic unity it brought together for the first time the great talents of the worlds of arts letters and fashion and imposed through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Acquired in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""little dying journal"" that Nast had purchased a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown‎

Référence libraire : 57597

‎Maurice Lewandowski‎

‎La Question Sociale À Rome Au Temps Des Gracques Classic Reprint French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1391293177.G ISBN : 1391293177 9781391293172

‎Maurice Lesage; William H Woestman‎

‎La règle de saint Eugène de Mazenod = The rule of Saint Eugene de Mazenod‎

‎Ottawa: Faculté de droit canonique Université Saint-Paul. 1997. Trade paperback. Fine. 122122 p. bibliography. In French and English side-by-side. . Opposite pages bear duplicate numbering. Includes bibliographical references. Faculté de droit canonique, Université Saint-Paul paperback‎

Référence libraire : Alibris.0038839 ISBN : 0919261426 9780919261426

‎Maurice Levy‎

‎La Statique Graphique Et Ses Applications aux Constructions Vol. 1: Principes Et Applications de Statistique Graphique Pure Classic Reprint French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0259062987.G ISBN : 0259062987 9780259062981

‎Maurice Levy‎

‎La Statique Graphique Et Ses Applications aux Constructions Vol. 3: Arcs Ponts Suspendus Corps de Révolution; Texte Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 0265473330.G ISBN : 0265473330 9780265473337

‎Maurice Levy‎

‎La Statique Graphique Et Ses Applications aux Constructions Vol. 4: Ouvrages en Maçonnerie Systèmes Réticulaires A Lignes Surabondantes Index . Texte Classic Reprint French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 0364584904.G ISBN : 0364584904 9780364584903

‎Maurice Levy‎

‎La Statique Graphique Et Ses Applications aux Constructions Vol. 4: Ouvrages en Maçonnerie Systèmes Réticulaires A Lignes Surabondantes Index . Texte Classic Reprint French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0666278075.G ISBN : 0666278075 9780666278074

‎Maurice Leblanc‎

‎LAiguille creuse‎

‎Used. For more details please contact me unknown‎

Référence libraire : feb69165

‎Maurice Leblanc‎

‎Le Bouchon de cristal grands caractères‎

‎Ligaran 2015. Paperback. New. 316 pages. French language. 8.59x5.76x0.74 inches. Ligaran paperback‎

Référence libraire : 2-2335045512 ISBN : 2335045512 9782335045512

‎Maurice le Dault‎

‎Le Fureteur Breton Vol. 3: Bulletin Documentaire Illustré; 1907-1908 Classic Reprint French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 0656253797.G ISBN : 0656253797 9780656253791

‎Maurice LEMAITRE‎

‎Le lettrisme devant Dada et les nécrophages de Dada !‎

‎Paris: Centre de créativité 1967. Fine. Centre de créativité Paris 1967 14.50 x 22.50 cm broché Maurice LEMAÎTRE Le Lettrisme devant Dada et les nécrophages de Dada ! Centre de créativité Paris 1967 14.5 x 22.5 cm original wrappers First edition one of 50 numbered copies on Arches paper this one not justified the tirage de tête. Handsome autograph inscription signed by Maurice Lemaître to Eric Losfeld below the justification: “Spécialement réalisé pour Eric Losfeld quinze ans d'amitié sans nuage mais pas grande efficacité specially made for Eric Losfeld fifteen years of uninterrupted friendship but not great efficiency. Lemaître 67.” This copy retains the original drawing by Maurice Lemaître accompanying the 50 copies of the tirage de tête on Arches. A very good and rare copy. Centre de créativité unknown‎

Référence libraire : 56060

‎Maurice LEROY‎

‎Le Poisson d'argent La Gazette du Bon ton n°4. Année 1920 - Planche 26‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper the signature does not let identify the artist. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Référence libraire : 39029

‎Maurice LEMAITRE‎

‎Le roman de Marcelle‎

‎Paris: Maurice Lemaître 1971. Fine. Maurice Lemaître Paris 1971 23.50 x 31 cm en feuilles First edition of this offprint from the Psi review one of 100 numbered copies the only deluxe copies along with 20 others featuring a dust jacket enhanced with a watercolor by the artist. Our copy is complete with its Psi review poster. Handsome copy. Maurice Lemaître unknown‎

Référence libraire : 31677

‎Maurice LELOIR - Gustave TOUDOUZE‎

‎Le roy soleil‎

‎Paris: Boivin & Cie 1931. Fine. Boivin & Cie Paris 1931 30 x 37 cm reliure de l'éditeur New edition illustrated with 40 magnificent watercolors by Maurice Leloir including 34 full-page and 2 double-page illustrations printed in chromotypography. Title page in blue and gold with the arms of Louis XIV and his cipher. All leaves are mounted. Publisher's binding in full royal blue cloth smooth spine with gilt title front cover decorated with a large polychrome and gilt plate on the upper cover depicting Louis XIV on horseback gilt edges binding signed Engel. Handsome copy almost entirely free from foxing. Boivin & Cie hardcover‎

Référence libraire : 86239

‎Maurice Levaillant‎

‎Le Temple Intérieur‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0282156720.G ISBN : 0282156720 9780282156725

‎Maurice LEROY - COLLECTIF‎

‎Les atrocités allemandes en France. Reproduction intégrale des rapports officiels des 17 Décembre 1914 et 8 Mars 1915‎

‎Paris: D.A. Longuet 1915. Fine. D.A. Longuet Paris s. d. 1915 24 x 25.50 cm reliure de l'éditeur First edition printed on laid paper. Publisher's oblong format binding in full raspberry and sand cloth smooth spine top edge red. Autograph inscription signed by the publisher to Marcel Dentu of the S.P.A. Work illustrated with original compositions by Maurice Leroy as well as photographic views. Boards marginally sunned at head otherwise handsome copy. D.A. Longuet hardcover‎

Référence libraire : 45247

‎Maurice Letort,‎

‎Les conceptions actuelles du mécanisme des réactions chimiques - Cinétique chimique. Deuxième partie: Analyse de la réaction globale et conclusions.‎

‎Actualités scientifiques et industrielles - Eds Hermann & Cie P. 1937 In-8 25 cm 54pp. A13-14 unknown‎

Référence libraire : 65077

‎Maurice LELOIR - Jean-Jacques ROUSSEAU‎

‎Les confessions • The Confessions‎

‎Paris: H. Launette & Cie 1889. Fine. H. Launette & Cie Paris 1889 22 x 32 cm 2 volumes reliés Edition illustrated with 96 original compositions by Maurice Leloir engraved as etchings. Full red morocco-grained shagreen bindings spines with five fine raised bands set with gilt friezes and decorated with richly decorated gilt compartments gilt floral friezes at foot gilt roulettes on headcaps triple gilt fillet frames on covers floral bouquets in cover corners marbled endpapers and pastedowns gilt floral motifs in pastedown corners gilt edges on leading edges covers stitched and spine preserved. One scratch at head of second volume joint. Preface by Jules Clarétie. Handsome copy beautifully executed. H. Launette & Cie hardcover‎

Référence libraire : 65457

‎Maurice LEBLANC‎

‎Les confidences d'Arsène Lupin‎

‎Paris: Pierre Laffitte & Cie 1913. Fine. Pierre Laffitte & Cie Paris 1913 12 x 19 cm broché First edition with no mention of copies on deluxe paper. Spine slightly creased at the foot a minor stain at the lower margin of the final leaves not affecting the text. A pleasing and rare copy given the fragility of this work. Pierre Laffitte & Cie unknown‎

Référence libraire : 88169

‎Maurice Legrain‎

‎Les Folies à Éclipse: Essai sur le Rôle du Subconscient dans la Folie Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 0483687278.G ISBN : 0483687278 9780483687271

‎Maurice le Corbeiller‎

‎Les Fourches Caudines: Drame en un Acte Classic Reprint French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 0265164389.G ISBN : 0265164389 9780265164389

‎Maurice LEROY‎

‎Les Neiges. Costume pour les sports d'hiver en ""agnella"" de Rodier pl.65 La Gazette du Bon ton 1920 n°9‎

‎Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Référence libraire : 54811