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COLONGE L. / PION H.
LA FEMME ET LE CHAMEAU
Honoré Pion. début XXème. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Non paginé. 3 pages environ.. . . . Classification Dewey : 780-Musique
Referenz des Buchhändlers : RO50028601
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COLONGE Lucien / PION H.
MARIUS A LA CHASSE AUX LIONS
Galeries Parisiennes de Musique. début XXème. In-8. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. Non paginé. 3 pages environ. Gravure bleue et blanche de L. Pousthomis en couverture.. . . . Classification Dewey : 780-Musique
Referenz des Buchhändlers : RO50028596
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Colonna Maurizio
Chitarristi-compositori del XX secolo
Nove virtuosi della chitarra nati prima del '900 e prima del 1920. In brossura. Pp. 354. Buone condizioni.
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Colonna Maurizio Prefazione di Mario Dell'Ara A cura di Virginio B. Sala
Chitarristi - compositori del XX secolo Le idee e le loro conseguenze
Strumenti della musica
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Colonna, Maurizio; Dell'Ara, Mario
Chitarristi-compositori del 20. secolo: le idee e le loro conseguenze
Colonna, Maurizio; Dell'Ara, Mario Chitarristi-compositori del 20. secolo: le idee e le loro conseguenze. Padova, Muzzio 1990 italian, 354 1990. Collana "Strumenti della musica". Copertina editoriale in brossura morbida. 354 p. : ill., mus. ; 21 cm CA1
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Colonna,Maurizio.
Spanish Capriccio. Notturno n. 1. Fantasia sul nome di J. S. Bach. Per Chitarra.
<br/> STATO: NUOVO.<br/> TITOLO: Spanish Capriccio. Notturno n.1. Fantasia sul nome di J.S. Bach. Per Chitarra. <br/> AUTORE: Colonna,Maurizio.<br/> EDITORE: Kramer Ediz.Musicali<br/> DATA ED.: 1996,<br/> COLLANA: Coll.Chitarristi-Compositori del XX Secolo.<br/> EAN: 9788872073919
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Colonna,Maurizio. Gambale,Franck.
Imagery Suite. For guitar - Standard notation & tablature.
<br/> STATO: USATO, COME NUOVO.<br/> TITOLO: Imagery Suite. For guitar - Standard notation & tablature. <br/> AUTORE: Colonna,Maurizio. Gambale,Franck.<br/> CURATORE: Trascizioni di Vince Carpentieri.<br/> EDITORE: Playgame Music Ed.<br/> DATA ED.: 2002,<br/>
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COLONNE (Edouard)
Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Edouard Colonne, musicien.
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
Referenz des Buchhändlers : 50111
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Colonne, Eduard, französischer Dirigent (1838-1910).
Eigenh. Brief mit U. Paris, 7. XI. 1902.
4 SS. 8vo. "Mon avis est qu'il ne faudrait pas changer si indicalement le programme déjà annoncé - Il suffirait, je crois de changer la symphonie de Saint-Saëns en la remplaçant par celle de Franck, beaucoup plus importante […]". - Auf Briefpapier mit gedr. Briefkopf.
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Colonne, Édouard, Dirigent (1838-1910).
Eigenh. Brief mit U. („Ed. Colonne“). Paris, 28. I. 1896.
2 SS. auf Doppelblatt. 8vo. An einen Monsieur Topart (?) über Terminschwierigkeiten. Es sei ihm nicht möglich, die Aufführung der „Verdammnis“ auf den 9. zu verschieben, aber vielleicht könne er (der Adressat) ja sein Konzert auf den 16. verlegen: „Il m’est malheureusement pas possible de reporter ma Damntaion au 9 – toutes les disposititons étant prises maintenant pour le 2 – Mais vous-même ne pourriez-vous remettre votre concert au 16 [...]“. – Édouard Colonne war erster Violinist des Orchesters der Opéra de Paris und gründete 1873 das „Concert National“, woraus 1874 die „Association artistique“ wurde, deren Konzerte zunächst im Théâtre de l’Odéon, später im Châtelet stattfanden. „Insgesamt brachte Colonne einige tausend Werke von fast zweihundert Komponisten zur Aufführung. Sein Name bleibt vor allem eng verbunden mit der wahrhaft großartigen Interpretation der Werke von Hector Berlioz. Diese, die zu Lebzeiten des Komponisten vom Publikum oft abgelehnt wurden, fanden in Colonne einen begeisterten und fähigen Dirigenten, der ihnen zu dauerhaftem Erfolg verhalf“ (MGG XV, 1553). Zu den zahlreichen französischen Komponisten, die ihm viel verdanken, gehören u. a. Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Vincent d’Indy, Marc-Antoine Charpentier, Claude Debussy, Maurice Ravel, Charles-Marie Widor, Paul Dukas und Emmanuel Chabrier. „Daneben wurden in Vergessenheit geratene Werke wie ‚Fausts Verdammnis’ von Hector Berlioz wiederentdeckt, auch die Werke ausländischer zeitgenössischer Komponisten wie Richard Wagner und Richard Strauss kamen auf den Spielplan. Das Orchester lud große Dirigenten wie Felix Mottl und Felix Weingartner ein, und Komponisten wie Gustav Mahler, Peter Tschaikowski, Claude Debussy, Edvard Grieg, Richard Strauss und Sergei Prokofjew kamen, um ihre Werke aufzuführen“ (Wikipedia, Abfrage v. 5. X. 2008). – Auf Briefpapier mit gedr. Briefkopf der „Association artistique | Concerts Colonne“ und Adreßstempel.
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Colonne, Édouard, Dirigent (1838-1910).
Eigenh. Brief mit U. („Ed. Colonne“). Paris, 4. XI. 1881.
3 SS. auf Doppelblatt. Kl.-8vo. An den Musikologen und Komponisten Julien Tiersot (1857–1936), dem er gesteht, daß er vor den Schwierigkeiten, die der Text des Meisters (wohl Berlioz’ „Lélio“, von dem er später spricht) bietet, einen Rückzieher gemacht habe. Aus dem mitgeschickten Programm könne er aber ersehen, wie er mit der Hilfe eines Gleichgesinnten in Sachen Berlioz, Léon Kerst, versucht habe, die Schwierigkeiten zu umgehen. Sollte das Werk Erfolg haben, werde er sich an dem Gedicht versuchen und die Abschnitte so wählen, wie er es in seinem Brief vorschlage: „Je suis heureux d’avoir en vous un passionant de notre Berlioz. Il est vrai, j’ai reculé devant les impossibilités du texte du maître […] Vous verrez […] comment avec l’aide d’un de nos frères en Berlioz, Léon Kerst, j’ai essayé de tourner la difficulté. Si l’œvre a du succès, comme je l’espère, peut-être tenterai-je le poëme avec des coupures dans le sens iniqué dans votre lettre. A ce sujet et puisque vous connaissez bien Lélio à fond, faites-moi donc l’amitié de m’indiquer les coupures comme vous les entendez [...]“. – Édouard Colonne war erster Violinist des Orchesters der Opéra de Paris und gründete 1873 das „Concert National“, woraus 1874 die „Association artistique“ wurde, deren Konzerte zunächst im Théâtre de l’Odéon, später im Châtelet stattfanden. „Insgesamt brachte Colonne einige tausend Werke von fast zweihundert Komponisten zur Aufführung. Sein Name bleibt vor allem eng verbunden mit der wahrhaft großartigen Interpretation der Werke von Hector Berlioz. Diese, die zu Lebzeiten des Komponisten vom Publikum oft abgelehnt wurden, fanden in Colonne einen begeisterten und fähigen Dirigenten, der ihnen zu dauerhaftem Erfolg verhalf“ (MGG XV, 1553). Zu den zahlreichen französischen Komponisten, die ihm viel verdanken, gehören u. a. Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Vincent d’Indy, Marc-Antoine Charpentier, Claude Debussy, Maurice Ravel, Charles-Marie Widor, Paul Dukas und Emmanuel Chabrier. „Daneben wurden in Vergessenheit geratene Werke wie ‚Fausts Verdammnis’ von Hector Berlioz wiederentdeckt, auch die Werke ausländischer zeitgenössischer Komponisten wie Richard Wagner und Richard Strauss kamen auf den Spielplan. Das Orchester lud große Dirigenten wie Felix Mottl und Felix Weingartner ein, und Komponisten wie Gustav Mahler, Peter Tschaikowski, Claude Debussy, Edvard Grieg, Richard Strauss und Sergei Prokofjew kamen, um ihre Werke aufzuführen“ (Wikipedia, Abfrage v. 5. X. 2008). – Auf Briefpapier mit gedr. Briefkopf der „Association artistique“; ohne das erwähnte Programm.
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Colonne, Édouard, Dirigent (1838-1910).
Eigenh. Brief mit U. („Ed. Colonne“). Wohl Paris, o. D.
1 S. auf Doppelblatt. Kl.-8vo. An den Komponisten Léo Delibes (1836–1891), dem er für seinen Brief und den ihn betreffenden liebenswerten Inhalt dankt und dem er seine Freude über dessen wohlverdienten Erfolg zum Ausdruck bringt: „J’ai communiqué ce matin à ces messieurs votre lettre qui a été chaleureusement applaudi. Merci en ce qu’elle contient d’aimable pour moi et croyez-moi bien heureux de votre succès qui a été très franc[?] est très mérité [...]“. – Édouard Colonne war erster Violinist des Orchesters der Opéra de Paris und gründete 1873 das „Concert National“, woraus 1874 die „Association artistique“ wurde, deren Konzerte zunächst im Théâtre de l’Odéon, später im Châtelet stattfanden. „Insgesamt brachte Colonne einige tausend Werke von fast zweihundert Komponisten zur Aufführung. Sein Name bleibt vor allem eng verbunden mit der wahrhaft großartigen Interpretation der Werke von Hector Berlioz. Diese, die zu Lebzeiten des Komponisten vom Publikum oft abgelehnt wurden, fanden in Colonne einen begeisterten und fähigen Dirigenten, der ihnen zu dauerhaftem Erfolg verhalf“ (MGG XV, 1553). Zu den zahlreichen französischen Komponisten, die ihm viel verdanken, gehören u. a. Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Vincent d’Indy, Marc-Antoine Charpentier, Claude Debussy, Maurice Ravel, Charles-Marie Widor, Paul Dukas und Emmanuel Chabrier. „Daneben wurden in Vergessenheit geratene Werke wie ‚Fausts Verdammnis’ von Hector Berlioz wiederentdeckt, auch die Werke ausländischer zeitgenössischer Komponisten wie Richard Wagner und Richard Strauss kamen auf den Spielplan. Das Orchester lud große Dirigenten wie Felix Mottl und Felix Weingartner ein, und Komponisten wie Gustav Mahler, Peter Tschaikowski, Claude Debussy, Edvard Grieg, Richard Strauss und Sergei Prokofjew kamen, um ihre Werke aufzuführen“ (Wikipedia, Abfrage v. 5. X. 2008). – Auf Briefpapier mit gedr. Briefkopf der „Association artistique“; papierbedingt etwas gebräunt.
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Colonne, Édouard, French conductor (1838-1910)
Autograph letter signed. Paris, 13. I. 1890.
12mo. 1 p. on bifolium. With autograph envelope. To the soprano Marie-Berthe de Montalant (1865-1937) concerning the programming of a concert: "Mon petit Oiseau, Venez tantot à 5h, je vous prie et prenez note que je mets sur le programme de dimanche les 2 mélodies de Berlioz. Milles compléments a vous deux et bons souhaits à Madame de Montalant [...]". - With his orchestra "Association Artistique des Concerts Colonne", founded in 1873, Édouard Colonne focused on contemporary French composers like Camille Saint-Saëns, Jules Massenet, Gabriel Fauré, Marc-Antoine Charpentier, Claude Debussy and Maurice Ravel. Colonne was also noted for his interest in Hector Berlioz and popularized important works such as "La damnation de Faust", which had not been performed since its unsuccessful première in 1846. - On stationery with lithographed letterhead of the "Association Artistique".
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Colonne, Édouard, French conductor and violinist (1838-1910).
Autograph visiting card. Villerville, no date.
Visiting card format. 1 page. Expressing "milles remerciements et cordial souvenirs". - With traces of former mounting verso.
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Colonne, Éduard, French conductor and violinist (1838-1910).
Autograph manuscript signed. Villerville, 19. IV. 1906.
8vo. 4 pp. in purple ink, mounted as individual leaves within a half-leather 4to volume (200 x 280 mm), with a wood-engraved portrait of Colonne mounted on the green marbled upper cover. The full manuscript of Colonne's preface to the book "Les symphonies de Beethoven" by the French musicologist Jacques-Gabriel Prod’homme (1871-1956), published by Delagrave in 1906. A beautifully presented literary contribution in which Colonne expresses "la joie émue, la tendresse profunde, l'admiration sans réserve qui me courbent, humble et pieux fidèle devant Beethoven, ce maître suprême, le plus grand peut-être, parmi les Dieux qui peulent l'Olympe musical. Bien jeune encore, j'ai sacrifié sur son autel, et son culte a été la religion de toute ma vie [...]". - Prod’homme's work received the Prix Charles-Blanc of the Académie Française for 1907.
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COLOQUIO ARTES. Revista trimestral de artes visuais, musica e bailado,
Coloquio Artes. Marzo 1984 N.60
Lisboa: Fundacao Calouste Gulbenkian 1984. Brossura wrappers. Ottimo Fine. Director José-Augusto França. Scritti di Jean Clarence Lambert Prague le collage et Hoffmeister Luis de Pablo Autorretrato uno Fernando Alvarenga O impressionismo em Alberto Caeiro Alice Bellony-Rewald Balthus ou le theatre de la vie Didier Arnaudet Sculptures 1966-1969: un art pauvre J. França Joacquim Rodrigo ou o ''pintor certo'' et al. Diverse ill. in nero e a colori. Testo in francese e portoghese. 4to. pp. 84. Ottimo Fine. . Fundacao Calouste Gulbenkian, unknown
Referenz des Buchhändlers : 62988
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Color Illustrations Throughout, By Raymond Erny
Chansons D'Antan et De Tous Les Temps Album No 2
Paris: Editons Meridian 1947. First Edition . Wrappers. Very Good/Very Good Dustjacket. 10 1/4" Tall. First Edition. Unpaginated. Interior Pgs. Tanned. 1St And 2Nd Free Endpapers Loose At Binding It Appears They Were Never Bound In At Publishing. 3Rd Free Endpaper With Owner's Name. Color Illustrations On Almost Every Page. Dustjacket With Wear Along Top Edge With 1/2" Chip At Top Of Spine And Adjacent Area Of Front And Rear Panel Not Affecting Lettering Or Design. <br/> <br/> Editons Meridian unknown
Referenz des Buchhändlers : 008371
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Color Plates By Alice Havers, Head-Pieces By J. Pauline Sunter
A Book Of Modern Ballads
London / New York: Hildesheimer & Faulkner / George C Whitney 1890. 1st Edition 1st Printing. Hardcover. Near Fine. 40 Pp. Cover Elaborately Stamped In Gilt And Silver With Vase Of Flowers And A Fan. Decorated Endpapers. All Edges Gilt. Full Of Very Nice Color Plates And Color Illustrations. Designed In England Printed In Germany Undated But Perhaps Circa 1890. Light Wear Some Damp Staining To Lower Left Third Of Rear Cover No Other Staining. No Date In Book Previous Owner's Inscription Dated 1908. <br/> <br/> Hildesheimer & Faulkner / George C Whitney hardcover
Referenz des Buchhändlers : 056896
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Colorado / Moonlight...sheet music
MOONLIGHT ON THE COLORADO; Words by Billy Moll. Music by Robert A. King
NY: Shapiro Bernstein 1930. First edition. Pictorial Cover. Very Good. Barbelle. 6pp words and music in part: "Each night I sit beside the campfire dreaming In England's hills and dales across the sea." 12.25" x 9 Shapiro, Bernstein unknown
Referenz des Buchhändlers : 030094
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Colosimo Monica
Metti la magia nella tua vita! Fiabe, storie ed esercizi per liberare la fantasia ed essere felici
br. Le fiabe ci parlano di noi, di ciò che si agita nel nostro profondo, ci mostrano strade interiori dove vivono personaggi che rappresentano aspetti della nostra psiche. E ci offrono chiavi di lettura preziose, capaci di sciogliere nodi emotivi anche molto delicati, se solo potessimo connetterci con la forza benevola di cui le storie ci raccontano dalla notte dei tempi, una forza che accende intuizioni e che ci permette di trovare punti di equilibrio sempre nuovi. L'idea del libro è di utilizzare le fiabe, la scrittura autobiografica, la meditazione e altri esercizi creativi come strumenti di crescita personale. Attraverso storie semplici e continui stimoli alla fantasia, l'autrice ci guida in un percorso per conoscerci meglio, per vivere sempre felici, alla scoperta di quel mondo incantato che ci attende quando ci affidiamo alla saggezza che risiede nel nostro cuore, il luogo più magico che si possa trovare. Il testo vuole offrire a ognuno di noi spunti per elaborare le proprie fiabe, ma può essere anche uno strumento utile per chi svolge professioni nelle relazioni d'aiuto, per gli insegnanti e gli educatori.
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COLPI (Henri).
Défense et illustration de la musique dans le film.
Lyon Société d'Edition, de Recherches et de Documentation Cinématographiques, coll. "Panoramique" 1963 1 vol. relié petit in-4, cartonnage de l'éditeur, 455 pp., reproductions en noir et musique notée hors-texte, importants index. Edition originale sur papier vergé de cette étude s'attachant à répertorier, analyser et mettre en valeur la musique de film, cette "parente pauvre du cinéma". Carton publicitaire annonçant la parution du livre joint. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Referenz des Buchhändlers : 112001
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COLPI (Henri).
Défense et illustration de la musique dans le film.
Lyon Société d'Edition, de Recherches et de Documentation Cinématographiques, coll. "Panoramique" 1963 1 vol. relié petit in-4, cartonnage de l'éditeur, 455 pp., reproductions en noir et musique notée hors-texte, importants index. Edition originale sur papier vergé de cette étude s'attachant à répertorier, analyser et mettre en valeur la musique de film, cette "parente pauvre du cinéma". Carton publicitaire annonçant la parution du livre joint. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Referenz des Buchhändlers : 112001
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COLPI, Henri
Défense et illustration de la musique dans le film
1963 Société d'Edition, de Recherches et de Documentation Cinématographiques, Serdoc BP 3 Lyon-Préfecture - N°1 de la collection "Panoramique" - 1963 - In-8, reliure pleine percaline, pièce de titre au dos, dans un emboîtage cartonné - 455 pages
Referenz des Buchhändlers : 125677
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Colt Freddy
L'astro di Pippo Barzizza. Vita e opere del «Re del jazz» italiano
br. In un'Italia combattuta fra provincialismo e modernizzazione emerge, negli anni Venti del Novecento, la figura artistica di un musicista ligure con solide basi classiche ma aperto alle innovative sonorità americane. Si chiama Pippo Barzizza e diventerà uno dei più popolari direttori d'orchestra radiofonica fra la metà degli anni Trenta e tutti gli anni Cinquanta. Pioniere del jazz, primo arrangiatore italiano, grande scopritore di talenti e personaggio carismatico, ha composto anche colonne sonore per film di Totò, Macario e Gassman. Nel libro, arricchito da un'ampia discografia curata da Roberto Berlini, vengono narrate per la prima volta le vicende biografiche e la carriera artistica del «Re del jazz» italiano. Prefazione di Dario Salvatori. Presentazione di Renzo Barzizza.
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Colter, Jessi & David Ritz
AN OUTLAW AND A LADY A Memoir of Music Life with Waylon and the Faith That Brought Me Home
Thomas Nelson. Near Fine in Near Fine dust jacket. 2017. First Edition; First Printing. Hardcover. 8vo 8" - 9" tall; 304 pages . Thomas Nelson hardcover
Referenz des Buchhändlers : 80217 ISBN : 0718082974 9780718082970
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Colton, Glenn David
Newfoundland Rhapsody: Frederick R. Emerson and the Musical Culture of the Island
McGill-Queen's University Press. Very Good in Near Fine dust jacket. 2014. First Edition; First Printing. Hardcover. 0773542515 . Tight clean book unmarked but for name to front endpaper; in glossy dust jacket; 152.4 X 33.02 X 228.6 millimeters; 428 pages; Frederick Rennie Emerson 1895-1972 was a dynamic presence in the cultural and intellectual life of Newfoundland and Labrador for much of the twentieth century. A musician lawyer educator and folklore enthusiast Emerson was a central figure in the preservation and mediation of Newfoundland culture in the tumultuous decades prior to and following Confederation with Canada in 1949. . McGill-Queen's University Press hardcover
Referenz des Buchhändlers : 64205 ISBN : 0773542515 9780773542518
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Colton, Glenn David
Newfoundland Rhapsody: Frederick R. Emerson and the Musical Culture of the Island
Montreal: McGill-Queens Univ. Press. Fine copy in fine dust jacket. 2014. 1st. hardcover. 8vo 401 pp. . McGill-Queens Univ. Press hardcover
Referenz des Buchhändlers : BOOKS091073I ISBN : 0773542515 9780773542518
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Coltrane, John, American jazz saxophonist and composer (1926-1967).
"Ballads". Album with autograph inscription signed. No place or date (between 1963 and 1967).
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COLTURATO ANNARITA
La Raccolta Foà-Giordano della Biblioteca Nazionale Universitaria di Torino.
in 4°, br. edit., pp. 174, (2), alcune ill.n.t.
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COLUCCI Raffaele.
La gioventu di Cimarosa. Studio drammatico. Napoli, Stab. Tip. del Poliorama, 1852.
16°, br. coeva, pp. 106.
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Coluccia Francesco
Folk book. Antologia di brani del Sud Salento
brossura Questo libro è rivolto a tutte le persone appassionate di musica popolare salentina. All'interno vi è una raccolta di brani, dove vi troverete la trascrizione per fisarmonica (ma utilizzabile anche da altri strumenti), il testo con gli accordi e la traduzione dei brani. Come da prassi, la musica popolare fa parte della cultura definita orale, non scritta, quindi non definita, ma costretta con il tempo a cambiare ed evolversi; caratteristica essenziale di questa musica. Trascrivere i brani e scriverne i testi potrebbe significare la fine di questo processo,come una condanna a non evolversi più. Ma questa pubblicazione non ha affatto intenzione di definire o creare dei confini, ma vuole che sia possibile, per tutti gli appassionati, poter conoscere ed eseguire un saggio del repertorio popolare.
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Coluccino, Osvaldo, e Franco Guerzoni
Manto
Prima edzione. Esemplare 29 di soli 30 numerati da 1 a 30, in stato di nuovo. Splendido libro d’artista realizzato in sole 41 copie variamente numerate (una prova per l’archivio della stamperia, dieci I-X con due grafiche originali e trenta 1-30). Raccolta inedita di poesie di Osvaldo Coluccino, poeta e compositore nato nel 1963. Accompagnano i versi due scritti in prosa, «Un dinamismo percettivo», del poeta, e «Sfogliare» dell’artista Franco Guerzoni che compone cinque grafiche e la copertina, combinando tecniche calcografiche con la stampa litografica.
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Columb, David (photographs), and Tony Jasper (words)
The Bay City Rollers Picture Scrapbook
London: Queen Anne Press Ltd. 1975. Book. Very Good. Stiff Card Wraps. 1st Edition. 12mo - over 6¾ - 7¾" tall. Offers "a whole collection of very important Roller pictures" by the guy "who is their official photographer." Although they began playing in the mid-'60s they didn't become teenybopper heartthrobs until about the mid-'70s after which they sold 120000000 records worldwide. Unpaginated 96. Minor edgewear a few impressions/thin scratches moderate handling wear. Uncommon. Queen Anne Press Ltd. Paperback
Referenz des Buchhändlers : 018943 ISBN : 0362002525 9780362002522
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Columbano Marco
Una finestra sul mistero. La vita e la morte nel canto di Fabrizio De André, La Maddalena, Paolo Sorba Editore, 2010
La Maddalena, 2010; br., pp. 184.
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Columbia
Catalogue of Columbia Records 1951-52
London: Columbia. G : in Good condition without dust jacket. Cover rubbed and soiled. Page edges browning. 1951. First Edition. Blue card cover. 180mm x 120mm 7" x 5". 224pp. . Columbia unknown
Referenz des Buchhändlers : e0984c
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COLUMBIA
Sélection de 700 disques. Columbia. 1938.
Couverture souple. Broché. 47 pages. 11 x 17 cm.
Referenz des Buchhändlers : 60026
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Columbia -
Hauptkatalog. Populares Repertoire. 1950.
Wien, 1949, 16mo br. pp. 36.
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COLUMBIA CONCERTS CORPORATION
ARTISTS ALMANAC SEASON 1932-1933: WORLD FAMOUS INSTRUMENTALISTS VOCALISTS & ATTRACTIONS AVAILABLE.
NEW YORK: COLUMBIA CONCERTS CORP. G IN FLEXIBLE GREEN LEATHERETTE WITH GILT LETTERING. Pages: 212. . 1932. HARDCOVER. LIGHT STAINING AT HEAD & HEEL. LIGHT RIPPLING AT HEAD THROUGHOUT. PAGES LIGHTLY TONING. TEXT BLOCK CLEAN & TIGHT. . COLUMBIA CONCERTS CORP. hardcover
Referenz des Buchhändlers : MASTER176081I
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Columbia College Center for Black Music Research
Lenox Avenue. A Journal of Interartistic Inquiry. Volumes 1-3
Columbia College Center for Black Music Research 1995. Volumes 1-3 partly bound minor library markings else text clean & bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Columbia College Center for Black Music Research unknown
Referenz des Buchhändlers : ZB643007
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Columbia Concerts Corporation.
PRESENTING THE WORLD'S MOST DISTINGUISHED CONCERT ARTISTS: FAMOUS VOCALISTS INSTRUMENTALISTS AND ATTRACTIONS AVAILABLE FOR CONCERTS RECITALS ORCHESTRAS OPERA RADIO AND OTHER ENGAGEMENTS.
New York: Columbia Concerts Corporation 1935. 1935. Good. - Quarto 13 inches high by 10 inches wide spiral-bound in black boards backed with black cloth and titled in gilt on the front cover & spine. The binding is rubbed with the paper torn at the corners. The titling on the spine is faded and the head & tail of the spine are chipped. 67 unnumbered pages. Profusely illustrated with portraits of musicians many of them full-page. Good. <p>A sumptuously illustrated book of portraits of musicians with color borders and backgrounds. Many of the portraits are full-page including those of Heifetz Menuhin Lotte Lehmann Iturbi Albert Spalding Rose Bampton Harold Bauer Milstein Piatigorsky Szigeti Segovia Gigli Robert Casadesus Brailowsky and Toscha Seidel. <p>Limited edition of 1000 numbered copies. New York: Columbia Concerts Corporation, 1935. hardcover
Referenz des Buchhändlers : 34376
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Columbia Music Staff Compilers
Monkees Easy Big Note Guitar Book 2
New York: Screen Gems-Columbia Music Inc. Good. 1967. Softcover. Pictorial white paper binding rubbed at extremities; backstrip split 3" from head; covers scuffed & smudged staples rusting. ; In wraps; good one-color illustrations; b&w musical scores with full lyrics for 12 Monkees hits. ; 4to 11" - 13" tall; 39 pages . Screen Gems-Columbia Music, Inc. paperback
Referenz des Buchhändlers : 44584
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Columbia Pictures
Easy-To-Play Speed Music TV Tunes #146
Columbia Pictures Publications 1984. Book. Very Good. Soft cover. Columbia Pictures Publications 1984. 46 pages. Very good soft cover. Music clean and unmarked. Includes Theme From Star Trek Hill Street Blues Cheers Happy Days Love Boat Charlie's Angels and much more. We have the largest selection of accordion and polka music on the internet. Columbia Pictures Publications Paperback
Referenz des Buchhändlers : 010487
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Columbia Records
Alphabetical Catalogue Of Columbia Records: 1953-1954 Catalogue
Hayes Middlesex: Columbia Gramaphone Company Ltd 1954. Paperback. Good. Paperback edition 1954 containing details of all available long playing records up to and including June 1953. In overall good-to-very good used condition with only minor signs of age handling and storage. Internally clean. Binding tight and appears little read; no annotation or inscriptions; tanning to page-ends but text bright and clear throughout. Not an old library book. Columbia Gramaphone Company Ltd paperback
Referenz des Buchhändlers : 190876
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Columbia Records
Columbia Overseas Supplements Columbia Records C5301-5407
London: Columbia Records 1953. 1st Edition 1st Printing. Soft cover. Very Good/No Jacket. 8vo - over 7¾ - 9¾" tall. First edition first printings of overseas record catalogues.18 catalogues of 33 1/3 78 and 45 R.P.M. records on special hardback binder c. 450 pages illustrated. Very Good condition. Unmarked copy. Published January 1953 - July 1954 <br/> <br/> Columbia Records paperback
Referenz des Buchhändlers : 074811
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Columbia Records
COLUMBIA RECORDS A Complete Catalog October 1940
Bridgeport CT: Columbia Recording Corporation. 1940. Softcover. Very Good with no dust jacket; Edges worn. One page bottom has a tear. Pages yellowing ; B&W Illustrations; 317 pages . Columbia Recording Corporation paperback
Referenz des Buchhändlers : 38047
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Columbia Records
Columbia New Process Records. Complete Catalogue up to and including supplement N° 149. 1929.
London: Columbia Gramophone Company Ltd, 1929 in-12, 260 pages. Broché, pages cornées, pages 239-240 déchirée sur 9 cm avec manque de texte.
Referenz des Buchhändlers : 1372128
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Columbia University Department of Music
Current Musicology number 7 / 1968
Columbia University. 005841-Netherlands 137 pp softcover. A near fine copy. Pictures on request. 137 pp softcover. A near fine copy. Pictures on request. Columbia University paperback
Referenz des Buchhändlers : 5841
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Columbia Western Music Appreciation Association
Sekai Ongaku Meibanshu Volume 1 Volume 1-9 Index Volume 45 is a combined volume 9 volumes Volume 2 Volume 1-71011 Volume 12 is a combined volume 8 volumes <Japanese Version>
Japan Gramophone Company 1936. Soft Cover. Fine. Number of books: 17 Japan Gramophone Company paperback
Referenz des Buchhändlers : 2110502151001899
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Columbia:
Columbia Marsch. Gecomponeerd door S. Spiero. Op. 53. Opgedragen aan den Heer A.H.A. Bakker, importeur der Columbia Records voor Nederland. Voor piano. Edition facile
3 p. Edges frayed. Titelillustration.
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Columbian Conservatory of Music
The Columbian Conservatory of Music Toronto 1912-1913 Classic Reprint
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 139030017X.G ISBN : 139030017X 9781390300178
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