‎Musique‎

‎Beethoven, Ludwig van‎

‎Menuetto and Finale from Trio, Op. 87. Clarinet Trio. Transcribed by H. Voxman. Fort three Bb Clarinets with Score. Hier: Spielpartitur und 3 Stimmhefte (= komplett).‎

‎Chikago, Rubank., 1965. 4°. 11, 4, 4, 4 Seiten. Originalkarton. - Ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen.‎

Referentie van de boekhandelaar : 3483AB

‎Beethoven, Ludwig van‎

‎Messe C dur. Op. 86. Für 4 Solostimmen, gemischten Chor und Orchester. Hier: Vollständiger Klavierauszug (mit überlegter Chorpartitur). Lateinischer Text.‎

‎Frankfurt/M. ua, Peters., 1973. 4°. 64 Seiten. Originalkarton. (Gestempelt). - Ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen. = Edition Peters 1105.‎

Referentie van de boekhandelaar : 38265AB

‎Beethoven, Ludwig Van‎

‎Op. 56: Tripel=Konzert (Klavier, Violine Und Violoncell) C Major‎

‎174 pages, music, foreword by Wilhelm Altmann, (Edition Eulenburg ; 729). eng‎

‎Beethoven, Ludwig Van‎

‎Op. 72a, Ouverture Leonore No. 3‎

‎66 pages, music, revised by Max Unger with foreword in German by Wilhelm Altmann, (Edition Eulenburg ; 601). eng‎

‎Beethoven, Ludwig van‎

‎Ouvertüre, Gesänge u. Zwischenakte zu Egmont. (Trauerspiel von Goethe). Op. 84. Ouverute, Gesänge und Zwischenakte. Hier: Klavierauszug mit deutschem Text.‎

‎Leipzig, Breitkopf & Härtel., (um 1895). 4°. [19,4 : 27]. 37 Seiten. Pappband der Zeit mit leinenkaschiertem Rücken, montiertem Originalumschlag auf Deckel, und litogr. Titelblatt. (Namenszug im oberen Titeleck). - Ansonsten ein gut erhalten, sauberes Exemplar ohne Eintragungen. = Volksausgabe Breitkopf & Härtel 1323.‎

‎- Inhalt: Ouvertüre. 1. Lied: Die Trommel gerühret. 2. Entreact I. 3. Entreact II. 4. Lied: Freudvoll und leidvoll. 5: Entreact III. 6. Entreact IV. 7. Clärchens Tod. 8. Melodram. 9. Siegs-Sinfonie. / Beiliegt in Kopie: Egmont, Goethes Trauerspiel und Beethovens Musk zu Goethes Trauerspiel. Libretto mit Regieanweisungen.‎

Referentie van de boekhandelaar : 56769AB

‎Beethoven, Ludwig van‎

‎Septett. Es dur. Op. 20. [für Violine, Viola, Horn, Klarinette, Fagott, Violoncello und Kontrabaß]. Übertragen für Piano solo von Otto Singer. Neue Ausgabe.‎

‎Leipzig, Peters. [VN 9157]., (um 1910). 4°. 31 Seiten. Illustrierter Originalkarton mit lithogr. Titelblatt. (Rücken leinenverstärkt. Deckel etwas angestaubt und fleckig). - Ansonsten ein gut erhaltenes Exemplar mit sauberem Notentext ohne Eintragungen. = Edition Peters No. 490.‎

Referentie van de boekhandelaar : 36508AB

‎BEETHOVEN, Ludwig van‎

‎Sonata Appassionata (f minor, opus 57) [ Fac-simile reproduction of the original manuscript ]‎

‎Exemplaire numéroté H.C. (Hors commerce), 1 vol. in-4 format à l'italienne cartonnage éditeur demi-toile noire, L'Edition d'Art Piazza, Paris, s.d. [ 1927 ] Rare exemplaire de ce fac-simile très remarquablement imité, tiré à 1000 exemplaires (500 pour la France, 500 pour Beethoven Association of New York), celui-ci en tirage hors commerce marqué H.C. On trouve contrecollé en garde le fac-similé de la lettre du pianiste René Paul Baillot, qui tenait le manuscrit autographe du pianiste Marie Bigot auquel Beethoven l'avait offert. Exemplaire sans la très rare jaquette, comme presque toujours. Scarce copy of this very remarkably imitated facsimile, printed in 1000 copies (500 for France, 500 for the Beethoven Association of New York), this marked H.C. ("hors commerce"). With the facsimile of the letter (pasted on guard) from the pianist René Paul Baillot, who obtained the autograph manuscript from the pianist Marie Bigot to whom Beethoven had offered it. Copy without its dustjacket. Français‎

‎Beethoven, Ludwig van‎

‎Streichquartett. String Quartet / Quatuor a Cordes. B dur. op. 130. Mit einem 3sprachigen Vorwort (deutsch, englisch, französisch). Erstausgabe der Originalfassung. Taschenpartitur.‎

‎Wien, Wiener Philharmonischer Verlag., 1946. 8°. (ca. 18,5 x 13,5 cm]. 82 Seiten. Originalkarton. (Nummer auf unterem Deckel-/Titeleck). - Im übrigen ein gut erhaltenes, sauberes Exemplar ohne Eintragungen. = Philharmonia No. 322.‎

Referentie van de boekhandelaar : 43206AB

‎Beethoven, Ludwig van‎

‎Streichquartett. String Quartet. Quatuor à Codes. D dur. op. 18 No.3. Mit einer Titelporträttafel (Fürst / Prince Karl Lichnowsky) und einer 3sprachigen Einführung (deutsch, englisch, französisch).‎

‎Wien, Wiener Philharmonischer Verlag., 1923. 8°. (ca. 18,5 x 13,5 cm]. 32 Seiten. Illustrierter Originalkarton. - Ein gut erhaltenes, sauberes Exemplar ohne Eintragungen im Notentext. = Wiener Philharmonischer Verlag. [Philharmonia] No. 312.‎

‎- Mit eingdruckter Widmung: Dem Fürsten Lobkowitz gewidmet.‎

Referentie van de boekhandelaar : 33494AB

‎BEETHOVEN, Ludwig van‎

‎Symphonie n. 3 (Eroica). Op. 55. P. R. 324‎

‎In 16°, pp. 180. Brossura editoriale. Copia in buono stato. Libretto con partitura musicale.‎

‎Beethoven, Ludwig Van‎

‎Symphonie No. 1 C Major, Op. 21‎

‎No publication date, 84 pages, music, revised by Max Unger with foreword in German by Wilhelm Altmann, (Edition Eulenburg ; 418). eng‎

‎Beethoven, Ludwig van‎

‎Symphonies nos. 5, 6, and 7‎

‎257p., 31 cm. Hardcover Good condition, upper corner of last leaves lightly damp warped‎

‎Beethoven, Ludwig van‎

‎Symphony No. 5 in C Minor, Op. 67 Dover miniature scores‎

‎96pp. Paperback Very good condition‎

‎Beethoven, Ludwig van‎

‎Symphony No. 7. A-dur, op. 92. Edited by Max Unger. Foreword by Wilh. Altmann. Mit einem 2sprachigen Vorwort (deutsch, englisch) von Wilhelm Altmann. Taschenpartitur.‎

‎London/Zürich, Eulenburg., (um 1975). 8°. [18,8 x 13,8 cm]. IV/176 Seiten. Originalkarton. (Mit sauberer Rückenverstärkung. Wenige Seiten mit formalanalytischen Eintragungen in Bleistift). - Ansonsten ein sehr gut erhaltenes Exemplar mit sauberem Notentext. = Edition Eulenburg No. 412.‎

Referentie van de boekhandelaar : 57299AB

‎Beethoven, Ludwig van (1770-1827)‎

‎Beethovens Denkmal in Bonn.‎

‎Prag, C.W. Medau und Co., um 1850. Lithographie von F. Spanner. 21,5 x 16,5 cm. Blattgrösse: 24 x 18,7 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abbildung‎

‎Deutscher Komponist.‎

Referentie van de boekhandelaar : 1008DG

‎Beethoven, Ludwig van - Köchel, Ludwig Ritter von (Hg.)‎

‎Drei und achtzig (83) neu aufgefundene original-Briefe Ludwig van Beethovens an den Erzherzog Rudolf, Cardinal-Erzbischof von Olmütz K.H.‎

‎Wien: Beck'sche Universitäts-buchhandlung (Alfred Hölder) 1865. Titelblatt und 95 Seiten. Original Broschur mit privat mit Leinen verstärktem Rücken (berieben und bestoßen, der Umschlag etwas fleckig und mit einem Namenszug von alter Hand [vgl. Abbildung], auf dem Titelblatt der Stempel einer Noten-Handlung in Erfurt, sonst gutes und sauberes Exemplar). Gr.-8°.‎

‎Erste Ausgabe. Bereits in Antiqua gedruckt.‎

Referentie van de boekhandelaar : 33876-yg7316

‎Beethoven, Ludwig van - revidiert von Max Unger‎

‎Beethoven. Symphonie Nr. 6 F dur - Fa major - fa majeur. Opus 68. Edition Peters Nr. 506‎

‎Leipzig: Edition Peters, 1975. 19 cm ; kart.‎

‎Noten. Edition Peters Nr. 506. Revidiert von Max Unger. Mit Einführung von Wilhelm Altmann. Paperbackausgabe, 152 Seiten. Gutes Exemplar ohne Eintragungen. mpw220‎

Referentie van de boekhandelaar : 86756

‎Beethoven, Ludwig van / Ludwig Nohl‎

‎Beethovens Brevier. Sammlung der von ihm selbst ausgezogenen oder angemerkten Stellen aus Dichtern und Schriftstellern alter und neuer Zeit. Nebst einer Darstellung von Beethovens geistiger Entwicklung herausgegeben von Ludwig Nohl. Mit einem Portrait-Frontispiz.‎

‎Leipzig: Ernst Julius Günther 1870. CXII und 118 Seiten sowie 1 Blatt Inhaltsverzeichnis. Reliefgeprägte original Leinwand mit Rückenvergoldung, Deckelvergoldung und allseitigem Goldschnitt (etwas bestoßen, der Rücken etwas lichtspurig, an der Stehkante des Vorderdeckel zwei kleine Beschädigungen, sonst sehr gutes und sauberes Exemplar). 14,8 x 10,5 cm. [2 Warenabbildungen]‎

‎Erste, in diesem Zustand seltene Ausgabe.‎

Referentie van de boekhandelaar : 33741-yc7114

‎Beethoven, Ludwig van, composer (1770-1827).‎

‎"Neue Liebe, Neues Leben". Autograph musical manuscript. [Vienna, 1798-1799].‎

‎Oblong folio (ca. 316 x 226 mm). Brown ink on paper, 16 staves (Johnson, Tyson & Winter Nr. 2). 3 pp. on 2 leaves (separate, second leaf mounted to a cloth stub with another, blank sheet of contemporary paper). A total of 217 measures (omitting preludes) with deletions and corrections throughout. Stored in custom-made red morocco portfolio with cloth interior flaps and brass applications on both covers (342 x 248 mm). First draft for the lied "Neue Liebe, neues Leben", a setting of a 1775 poem by Johann Wolfgang von Goethe, begun in late 1798. The present sketch, jotted down without interruptions in a very cursory, almost rushed hand already contains the melody and the words with no expression markings, but includes occasional bass sections as well as parts of the piano accompaniment at the end of verses; it shows several important departures from the version printed in 1810. At the head of the page, written in a different ink and pen and comprising the first four staves, are the first eight bars of the finale of Beethoven's String Quartet No. 1 in F major (Op. 18, No. 1, composed between 1798 and 1800, published in 1801), providing the violin voice with the theme chorus of triplets. - The lied in its present version (WoO 127) was published in early 1808, nearly a decade after this first sketch, by Simrock in Bonn as the first part of the "III deutsche Lieder", apparently without the composer's consent. Beethoven subsequently revised his work (the manuscript of that revision, dated "1809", is today kept at the Beethoven Haus in Bonn) and published it the following year with Breitkopf & Härtel in Leipzig as part of his "Sechs Gesänge" (Op. 75, No. 2). "Il s'agit du monologue d'un amant que la rencontre d'un nouvel amour a bouleversé au point de ne plus savoir où il en est : sa tentation est alors de fuir ce qui le rend étranger à lui-même" (E. Brisson). In 1811 Beethoven presented a manuscript copy of that second version, the first leaf of which is also kept in Bonn (while most of the remainder is at the Pierpont Morgan Library in New York), to Bettina Brentano on the occasion of her wedding to Achim von Arnim. Nohl has pointed out that the present first draft with its "dramatic, aria-styled phrasings" retains a somewhat "grandiose and dark quality" as compared to the reduced later version, and "if one were to interpret the urgent stride so vividly apparent in this sketch, dashed off, as it seems, without a single interruption and in a mood of deep emotional excitation, then one feels instinctively that forces of an even greater passion than such as Bettina could have aroused in Beethoven must have been at work here" (cf. p. 695). - Occasional quite insignificant brownstaining; altogether very crisp. Both leaves annotated with Beethoven's name in a near-contemporary hand. At the head of the first page is the "mysterious caption" (cf. Nohl), also by a different, early hand: "Der Schluß von seinem letzten Septuor als Motto für den Text" (apparently referring to Beethoven's Septet, Op. 20, also written in 1799; a tentative explanation is advanced by van der Zanden, p. 168). - Beethoven manuscripts written before 1800 almost never come to market; no other complete autograph manuscript of this version is known. The two leaves formerly were a single bifolium owned by baroness Anna von Gleichenstein, the sister of Beethoven's friend Therese Malfatti (remembered as a possible dedicatee of "Für Elise"), which was soon separated. Even in 1865, when Nohl edited the first leaf, its counterpart was no longer in the possession of the Gleichenstein family. The first sheet later surfaced in the archives of the music publisher Schott in Mainz and was sold at Sotheby's in 2002 (6 December, lot 14: £65,725). The second leaf was offered in 1968 by Hans Schneider of Tutzing in his catalogue 136 (lot 37, DM 17,800; then again in cat. 142, lot 266, with illustration on p. 45) and was acquired in 1969 by a private collector who had it auctioned by Venator & Hanstein in Cologne in 2011 (cat. 118, lot 861: EUR 108,000). Now that both leaves have been reunited, Hans Schneider's words, written half a century ago about only the final 62 measures, are no less true: "Through Beethoven's synthesis of his own music with a text by Goethe we are presented with a musical autograph as desirable as it is beautiful" (cat. 136, p. 37). WoO 127. Beethoven, Werke (Neue Ausgabe), Abt. 12.1, Lieder und Gesänge mit Klavierbegleitung. Kritischer Bericht (Munich, 1990), no. 18, pp. 20f., and cf. no. 41, pp. 47-49. Ludwig Nohl, "Eine Beethoven'sche Skizze", Recensionen und Mittheilungen über Theater und Musik 44 (4 Nov. 1865), pp. 695-697 (an edition of the first leaf only). Max Unger, "Neue Liebe, neues Leben. Die Urschrift und die Geschichte eines Goethe-Beethoven-Liedes", Zeitschrift für Musik 103.9 (Sept. 1936), pp. 1049-1075, here at pp. 1060-1062. Jos van der Zanden, "The Shakespeare Connection: Beethoven's String Quartet Op. 18 No. 1 and the Vienna Haustheater", Eighteenth-Century Music 18.1 (March 2021), pp. 151-170, here at p. 168 note 106.‎

‎Beethoven, Ludwig van, composer (1770-1827).‎

‎Autograph letter signed ("Beethoven"). Vienna, 23. III. 1812.‎

‎Small 4to (ca. 160 x 158 mm). 1 p. Stored in custom-made burgundy morocco chemise, interior finished with navy-blue morocco, inner front cover with a steel-engraved portrait of Beethoven under a silk matte. To the Viennese civil servant Franz Rettich (1768-1818), who was to help Beethoven send urgently needed scores to Graz for a charity concert on March 29th, only six days hence: - "Es dürften bis Morgen abend wohl sicher noch die 2 overturen folgen, und so wird Ihnen geholfen, jedoch mit der äußersten Anstrengung. Schreiben Sie nur gefälligst, daß man in Graz sicher alles erwartete erhalte, jedoch muß man sich im Voraus gefaßt machen zur Probe, da die Sachen mit dem Postwagen zwar nicht zu spät, aber doch auch nur eben zur rechten Zeit ankommen werden [...]" ("The two overtures ought quite certainly to follow by tomorrow evening, and so you shall be accommodated, but only thanks to the greatest exertions. Just kindly write that everything expected in Graz will dependably be received, but everyone must prepare for the rehearsal in advance, as the things will arrive by stagecoach, not indeed too late, but still only just in time [...]"). - In summer 1811 Beethoven had met the civil servant and patron of Graz, Joseph von Varena (1769-1843), who had persuaded the composer to support his charity concerts with music. Beethoven was enthusiastic and in late January 1812 promised Varena several pieces, including the overtures of "King Stephen" (op. 117) and "The Ruins of Athens" (op. 113), both of which were already intended for the inauguration of the German theatre in Pest on 9 February and were therefore in Hungary at the time of writing. Franz Rettich, secretary at the Superior Court of Justice in Vienna, was chosen to act as intermediary and messenger. (The father of the actor Karl Rettich, he had himself been a supporting actor at Vienna's court theatre between 1789 and 1797 before entering the civil service.) - In fact, the timing turned out to be extremely tight, as Beethoven's copyist Wenzel Schlemmer, the only man the composer would trust with the job, had fallen ill. In his present note to Rettich, Beethoven promises that the work will be finished in time, but warns that the orchestra in Graz will have very little opportunity to rehearse. Anxious to keep his word, Beethoven even forced Schlemmer to sign a declaration that he would complete the copies by March 26, noon - a pledge he would prove unable to keep. Ultimately, the copies were finished too late to go to Graz with Rettich by regular stagecoach and had to be sent by special courier, whom Rettich paid 21 guilders for the service, arriving at high noon on the day of the concert. The programme began at 6:30 that evening with a (very probably unrehearsed) performance of the "King Stephen" overture, but the overture from "The Ruins of Athens" had to be skipped. Still, the concert played an important role in making Beethoven known in Styria: "Varena, an ally from the very beginning, contributed much to that important first boost which launched a serious and lasting reception of Beethoven's works outside Vienna, enriching the musical life of Graz and amplifying with remarkable swiftness the structure of local concert programmes in the 19th century" (cf. Nemeth, p. 29). - Traces of original vertical and horizontals folds; in excellent condition. On the verso, Rettich has certified the receipt: "This message was written to me and I received it on March 23." Beethoven, Briefwechsel (ed. S. Brandenburg), vol. 2, p. 251, no. 562. F. Bischoff, "Beethoven und die Grazer musikalischen Kreise", Beethovenjahrbuch 1 (1908), pp. 6-27, here at p. 11. Cf. M. Nemeth, Beethoven-Rezeption in Graz im frühen 19. Jahrhundert unter besonderer Berücksichtigung seiner Symphonik und des Grazer Konzertwesens (unpublished M.A. thesis, Graz, 2003).‎

‎Beethoven, Ludwig van, composer (1770-1827).‎

‎Fidelio. Eine Grosse Oper in 2 Aufzügen. Vienna, Artaria, [1814].‎

‎Oblong folio. Engraved piano score with the text. Untrimmed. First printing of the first edition of Beethoven's only opera; of the utmost rarity. Inscribed on the title page, in Beethoven's own hand, to his benefactor Pasqualati (1777-1830), in whose house the composer then lodged: "Seinem werthen Freunde Baron von Pasqualati vom Verfasser" ("To his dear friend Baron Pasqualati, from the author"). - No more than three copies of this first edition bearing Beethoven's autograph inscription are known; the present one is described by Kinsky/Halm as follows: "This copy from the collection of the Society of Friends of the Music in Vienna (cf. no. 893 in the guide-book to the Centenary Exhibition, Vienna 1927) was presented to the conductor Arturo Toscanini by the Austrian Government on 1 November 1934 on the occasion of a performance of Verdi's 'Requiem', directed by him, as a gift of honour (cf. 'Philobiblon' VIII, 6)". - Professionally cleaned with repairs to gutter. Collection stamp of the Society of Friends of the Music in Vienna on title page and verso of final leaf. Beethoven's autograph inscription pencilled across the blank margin of the title page. - The present dedication copy was not publicly shown since the great 1927 exhibition in honour of the centennial of Beethoven's death; it was latterly considered lost (as are the other two dedication copies of "Fidelio" described in the catalogue of Beethoven's works). We acquired it directly from Toscanini's estate in spring 2016. Literature (all referencing this copy): Beethoven und die Wiener Kultur seiner Zeit (= Führer durch die Beethoven-Zentenarausstellung der Stadt), Wien 1927, 893. Philobiblon VIII (1935), 6. Kinsky/Halm, Werkverzeichnis Beethoven, 184.‎

‎Beethoven, Ludwig van:‎

‎[Op. 60; Arr.] Vierte große Sinfonie von L. van Beethoven. Op. 60 in B. Arrangirt für Pianoforte und Violine von I.B. van Bree‎

‎Stimmen. 34, 15 S. Gestochen. Leicht wasserrandig. Teilweise in losen Lagen. Kl. Randschaden. Seltene Bearbeitung.‎

‎Beethoven, Ludwig Von‎

‎Piano Concerto 4 G Major: Opus 58‎

‎No publication date, 136 pages, music, analysis sheet loosely inserted, (Hawkes Pocket Scores ; 214). eng‎

‎BEETHOVEN, van, Ludwig.‎

‎Original-Compositionen für Pianoforte zu 4 Händen.‎

‎Leipzig, C.F. Peters, s.d. (primi sec. XX), in-8 formato album, t. tela coeva marrone con iniziali a monogramma sormontate da corona nobiliare in oro al piatto ant., pp. 46. Strappetti reintegrati ai margini del frontespizio e della prima pagina.‎

‎Beethoven,Ludvig (Van).‎

‎Les Lettres.‎

‎<br/> TITOLO: Les Lettres. <br/> AUTORE: Beethoven,Ludvig (Van).<br/> CURATORE: Intr., appendici, note e indici di E.Anderson. <br/> EDITORE: Ed.Ilte<br/> DATA ED.: 1968,<br/>‎